Official versions conflict about why Romel Chakma – a 20-year old HSC examinee and student leader of the Pahari Chatra Parishad – was picked up by the army, whether he was transferred from army to police custody while in Naniachar, whether his admission to, and 2-weeklong treatment at, the Chittagong Medical College and Hospital (CMCH), occurred under police custody, and lastly, whether the Naniachar police station’s officer-in-charge (OC) was physically present when Romel’s body was burnt (not cremated, for his body was not handed over to his family), a few hundred yards away from his home in Purba Hatimara village, Naniachar.
Romel was not ill, nor was he suffering from any kind of injury when he was picked up. I have not come across any such media reports, nor does Romel’s father Kanti Chakma, in his letter to the National Human Rights Commission (NHRC, dated April 6, 2017), make any such mention. One can therefore assume that he was reasonably fit and healthy (beside the stresses and strains of appearing for his exams), when he was picked up. Continue reading “ROMEL CHAKMA II: Is custodial killing heroic?”
Meghan Markle – now Duchess of Sussex, with her own Royal Coat of Arms – is the daughter of a white American father and an African-American mother, her parents divorced when Meghan was 6, and she was raised singly by her mother. Continue reading “Of weddings: royal, bombed & droned”
I have not acquired any fortune but I have my paternal estate and the pension of a Subedar. This is enough for me. The people in my village seem to respect me, and are now fully satisfied with the ease and benefits they enjoy under British rule.
Thus wrote Sita Ram in From Sepoy to Subedar, first published in 1873, sixteen years after the first war of independence (the British still refer to it as the Indian Rebellion, or the Indian Mutiny).
Sita Ram wrote the manuscript at the bidding of his commanding officer Lieutenant-Colonel Norgate in 1861, his son passed it on to the Englishman; the manuscript is supposed to have been written in Awadhi, Norgate translated it into English. An Urdu translation is also heard to have surfaced the same year. Few copies are known to have been sold, until 1911 that is, when a Colonel Phillott created a new syllabus for Hindustani exams, taken by colonial officers to test their knowledge of the language. Phillott himself translated the book into Urdu, and from then onwards, the autobiography of Sita Ram, who worked in the Bengal Native Army of the East India Company for forty-eight years (1812 to 1860)—became a ‘key text’ for British officers. The book was still part of the curriculum in the 1940s, it was translated into Devanagari in the same decade; a new and illustrated edition of the book (Norgate’s English translation), was brought out by James Lunt, as late as 1970. Continue reading “Propaganda, and the suppression of dissent”
It was a peaceful procession.
We had gathered under the aegis of the National Committee to Protect Oil, Gas, Mineral Resources, Power and Ports, outside the National Press Club in Dhaka, on October 19, 2016. After a brief rally, where speakers described the harm that the Rampal coal power plant would cause the Sundarbans, the world’s largest mangrove forest straddling both sides of the Bangladesh-India border, we formed a procession, raised slogans and proceeded toward the Indian High Commission in Gulshan to deliver an open letter for the Indian prime minister Narendra Modi.
Since India is the major partner in building the Maitree Super Thermal Power Project, i.e., the Rampal coal power plant, the National Committee’s open letter called on the Indian prime minister to scrap the project.
It’s not only us. Forty-one Indian people’s movements, green and civil rights organisations have called on Narendra Modi to scrap the the project. So has the Unesco and the International Union for the Conservation of Nature (IUCN). A Unesco statement recommended the ‘Rampal power plant project be cancelled and relocated to a more suitable location’ as it could damage the world heritage site, home to 450 Royal Bengal tigers, expose downriver forests to pollution and acid rain, threaten the breeding grounds of Ganges and Irrawaddy river dolphins, far worsen the already liminal ecosystem which is being threatened by rising sea levels (The Guardian, October 18, 2016). Three large French banks, including BNP Paribas, a sponsor of the Paris climate summit in 2015, have refused to invest, while two Norwegian pension funds have withdrawn their investment. Continue reading “Quelling anti-Rampal protests (with South Korean assistance)”
Why was Irfan killed? Why did they have to kill him, if it was for the money, they had already snatched it away, why kill him? Was it accidental, did he die because a novice, or a brute, hit him on the head too hard? Or did he die because he had resisted, because one of his abductors had grabbed his throat and in the ensuing tussle, squeezed it for a fraction of a second too long?
These questions haunt us, as his killers remain untraced, unknown, even now, a year later. Continue reading “Irfanul Islam, and an 8-mile stretch of road”
Dhaka University, Shaheed Minar and CP Gang’s ‘bessha’ banner
by Rahnuma Ahmed
THIS story begins with the sudden and unexpected death of professor Piash Karim on October 13, 2014, of cardiac arrest. Piash, who had returned to Dhaka in 2007 after teaching for nearly two decades at an American university, had joined BRAC University and was teaching in the department of economics and social sciences. Dr Amena Mohsin, professor of international relations at Dhaka University, and Piash Karim got married in March 2013; high-school student Drabir Karim, Piash’s son from his first marriage, was part of their family. Earlier known in his circle of friends for his left-leaning views, Piash gradually gravitated towards the Bangladesh Nationalist Party, a centrist party and the ruling Awami League’s arch-enemy. He began frequenting television talk shows, popular, as no real debate takes place in the parliament. (The popularity of TV talk shows has drastically declined, however, with the silent black-listing of dissident voices; a couple of analysts have reportedly left the country). His comment that the Ganajagaran Mancha, initially composed of a small group of bloggers and activists calling for the hanging of war criminals of 1971, later mushrooming into a sea of people at Shahbagh square in Dhaka city and spreading nationwide, was developing ‘fascist’ undertones, earned him widespread denunciation. The movement was then riding high. Continue reading “HISTORY AS ETHICAL REMEMBRANCE”
Artist Dhali Al Mamoon talks to Rahnuma Ahmed about his public art Shorok Durghotona Sritisthapona (Road Accident Memorial), located in Dhaka University campus, in memory of film-maker Tareque Masud and journalist Mishuk Munier
AWARD-WINNING film-maker Tareque Masud, broadcast journalist Mishuk Munier and three others died in a car crash on August 13, 2011 when a Chuadanga-bound bus rammed into the film crew?s microbus on the Dhaka-Aricha highway in Manikganj. It was raining; the bus was travelling at a high speed. Their deaths were instantaneous.
Dhali Al Mamoon, his artist wife Dilara Begum Jolly, Tareque?s wife American-born film editor Catherine Masud, production assistant Saidul Islam, and writer Monis Rafik survived the accident. Mamoon?s injuries were the most severe. Continue reading “Between absence and presence”
EVEN THOUGH I was dying to, pressing work — to do with other activist engagements, the Tazreen factory fire, communal attacks in Ramu — forced me to stay away the first few days from the youth uprising which began at Shahbagh on February 5. The spontaneous sit-in, rapidly gathered into its fold hundreds of thousands of people who, driven by a deep sense of injustice, have felt compelled to go to Shahbagh to ‘right’ the wrongs of history committed in post-independence Bangladesh: war collaborators of 1971 have not only been unpunished in the ensuing four decades but have been reinstated politically, financially and socially at the national level. Continue reading “YOUTH UPRISING AT SHAHBAGH”