This is the moment that art lovers have been waiting for. The most prestigious photography festival in Asia, Chobi Mela is about to begin. An exciting mix of exhibitions, workshops, artist talks and discussions involving participants from all the continents awaits you.
Given recent events, the staging of Chobi Mela itself was an act of defiance. The limitations forced us to be more creative, and in many ways, this edition promises to be the most exciting ever. You’ll regret missing it.
Whether you are an active supporter or just a casual visitor, this is the time when it all comes together. Welcome to all of you who have traveled across the globe to be here. Welcome too, to those who call Dhaka your home.
Key information about the events follow. As in all major festivals, there are last minute changes. Flights are missed, visas fail to come through, people get sick. So please look up the website for the latest updates at http://www.chobimela.org/schedule/
Make friends, see great art, soak in Bangladesh, but above all, enjoy yourselves.
Who is this man whose arrest has sparked outrage and condemnation from global bodies and media, including Amnesty International, Committee to Protect Journalists (CPJ), PEN International, SAMDEN (South Asia Media Defenders Network) and publications such as the Guardian, The Washington Post and many South Asian media.
He is one of the most respected photographers in the world. Very few Bangladeshi of his profession has reached his present global stature. His pictures have been published in almost all the global newspapers and magazines in the world. He is among that elite corps of global photographers who is regularly hired by the most renowned global publications to do assignments in various parts of the world. The Guardian (London) while carrying news of his arrest (Aug 6) wrote “his photographs have been published in every major western media outlet, including The New York Times, Time Magazine and National Geographic in a career that has spanned four decades.” Only those in the world of professional photography can really appreciate the honour and prestige of getting published in the media of such renown. Continue reading “Justice for Shahidul Alam”
Chobi Mela X
International Festival of Photography, 2019
No heaven, no hell, no ever after, do I care for when I’m gone
Peace here I seek, in this sand and soil, this place where I was born
As oceans deep, as deserts wide, as forests and fences loom
As children die, as lovers sigh, no cross, no epitaph, no tomb
As bullets whiz by, as shrapnel shard, as hate pours from above
As blue skies curse, the wounded I nurse, as spite replaces love
It is home I long, as I boundaries cross, a shelter that I seek
A world for us all, white brown short tall, the boisterous and the meek
If my bosom is raised, or my beard is long, or I sleep with the ‘wrong’ kind
If my politics isn’t yours, nor my country of birth, a terrorist you will find
You return my boat to the cruel sea, back to the wars you wrought
Walls you will raise, to keep me at bay, my children in danger fraught
I love the land I was born in, the tree that gave me shade
My broken home, my shattered dreams, slain lover that goodbye bade
My slanted eyes, my dread lock hair, my tongue though strange may be
I bleed red blood, as flows in your vein, Is there a place in your heart for me? -Shahidul Alam
A behind the scenes glimpse at a remarkable media phenomenon:
The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Md. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a western magazine, joined as our librarian. We offered and she happily accepted a local salary.
A self-taught photographer with a strong sense of humour Rashid Talukder received a Lifetime Achievement Award at the Chobi Mela international photography festival in Dhaka, in 2006. His images of the war of liberation of Bangladesh and the political events leading up to it, are the most comprehensive visual documentation of Bangladesh’s political history on record. Rashid Talukder handed over his entire collection of negatives to the Drik Picture Library in Dhaka before he passed away.
With support from Drik’s long standing partner, the Prince Claus Fund Drik has been scanning the Talukder archives of over 165,000 original negatives. The archives contain rare images, many of them never previously seen. These include major political events, everyday life and photographs of Bangabandhu Sheikh Mujibur Rahman, the founder of Bangladesh, whom Talukder was especially close to. The photographs show Mujib, not only as a statesman, but also as someone close to his people. There are also private and intimate moments which give insights not only to the public figure, but also to the individual.
While Talukder is virtually unknown outside of Bangladesh, he was one of the foremost chroniclers of the struggle for independence, photographing its origins in the language movement of the 1950s and continuing through the war’s aftermath.
Now hailed as a founding father of Bangladeshi photojournalism, Mr. Talukder made some of the most important images of the war, which by some estimates claimed one million lives and turned 10 million of his countrymen into refugees. He also documented everyday life in Bangladesh during his 46-year career, during which he worked for the newspapers The Daily Sangbad and The Daily Ittefaq. Through an initiative of the new mayor of Dhaka North Annisul Huq, and his council members, a massive outdoor exhibition has been arranged at the iconic parliament building of Bangladesh, designed by Louis Kahn, based largely on the Drik archives. Special access has also been arranged for the general public where even rickshas will be allowed into the parliament complex.
Commemorating the 40th death anniversary of the father of the nation, this provides a rare opportunity for visitors not only to see these previously unseen photographs, but also visit this landmark building, considered one of the architectural masterpieces of the 20th century.
