A Struggle From Dawn to Dusk

Subscribe to ShahidulNews


Share


By?ANDREA RICE

Photographs by Taslima Akhter


Lens - Photography, Video, and Visual Journalism

The garment industry is one of the?largest industrial sectors in Bangladesh. It accounts for a good portion of the country?s exports and employs more than three million workers. Most of them are women.
?Workers toil from dawn to dusk on minimum wage,? said?Taslima Akhter, a Bangladeshi photographer who has spent more than four years capturing the workers? movement for ?The Life and Struggle of Garment Workers.?
Ms. Akhter, 37, was compelled to bring to light some of the industry?s darker aspects, like dangerous working conditions and low salaries. As an activist, a photographer and a resident of Bangladesh, she sees the ongoing project as both a personal agenda and a civic duty.
Ms. Akhter said she believed that the struggle of garment workers ? particularly women ? was one of the country?s most pressing issues. A transition to democracy in Bangladesh would raise questions about women?s rights, she said, expressing hope that her project could help speed the country toward that goal? ? and inspire the workers to make their own voices be heard.
In 2006, garment workers in Bangladesh made less than $25 per month, Ms. Akhter said. Following a tremendous protest in 2010, their wages increased to just under $45 monthly ? still not a living wage.
That strike ? and the number of women who participated ? drove Ms. Akhter to continue her work on the project, most of which she photographed in and around her hometown, Dhaka, the capital of Bangladesh. (Outside Dhaka, she shot in Gazipur, to the north, and Narayanganj, to the east.) Ms. Akhter studied photojournalism at the?Pathshala South Asian Media Academy in Dhaka in 2007. She completed a master?s degree in philosophy from theUniversity of Dhaka. She just completed a six-week course on photography and human rights at New York University?s?Tisch School of the Arts as part of a?Magnum Foundation scholarship she was awarded in 2010.

Public discussion at University of Queensland

Subscribe to ShahidulNews


Share



15 August, 2011
For Immediate Use

UQ to host international photojournalist advocate?s public discussion



Portrait of Shahidul Alam by Tom Hatlestad

Internationally renowned Bangladeshi photographer, writer and activist Dr Shahidul Alam will lead a free public discussion next week, hosted by The University of Queensland?s Centre of Communication and Social Change, School of Journalism and Communication.
Dr Alam will discuss the role of ?the visual? in communication for social change at the James Birrell Room of the UQ Staff Club on Tuesday August 23 at 5.30pm.

Who: Internationally renowned Bangladeshi photographer, writer and activist Dr Shahidul Alam.
What: Public lecture on the role of ?the visual? in communication for social change.
When: Tuesday August 23 at 5.30pm for a 6pm start.
Where: James Birrell Room of the UQ Staff Club, The University of Queensland.
Cost: Free.
Dr Alam flyer final


Presentation at Museum of Brisbane Amnesty Press Release
Kelly Higgins-Devine interviews Shahidul Alam
The Audio file of the ABC Radio interview




Drik mourns

Subscribe to ShahidulNews

Share

Tareque Masud and Mishuk Munier amongst five killed in road accident.

Drik mourns the death of two dear friends, the injuries of three others and the numerous deaths of their colleagues and the thousands of uncounted others who regularly die as a result of negligence, corruption and the wanton irresponsibility of those who are in charge of keeping our roads safe.

Tareque and Catherine Masud with their baby boy Nishad. Photo Collected From Family Album

Tareque Masud, one of the finest film makers this nation has produced. Mishuk Munier, a talented cameraperson and a media professional who had both the dreams and the ability to change the way reporting was done, died a brutal death as they were returning to Dhaka having chosen the location for their next film.
The wreckage of the microbus that was carrying Tareque Masud and Mishuk Munier lies beside the road after the crash Saturday. Photo: Daily Star

Catherine,?Tareque’s equally talented wife, the producer of the Oscar nominated film Matir Moina, artist Dhali Al Mamoon, who had given the inaugural Golam Kasem Daddy lecture on Drik’s 20th anniversary, and his painter wife Dilara Begum Jolly are in hospital recovering from multiple injuries. Dhali’s condition is critical.
(From left) Raghu Rai, Shahidul Alam and Dhali Al Mamoon at the inaugural programme. Photo: Daily Star

- Internationally acclaimed filmmaker Tareque Masud, cinematographer, broadcast journalism guru of Bangladesh CEO &?? Chief Editor of ATN News Television station Mishuk Munier, and three others were killed as their microbus collided with a Chuadanga-bound passenger bus on Dhaka-??Aricha highway at Ghior sub district in Manikganj district on August 13,2011 Eminent film producer and Tareque's wife Catherine Masud, painter couple Dhali Al Mamoon and Dilara Begum Jolly also were injured while the team were on a recce visit for '??Kagojer Phool'??, a feature film to be made. The bodies were taken to Dhaka Medical Collage Hospital for post-mortem and the injured to Square Hospital for treatment.

