Wresting the Narrative From the West

By JAMES ESTRINNew York Times
As far as Shahidul Alam is concerned, he does not live in the third world or the developing world. While the photographer’s home is in Bangladesh, a decidedly poor country, he thinks of himself as residing in “the majority world.”

Boy playing with home made ball, in shelter built for earthquake victims in Pakistan. ? Shahidul Alam/Drik/Majority World
Boy playing with home made ball, in shelter built for earthquake victims in Pakistan. Shahidul Alam/Drik/Majority World

Most people today do not live in Europe or North America, or have white skin. Yet the world’s economy and media are dominated by a handful of Western countries, and the reporting on developing nations is not always done by people who know their subjects well. Continue reading “Wresting the Narrative From the West”

Deutsche Welle interviews Shahidul Alam on "Searching for Kalpana Chakma" show (Bangla)

Military’s sole role has been repression

?The borders of the Global Village? (?Die Grenzen des globalen Dorfs?) lautet das Thema eines Vortrags des bengalischen Professors Shahidul Alam am Donnerstag, 3. Mai, auf der re:publica in Berlin.  internationale Blogger-Konferenz re:publica in Berlin. Aufnahmedatum: 3. Mai 2012 Fotograf: DW/ Matthias M?ller

Live clips from opening of "Searching for Kalpana Chakma" at Drik Gallery

The opening was very moving and there was a great turnout. Here are some live clips. The show is up till the 21st June. Don’t miss it.

The show has also been featured in Time Magazine




Searching for Kalpana Chakma

A Photo-Forensic Study

Part of the “No More” public awareness campaign of Drik.

Let me ask a silly question, my partner Rahnuma had said. “But isn’t it all in your imagination” Of course it was. The images I’d created, while based upon complex scientific procedures, did not ‘prove’ anything. The objects I had photographed, while silent witnesses, had not ‘seen’ the crime. The artifacts, interviews, videos and photographs I was presenting were not ‘evidence.

Magnfied view of leaf at bazaar where Kalpana and Major Ferdous had an altercation shortly before her disappearance. Photo: Shahidul Alam/Drik/Majority World
Magnfied view of leaf at bazaar where Kalpana and Lieutenant Ferdous had an altercation shortly before her disappearance. Photo: Shahidul Alam/Drik/Majority World

Continue reading “Searching for Kalpana Chakma”

Flood expert from Bangladesh

“Kemon achen?” Mr. Li from the Chinese embassy greeted me in near perfect Bangla. I had an invitation to the Middle Kingdom, in Chinese, with a gold stamp and an embossed watermark. I felt important as he ushered me in to the spacious embassy building in Gulshan and offered me tea. Normally, I am not a tea drinker, but this elaborate concoction of herbs and berries steeped in water could hardly be refused. It didn’t look anything like tea anyway, and I didn’t want to appear rude. He brought pictures of China, gave me a video and showed me their photographic collection. However, despite all the fanfare, what he steadfastly refused to do was to issue me a multiple entry visa. I had half hoped this official invitation by the Mayor of Beijing, would make my subsequent trip to Tibet easier. Oh well!My first trip to China had been in 1986. The Indian photographer Raghu Rai and I had been asked to judge the Standard Chartered Photography Contest in Hong Kong. The photographs weren’t that great and we’d gone through them quickly. The organisers were embarrassed. Having gotten us, the judges, over for a week, they now needed to entertain us, and arranged for us to see a dolphin show. Raghu and I both felt a side trip to China would be far more interesting. We had taken the train to Guangzhou, and found to our amazement Hindi music wafting down the aisles. Staid-looking Chinese passengers were glued to the train video, listening to “Ichik dana bichik dana, dana’r upar danaaa”. I did have a three-month solo show at the Nikon Gallery in Richmond with that work, but that had been a long time ago, and I was looking forward to Beijing. Continue reading “Flood expert from Bangladesh”

BANGLADESH: STORIES FROM A YOUNG NATION

A collective exhibition featuring stories from Queensland College of Art and Pathshala South Asia Media Institute students.

