IDLO Photo Exhibition in Rome Farnesina Porte Aperte 2015 22 – 29 May 2015
IDLO’s photo exhibition “In Focus: Justice and the Post-2015 Agenda” will form part of this year’s initiative by the Italian Ministry of Foreign Affairs and International Cooperation to open its doors to the general public. From 22 until 29 May 2015, visitors will be able to participate in “Farnesina Porte Aperte” and view the exhibition during guided tours of the building. The Farnesina’s art collection is internationally recognized, and IDLO is proud to have been chosen to exhibit alongside this.
Curated by IDLO and the photo agency Majority World, the exhibition focuses on the challenges of development and the rule of law. From gender equality and indigenous rights to energy poverty and land tenure, it presents the rule of law as lived experience. The pictures vividly explore the human side of the rule of law and its importance in everyday life.
?In Focus: Justice and the Post-2015 Agenda? illustrates these themes through 32 images – taken by photographers from Afghanistan, Bangladesh, Brazil, India and Kenya – ranging from the Amazonian settlement of Colniza, Brazil, where rule of law measures have reversed illegal logging and deforestation, to the energy-starved metropolis of Kibera, Africa?s largest slum.
To sign up for a guided tour, please visit the Ministry of Foreign Affairs and International Cooperation?s Farnesina Porte Aperte website and choose the ?art route?, currently available from Monday 25 until Wednesday 27 May.
Before traveling to Rome, the exhibition was shown at the Palais des Nations in Geneva, to coincide with the 28th session of the United Nations Human Rights Council. Over the coming months, it will be shown in Milan, New York, Washington and The Hague, and will return to Rome for an exclusive viewing in November.
The recent 70th anniversary of the liberation of Auschwitz was a reminder of the great crime of fascism, whose Nazi iconography is embedded in our consciousness. Fascism is preserved as history, as flickering footage of goose-stepping blackshirts, their criminality terrible and clear. Yet in the same liberal societies, whose war-making elites urge us never to forget, the accelerating danger of a modern kind of fascism is suppressed; for it is their fascism. Continue reading “Why the rise of fascism is again the issue”
Photographs Humanize Rule of Law and Access to Justice
Photographers: Kabir Dhanji, Lucas Lenci, Shehzad Noorani, Vicky Roy, Farzana Wahidy Curator: Shahidul Alam
?In Focus: Justice and the Post-2015 Agenda,? a photo exhibition on the challenges of development and the rule of law by the International Development Law Organization (IDLO) and Majority World photo agency, launches on the 2nd March 2015?during the opening of the UN Human Rights Council Meeting in Geneva.
The Afghan Box Camera is a simple box-shaped wooden camera traditionally used by photographers working from a street pitch, who produce, by-and-large, instant identity portraits (aks: ???) for their clients. In Dari the camera is known as?kamra-e-faoree ().which means ‘instant camera’. It’s also less frequently called kamra-e-faoree-e-chobi (instant wooden camera) or kamra-e-chobi (wooden camera). In Pashtu the camera is sometimes referred to as da lastunri kamra (sleeve camera: ??????? ?????) because of the sleeve on the side of the camera that photographers insert their arm into. Continue reading “ABOUT AFGHAN BOX CAMERA PHOTOGRAPHY: KAMRA-E-FAOREE”
The ties between the wars are darker than most Americans recognize.
Pham To looked great for 78 years old. (At least, that’s about how old he thought he was.) His hair was thin, gray, and receding at the temples, but his eyes were lively and his physique robust?all the more remarkable given what he had lived through. I listened intently, as I had so many times before to so many similar stories, but it was still beyond my ability to comprehend. It’s probably beyond yours, too. Continue reading “?So Many People Died?: How Afghanistan and Iraq Echo Vietnam”
Israelis assert the United States should not wait for Iran to decide on building a
nuclear weapon before it considers military action. Dan Meridor, deputy Israeli
prime minister, says: When is the point at which it should be stopped? Just when the
bomb is assembled on the tip of the missile and is ready for launch? This demands
clarification, to my mind, to make clear that even an Iran that is a decision away
from nuclear weaponry, be it within days or weeks, is a nuclear-armed Iran. Iran
could reach stage of nuclear development which would allow it to make a warhead
quickly years in the future when the world's guard was down.
