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Tag: 1971

Shifting the Lens

06 December 2018 The Caravan

The Drik gallery was host to South Asia’s first World Press Photo exhibition in 1993. The exhibition was opened jointly by the deputy leader of BNP Dr. Badruddoza Chowdhury (later president of Bangladesh) and Mr Abdus Samad Chowdhury (later foreign minister). It was the only time these top leaders opened an event together/DRIK

On the night of 5 August, a couple of dozen men turned up at the photographer Shahidul Alam’s house in Dhaka. They dragged him from his apartment, bound and screaming, smashing surveillance cameras on the way out. Alam’s partner, Rahnuma Ahmed, was with a neighbour, so she could not react in time. By the time anyone fully realised what was going on, Alam had been thrown into a white van and driven off into the night’s darkness.

The following is an excerpt from “The Man Who Saw Too Much: Why the Bangladesh government fears Shahidul Alam,” by Kaamil Ahmed, published in The Caravan’s latest issue, alongside Alam’s visual account of Bangladesh’s extrajudicial killings. Subscribe now to read in full.

What Joy Bangla means today

Originally published in New Age

By Shahidul Alam

Joy Bangla in those days had not been commandeered by any political party. It was a slogan we all used. Some took it more to heart than others. I was on a rickshaw heading towards mejo chachi’s house, (she is mother of my footballer cousin Kazi Salahuddin, better known by his nickname Turjo). Seeing a friend on the road I shouted out Joy Bangla. Joy Bangla, he waved back. At mejo chachi’s the rickshawala refused to take my fare. “Joy Bangla bolsen na. apnar thon bhara loi kemne” (You said Joy Bangla. How can I take fare from you?). Despite my insistence he wouldn’t budge. The rallying cry belonged to us all. He saw me as a fellow warrior.

On the 16th December, I had gone into a burning military convoy opposite Sakura hotel and took a partially charred Browning light machine gun as a trophy. Almost at the same site where I had seen, nine months ago, people being gunned down as they ran from the flames on the night of the 25th March. They lived in the slums near the Holiday office. Their brutal death part of a statistical count we still argue about.

Years later, I tried to put together a visual chronicle of the war. Collecting photographs from great photographers from far away lands and many local ones who had witnessed our pain, and shared our victory. There were moments of great bravery and greater sacrifice. There were moments of immense pain. The weight of great loss. Rashid Talukder’s image of the dismembered head in Rayerbazar was one of the most striking. Kishor Parekh?s sculpted frames showing, dignity, honour, elation and loss. Raghu Rai?s monumental images of seas of people seeking shelter. Captain Beg’s rare photographs of the mukti bahini during battle. Mohammad Shafi?s striking image of women smuggling grenades in half-submerged baskets. Aftab Ahmed’s image of the final surrender, stoic and significant.

A woman emerges out of hiding for the first time, carrying a rifle and accompanied by her children. The family were hiding from Pakistani troops during the Bangladesh War of Independence in 1971. Photo: Penny Tweedie/Chobi Mela archives/Drik

The image that stood out from all the others however, was by Penny Tweedie. Freelancing and without an assignment, Penny had neither the luxury of a client?s budget, nor the assurance of a publishing slot. She did the best she could, getting lifts from fellow photographers, flitting between areas of conflict and stress, she stayed close to ordinary people. People like my rickshawala friend, or the people I saw dying on the night of the 25th March. People who resisted, people who fled, people who sheltered others. People who fed people when they had little food themselves. The image of a woman, carrying a gun walking through a paddy field, with children in tow, was for me the image that encapsulated the war. These were ordinary people who had war thrust upon them. They made do, as best as they could. Bearing their pain with dignity. Fighting with no hope for return. Unlike me, they were not trophy hunters. I doubt if that woman ever made it to a muktijoddha list. I have no way of knowing if she, or her children made it through the war alive. They gave us this nation where we had all hoped we would be free.