Image: Louis Lim Beneath the Neon Lights 2013
Image: Louis Lim Beneath the Neon Lights 2013

Thursday 23 May ? Saturday 25 May
Opening night 6pm Thursday 23 May
Guest Speaker: Dr Shahidul Alam
RSVP 07 3735 6106 or qcagalleries@griffith.edu.au
Gallery opening hours Tuesday to Saturday 9 ? 5pm
Bangladesh Exhibiton Flyer(1)

Launch of Shifting Gravity in Venice

Book Launch: Shifting Gravity A Discourse on Biennials

May 30, 2013, 6:00pm-8:00pm
Hotel Monaco & Grand Canal,
Crozzola Hall, Venice, Italy

Cover Image: Choi Jeong Hwa, Welcome! (2013). Installation at the Kimdaejung Convention Center, designed for World Biennial Forum N? 1

The Gwangju Biennale Foundation is pleased to invite you to the launch of the book?Shifting Gravity on the 30th of May at Hotel Monaco & Grand Canal in Venice, Italy. This?book, published by the Gwangju Biennale Foundation and Hatje Cantz, presents the issues,?discourses, and practices that have been evolving over the past 20 years with the?development of biennials around the globe.
The catalyst for this publication was the World Biennial Forum No.1, an international forum?held in Gwangju, South Korea in October 2012. The forum and publication were organized?through the collaboration of the Gwangju Biennale Foundation, the Biennial Foundation,?and the ifa (Institut f?r Auslandsbeziehungen). During the five-day forum, directors and?representatives of biennials and a number of professionals discussed a wide range of?issues regarding biennials and their meaning as a global cultural phenomenon.
Shifting Gravity is composed of three main essays on the theme of biennials and thirty-nine?essays on different biennials held around the globe. Ute Meta Bauer and Hou Hanru, the?directors of the forum, took on the role of editors for the publication of the book.
Chobi Mela is one of the biennales featured.
For RSVP please contact:?Serene Pac
 
 
 
 

A Final Embrace: The Most Haunting Photograph from Bangladesh

Words and photo by Taslima Ahkter in Time

Many powerful photographs have been made in the aftermath of the devastating collapse of a garment factory on the outskirts of Dhaka, Bangladesh. But one photo, by Bangladeshi photographer Taslima Akhter, has emerged as the most heart wrenching, capturing an entire country?s grief in a single image.
Shahidul Alam, Bangladeshi photographer, writer and founder of Pathshala, the South Asian Institute of Photography, said of the photo: ?This image, while deeply disturbing, is also hauntingly beautiful. An embrace in death, its tenderness rises above the rubble to touch us where we are most vulnerable. By making it personal, it refuses to let go. This is a photograph that will torment us in our dreams. Quietly it tells us. Never again.? Continue reading “A Final Embrace: The Most Haunting Photograph from Bangladesh”

LIvestreaming: POSITIVE LIGHT ON BANGLADESH

To celebrate the 42nd Independence Day of Bangladesh and the induction of 400 members of BGCCI
Friday 29th March 2013 7:00 pm to 11:00 pm
Welcome speech by Akhawat Abu Khair the President and Daniel Seidl, Executive Director of BGCCI
Speech by Dr. Ralph Reusch, Charg? d? Affaires, Embassy of the Federal Republic of Germany in Bangladesh
A presentation: POSITIVE LIGHT ON BANGLADESH by Dr. Shahidul Alam
Snapshots on Leisure Bangladesh
A Musical on Bangladesh by Joler Gaan
Celebration of 400 Members of BGCCI
A Deshi Fashion Show
Live Music
The entire event will be live streamed at: http://bambuser.com/channel/shahidul

Positive Light book preview

Want to take a sneak preview of the contents of Positive Light? This preview shows the introduction plus the first five spreads of each section of the book. The original contest was broken down into Culture, History, Place and People.
DO NOT BUY THE BLURB COPY from the link above! We are only using Blurb for preview purposes.
Pledge to buy a copy (or copies!) of Positive Light

Don’t forget, up until 31 March 2013 you can pledge to purchase Positive Light at our pre-sales crowdfunding campaign at this link. Every little bit helps — and more importantly this campaign will help Drik continue its work in social justice in Bangladesh.