Photo: Saikat Mojumder/DrikNews

Photo: Saikat Mojumder/DrikNews

Photo: Saikat Mojumder/DrikNews

Photo: Saikat Mojumder/DrikNews

Obituary on Guardian UK

Learning Rights to Make a Difference

Subscribe to ShahidulNews

Share

Awards Ceremony
Award ceremony Invitation card

Learning Rights to Make a Difference

Human Rights Training for Journalists in Bangladesh

Monirul Alam of Prothom Alo Newspaper talks about his project on drug addiction. Photo (c) Saikat Majumder/DrikNews

Drik and INTERNEWS network request the pleasure of your company at the Awards Ceremony of ?Learning Rights to Make a Difference? a human rights training for journalists in Bangladesh on Thursday 11 August, 2011 at 5:00 pm at Drik Gallery, Dhaka.



Facilitator Sanaiyya Ansari with participants of workshop. Photo (c) Habibul Haque/DrikNews

Participating organisations:?Daily Shokaler Khobor,?Daily Sun,?Prothom Alo,?The Independent,?Independent Television,Diganta Television,?Odhikar,?New Age,?The New Nation,?The Daily Ittefaq,?Dhaka Courier,?UNB,?BLAST,?Daily Inquilab,ASK,?Boishakhi TV, BNHRC



Manjurul Ahsan Bulbul the CEO of Boishakhi Television, giving feedback to the participants as Shahidul Alam (centre) and Rezaur Rahman (right) of Drik look on. Photo: (c) Saikat Majumder/DrikNews

The event will be live-streamed on Drik TV
Chief Guest
Dr. Mizanur Rahman
Chairman, National Human Rights Commission, Bangladesh
Guest of Honour
Mr. Nurul Kabir
Editor, New Age
Selected work of the 17 mainstream journalists who participated in the human rights training course will be presented at this event.
Programme
Drik Gallery, Dhaka ? 11 August 2011 ? Thursday
5:00 pm (GMT +6): Audiovisual Documentation of ?Learning Rights to Make a Difference?
5:05 pm: Welcome by Shahidul Alam
5:15 pm: Presentation of Electronic Report
5:20 pm: Speech by participant (electronic)
5:25 pm: Speech by participant (print)
5:30 pm: Speech by participant (photography)
5:35 pm: Speech by Guest of Honour
5:45 pm: Speech by Chief Guest
5:55 pm: Awards Presentation
6:20 pm: Vote of Thanks by Shahidul Alam



Facilitator Sanaiyya Ansari summing up one of the sessions. Photo: (c) Qamruzzaman/DrikNews

Journalists play an important role as both, providers of information to the public and as a resource for human rights defenders demanding accountability amongst all those who wield power in the public and private domain. Shahidul Alam, Managing Director of Drik at the opening address of the training course said, ?With Bangladesh gaining geopolitical importance, many forces are at play and human rights violations have dramatically escalated with perpetrators operating with impunity. Trained journalists will play a vital role in challenging the abuse of power.?



Trainer Shahidul Alam critiquing the work of participants. Photo: (c) Saikat Majumder/DrikNews

Journalists? right to information and the right to report are the lifeblood of their profession. However, reporting on human rights issues that plague any country is a formidable task for many. The journalists often come under threats and unwarranted arrests leading to abuse by the very authorities that have been elected to provide and protect their human rights.
Drik as a premier visual media communication provider and an organisation committed to social justice, has always aspired to make Bangladesh a country where people can exercise their right to express dissent peacefully, where information will flow freely and where knowledge and skills needed for individuals to attain their full potential are made available.



Trainer Reaz Ahmed, news editor of the Daily Star in a heated debate with the participants. Photo: (c) Qamruzzaman/DrikNews

The Learning Rights to Make a Difference, human rights training was thus formulated in partnership with Internews Network to train Bangladeshi journalists to learn new skills and examine in depth the special role accurate, fair and professional reporting and analysis play, in upholding human rights and supporting the peaceful resistance to human rights abuses.
The first part of the course from 19-21 July was instructional which used creative, interactive teaching methods, including presentations and discussion by guest lecturers and exchanges with human rights defenders, activists as well as victims. During the second part of the programme the participants were assigned to report on human rights issues under the supervision of trainers and mentors. The final part of the training was a review programme on 8-9 August where the assignments were openly evaluated by the trainers, mentors and the participants themselves.



Freelance photojournalist Prito Reza (left), Monirul Alam of Prothom Alo (centre) and Ahmed Rezwanul Zaki of Independent Television watching Prito's photo essay on access to health services. Photo: (c) Qamruzzaman/DrikNews

It is expected that the training will help the journalists contribute towards greater transparency and accountability leading to a more participatory democracy where rights of all citizens are respected.

Fig leaf of ?Press Freedom?