Hermann Goering used to say the people don't want war, but they can always be
brought to the bidding of the leaders. This is easy. All you have to do is tell them
they are being attacked, and denounce the pacifists for lack of patriotism and for
exposing the country to danger. It works the same in every country.
http://venitism.blogspot.comContinue reading "Warrior Netanyahu and Worrier Obama"
Global Research, September 09, 2012
On September 11, 2001, a neighbor telephoned and said, ?turn on the TV.? I assumed that a hurricane, possibly a bad one from the sound of the neighbor?s voice, was headed our way, and turned on the TV to determine whether we needed to shutter the house and leave.
What I saw was black smoke from upper floors of one of the World Trade Center towers. It didn?t seem to be much of a fire, and the reports were that the fire was under control. While I was trying to figure out why every TV network had its main news anchor covering an office fire, TV cameras showed an airplane hitting the other tower. It was then that I learned that both towers had been hit by airliners.
Cameras showed people standing at the hole in the side of the tower looking out. This didn?t surprise me. The airliner was minute compared to the massive building. But what was going on? Two accidents, one on top of the other?
The towers?the three-fourths or four-fifths of the buildings beneath the plane strikes?were standing, apparently largely undamaged. There were no signs of fire except in the vicinity of where the airliners had hit. Suddenly, one of the towers blew up, disintegrated, and disappeared in fine dust. Before one could make any sense of this, the same thing happened to the second tower, and it too disappeared into fine dust. Continue reading “On 9/11 Doubts Were Immediate”
It has been six years and Kabul has changed. My luggage was through booked from Bonn, via Munich and Dubai. Three flights in three different airlines with the tickets bought separately. Miraculously it arrived safely.
The banks at the airport were closed on Friday morning when I arrived. Maybe they?ll open tomorrow or the day after, they said. But things worked out. A SIM card was easy to get. It provided roaming Internet, but with a minimum charge for one month, I decided I?d stick to the Aina office where I was staying, for browsing. The SIM card man was going to change money for me as well. I suspected the rates weren?t the best, but at that stage, I wasn?t going to argue. More negotiations led to the bus to the parking lot and then the taxi.
The photographers at Aina had done well. The last time I?d seen Farzana Wahidy was at the All Roads Award Ceremony at National Geographic. I?d met Massoud Hossaini more recently at the World Press Award Ceremony in Amsterdam. He had just won the Pulitzer and it felt good to see how they?d progressed from the days I?d shared stories with the young and bright eyed youngsters in the grounds of Aina. But the office had moved. Luckily Farzana was able to direct the driver to the new location.
The new office was getting a fresh coat of paint and I made my way through stepladders to the TV room where the billiard table was stacked up with things temporarily relocated for the painters. But there were still people around and Aina looked like a busy place.
Farzana and Massoud soon came and we chatted about old times. I was to meet the other photographers on Sunday (today). That left me the rest of the day and Saturday to do other things. I had only seen the imported form of Buzkashi in Balochistan. But it was too hot for the sport in June and the other games were played early in the morning on Fridays, so I?d already missed them. But I did have other plans.
My main task was to identify work for a show I was curating for the Mus?e du quai Branly in Paris for 2013. Afghanistan was one of the eight countries I was covering. The trips to Nepal and Myanmar had gone well and I was looking forward to seeing fresh work from Afghanistan. I was also piggy backing for a story I was doing for Saudi Aramco World. Salma Hasan Ali, who was working with me on the story, had set up an appointment at what sounded like a wonderful school set up by Sadiqa Basiri Saleem.
I thought I?d also take pot luck in tracing an old friend. I?d met Aga Ghul in my last visit in 2006. Only then, I?d thought his name was Abdul Karim (my nonexistent Pashto and broken Urdu had obviously not served me well enough). The only clue I had was a photograph of Aga Ghul and his family, in their home and a vague landmark atop a hill. I didn?t know at that time, that I had the wrong name. We might well run this story on Saudi Aramco World, so I won?t give too much away at this stage. Anyway, there is plenty more to tell.