An Occurrence at Owl Creek Bridge

by Ambrose Bierce (please read till the end)

A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man’s hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout cross-timber above his head and the slack fell to the level of his knees. Some loose boards laid upon the sleepers supporting the metals of the railway supplied a footing for him and his executioners–two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff. At a short remove upon the same temporary platform was an officer in the uniform of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle in the position known as “support,” that is to say, vertical in front of the left shoulder, the hammer resting on the forearm thrown straight across the chest–a formal and unnatural position, enforcing an erect carriage of the body. It did not appear to be the duty of these two men to know what was occurring at the center of the bridge; they merely blockaded the two ends of the foot planking that traversed it.
 
Beyond one of the sentinels nobody was in sight; the railroad ran straight away into a forest for a hundred yards, then, curving, was lost to view. Doubtless there was an outpost farther along. The other bank of the stream was open ground–a gentle acclivity topped with a stockade of vertical tree trunks, loopholed for rifles, with a single embrasure through which protruded the muzzle of a brass cannon commanding the bridge. Midway of the slope between the bridge and fort were the spectators–a single company of infantry in line, at “parade rest,” the butts of the rifles on the ground, the barrels inclining slightly backward against the right shoulder, the hands crossed upon the stock. A lieu tenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right. Excepting the group of four at the center of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the bridge. The captain stood with folded arms, silent, observing the work of his subordinates, but making no sign. Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference.
 
The man who was engaged in being hanged was apparently about thirty-five years of age. He was a civilian, if one might judge from his habit, which was that of a planter. His features were good–a straight nose, firm mouth, broad forehead, from which his long, dark hair was combed straight back, falling behind his ears to the collar of his well-fitting frock coat. He wore a mustache and pointed beard, but no whiskers; his eyes were large and dark gray, and had a kindly expression which one would hardly have expected in one whose neck was in the hemp. Evidently this was no vulgar assassin. The liberal military code makes provision for hanging many kinds of persons, and gentlemen are not excluded.
 
The preparations being complete, the two private soldiers stepped aside and each drew away the plank upon which he had been standing. The sergeant turned to the captain, saluted and placed himself immediately behind that officer, who in turn moved apart one pace. These movements left the condemned man and the sergeant standing on the two ends of the same plank, which spanned three of the cross-ties of the bridge. The end upon which the civilian stood almost, but not quite, reached a fourth. This plank had been held in place by the weight of the captain; it was now held by that of the sergeant. At a signal from the former the latter would step aside, the plank would tilt and the condemned man go down between two ties. The arrangement commended itself to his judgment as simple and effective. His face had not been covered nor his eyes bandaged. He looked a moment at his “unsteadfast footing,” then let his gaze wander to the swirling water of the stream racing madly beneath his feet. A piece of dancing driftwood caught his attention and his eyes followed it down the current. How slowly it appeared to move, What a sluggish stream!
 
He closed his eyes in order to fix his last thoughts upon his wife and children. The water, touched to gold by the early sun, the brooding mists under the banks at some distance down the stream, the fort, the soldiers, the piece of drift–all had distracted him. And now he became conscious of a new disturbance. Striking through the thought of his dear ones was a sound which he could neither ignore nor understand, a sharp, distinct, metallic percussion like the stroke of a blacksmith’s hammer upon the anvil; it had the same ringing quality. He wondered what it was, and whether immeasurably distant or near by–it seemed both. Its recurrence was regular, but as slow as the tolling of a death knell. He awaited each stroke with impatience and–he knew not why–apprehension. The intervals of silence grew progressively longer, the delays became maddening. With their greater infrequency the sounds increased in strength and sharpness. They hurt his ear like the thrust of a knife; he feared he would shriek. What he heard was the ticking of his watch.
 
He unclosed his eyes and saw again the water below him. “If I could free my hands,” he thought, “I might throw off the noose and spring into the stream. By diving I could evade the bullets and, swimming vigorously, reach the bank, take to the woods and get away home. My home, thank God, is as yet outside their lines; my wife and little ones are still beyond the invader’s farthest advance.”
 
As these thoughts, which have here to be set down in words, were flashed into the doomed man’s brain rather than evolved from it the captain nodded to the sergeant. The sergeant stepped aside.
 