HISTORY AS ETHICAL REMEMBRANCE

Dhaka University, Shaheed Minar and CP Gang’s ‘bessha’ banner
by Rahnuma Ahmed

Prologue
The online group CP Gang's banner reads (translated) 'Resist these so-called civil [society] liars and anti-Independence intellectual prostitutes in order to uphold the true history of the liberation war to the younger generation.' Those whose faces are crossed out are, from left to right, journalist Mahfuzullah, Dhaka University professors Asif Nazrul and Amena Mohsin, North South university professor Dilara Chowdhury, lawyer Tuhin Malik, writer and columnist Farhad Mazhar, Saptahik editor Golam Mortuza, New Age editor Nurul Kabir, and daily Manabzamin editor Motiur Rahman Chowdhury. A human chain at the Central Shaheed Minar organised by the Muktijoddha Sangsad Santan Command, Dhaka on October 17, 2014.
THIS story begins with the sudden and unexpected death of professor Piash Karim on October 13, 2014, of cardiac arrest. Piash, who had returned to Dhaka in 2007 after teaching for nearly two decades at an American university, had joined BRAC University and was teaching in the department of economics and social sciences. Dr Amena Mohsin, professor of international relations at Dhaka University, and Piash Karim got married in March 2013; high-school student Drabir Karim, Piash’s son from his first marriage, was part of their family. Earlier known in his circle of friends for his left-leaning views, Piash gradually gravitated towards the Bangladesh Nationalist Party, a centrist party and the ruling Awami League’s arch-enemy. He began frequenting television talk shows, popular, as no real debate takes place in the parliament. (The popularity of TV talk shows has drastically declined, however, with the silent black-listing of dissident voices; a couple of analysts have reportedly left the country). His comment that the Ganajagaran Mancha, initially composed of a small group of bloggers and activists calling for the hanging of war criminals of 1971, later mushrooming into a sea of people at Shahbagh square in Dhaka city and spreading nationwide, was developing ‘fascist’ undertones, earned him widespread denunciation. The movement was then riding high.

Tolerating Death in a Culture of Intolerance

Another blogger. Ananta Bijoy Das, murdered today. Police too busy beating up students to notice:
Anonto blogger killed with text———————————————————————————————————-
Tolerating Death in a Culture of Intolerance | Economic and Political Weekly.
COMMENTARY Economic & Political Weekly EPW MARCH 21, 2015 vol l no 12 11 by?Shahidul Alam
The daylight murder of Bangladeshi blogger Avijit Roy in Dhaka on 26 February reflects the culture of fear and intolerance that has built up in the country over the last few decades. As a result, the middle ground between the extremes has disappeared.
Returning home with your wife, from a book fair where you have been signing autographs, seems a peaceful enough activity. It was in the heart of the university area, and it was not late. The footpath next to Ramna Park, where the 1971 surrender document had been signed, was full of people. Shahbagh Police Thana was nearby, and a police barricade designed to keep visitors to the mela safe, was only a few yards away. Hardly the scene crime stories are made of.
Location of murder of Dr. Avijit Roy near Dhaka University Teachers Students Centre (TSC) roundabout. Photo: Shahidul Alam/Drik/Majority World

The Blood Telegram: Nixon, Kissinger and a Forgotten Genocide.

?By Gary Bass. The Economist

UNTIL 1971 Pakistan was made up of two parts: west and east. Both Muslim-dominated territories were born out of India?s bloody partition 24 years earlier, though they existed awkwardly 1,600km apart, divided by hostile Indian territory. Relations between the two halves were always poor. The west dominated: it had the capital, Islamabad, and greater political, economic and military clout. Its more warlike Pashtuns and prosperous Punjabis, among others, looked down on Bengali easterners as passive and backward.

THE LEGACY OF MADHU?S CANTEEN

By?Ananta Yusuf in The Daily Star

Photo: Prabir Das

Photo: Prabir Das

Taking a stroll around Madhur Canteen, named after Madhu Sudan Dey, a visitor would come across various spots ? where students of Dhaka University sit in rows, chatting and possibly planning their future. It is a place where the streets widen to make room for creative minds and the walls are covered with political graffiti and posters. Chairman of Workers Party of Bangladesh, Rashed Khan Menon considered it as a parallel school of progressive thought, politics and rational debates, and till date he believes, ?its yard is filled with the leaders of?tomorrow.?

BLACK NIGHT 1971 Bangladesh

By Monirul Alam

The black night of March 25, 1971 when the Pakistani occupation forces kicked off one of the worst genocides in history that led to a nine-month war for the independence of Bangladesh in 1971.
On this black night in the nation?s history, the Pakistani military rulers launched ?Operation Searchlight?, killing some thousand people in that night?s crackdown alone.?As part of the operation, tanks rolled out of Dhaka cantonment and a sleeping city woke up to the rattles of gunfire as the Pakistan army attacked the halls at Dhaka University, the then East Pakistan Rifles (now Border Guard Bangladesh) headquarters and Rajarbagh Police Lines, killing the several thousand unarmed Bengalis on the single night. The planned and designated centres of offensive operations under that plan were Dhaka, Khulna, Chittagong, Comilla, Jessore, Rajshahi, Rangpur, Saidpur and Sylhet? areas, where West Pakistani army units were concentrated.