Shahidul Alam wins Lucie Award 2018

June 13, 2018

Dear Mr. Alam:

It is my great pleasure to announce that the Lucie Foundation and its Advisory Board have selected you as the 2018 recipient of the distinguished Humanitarian Award presented at The Lucie Awards. Congratulations on your nomination! Your exceptional contribution to photography and society will be a welcomed addition to an illustrious list that has included the Josephine Herrick Project, Lisa Kristine, Nancy McGirr, Sara Terry, Zana Briski, Sebastião Salgado, and Phil Borges.

Continue reading “Shahidul Alam wins Lucie Award 2018”

CALL FOR ENTRY Chobi Mela X International Festival of Photography, 2019

CALL FOR ENTRY

Chobi Mela X
International Festival of Photography, 2019

PLACE
No heaven, no hell, no ever after, do I care for when I’m gone
Peace here I seek, in this sand and soil, this place where I was born
As oceans deep, as deserts wide, as forests and fences loom
As children die, as lovers sigh, no cross, no epitaph, no tomb
As bullets whiz by, as shrapnel shard, as hate pours from above
As blue skies curse, the wounded I nurse, as spite replaces love
It is home I long, as I boundaries cross, a shelter that I seek
A world for us all, white brown short tall, the boisterous and the meek
If my bosom is raised, or my beard is long, or I sleep with the ‘wrong’ kind
If my politics isn’t yours, nor my country of birth, a terrorist you will find
You return my boat to the cruel sea, back to the wars you wrought
Walls you will raise, to keep me at bay, my children in danger fraught
I love the land I was born in, the tree that gave me shade
My broken home, my shattered dreams, slain lover that goodbye bade
My slanted eyes, my dread lock hair, my tongue though strange may be
I bleed red blood, as flows in your vein, Is there a place in your heart for me?
-Shahidul Alam

 
 
Continue reading “CALL FOR ENTRY Chobi Mela X International Festival of Photography, 2019”

The Best Years of My Life

Best Years of My Life
Press release
German Foreign Office and Neue Galerie Berlin will present Shahidul Alam at Deutsche Welle?s Global Media Forum and at the Global Forum on Migration and Development in Berlin.
 
With the book publication and the exhibition ?The best years of my life. Bangladeshi Migrants in Malaysia? the international well-known photographer and activist Shahidul Alam will be present on Monday, June 19, 2017 through the Neue Galerie Berlin and with the support of the German Foreign Office on the Global Media Forum of the Deutsche Welle. After the end of the forum in Bonn, the exhibition will be on display at the German Foreign Office in Berlin from Thursday, June 23, 2017, and will be part of the Global Forum on Migration and Development from 28 to 30 June. The Finissage will be published on 30 June 2017 at the Federal Foreign Office with a greeting from the State Secretary Dr. Markus Ederer within the framework of the GFMD. The artist will be present in Bonn and Berlin and will be available for questions and interviews. Further information on the exhibition and the artist in the appendix.
 
As an additional digital component, the Neue Galerie Berlin, together with the technology partner snap2live, presents the newly developed image recognition app ?Neue Galerie Berlin?. All pictures of the Alam exhibition can be scanned with the app (tentatively available on Android). Behind the pictures
 
About
In 2016 Tanja von Unger founded the Neue Galerie Berlin (www.neuegalerieberlin.de).
To provide a relevant platform beyond photography the businessmodel
also collaborates with publishing groups and institutions and is known for its groundbreaking presentation of photographers and their works at economic conferences and events such as the Economic Summit of the Su?ddeutsche Zeitung, Falling Walls Conference, Rheingauer Economic Forum, Global Solutions G 20 Conference of the Dieter von Holtzbrinck publishers.
 
Snap2Life create apps for companies in the media, publishing, automotive, business, sports and advertising sectors. Most of these apps are equipped with our innovative image recognition functionality, which we also provide as an API for integration into other apps. In a fraction of seconds we connect the offline world with any kind of relevant content from the online world.
 
The Deutsche Welle Global Media Forum (GMF) is the Place Made for Minds, where decision makers and influencers from all over the world come together. It?s the global platform put on by Deutsche Welle and its partners and the place where you can connect and strengthen relations with over 2,000 inspiring representatives from the fields of journalism, digital media, politics, culture, business, development, academia and civil society. The conference provides a unique opportunity to network, get inspired and collaborate using a wide variety of state-of-the-art formats.
http://www.dw.com/en/global-media-forum/global-media-forum/s-101219
 
?Towards a Global Social Contract on Migration and Development?
Tenth Global Forum on Migration and Development Summit 28 to 30 June 2017, Berlin
Germany and Morocco have assumed the co-chairmanship of the Global Forum on Migration and Development (GFMD) from 1 January 2017 until 31 December 2018. During this two-year period, the focus will be on the contribution of the GFMD to the United Nations? Global Compact on Migration. The Compact is intended to constitute a strong signal of the international community for an enhanced global migration policy, to be adopted by the community of states in 2018.
https://gfmd.org

