Grant for Exhibition in Tokyo

REMINDERS PHOTOGRAPHY STRONGHOLD GRANT

Upon receiving you proposal our commissioned judges will review your proposal. If your proposal is successfully approved, you can use our gallery space for 5 days or more ? up to 30 days for free.
Photographers, curators, galleriests, book publishers and organizations as either initials or a group are eligible to apply.
*Our gallery space is one of the largest individual galleries in Tokyo.
*Benefits of showing work in our exhibition space include world wide publicity . Using our global network, we will be supporting the publicizing of photographers and their works, your photographic presentation or campaign, or your book launch. Any alternative proposal on photography for the best use for this gallery space is welcome ? but all proposals will be reviewed and only successful proposal will receive this grant.
*If you are selected, you will receive 5-days free stay at the RPS residence.
*Printing, framing, insuring and transportation will be covered by the applicant.

FREE ACCOMODATION

If you contribute to take part of in a photo exhibition, workshop, lecture or artist talk or make any contribution to the benefit of RPS ? you can stay at our residence for up to 5 days. You need to submit the proposal and our commissioned judges will review the proposal.

WE ARE NOW OPEN FOR ACCEPTING THE WALL AND RESIDENCY PROPOSALS.

THERE ARE 4 DEADLINES THROUGHOUT THE YEAR and We will be selecting one grantee for each deadline:

SEPTEMBER 10TH
DECEMBER 15TH
MARCH 15TH
JUNE 15TH

To apply each grant, please submit your proposal with following
Email subject should be ?Submission to the Reminders Wall or free accommodation grant ? Your Name (Mr. or Ms)?
1, Title of the exhibition
2, A link URL can see your portfolio with 25 to 40 images (Do not attach them in the email)
3, Summary of exhibition (Write in the email do not attach it in the email)
4, Your or your organization or group profile (Write in the email, do not attach it in the email)

With all above, your name and your contact (email address and mobile number), send your submission to stronghold@reminders-project.org

The Majority World Photo Agency and The Guardian partner for Insider, Outsider? in London

Photo Show ? The Majority World Photo Agency and The Guardian partner for Insider, Outsider? in?London


INSIDER, OUTSIDER?
Insider, Outsider? Photography that challenges perceptions of the developing world?runs until 22 July at the Guardian Gallery in London. It isMajority World?s first UK exhibition featuring 17 emerging photographers from Africa, Asia, Latin America and the Middle East.

Photos above ? Shadi Ghadirian and below ? Farzana Hossen
?Whilst ?insiders? locally, many photographers from the developing world are ?outsiders? on the global image market, remaining under represented as storytellers about their own countries.
?Local photographers have an insider perspective that is unique, reflecting on and revealing previously untold stories around them ? critical, thoughtful and intimate stories close to home. Their privileged access enables them to develop an intimate understanding of their subjects and theme.? Press release.
It?s also interesting to see that staged work by Shadi Ghadirian (image above with yellow rubber glove) is included in this show as her work will also be included in the upcoming show?Light From the Middle East?at the V&A, see previous?Hotshoe Blog post.?This raises the question of the types of work on show and I?m wondering whether Ghadirian?s work is the only work that is staged in this show, rather than coming from a documentary tradition.
Majority World Photo Agency?supports these photographers by making their work visible, and by enabling them to earn money by selling globally. In so doing, it also contributes to a greater diversity of voices and viewpoints describing the developing world. The chairman is photographer, writer and human rights activist?Shahidul Alam.
See over for a list of all the photographers included and a couple more images?
 

