1134 – lives not numbers

A group exhibition dedicated to the lost garment workers of Bangladesh.

Photo: Taslima Akhter
Photo: Taslima Akhter

Still haunted by the memories. When I close my eyes I see the procession of corpses, following me behind, taunting my sense of responsibility. 24th April, 2013, Rana Plaza collapses, 1134 lost to senseless greed, lives lost due to collective negligence. A dark day in the history of garments workers lives, a nightmare which will terrorize us for the rest of our lives.? Amongst the rubble, hidden beneath the stones, beams and bricks, thousands of workers lie enveloped in darkness, their dreams crushed under the weight of our negligence.


Collapse  of Rana Plaza. Photo: Rahul Talukder
Collapse of Rana Plaza. Photo: Rahul Talukder

Seminars, grieving, crying, TV programmes, bureaucrats, NGOs, civil servants , photographers, film makers, buyers, diplomats partake in the? media circus, all engaged in the commotion over the dead bodies of the garments workers. Their collective footsteps thundering in the ears of the corpses, failing to register a faint murmur amongst the living. Garment workers in Bangladesh number over 4 million. Women make up more than 80% of this large number, which provides some of the cheapest labour on earth. Their products grace the shelves in Europe and North America.
Frantic is BGMEA, frantic is Primark. In the frenzied rush of the living what benefit is it to the dead? Their spirits taunt and tease, asking innocuously, was my life worth the petty vanity, precious savings of a few cents and shillings? Struggling to make ends meet, the workers are compelled to work overtime and night shifts, barely generating enough income to pay for their daily necessities.
Mother of Akahi Jamsing, wails on the grave of  Rana Plaza collapse victim Akahi Jamsing at Jurain graveyard in Dhaka receiving DNA test result. Photo: Suvra Kanti Das
Mother of Akahi Jamsing, wails on the grave of Rana Plaza collapse victim Akahi Jamsing at Jurain graveyard in Dhaka upon receiving DNA test result. Photo: Suvra Kanti Das

Bangladesh produces readymade garments cheap for brands such as H&M, Primark, and it gives the garments workers a feeling of participation in the global scenario. Whenever the workers try to unite and organize for their basic rights, their efforts are met with rubber bullets and merciless oppression from the police. Striving for a nominal bonus and fearing loss of wages, the incapacitated workers were forced to enter and work in the building condemned to collapse just the day before. Their dreams lie crushed amongst the dust and dirt of Rana Plaza. The few survivors of this tragedy wander about humiliated, searching and waiting for compensation. Till date there are still approximately 146 missing workers, no trace of them has been found, no one asks for justice for them.
Pathshala pays homage to the fallen souls, to the garments workers who were killed in the incident at Rana Plaza. Through the captures of the needless ?accident?, through performance art reflecting the sorrow of the deprived, it attempts to leave a lasting mark on our collective psyche.
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Join us in our homage to the unnecessarily killed. Artists from diverse backgrounds unite at Pathshala to address the wrongs of our own shadows. Performance artists, photographers, theater activists and others converge to hold a group exhibition, curated by Mahbubur Rahman and Munem Wasif.
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Participating Artists :
Abir Abdullah, Amdadul Haq, Ayesha Sultana, Ayon Rehal, Joydeb Roaja, K M Asad, Kabir Ahmed Masum Chisti, Mahbubur Rahman, Mahmud Hossain Opu, Mohammad Hasanur Rahman, Munem Wasif, Parvez Ahmad, Promotesh Das Puluk, Rahul Talukder, Reetu Sattar, Shimul Saha, Shulekha Chowdhury, Suvra Kanti Das, Taslima Akhter, Tushikur Rahman, Yasmin Jahan Nupur.
In solidarity with
Shongkolon Bangladesh, Bangladesh Garment Sromik Samhoti, 24th April, Britto Arts Trust, Students of Pathshala 18th batch.
This?24th?April will mark a year of the Rana Plaza collapse and death of a thousand. To observe the day, artist practicing in different mediums including Photography, Installations, Performance Art, Music and Theater are?holding a group exhibition. Curated by Mahbubur Rahman and Munem Wasif, the exhibition is taking?place at the premises of Pathshala South Asian Media Institute.
A year back in April 24, 1134 lost to senseless greed, lives lost due to collective negligence. In the frenzied rush of the living nothing benefits to the dead. Photographers capture, filmmakers envision, writers write, the ink of their pens flows deep but not as deep as the stain of innocent blood.
Pathshala pays homage to the fallen souls, to the garments workers who were killed in the incident at Rana Plaza. Through the photographs of the needless deaths, through performance art reflecting the sorrow of the deprived, it attempts to leave a lasting mark on our collective psyche. The exhibition will be displayed for 5 days from April 22nd to April 26th.
22-26 April 2014 : Everyday 3-8 pm?
Venue / Organized by
Pathshala South Asian Media Institute
16, Sukrabad, Panthapath, Dhaka – 1207
Phone: +880 -2-9129847

1134Lives Not Numbers
22nd April, Tuesday
4:00 – 5:00 pm: Inauguration By Taslima Akhter, Mother of the dead worker Shomapti, Professor Ahmed Kamal and Mahbubur Rahman (Curator)
5:30 – 7:00 pm: Performance Art: by Yasmin Jahan Nupur, Reetu Sattar, Joydeb Roaja
23rd April, Wednesday
5:00 – 6:30 pm: Commentary from the artists and curators (Moderator: Munem Wasif & Mahbubur Rahman)
24th April, Thursday
4:00 – 5:00 pm: Website launching by 24th April and talk by Rahnuma Ahmed (Columnist and Anthropologist)
25th April, Friday
5:00 – 6:00 pm: Drama by Bottola directedby Samina Lutfa. (Professor of Sociology Department Dhaka University)
26th April, Saturday
5:00 – 5:30 pm:Talk by Anu Muhammad and Moshrefa Mishu (President of Garment Sromik Oikko Forum and Gonotantrik Biplobi Party)
6:00 – 7:00 pm: Music by Kafil Ahmed, Shomogeet (by Amal Akash), Leela (by Arup Rahi)
 

Author: Shahidul Alam

Time Magazine Person of the Year 2018. A photographer, writer, curator and activist, Shahidul Alam obtained a PhD in chemistry before switching to photography. His seminal work “The Struggle for Democracy” contributed to the removal of General Ershad. Former president of the Bangladesh Photographic Society, Alam set up the Drik agency, Chobi Mela festival and Pathshala, South Asian Media Institute, considered one of the finest schools of photography in the world. Shown in MOMA New York, Centre Georges Pompidou, Royal Albert Hall and Tate Modern, Alam has been guest curator of Whitechapel Gallery, Winterthur Gallery and Musee de Quai Branly. His awards include Mother Jones, Shilpakala Award and Lifetime Achievement Award at the Dali International Festival of Photography. Speaker at Harvard, Stanford, UCLA, Oxford and Cambridge universities, TEDx, POPTech and National Geographic, Alam chaired the international jury of the prestigious World Press Photo contest. Honorary Fellow of Royal Photographic Society, Alam is visiting professor of Sunderland University in UK and advisory board member of National Geographic Society. John Morris, the former picture editor of Life Magazine describes his book “My journey as a witness”, (listed in “Best Photo Books of 2011” by American Photo), as “The most important book ever written by a photographer.”

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