Tariq Ali, in this exclusive interview, seamlessly switches from contemporary historian to scholar-at-large to polemicist to raconteur, as he tackles many of the impinging issues of our times. By SASHI KUMAR, Frontline
He was in southern India after nearly 30 years. He had come to Kerala to deliver the Chinta Ravindran Memorial Lecture at Thrissur. My friend, the well-known writer Paul Zacharia and I were showing him the sights and we had just been to the site of the archaeological dig at Pattanam near Kodungalloor where he saw the unearthed pottery and artefacts that were reconstructing the fascinating story of an early society in these parts, already in maritime contact with West Asian ports and ancient Rome. From there we proceeded to the nearby Cheraman juma masjid, considered the first mosque in India, and perhaps the second in the world, dating back to A.D. 629. There was only a little evidence of that ancient patrimony left; the quaint old native structure had been all but pulled down some 50 years back and a more commodious, more standardised edifice built around it. All that was left were some pillars, a section of a doorway, another of a beamed ceiling and a crumbling staircase leading up to the attic, all in wood. But a photograph of the structure, as it was in 1905, hung on the wall.
Global Research, September 09, 2012
On September 11, 2001, a neighbor telephoned and said, ?turn on the TV.? I assumed that a hurricane, possibly a bad one from the sound of the neighbor?s voice, was headed our way, and turned on the TV to determine whether we needed to shutter the house and leave.
What I saw was black smoke from upper floors of one of the World Trade Center towers. It didn?t seem to be much of a fire, and the reports were that the fire was under control. While I was trying to figure out why every TV network had its main news anchor covering an office fire, TV cameras showed an airplane hitting the other tower. It was then that I learned that both towers had been hit by airliners.
Cameras showed people standing at the hole in the side of the tower looking out. This didn?t surprise me. The airliner was minute compared to the massive building. But what was going on? Two accidents, one on top of the other?
The towers?the three-fourths or four-fifths of the buildings beneath the plane strikes?were standing, apparently largely undamaged. There were no signs of fire except in the vicinity of where the airliners had hit. Suddenly, one of the towers blew up, disintegrated, and disappeared in fine dust. Before one could make any sense of this, the same thing happened to the second tower, and it too disappeared into fine dust.
Face to Face with Annie Machon Annie Machon: ex-MI-5 whistle-blower, activist and author joins Jack Etkin for an elucidating and revealing look at ‘Deep State’…
Today, September 11, 2011, is the tenth anniversary of the attacks on New York city’s Twin Towers, and the Pentagon.
Eleven days after the attack, president Bush, in his address to a joint session of the Congress had said, the attacks were carried out by al Qaeda, a “collection of loosely affiliated terrorist organizations” because they hate our freedoms. Freedom of religion, speech, vote, and assembling and disagreeing with each other. Briefly put, a hatred for the American way of life. They kill not only to end lives “but to disrupt and end a way of life.” “They stand against us because we stand in their way” (September 20, 2001).
But?and I hope this will give grounds for thought to readers and friends, who still cling to the idea that Osama bin Laden was responsible for the attacks, for the deaths of three thousand innocent civilians?the Bush administration had decided by 11am, September 11, 2001 that al-Qaeda was responsible for the attacks. Prior to conducting an indepth police investigation.
That same evening, at 9:30pm, a War Cabinet, with a select number of top intelligence and military advisors, was formed. That very night, at 11:00pm, a mere 12 hours after Bush administrators had declared al Qaeda to be responsible, the `War on Terror’ was officially launched (Michel Chossudovsky, The Truth Behind 9/11, Global Research, September 11, 2008).
Less than 4 weeks later, Afghanistan was bombed and invaded. The occupation, as we know, continues. And US troops, as recent press reports indicate, may stay in Afghanistan until 2024.
Forget about the power that, according to Mao, flows from the Barrels of Guns!
A lot more power actually flows through the matte black barrels of lenses. Camera lenses! And this is a power that flows a lot more silently and, most of the time, it works it magic very subtly.