? Andr?s Lofiego, El Ojo a Cuerda

Featuring images taken by:
A. M. Ahad, Bangladesh
Aaron Sosa, Panama/Venezuela
Adolphus Opara, Nigeria
Andr?s Lofiego, Argentina
Andrew Esiebo, Nigeria
Daniel Pati?o Flor, Ecuador
Dominic Sansoni, Sri Lanka
Fabrice Monteiro, Benin
Farzana Hossen, Bangladesh
Kishor Sharma, Nepal
M?rio Macilau, Mozambique
M. Anisul Hoque, Bangladesh
Neo Ntsoma, South Africa
Samar Hazboun, Palestine
Shadi Ghadirian, Iran
Shankar Sarkar, India
Tammy David, Philippines

? Shahidul Alam,

Majority World Photo Agency is ?an innovative social enterprise that works with talented photographers from the developing world. We specialise in high quality imagery that provides unique insights into local cultures, development issues, environments and contemporary lifestyles in these diverse continents. We also work with clients to commission assignments with our experienced photographers who understand the language, the culture, and the locality because it is their own?. From the press release.

Insider, Outsider?

Photography that challenges perceptions of the developing world

‘Insider, Outsider?? is Majority World?s first UK exhibition?featuring 17 photographers from Africa, Asia, Latin America and the Middle East sharing critical, thoughtful and intimate stories close to home.The exhibition is open for 3 weeks from July 3-22. E invite to show (please RSVP).


What makes a photographer different??Camera manufactures would have us believe?it is their latest model, perhaps a fancy lens.?Others will cite prestigious awards, or?acceptance in galleries. A grandmother in a?village in Bangladesh, a teenage rapper in?South Africa or a tin miner in Bolivia will?differ. These accolades will have little?meaning to them. Surprisingly, not even the?photographer?s nationality, or the colour of?her skin, or the language she speaks will?greatly affect their judgment, though all of?these will matter. Continue reading “Insider, Outsider?”

The spy who came in from Dhaka

It has been six years and Kabul has changed. My luggage was through booked from Bonn, via Munich and Dubai. Three flights in three different airlines with the tickets bought separately. Miraculously it arrived safely.
The banks at the airport were closed on Friday morning when I arrived. Maybe they?ll open tomorrow or the day after, they said. But things worked out. A SIM card was easy to get. It provided roaming Internet, but with a minimum charge for one month, I decided I?d stick to the Aina office where I was staying, for browsing. The SIM card man was going to change money for me as well. I suspected the rates weren?t the best, but at that stage, I wasn?t going to argue. More negotiations led to the bus to the parking lot and then the taxi.
The photographers at Aina had done well. The last time I?d seen Farzana Wahidy was at the All Roads Award Ceremony at National Geographic. I?d met Massoud Hossaini more recently at the World Press Award Ceremony in Amsterdam. He had just won the Pulitzer and it felt good to see how they?d progressed from the days I?d shared stories with the young and bright eyed youngsters in the grounds of Aina. But the office had moved. Luckily Farzana was able to direct the driver to the new location.
The new office was getting a fresh coat of paint and I made my way through stepladders to the TV room where the billiard table was stacked up with things temporarily relocated for the painters. But there were still people around and Aina looked like a busy place.
Farzana and Massoud soon came and we chatted about old times. I was to meet the other photographers on Sunday (today). That left me the rest of the day and Saturday to do other things. I had only seen the imported form of Buzkashi in Balochistan. But it was too hot for the sport in June and the other games were played early in the morning on Fridays, so I?d already missed them. But I did have other plans.
My main task was to identify work for a show I was curating for the Mus?e du quai Branly in Paris for 2013. Afghanistan was one of the eight countries I was covering. The trips to Nepal and Myanmar had gone well and I was looking forward to seeing fresh work from Afghanistan. I was also piggy backing for a story I was doing for Saudi Aramco World. Salma Hasan Ali, who was working with me on the story, had set up an appointment at what sounded like a wonderful school set up by Sadiqa Basiri Saleem.
I thought I?d also take pot luck in tracing an old friend. I?d met Aga Ghul in my last visit in 2006. Only then, I?d thought his name was Abdul Karim (my nonexistent Pashto and broken Urdu had obviously not served me well enough). The only clue I had was a photograph of Aga Ghul and his family, in their home and a vague landmark atop a hill. I didn?t know at that time, that I had the wrong name. We might well run this story on Saudi Aramco World, so I won?t give too much away at this stage. Anyway, there is plenty more to tell.

