The Bangladeshi War of Liberation, like all other wars, has a contested history. The number killed, the number raped, the number displaced, are all figures that change depending upon who tells the story.
But in our attempt to be on the ?right side? of history, we often forget those who ended up on the wrong side. Those who have gone, those who were permanently scarred, mentally, physically, socially, don?t really care about our statistics. The eyes that stare into empty space, knowing not what they are searching, the frail legs, numbed by fatigue, drained by exhaustion, yet willed on by desperation, the wrinkled hands, seeking a familiar touch, a momentary shelter, longing for rest, do not care about the realpolitik of posturing superpowers.
An extraordinary artist ? eloquent with words and images ? Shahidul Alam is a photographer, writer, activist and social entrepreneur, who was profoundly influenced by inequality in Bangladesh, his country and the liberation war. He left a career in science in the west to pursue a life in photography challenging oppression and imperialism in all its forms. Attacked, arrested, and threatened with death, Alam has built what many consider to be the finest photography school in the world, an award winning agency, and the world?s most demographically diverse photo festival. Widely celebrated, Alam claims as his achievements not the awards he has won or the impressive list of exhibits, but the people he has trained and the lives he has transformed. Continue reading “Art as a Witness”