“Kemon achen?” Mr. Li from the Chinese embassy greeted me in near perfect Bangla. I had an invitation to the Middle Kingdom, in Chinese, with a gold stamp and an embossed watermark. I felt important as he ushered me in to the spacious embassy building in Gulshan and offered me tea. Normally, I am not a tea drinker, but this elaborate concoction of herbs and berries steeped in water could hardly be refused. It didn’t look anything like tea anyway, and I didn’t want to appear rude. He brought pictures of China, gave me a video and showed me their photographic collection. However, despite all the fanfare, what he steadfastly refused to do was to issue me a multiple entry visa. I had half hoped this official invitation by the Mayor of Beijing, would make my subsequent trip to Tibet easier. Oh well!My first trip to China had been in 1986. The Indian photographer Raghu Rai and I had been asked to judge the Standard Chartered Photography Contest in Hong Kong. The photographs weren’t that great and we’d gone through them quickly. The organisers were embarrassed. Having gotten us, the judges, over for a week, they now needed to entertain us, and arranged for us to see a dolphin show. Raghu and I both felt a side trip to China would be far more interesting. We had taken the train to Guangzhou, and found to our amazement Hindi music wafting down the aisles. Staid-looking Chinese passengers were glued to the train video, listening to “Ichik dana bichik dana, dana’r upar danaaa”. I did have a three-month solo show at the Nikon Gallery in Richmond with that work, but that had been a long time ago, and I was looking forward to Beijing.
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