My friends Aga Ghul and his daughter Mahjebin at their home in?Kulula Pushta. Kabul. Afghanistan. 30th June 2012. ??Shahidul Alam/Drik/Majority World

Continue reading “The spy who came in from Dhaka”

World Press Photo arrives in Dhaka

Fatima al-Qaws cradles her son Zayed (18), who is suffering from the effects of tear gas after participating in a street demonstration, in Sanaa, Yemen, on 15 October. World Press Photo of the Year and People in the News, 1st prize singles, Samuel Aranda/NOOR for The New York Times

 
Drik in cooperation with the Embassy of the Kingdom of the Netherlands, Dhaka, have pleasure in inviting you to the opening of the World Press Photo 12 exhibition at Drik Gallery, on Thursday, 26 April 2012, 5.30 pm. After the launch in Amsterdam on the 20th April 2012, this is the first public viewing of the exhibition, which will also be launched in Poland, Spain, Portugal and Italy in April 2012.
A leopard attacks a forest warden after escaping from the Mahananda Wildlife Sanctuary, in West Bengal, India.. 2012, Spot News, Honorable Mention singles. Salil Bera. The Week/Majority World

The exhibition honours the prizewinners of World Press Photo?s 55th Photo Contest. Continue reading “World Press Photo arrives in Dhaka”

Open Call for Curatorial Proposals

Young Curators, New Ideas IV 
mr. & mrs. amani olu, in conjunction with Meulensteen, are accepting curatorial proposals for Young Curators, New Ideas IV, opening at the gallery on June 7, 2012. Below is a brief about the exhibition along with submission guidelines. If you have questions, please do not hesitate to contact amani olu or visit.
Young Curators, New Ideas
Young Curators, New Ideas IV is an experimental group exhibition that broadly examines the intersection between curatorial practice and modes of artistic production. YCNI seeks to provide a venue for emerging curators to develop their practice, experiment with ideas, form relationships with artists and expand their presence within the contemporary art community. In the past, YCNI has supported projects by Karen Archey, Jon Feinstein, Laurel Ptak, Jose Ruiz, James Shaeffer, Lumi Tan and Cleopatra’s, to name a few. Continue reading “Open Call for Curatorial Proposals”

Many faces of war 1971: A muktijodhdha speaks

1971. ?71. Ekattor. Is it a number? A word? A history? To any Bangladeshi, it embodies the pride of our nation, the struggle for our independence, the pain of loss, the humiliation of being violated, the joy of victory.
Continue reading “Many faces of war 1971: A muktijodhdha speaks”

Bangladeshi photojournalist Shahidul Alam?s first UK retrospective ? picture feast


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From Art Radar Journal

BANGLADESH PHOTOGRAPHY LONDON GALLERY SHOW
The first UK retrospective of works by internationally renowned Bangladeshi photographer and social activist Shahidul Alam is on at London?s Wilmotte Gallery until December 2011.?Art Radar brings you a selection of portraits and accompanying wall texts from the exhibition.
Click here to read more about the artist and the exhibition, called ?Shahidul Alam: My Journey as a Witness?, on Wilmotte Gallery?s website.
'Nurjahan's father', Chatokchora, Sylhet, Bangladesh, 1994. ? Shahidul Alam.
‘Nurjahan’s father’ (portrait), Chatokchora, Sylhet, Bangladesh, 1994. ? Shahidul Alam.
'Ali Zaman' (portrait), Chakkar Bazaar, Kashmir, Pakistan, 2005. ? Shahidul Alam.
‘Ali Zaman’ (portrait), Chakkar Bazaar, Kashmir, Pakistan, 2005. ? Shahidul Alam.
'Horipodo? (portrait), Shondeep, Bangladesh, 1991. ? Shahidul Alam. Continue reading “Bangladeshi photojournalist Shahidul Alam?s first UK retrospective ? picture feast”