 
II
Peyton Farquhar was a well-to-do planter, of an old and highly respected Alabama family. Being a slave owner and like other slave owners a politician he was naturally an original secessionist and ardently devoted to the Southern cause. Circumstances of an imperious nature, which it is unnecessary to relate here, had prevented him from taking service with the gallant army that had fought the disastrous campaigns ending with the fall of Corinth, and he chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in war time. Meanwhile he did what he could. No service was too humble for him to perform in aid of the South, no adventure too perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war.
 
One evening while Farquhar and his wife were sitting on a rustic bench near the entrance to his grounds, a gray-clad soldier rode up to the gate and asked for a drink of water. Mrs. Farquhar was only toe, happy to serve him with her own white hands. While she was fetching the water her husband approached the dusty horseman and inquired eagerly for news from the front.
 
“The Yanks are repairing the railroads,” said the man, “and are getting ready for another advance. They have reached the Owl Creek bridge, put it in order and built a stockade on the north bank. The commandant has issued an order, which is posted everywhere, declaring that any civilian caught interfering with the railroad, its bridges, tunnels or trains will be summarily hanged. I saw the order.”
 
“How far is it to the Owl Creek bridge?” Farquhar asked.
 
“About thirty miles.”
 
“Is there no force on this side the creek?”
 
“Only a picket post half a mile out, on the railroad, and a single sentinel at this end of the bridge.”
 
“Suppose a man–a civilian and student of hanging–should elude the picket post and perhaps get the better of the sentinel,” said Farquhar, smiling, “what could he accomplish?”
 
The soldier reflected. “I was there a month ago,” he replied. “I observed that the flood of last winter had lodged a great quantity of driftwood against the wooden pier at this end of the bridge. It is now dry and would burn like tow.”
 
The lady had now brought the water, which the soldier drank. He thanked her ceremoniously, bowed to her husband and rode away. An hour later, after nightfall, he repassed the plantation, going northward in the direction from which he had come. He was a Federal scout.
 
 
III
As Peyton Farquhar fell straight downward through the bridge he lost consciousness and was as one already dead. From this state he was awakened–ages later, it seemed to him–by the pain of a sharp pressure upon his throat, followed by a sense of suffocation. Keen, poignant agonies seemed to shoot from his neck downward through every fiber of his body and limbs. These pains appeared to flash along well-defined lines of ramification and to beat with an inconceivably rapid periodicity. They seemed like streams of pulsating fire heating him to an intolerable temperature. As to his head, he was conscious of nothing but a feeling of fulness–of congestion. These sensations were unaccompanied by thought. The intellectual part of his nature was already effaced; he had power only to feel, and feeling was torment. He was conscious of motion. Encompassed in a luminous cloud, of which he was now merely the fiery heart, without material substance, he swung through unthinkable arcs of oscillation, like a vast pendulum. Then all at once, with terrible suddenness, the light about him shot upward with the noise of a loud splash; a frightful roaring was in his ears, and all was cold and dark. The power of thought was restored; he knew that the rope had broken and he had fallen into the stream. There was no additional strangulation; the noose about his neck was already suffocating him and kept the water from his lungs. To die of hanging at the bottom of a river!–the idea seemed to him ludicrous. He opened his eyes in the darkness and saw above him a gleam of light, but how distant, how inaccessible! He was still sinking, for the light became fainter and fainter until it was a mere glimmer. Then it began to grow and brighten, and he knew that he was rising toward the surface–knew it with reluctance, for he was now very comfortable. “To be hanged and drowned,” he thought? “that is not so bad; but I do not wish to be shot. No; I will not be shot; that is not fair.”
 
He was not conscious of an effort, but a sharp pain in his wrist apprised him that he was trying to free his hands. He gave the struggle his attention, as an idler might observe the feat of a juggler, without interest in the outcome. What splendid effort!–what magnificent, what superhuman strength! Ah, that was a fine endeavor! Bravo! The cord fell away; his arms parted and floated upward, the hands dimly seen on each side in the growing light. He watched them with a new interest as first one and then the other pounced upon the noose at his neck. They tore it away and thrust it fiercely aside, its undulations resembling those of a water snake. “Put it back, put it back!” He thought he shouted these words to his hands, for the undoing of the noose had been succeeded by the direst pang that he had yet experienced. His neck ached horribly; his brain was on fire; his heart, which had been fluttering faintly, gave a great leap, trying to force itself out at his mouth. His whole body was racked and wrenched with an insupportable anguish! But his disobedient hands gave no heed to the command. They beat the water vigorously with quick, downward strokes, forcing him to the surface. He felt his head emerge; his eyes were blinded by the sunlight; his chest expanded convulsively, and with a supreme and crowning agony his lungs engulfed a great draught of air, which instantly he expelled in a shriek!
 
