Shahidul Alam has long been gripped by the life of a woman he has never met.
It’s been two decades since Kalpana Chakma was abducted, but Shahidul refuses to forget her. Standing at the threshold of his latest exhibition,Kalpana’s Warriors, the Bangladeshi photographer pauses for a moment.
In the room beyond is the third in a series of photo exhibitions that began with Searching for Kalpana Chakma in 2013, and was followed by 18 in 2014. The woman around whom these pictures revolve is notably absent from them. She was abducted at gunpoint in the early hours of 12 June 1996 from her home in Rangamati in Bangladesh. Her captors were a group of plain-clothed men who were recognised as being from a nearby army camp. Kalpana never returned home and her fate remains unknown.
When the exhibition first opened at the Drik Gallery in Dhaka, many of those who had been photographed could not risk coming out of hiding, yet the room was full of people who knew Kalpana’s story intimately. Some simply stood for a while before the portraits, others wept. Continue reading “Kalpana's Warriors in Delhi”
The Asia-Europe Foundation (ASEF) is organising the 9th ASEF
Journalists? Colloquium, which will be held in New Delhi (Gurgaon),
India from?9-11 November 2013.
We are pleased to invite interested journalists from ASEM countries to apply for participation. To apply, more information can be found here:
Travel subsidies to and from New Delhi and accommodation will be
provided by the organisers for successful participants. Continue reading “9th ASEF Journalists? Colloquium: New Delhi”
Le Journal de la Photographie would like to invite you to spend a day in Delhi. Via interviews with heads of galleries, foundations, agencies and photo festivals, we?ll be introducing you to some of the most important figures in contemporary Indian photography. This special report was prepared by our India correspondent, Sybile Girault, with the help of Juliette Deschodt. So, Namaste, and welcome to India! Continue reading “A Day in Delhi”
Nothing good comes of having your status as capital snatched from you by Delhi. As a Calcuttan I know the pain. Of course, my city?s had it relatively easy when you consider the fate of Sasaram in Bihar. That?s where Afghan warlord (what a useful phrase: right from Bihar in the 16th century to the US invasion in the 21st) Sher Shah Suri had his capital, as ruler of Bengal and Bihar, before he overthrew Humayun and moved shop to the Purani Qila in Delhi. Unlike the Afghan warlords of today though, Sher Shah was a pretty impressive ruler. He introduced the?rupiya. which was the predecessor of the modern rupee. More interestingly, he introduced a small denomination coin called the?dam?which probably gave rise to the English phrase ?I don?t give a damn?. The administrative set-up introduced by him was so impressive that Akbar copied liberally from it and Sher Shah?s ideas therefore ruled India for centuries after the man?s death. Continue reading “Chai, Autos and Sher Shah Suri”
The talk, portfolio reviews, book signings are already over at Bursa in Turkey, though the exhibition is still going on.
The talk later today at 4:05 pm at Pieterskerk in Leiden, Netherlands and the talk at 9:30 am on Monday the 24th September at CUNY, New York, USA, are sadly not public events, but the following talk in Delhi, India is:
as is the discussion at the United Art Fair:
?Photography Today: Photography and its Social Effects??on 29th?September from 11:00 am ? 1:30 pm, with Pablo Bartholomew and Deepak John Mathew.
The story of India?s contemporary photography movement is ridden with egoistic tussles. It?s no wonder then that it has taken so long for the country to host an international photo festival
I am not a photographer. Never have been, never will be. For me, the world began with the word, a curse and a blessing. A curse because I will never know what it?s like to experience the world through a camera lens. A blessing because I enjoy being a ?fly on the wall?; because, unlike photography, the written word has the power to document both the visible and the subterranean. An image may ?speak a thousand words?, but sometimes you need a writer to read between the pixels. Continue reading “The Inheritance of Loss”