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Category: My Photo Essays

Forest of Tides: The Sundarbans

Written by Louis Werner Photographed by Shahidul Alam / DRIK

Split not quite in half by the border between India to the west and Bangladesh to the east, crowning the Bay of Bengal, the world?s most complex river delta works like South Asia?s showerhead?one the size of Lebanon or Connecticut. Fed by Himalayan snowmelt and monsoon runoff, carrying a billion tons a year of Asian landmass suspended as sediment, the three great flows of the Ganges, the Brahmaputra and the Meghna rivers all end in one vast estuarial tangle, one of Earth?s great water filters, the mangrove forests of the Sundarbans.

Humanitarian to a nation

Originally published in Saudi Aramco World

Humanitarian to a Nation, Written by Richard Covington, Photographed by Shahidul Alam / DRIK

Pakistani philanthropist Abdul Sattar Edhi at the Edhi Centre in Clifton, Karachi.
Pakistani philanthropist Abdul Sattar Edhi at the Edhi Centre in Clifton, Karachi.

In the cool interior of a mental ward in Karachi, a short, powerfully built man with a flowing snow-white beard and penetrating dark-brown eyes is standing at the bedside of a distraught young woman. She has covered her head with a sheet and is pleading for news of the two children her husband took from her.
?I know you are suffering terribly, but this is no way to bring back your children,? says the man with stern compassion. ?You have a college degree. You can do many things to help the other patients.?
More photos on flickr:

And Yet She Smiles

And yet she smiles. Gang raped numerous times as a child. Forced into pick pocketing. Caned till she was unconscious. Sold to a madame. Hajera Begum’s life has little that would give cause to smile. Yet she smiles. She cries too. Not because of the gang rapes, or the beating, or the many years she lives in the streets as a rag picker, but when she remembers that a man who worked in an NGO, refused to work in her team because she was a sex worker.

It was that moment that Hajera decided she would make sure it was different for others like her. She had earlier set up a self-help group for sex workers, but eventually, with the help of some university students and other friends and a generous journalist, set up an orphanage for abandoned kids. They are mostly children of sex workers. Some are children of drug addicts. A few are children of parents who simply couldn’t afford to keep them. Hajera and her thirty children live in five small rooms near Adabor Market 16, on the edge of Dhaka. Run entirely by volunteers, she has only one paid staff, the cook. “What will I do with a salary” she says. We share what food we have. I have a roof over my head and I have my children.
Remarkably, Hajera is not bitter. While she remembers every detail of her nightmarish life, she also remembers the friends who believed in her, and helped her set up the orphanage. Instead of remembering that she is incapable of bearing children because of brutal unwanted sex, she basks in the warmth of the 30 children who now call her mother.

Hajera and peer sex workers at Crescent Lake. Dhaka Hajera (right) and her friends by Crescent Lake in the parliament grounds. 1996. Photo: Shahidul Alam/Drik/Majority World[/caption]

Wresting the Narrative From the West

By JAMES ESTRINNew York Times
As far as Shahidul Alam is concerned, he does not live in the third world or the developing world. While the photographer’s home is in Bangladesh, a decidedly poor country, he thinks of himself as residing in “the majority world.”

Boy playing with home made ball, in shelter built for earthquake victims in Pakistan. ? Shahidul Alam/Drik/Majority World
Boy playing with home made ball, in shelter built for earthquake victims in Pakistan. Shahidul Alam/Drik/Majority World

Most people today do not live in Europe or North America, or have white skin. Yet the world’s economy and media are dominated by a handful of Western countries, and the reporting on developing nations is not always done by people who know their subjects well.

Bangladeshi photojournalist Shahidul Alam?s first UK retrospective ? picture feast


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From Art Radar Journal

BANGLADESH PHOTOGRAPHY LONDON GALLERY SHOW
The first UK retrospective of works by internationally renowned Bangladeshi photographer and social activist Shahidul Alam is on at London?s Wilmotte Gallery until December 2011.?Art Radar brings you a selection of portraits and accompanying wall texts from the exhibition.
Click here to read more about the artist and the exhibition, called ?Shahidul Alam: My Journey as a Witness?, on Wilmotte Gallery?s website.
'Nurjahan's father', Chatokchora, Sylhet, Bangladesh, 1994. ? Shahidul Alam.
‘Nurjahan’s father’ (portrait), Chatokchora, Sylhet, Bangladesh, 1994. ? Shahidul Alam.
'Ali Zaman' (portrait), Chakkar Bazaar, Kashmir, Pakistan, 2005. ? Shahidul Alam.
‘Ali Zaman’ (portrait), Chakkar Bazaar, Kashmir, Pakistan, 2005. ? Shahidul Alam.
'Horipodo? (portrait), Shondeep, Bangladesh, 1991. ? Shahidul Alam.