He was now in full possession of his physical senses. They were, indeed, preternaturally keen and alert. Something in the awful disturbance of his organic system had so exalted and refined them that they made record of things never before perceived. He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf–saw the very insects upon them: the locusts, the brilliant-bodied flies, the grey spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies’ wings, the strokes of the water-spiders’ legs, like oars which had lifted their boat–all these made audible music. A fish slid along beneath his eyes and he heard the rush of its body parting the water.
 
He had come to the surface facing down the stream; in a moment the visible world seemed to wheel slowly round, himself the pivotal point, and he saw the bridge, the fort, the soldiers upon the bridge, the captain, the sergeant, the two privates, his executioners. They were in silhouette against the blue sky. They shouted and gesticulated, pointing at him. The captain had drawn his pistol, but did not fire; the others were unarmed. Their movements were grotesque and horrible, their forms gigantic.
 
Suddenly he heard a sharp report and something struck the water smartly within a few inches of his head, spattering his face with spray. He heard a second report, and saw one of the sentinels with his rifle at his shoulder, a light cloud of blue smoke rising from the muzzle. The man in the water saw the eye of the man on the bridge gazing into his own through the sights of the rifle. He observed that it was a grey eye and remembered having read that grey eyes were keenest, and that all famous marksmen had them. Nevertheless, this one had missed.
 
A counter-swirl had caught Farquhar and turned him half round; he was again looking into the forest on the bank opposite the fort. The sound of a clear, high voice in a monotonous singsong now rang out behind him and came across the water with a distinctness that pierced and subdued all other sounds, even the beating of the ripples in his ears. Although no soldier, he had frequented camps enough to know the dread significance of that deliberate, drawling, aspirated chant; the lieu. tenant on shore was taking a part in the morning’s work. How coldly and pitilessly–with what an even, calm intonation, presaging, and enforcing tranquillity in the men–with what accurately measured inter vals fell those cruel words:
 
“Attention, company! . . Shoulder arms! . . . Ready! . . . Aim! . . . Fire!”
 
Farquhar dived–dived as deeply as he could. The water roared in his ears like the voice of Niagara, yet he heard the dulled thunder of the volley and, rising again toward the surface, met shining bits of metal, singularly flattened, oscillating slowly downward. Some of them touched him on the face and hands, then fell away, continuing their descent. One lodged between his collar and neck; it was uncomfortably warm and he snatched it out.
 
As he rose to the surface, gasping for breath, he saw that he had been a long time under water; he was perceptibly farther down stream nearer to safety. The soldiers had almost finished reloading; the metal ramrods flashed all at once in the sunshine as they were drawn from the barrels, turned in the air, and thrust into their sockets. The two sentinels fired again, independently and ineffectually.
 
The hunted man saw all this over his shoulder; he was now swimming vigorously with the current. His brain was as energetic as his arms and legs; he thought with the rapidity of lightning.
 
The officer,” he reasoned, “will not make that martinet’s error a second time. It is as easy to dodge a volley as a single shot. He has probably already given the command to fire at will. God help me, I cannot dodge them all!”
 
An appalling plash within two yards of him was followed by a loud, rushing sound, diminuendo, which seemed to travel back through the air to the fort and died in an explosion which stirred the very river to its deeps!
 
A rising sheet of water curved over him, fell down upon him, blinded him, strangled him! The cannon had taken a hand in the game. As he shook his head free from the commotion of the smitten water he heard the deflected shot humming through the air ahead, and in an instant it was cracking and smashing the branches in the forest beyond.
 
“They will not do that again,” he thought; “the next time they will use a charge of grape. I must keep my eye upon the gun; the smoke will apprise me–the report arrives too late; it lags behind the missile. That is a good gun.”
 
