To my fellow prisoners in Keraniganj Jail, and the youth of Bangladesh who continue to resist, and to Abrar Farhad who was murdered by fellow students for his defiance.
Book design by Shahidul Alam and Holger Feroudj / Steidl Design
7.3 x 9.3 in. / 18.5 x 23.5 cm
37 black-and-white and 74 colour photographs Four-colour process
€ 28.00 / £ 25.00 / US$ 30.00
“On the night of 5 August, I did not know if I was going to live or die,” writes Shahidul Alam, one of Bangladesh’s most respected photo- journalists, essayists and social activists, remembering his arrest, torture and eventual 101-day incarceration in Keraniganj Jail in 2018. Just a few hours before, he had given a television interview criticising the government’s brutal handling of the student protests of that year which had called for improved road safety and an end to wider social injustice—in his words, “the years of misrule, the corruption, the wanton killing, the wealth amassed by the ruling coterie.” Combining Alam’s photos and texts with those of a range of collaborators, including artwork by Sofia Karim and fellow inmates, The Tide Will Turn documents his experiences, the global support for his release, and the ongoing fight for secularism and democracy in Bangladesh and beyond.
Described by its editor Vijay Prashad as about “the beauty and tragedy of our world, about how to photograph that dialectic,
and about how to write about it,” Continue reading “The Tide Will Turn”
How do you persuade a government to release a prisoner, however wrongfully incarcerated, if it doesn’t want to cooperate?
Thousands of signatures, tweets, Instagram and Facebook posts. Dozens of articles. Then there are the rallies: from Kathmandu to New York, from Rome to New Delhi, London to Mumbai. Week by week, hundreds of people are gathering in public spaces to protest against the incarceration in Dhaka, Bangladesh, of photographer, journalist, teacher and activist Shahidul Alam.
Among the most headline-grabbing initiatives is Wasfia Nazreen’s sky-high stunt. The mountaineer and social activist — the first Bangladeshi to climb the Seven Summits — flew over Manhattan in an airplane trailing a banner that read “Free Shahidul Alam. Free our teachers.” Another high-profile intervention was made by artist Tania Bruguera, who was herself locked up in her native Cuba after she offended the state censors, and recently devoted her Tate Modern exhibition in London to a display of Alam’s photographs. “What keeps you going when you’re in prison,” Bruguera told me, “are your principles. And the support of others around you.” Continue reading “Shahidul Alam: Caught in the Crossfire of Bangladesh’s Fledgling Democracy”
It was in the early nineties. Having decided we would create a platform for local photographers, it made no sense to set up our agency in the conventional marketplaces of London, Paris or New York. We had to be where the storytellers were, here in Dhaka. But we also needed to be connected with our buyers. International phone lines were difficult to get, and the calls were expensive. Sending photos by courier was clumsy, slow and prohibitively costly. Alternatives needed to be found. The judging of World Press Photo in Amsterdam provided an opportunity to link up with TOOL, an NGO in the Netherlands that specialized in providing appropriate technology in Majority World countries.
Together we decided to set up a South-South network of like-minded organisations using off-line Email. We assembled our own scanner. We also developed an electronic postbox which allowed us to link up with the Internet. Other providers, Pradeshta and Agni were also trying to get onto the digital highway. Each of us found our own solution, but our off-line email using FidoNet technology became one of the precursors of the digital revolution in Bangladesh. We called it DrikTAP (Drik TOOL Access Point). Continue reading “Speeding Along on Digital Bullock Carts”
Where’s your bicycle? The Uber driver asked me jokingly. Yes, I had been known in photography circles and it is true that I did know a few Nobel Laureates. Given that I am a public speaker, and wear several hats, I do also come across the odd head of state, or celebrity. I’d be overstating it if I said they all knew me well. I have featured prominently in a film produced by Sharon Stone, but the long conversation on the phone, after my release, was very much an exception. But now that I have Uber drivers recognizing me, and people stopping me in the streets for selfies, I need to be careful I don’t trip over my own ego. Maybe I should be thanking the same person that everyone else thanks for everything that ever happens in Bangladesh.
I flatly deny making payments to the Bangladesh government for running a media campaign on my behalf. Neither is it true that I deliberately planted the inconsistencies in their fake news, making it appear they can’t tell a Kaffiey from a tablecloth. Let’s not get too technical. It started with me being a Mossad agent and taking money from Israel. Now I’ve been placed in the Al Qaeda farm, and definitely anti Israel. Considering that Israel is the one country that my government does not have diplomatic relationships with, and the only country my passport is not valid for, being anti Israel should theoretically make me a pal. My enemy’s enemy is my friend and all that.