Very rarely do pictures explode on the media scene like the now infamous cover picture on the August 9th issue of Time magazine. Very rarely do pictures present us with such a questionable and ?teachable? moment about photography and its political uses. Rarely do photographs become such a powerful peg for discussions that go on and on. Discussions that need to go on because we have to understand, dissect and discuss the spaces that photography occupies in contemporary society. Spaces that are hardly any different from the times when photography was a medium controlled by the political and secret department of a British colonial government. Photography, we have to remember, was invented at a time when colonialism was at its height and became a major player in the colonial game. Something that British army cadets, who were to be posted in the colonies, were specially taught and equipped for.
Images of Afghanistan by Mohammad Qayoumi (prior to CIA intervention and Russian invasion).
The physical campus of Kabul University, pictured here, does not look very different today. But the people do. In the 1950s and '60s, students wore Western-style clothing; young men and women interacted relatively freely. Today, women cover their heads and much of their bodies, even in Kabul. A half-century later, men and women inhabit much more separate worlds. ??Mohammad Qayoumi In the 1950s and '60s, women were able to pursue professional careers in fields such as medicine. Today, schools that educate women are a target for violence, even more so than five or six years ago. ? Mohammad Qayoumi The central government of Afghanistan once oversaw various rural development programs, including one, pictured here, that sent nurses in jeeps to remote villages to inoculate residents from such diseases as cholera. Now, security concerns alone make such an effort nearly impossible. Government nurses, as well as U.N. and NGO medical workers, are regular targets for insurgent groups that merely want to create disorder and terror in society. ??Mohammad Qayoumi
Photography is a powerful language, a valuable voice of authority for authorities. One has to understand how it is used. A ?Writing with Light?- Photo Graphy is becoming more powerful than any other human language. It is more than just the world?s first universally understood language, one that needs no translators and appears to have no word language limitations because it is a technology driven by newer and newer technologies which give it a reach and power that no language ever had.
The endless flow of camera constructed pictures is, today, increasingly constructing our social and political landscape. Constructing us, actually, by manipulating the mental spaces that we live in. Defining our Drishti – our perception and very sense of self ! There are, after all, more photographs shot every year than there are bricks in the world. And photography, in its different, camera lens based, avatars (film and television, for example) is what makes us what we are -who we are manufactured to be.
Cameras construct our worlds in ways that word oriented languages did not because the visual language they present us with is perceived to have credibility, a veracity and a connection to objective truth that words did not. Pictures are becoming the bricks that construct our contemporary, increasingly visual world. A world that can no longer just ban the making of pictures as it once did or tried to do. A world in which technologies drive the move away from the word driven and language riven cultures towards vast visual information landscapes that are increasingly becoming part of a real, war driven, information wars . Wars that are, says the Project for a New American Century, about Full Spectrum Domination.
Domination that is blatant about not allowing any challenges ??military, economic or cultural?. Domination that seeks ?control of all international commons including Space and Cyberspace, Culture not excluded? and is driven by never ending wars that see whole societies as a battlefield. A battlefield where – in the language of the US Marines? ?Fourth generation Warfare? ? ? the action will occur concurrently- throughout all participants depth , including their society as a cultural and not just as physical entity?. Special Human Terrain teams now work alongside the American Armed Forces. These anthropologists, ethnographers etc are uniformed cultural warriors. They are, very problematically, working in battlefields to understand and subvert cultures and peoples. Humanity is now a terrain to be controlled.
It is against this background of militrarised information and cultural control that one needs to look at the Time magazine cover. It was its founder, after all, who first projected the idea of the 20th century as ?An American Centrury?. Henry Luce founded a media empire to project his agenda. Time, Fortune, Life and even the March of Time film series served to mediate his synarchist ideas of corporate control of political power. That he was a member of Yale university?s secretive Skull and Bones society like so many other American leaders, only adds to ones suspicions of hidden agendas.
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