Suddenly he felt himself whirled round and round–spinning like a top. The water, the banks, the forests, the now distant bridge, fort and men–all were commingled and blurred. Objects were represented by their colors only; circular horizontal streaks of color–that was all he saw. He had been caught in a vortex and was being whirled on with a velocity of advance and gyration that made him giddy and sick. In a few moments he was flung upon the gravel at the foot of the left bank of the stream–the southern bank–and behind a projecting point which concealed him from his enemies. The sudden arrest of his motion, the abrasion of one of his hands on the gravel, restored him, and he wept with delight. He dug his fingers into the sand, threw it over himself in handfuls and audibly blessed it. It looked like diamonds, rubies, emeralds; he could think of nothing beautiful which it did not resemble. The trees upon the bank were giant garden plants; he noted a definite order in their arrangement, inhaled the fragrance of their blooms. A strange, roseate light shone through the spaces among their trunks and the wind made in their branches the music of ?olian harps. He had no wish to perfect his escape–was content to remain in that enchanting spot until retaken.
 
A whiz and rattle of grapeshot among the branches high above his head roused him from his dream. The baffled cannoneer had fired him a random farewell. He sprang to his feet, rushed up the sloping bank, and plunged into the forest.
 
All that day he traveled, laying his course by the rounding sun. The forest seemed interminable; nowhere did he discover a break in it, not even a woodman’s road. He had not known that he lived in so wild a region. There was something uncanny in the revelation.
 
By nightfall he was fatigued, footsore, famishing. The thought of his wife and children urged him on. At last he found a road which led him in what he knew to be the right direction. It was as wide and straight as a city street, yet it seemed untraveled. No fields bordered it, no dwelling anywhere. Not so much as the barking of a dog suggested human habitation. The black bodies of the trees formed a straight wall on both sides, terminating on the horizon in a point, like a diagram in a lesson in perspective. Overhead, as he looked up through this rift in the wood, shone great garden stars looking unfamiliar and grouped in strange constellations. He was sure they were arranged in some order which had a secret and malign significance. The wood on either side was full of singular noises, among which–once, twice, and again–he distinctly heard whispers in an unknown tongue.
 
His neck was in pain and lifting his hand to it found it horribly swollen. He knew that it had a circle of black where the rope had bruised it. His eyes felt congested; he could no longer close them. His tongue was swollen with thirst; he relieved its fever by thrusting it forward from between his teeth into the cold air. How softly the turf had carpeted the untraveled avenue–he could no longer feel the roadway beneath his feet!
 
Doubtless, despite his suffering, he had fallen asleep while walking, for now he sees another scene–perhaps he has merely recovered from a delirium. He stands at the gate of his own home. All is as he left it, and all bright and beautiful in the morning sunshine. He must have traveled the entire night. As he pushes open the gate and passes up the wide white walk, he sees a flutter of female garments; his wife, looking fresh and cool and sweet, steps down from the veranda to meet him. At the bottom of the steps she stands waiting, with a smile of ineffable joy, an attitude of matchless grace and dignity. Ah, how beautiful she is! He springs forward with extended arms. As he is about to clasp her he feels a stunning blow upon the back of the neck; a blinding white light blazes all about him with a sound like the shock of a cannon–then all is darkness and silence!
 
Peyton Farquhar was dead; his body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek bridge.

The Torch

Nuhash Humayun?November 13, 2013

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I was ten years old, on a bicycle, taking the only path I knew. I was going from my mother?s place to my father?s. People would ask me what it was like, having parents who were separated. I never really had an answer. Honestly, it wasn?t strange for me, it was the only life I knew. It was always like this, as far back as I remembered. My sisters would tell me that we were once this one big happy family, but those were just stories to me, fairytales almost. I had almost no recollection of seeing my parents together, ever. As far as I knew, this was life. I had a happy family too, just a little separated. And separations were temporary, right? It?s just one big fight that takes a while to fix. Continue reading “The Torch”

Ami Tomay Bhalobashi

Bedford College Magazine (my first short story)

rose

The sound of the bolt seemed to grate loud into the night as he locked the door.? For a fleeting moment he flustered as he imagined every person in the enormous house knowingly smile at hearing the sound. It was her he was more worried about; locking the door when they were the only ones in the room seemed to have sinister implications somehow ? but, surely it was understandable, after all they were now man and wife. Continue reading “Ami Tomay Bhalobashi”

The Trial of Tony Blair

Channel 4. 2007

A very well made film. Fiction, but too close to the truth to be comfortable. I can’t believe this film hasn’t gone viral. Are people even scared of watching a spoof? C’mon folks. Share this widely.?