I have not acquired any fortune but I have my paternal estate and the pension of a Subedar. This is enough for me. The people in my village seem to respect me, and are now fully satisfied with the ease and benefits they enjoy under British rule.
Thus wrote Sita Ram in From Sepoy to Subedar, first published in 1873, sixteen years after the first war of independence (the British still refer to it as the Indian Rebellion, or the Indian Mutiny).
Sita Ram wrote the manuscript at the bidding of his commanding officer Lieutenant-Colonel Norgate in 1861, his son passed it on to the Englishman; the manuscript is supposed to have been written in Awadhi, Norgate translated it into English. An Urdu translation is also heard to have surfaced the same year. Few copies are known to have been sold, until 1911 that is, when a Colonel Phillott created a new syllabus for Hindustani exams, taken by colonial officers to test their knowledge of the language. Phillott himself translated the book into Urdu, and from then onwards, the autobiography of Sita Ram, who worked in the Bengal Native Army of the East India Company for forty-eight years (1812 to 1860)—became a ‘key text’ for British officers. The book was still part of the curriculum in the 1940s, it was translated into Devanagari in the same decade; a new and illustrated edition of the book (Norgate’s English translation), was brought out by James Lunt, as late as 1970. Continue reading “Propaganda, and the suppression of dissent”
Press release German Foreign Office and Neue Galerie Berlin will present Shahidul Alam at Deutsche Welle?s Global Media Forum and at the Global Forum on Migration and Development in Berlin.
With the book publication and the exhibition ?The best years of my life. Bangladeshi Migrants in Malaysia? the international well-known photographer and activist Shahidul Alam will be present on Monday, June 19, 2017 through the Neue Galerie Berlin and with the support of the German Foreign Office on the Global Media Forum of the Deutsche Welle. After the end of the forum in Bonn, the exhibition will be on display at the German Foreign Office in Berlin from Thursday, June 23, 2017, and will be part of the Global Forum on Migration and Development from 28 to 30 June. The Finissage will be published on 30 June 2017 at the Federal Foreign Office with a greeting from the State Secretary Dr. Markus Ederer within the framework of the GFMD. The artist will be present in Bonn and Berlin and will be available for questions and interviews. Further information on the exhibition and the artist in the appendix.
As an additional digital component, the Neue Galerie Berlin, together with the technology partner snap2live, presents the newly developed image recognition app ?Neue Galerie Berlin?. All pictures of the Alam exhibition can be scanned with the app (tentatively available on Android). Behind the pictures
In 2016 Tanja von Unger founded the Neue Galerie Berlin (www.neuegalerieberlin.de).
To provide a relevant platform beyond photography the businessmodel
also collaborates with publishing groups and institutions and is known for its groundbreaking presentation of photographers and their works at economic conferences and events such as the Economic Summit of the Su?ddeutsche Zeitung, Falling Walls Conference, Rheingauer Economic Forum, Global Solutions G 20 Conference of the Dieter von Holtzbrinck publishers.
Snap2Life create apps for companies in the media, publishing, automotive, business, sports and advertising sectors. Most of these apps are equipped with our innovative image recognition functionality, which we also provide as an API for integration into other apps. In a fraction of seconds we connect the offline world with any kind of relevant content from the online world.
The Deutsche Welle Global Media Forum (GMF) is the Place Made for Minds, where decision makers and influencers from all over the world come together. It?s the global platform put on by Deutsche Welle and its partners and the place where you can connect and strengthen relations with over 2,000 inspiring representatives from the fields of journalism, digital media, politics, culture, business, development, academia and civil society. The conference provides a unique opportunity to network, get inspired and collaborate using a wide variety of state-of-the-art formats.
http://www.dw.com/en/global-media-forum/global-media-forum/s-101219 ?Towards a Global Social Contract on Migration and Development?
Tenth Global Forum on Migration and Development Summit 28 to 30 June 2017, Berlin
Germany and Morocco have assumed the co-chairmanship of the Global Forum on Migration and Development (GFMD) from 1 January 2017 until 31 December 2018. During this two-year period, the focus will be on the contribution of the GFMD to the United Nations? Global Compact on Migration. The Compact is intended to constitute a strong signal of the international community for an enhanced global migration policy, to be adopted by the community of states in 2018.