The honourable Prime Minister of Bangladesh, Sheikh Hasina, the daughter of Sheikh Mujibur Rahman, will inaugurate the exhibition today the 13th August 2015 at 5:00 pm.
5th June – 5th July 2015 across five venues in Durham, UK
Introductory description from the curator and artistic director, Kooj Chuhan
International artists, researchers, communities and local activists are combining forces using art to push climate change up the agenda in a ground-breaking exhibition titled Footprint Modulation. The exhibition focuses on the massive and increasing impact that climate change will have on humans by forcing us to abandon our homes and migrate. The renowned, award-winning Bangladeshi photographer Shahidul Alam presents work for the first time in the North East. Platform based in London use film and performance to highlight the corruption within global oil. A number of UK-based artists from diverse backgrounds provoke us to connect with human realities in other countries. The New York based architecture and digital art company Diller Scofidio + Renfro present a film commissioned by the Cartier Foundation to artistically re-interpret data about climate migration. Continue reading “Footprint Modulation: art, climate and displacement”
IDLO Photo Exhibition in Rome Farnesina Porte Aperte 2015 22 – 29 May 2015
IDLO’s photo exhibition “In Focus: Justice and the Post-2015 Agenda” will form part of this year’s initiative by the Italian Ministry of Foreign Affairs and International Cooperation to open its doors to the general public. From 22 until 29 May 2015, visitors will be able to participate in “Farnesina Porte Aperte” and view the exhibition during guided tours of the building. The Farnesina’s art collection is internationally recognized, and IDLO is proud to have been chosen to exhibit alongside this.
Curated by IDLO and the photo agency Majority World, the exhibition focuses on the challenges of development and the rule of law. From gender equality and indigenous rights to energy poverty and land tenure, it presents the rule of law as lived experience. The pictures vividly explore the human side of the rule of law and its importance in everyday life.
“In Focus: Justice and the Post-2015 Agenda” illustrates these themes through 32 images – taken by photographers from Afghanistan, Bangladesh, Brazil, India and Kenya – ranging from the Amazonian settlement of Colniza, Brazil, where rule of law measures have reversed illegal logging and deforestation, to the energy-starved metropolis of Kibera, Africa’s largest slum.
To sign up for a guided tour, please visit the Ministry of Foreign Affairs and International Cooperation’s Farnesina Porte Aperte website and choose the “art route”, currently available from Monday 25 until Wednesday 27 May.
Before traveling to Rome, the exhibition was shown at the Palais des Nations in Geneva, to coincide with the 28th session of the United Nations Human Rights Council. Over the coming months, it will be shown in Milan, New York, Washington and The Hague, and will return to Rome for an exclusive viewing in November.
Quiet moments, tender thoughts, wistful emptiness make up our love songs. Raindrops on misty windowpanes, the cool breeze of dusk, dry leaves, fill our odes to belonging. We pine. Almost inaudibly we whisper, I miss you. Intimacy is most intensely felt through absence. The warmth of togetherness, shared secrets, discovered moments remind us of how it had been. I miss you, we whisper again. Intimacy is personal. Bitter sweet. Painful. Exuberant. Wondrous. Continue reading “Drik's 2015 Calendar: "Intimacy"”
We spot a lens peering at us from the corner of our eye. Immediately we straighten up, fix our hair, smooth the rough in our clothes, consciously make – or avoid – eye contact. Only the well trained is able to visibly avoid responding to the camera’s presence. The professional photographer prides in her ability to take ‘natural’ photographs, where her intervention is invisible. Yet, peering through family albums, wedding folders or a Facebook status we find ourselves actively inviting the portrayal of how we want to be seen. Whether we consider a photograph of ourselves to be ‘good’ largely depends on how well the photographer has represented us, as we would want it. As such the photographer’s success depends not so much on her aesthetic sense or insight, but on her ability to please the sitter. While this applies to the casual portraitist, it is much more true of the professional photographer. Her bread and butter depend on a satisfied client and as such, are driven by an external agenda. Whether it be a corporation, or an NGO or a newly wed couple, a good photographer is one who delivers what is required. Continue reading “Embracing the Amateur”
Rafiq Azam is the principal of SHATOTTO architecture for green living, based in Dhaka, Bangladesh. He will introduce us to his work and city, which is also home to works by Louis Kahn. Azam’s “green” is not about global ratings or the current sustainability trend. It is his response to the sky, water, and vegetation that surround him and his city. There is an apparent simplicity in Azam’s work that disguises and belies a complex fabric revealing the wonders of the cosmos. “Shatotto” in Bangla means “doing something continuously.” Azam creates spaces and structures for one’s senses and thoughts in the context of South Asia’s past and future. His presentation will coincide with the New York introduction of his monograph by SKIRA, the first ever published about a Bangladeshi architect.