Mick Jagger on 'Gimme Shelter'

Mick Jagger Tells the Story Behind ?Gimme Shelter? and Merry Clayton?s Haunting Background Vocals

In the fall of 1969 the?Rolling Stones?were in a Los Angeles recording studio, putting the final touches on their album?Let it Bleed. It was a tumultuous time for the Stones. They had been struggling with the album for the better part of a year as they dealt with the personal disintegration of their founder and multi-instrumentalist Brian Jones, whose drug addiction and personality problems had reached a critical stage. Jones was fired from the band in June of that year. He died less than a month later. And although the Stones couldn?t have known it at the time, the year would end on another catastrophic note, as violence broke out at the notorious?Altamont Free Concert?just a day after?Let it Bleed?was released.
It was also a grim time around the world. The assassinations of Martin Luther King and Robert F. Kennedy, the Tet Offensive, the brutal suppression of the Prague Spring?all of these were recent memories. Not surprisingly,?Let it Bleed?was not the most cheerful of albums. As Stephen Davis writes in his book?Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones, ?No rock record, before or since, has ever so completely captured the sense of palpable dread that hung over its era.? And no song onLet it Bleed?articulates this dread with greater force than the apocalyptic ?Gimme Shelter,? in which Mick Jagger sings of a fire ?sweepin? our very street today,? like a ?Mad bull lost his way.?
Rape, murder!
It?s just a shot away
It?s just a shot away
In an interview last November with Melissa Block for the NPR program?All Things Considered, Jagger talked about those lyrics, and the making of the song:

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One of the most striking moments in the interview is when Jagger describes the circumstances surrounding soul singer?Merry Clayton?s powerful background vocals. ?When we got to Los Angeles and we were mixing it, we thought, ?Well, it?d be great to have a woman come and do the rape/murder verse,? or chorus or whatever you want to call it,? said Jagger. ?We randomly phoned up this poor lady in the middle of the night, and she arrived in her curlers and proceeded to do that in one or two takes, which is pretty amazing. She came in and knocked off this rather odd lyric. It?s not the sort of lyric you give anyone??Rape, murder/It?s just a shot away??but she really got into it, as you can hear on the record.?
The daughter of a Baptist minister, Merry Clayton grew up singing in her father?s church in New Orleans. She made her professional debut at age 14, recording a duet with Bobby Darin. She went on to work with The Supremes, Elvis Presley and many others, and was a member of Ray Charles?s group of backing singers, The Raelettes. She is one of the singers featured in the new documentary film,?20 Feet From Stardom. In aninterview last week with Terry Gross?on NPR?s?Fresh Air, Clayton talked about the night she was asked to sing on ?Gimme Shelter?:
Well, I?m at home at about 12?I?d say about 11:30, almost 12 o?clock at night. And I?m hunkered down in my bed with my husband, very pregnant, and we got a call from a dear friend of mine and producer named Jack Nitzsche. Jack Nitzsche called and said you know, Merry, are you busy? I said No, I?m in bed. he says, well, you know, There are some guys in town from England. And they need someone to come and sing a duet with them, but I can?t get anybody to do it. Could you come? He said I really think this would be something good for you.
At that point, Clayton recalled, her husband took the phone out of her hand and said, ?Man, what is going on? This time of night you?re calling Merry to do a session? You know she?s pregnant.? Nitzsche explained the situation, and just as Clayton was drifting back to sleep her husband nudged her and said, ?Honey, you know, you really should go and do this date.? Clayton had no idea who the Rolling Stones were. When she arrived at the studio, Keith Richards was there and explained what he wanted her to do.
I said, Well, play the track. It?s late. I?d love to get back home. So they play the track and tell me that I?m going to sing?this is what you?re going to sing: Oh, children, it?s just a shot away. It had the lyrics for me. I said, Well, that?s cool. So ?I did the first part, and we got down to the rape, murder part. And I said, Why am I singing rape, murder? ?So they told me the gist of what the lyrics were, and I said Oh, okay, that?s cool. So then I had to sit on a stool because I was a little heavy in my belly. I mean, it was a sight to behold. And we got through it. And then we went in the booth to listen, and I saw them hooting and hollering while I was singing, but I didn?t know what they were hooting and hollering about. And when I got back in the booth and listened, I said, Ooh, that?s really nice. They said, well, You want to do another? ?I said, well, I?ll do one more, I said and then I?m going to have to say thank you and good night. I did one more, and then I did one more. So it was three times I did it, and then I was gone. The next thing I know, that?s history.
Clayton sang with such emotional force that her voice cracked. (?I was just grateful that the crack was in tune,? she told Gross.) In the isolated vocal track above, you can hear the others in the studio shouting in amazement. Despite giving what would become the most famous performance of her career, it turned out to be a tragic night for Clayton. Shortly after leaving the studio, she lost her baby in a miscarriage. It has generally been assumed that the stress from the emotional intensity of her performance and the lateness of the hour caused the miscarriage. For many years Clayton found the song too painful to hear, let alone sing. ?That was a dark, dark period for me,? she told the?Los Angeles Times?in 1986, ?but God gave me the strength to overcome it. I turned it around. I took it as life, love and energy and directed it in another direction, so it doesn?t really bother me to sing ?Gimme Shelter? now. Life is short as it is and I can?t live on yesterday.?