PATHSHALA?S RESPONSE TO BDNEWS24.COM?S REPORT

Pathshala Campus
Pathshala Campus

A report on Pathshala South Asian Media Institute, published by the online news portal bdnews24.com, has come to our attention (?Shahidul Alam?s Pathshala operates without affiliation,? bdnews24.com, 6 August 2016). Unsubstantiated allegations, backbiting and innuendo and the absence of cross checking characterise the ?report.? It is a shoddy piece of journalism. Continue reading “PATHSHALA?S RESPONSE TO BDNEWS24.COM?S REPORT”

On the ?uncertified? Pathshala

At a time when our entire education system is in crisis, the quality of education is in question and the values that student?s inculcate is a source of fear.?A student of?Pathshala South Asian Media Institute,?in response to questions about the validity of the very certificate he has obtained, talks passionately about the institution?s pedagogic model and how he has been transformed by it.

by Mahtab Nafis?

Mahtab Nafis
Mahtab Nafis

A letter to whom it may concern
BEFORE joining Pathshala, I had studied in nine schools and one university (all certified) in this country. But never before had I found an environment similar to the one at Pathshala. South Asian Media Institute, founded by Shahidul Alam. Forget about competing, none of them are even light years close.
From a very early age I had sincere doubts and disagreements with the ?socially accepted? and ?certified? educational systems. For, all I had seen was a bunch of sheep-like people following a curriculum given by a governing body or authority without assessing, questioning or having an opinion on the teaching method or the materials. It seemed that people blindly followed the dictum ?this is how things are?, an attitude which I could never accept. Everywhere, I saw teachers give students instructions or orders to follow a rigid structure, to memorise, to cover the syllabus. Even those studying in a creative field had teachers who would promote and indoctrinate a particular pattern of thinking or school of thought. This basically means that you are thinking other people?s thoughts and are being conditioned in someone else?s mental shadow. Continue reading “On the ?uncertified? Pathshala”

Didi. The Street Fighter

MAHASWETA DEVI (JANUARY 14, 1926 -?JULY 28, 2016), WRITER AND SOCIAL ACTIVIST

Mahasweta Devi looking at photo exhibition catalogue "Nature's Fury" by Shahidul Alam/Drik/Majority World
Mahasweta Devi looking at photo exhibition catalogue “Nature’s Fury” by Shahidul Alam/Drik/Majority World

Protocol wasn?t Didi?s thing.?Shoitan! (Satan) she would say lovingly. And then grab you and plonk you on her lap. The fact that both Rahnuma and I were far too old, and I was certainly much too heavy, to be sitting on anyone?s lap wasn?t something she worried much about. She didn?t care much for people?s age, and what other people thought, was something that had never bothered her. If you love someone, they sit on your lap. ?You have a problem with that??
Mahasweta Devi (Didi ? elder sister ? to all of us) had been a giant of a figure in South Asian literature for as far back as I can remember.?Jhansir Rani?(The Queen of Jhansi, 1956), Hajar Churashir Maa (Mother of 1084, 1975) and?Aranyer Adhikar?(The Occupation of the Forest, 1977) her powerful novel about the Santal uprising were what we knew this celebrated writer and activist by. That she was a tease and loved to sing, and didn?t mind the odd practical joke, was a side to her that had remained private. What should have been apparent was the rebel in her; her uncompromising stand for the oppressed, and her clear position as to which side of the fence she belonged. Continue reading “Didi. The Street Fighter”

Photography in Bangladesh: a medium on the move

F?ted internationally, the country?s photographers have struggled for status at home. Could that be about to change?

Water reservoir is for the Komolapur Railway station. It?s the main station in Bangladesh. Dhaka.

From the series ?Railway Longings? (2011-2015) by Rasel Chowdhury

The eerie moonscape of Munem Wasif?s new photographic series, ?Land of Undefined Territory?, appears empty. On closer inspection, it reveals the scars of industrial activity, from vehicle tracks to stone crushing. The sense of menace and alienation is compounded by a three-channel video with a grating soundtrack.
These digital black-and-white shots were taken along an indefinite border between Bangladesh and India ? disputed land that is now home to unregulated mining but which also soaked up the blood of past upheavals, from the first, temporary partition of Bengal under the viceroy in 1905, to Partition in 1947 and the Liberation war of 1971. Ostensible documentary veers into questioning in Wasif?s deeply unsettling yet distanced probing of history, territory, ownership and exploitation. Continue reading “Photography in Bangladesh: a medium on the move”

As Drik As Possible

The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a magazine, joined as our librarian. We offered and she happily accepted a local salary. My partner Rahnuma Ahmed often got roped in when we were short-staffed, which was often.

Climate_Migrants
Climate Migrants: “Our people are driven by a terrible sense of deficiency. When the last tree is cut, the last fish is caught, and the last river is polluted; when to breathe the air is sickening, you will realize, too late, that wealth is not in bank accounts and that you can’t eat money.” Alanis Obomsawin Photo Abir Abdullah from his series on Climate Change.

Continue reading “As Drik As Possible”