 

India's unfair obsession with lighter skin

The Dark is Beautiful campaign hopes to halt India’s huge appetite for skin whitening products, and has a new champion in film star Nandita Das

  • Nandita Das
Nandita Das: ‘Indians are very racist. There is so much pressure that perpetuates this idea that fair is the ideal.’ Photograph: Loic Venance/AFP/Getty Images
“You look green!” said a friend. “Are you ill?” asked another. Last year, a respected Indian newspaper published a photograph of me online which had been lightened so drastically by the art director’s magic wand that I called the editor to complain and he apologised and replaced it with the original. The art director had thought he?was doing me a favour by whitening my skin. Continue reading “India's unfair obsession with lighter skin”

The Gift of Photography

By Joe McNally


Is one that is given, or accepted, freely. As a shooter, you can be the recipient of many gifts over the years: The grace of someone?s time, the whimsy of their expression, the fleeting emotion of their eyes the lens traps, forever.
Behind the lens, you are a gift giver as well. You honor someone?s humanity, beauty, or spirit. You wordlessly transact, and that transaction, fixed in pixels, becomes the stuff of memory. Nobility can be enhanced, or conferred, upon someone who has never been so recognized. If done properly, at least occasionally, what transpires within the mundane mechanics of a shutter clicking or a light flashing becomes a certain kind of poetry, the legend of both the subject and the shooter. When the house is burning down, and all the people and the pets are out safely, what does someone often save? The photo album. Continue reading “The Gift of Photography”

Forced to Participate In War Crimes

In Suicide Note, Iraq War Veteran Says He Was Forced to Participate In War?Crimes

by Rania Khalek in Dispatches from the Underclass

Dan Somers (right) performing at his band?s CD Release Show (Phoenix New Times/Melissa Fossum)

On June 10, 2013, 30-year-old Iraq War veteran Daniel Somers killed himself after writing a powerful letter to his family explaining his reasons for doing so.
?My mind is a wasteland filled with visions of incredible horror, unceasing depression, and crippling anxiety, even with all of the medications the doctors dare give,? reads the letter, which Somers? family allowed?Gawker?to?publish. Somers went on to reveal the source of his pain: Continue reading “Forced to Participate In War Crimes”

Eid without Talha. Held for seven years without trial.

Syed Talha Ahsan?is a British poet and translator. He has been imprisoned for seven years without a trial. The family is spending another Eid without him.

Continue reading “Eid without Talha. Held for seven years without trial.”

The Barometer Story

Here is the problem a professor of physics had at the beginning of the XXth century:

“I received a call from a colleague about a student. He felt he had to give him a 0/20 to a physics question, while the student claimed a 20/20. Professor and student came to an agreement to select an impartial arbiter, and I was selected.
I read the examination question: “Show how it is possible to determine the height of a building with a barometer.”
The student replied: “I carry the barometer to the top of building, I attach a rope to it, I lower it to the ground, then I haul it back up and then I measure the length of the rope, which gives me the height of the building. ” Continue reading “The Barometer Story”