Subscribe to ShahidulNews


Share


Fig leaf of ?Press Freedom? lifted from Murdoch press

Cyril Pereira

HONG KONG

Sunday, 17 July, 2011 | THE BRUNEI TIMES A17

OPINION

The Brunei Times

What does that say about printed news in the Digi-logue era?

ASKED what his priority was upon arrival in London to take charge of the unraveling of his UK newspaper, News of the World (NoW), Rupert Murdoch pointed to his red haired CEO of News International, saying ??Her??.? That gave the game away.
Rebekah Wade (before she became Mrs Brooks) was editor of the NoW when much of the celebrity phone hacking and cheque – book journalism scandal was rampant.? She was promoted to CEO by Rupert. She was in charge of the internal investigation that declared it to be the work of one rogue reporter. Some charitable commentators speculate that Rebekah Wade was covering up the scandals from the chairman who knew nothing.
Anyone familiar with how the Murdoch organisation works will know that nothing of significance is allowed to happen in any part of the global empire without direct approval of The Boss. None of his minions dare risk any initiative without express permission. After securing that, they gloat over lesser minions in turn, ordering them to charge up whichever hill.
Rebekah Wade knows too much of how high up the phone-hacking, pay-offs to police and hush money to victims was sanctioned. At the Parliamentary hearing will she confess? She has stood steadfast so far, denying any knowledge of these shenanigans. But if she were subsequently to be charged for complicity in criminal activity, will she spill the beans on her boss?? Murdoch? is? a? master of realpolitik and the mesmerising power of money. He knows only too clearly where his priority lies in this case. Will Rebekah Wade endure a term in prison with her trap shut, like Andy Coulson before her?? Let us watch this morality play unfold.? Loyalty more than competence, is prized highly infamily businesses. It plays to the insecurity of the owners. At News Corporation that is worth gold.

How did NoW & The Sun hold such influence in the digi-logue era?

Ingrained in the British polity is a free press pride of mythic proportions. Murdoch converted that to a licence to print money by feeding the prurient and voyeuristic instincts of society.? British institutional reluctance to interfere with the mechanics of a rigorous press worked to his advantage. ?Using this fig-leaf of press freedom, his gutter press outreached.
??Give the people what they want?? was his amoral justification for a diet of boobs on Page 3 of The Sun and lurid sexual peccadillos of politicians and celebrities across NoW pages. Mr Murdoch?s low opinion of his readers is amply summed-up by a former managing director: ??Most people are like sheep. Let?s shear them.??
Often innuendo was enough to ruin careers and reputations. It sold his newspapers vigorously ahead of his more inhibited rivals.? Neither Murdoch nor his editors cared about the lives they broke.? They never let facts get in the way of a good story. An editorial fund to pay off victims who initiate libel suits was just a cost of doing business.? To keep up a daily menu of startling disclosures year after year for this cynical publishing formula, required stretching beyond court hearings and crime beats (available to all newspapers). It required hacking into private telephone conversations, voicemails, sms plus paying sleuths to steal confidential banking and hospital records.
This yielded rich dividends for the Murdoch papers. They were never short of saucy leads, embarrassing photographs or helpless victims. They ??scooped?? the competition routinely.
The other tabloid rivals have shown remarkable restraint in not putting the boot into the Murdoch press. There is widespread suspicion that they are also guilty of phone-tapping and payments to police. Parliamentarians are calling for a comprehensive investigation into the links between the police, tabloids and the shadowy world of private detectives.
The toothless Press Complaints Commission (PCC) has again been unmasked as an utterly ineffective entity created not to self-regulate but to block independent investigation of errant members. Following the current NoW controversy, Parliament has pledged to scrap the PCC and replace it with a body independent of both the newspaper industry and government.

Digital disruption of news monopolies

The dominance of NoW and The Sun in the UK is all the more remarkable when elsewhere the Internet, Blogs, Facebook and Twitter have evolved a dynamic ecosystem of crowd-sourced, realtime, instantaneous horizontal distribution of news, views, opinion and debate.
It was Dr Indrajit Banerjee, a Director at Unesco in Paris who coined the term ??Digi-logue?? to describe converging analogue and digital technologies and content flows. His point was that the established academic ways to map,?study and analyse Press, TV, Radio & Online channels as parallel communication?need to be radically reframed to make sense of the new realities. The boundaries are blurred and new possibilities are enabled.
Dr Andrew Taussig and I were privileged to be invited to address the Plenary session he chaired at the recent AMIC Conference in Hyderabad – on precisely this phenomenon.
For near 200 years newspapers perfected a super-efficient cycle of news production and mass distribution in a controlled, linear process with the editor at the centre.
The editor decided what will be printed and how the story will be told. More importantly, he decided what will NOT be printed and which stories will NOT be told.? The true power of the press was its ability to hide critical matters from public knowledge. Authoritarian governments and Big Business leveraged compliant editors to mislead the public.
The digi-logue environment has broken that stranglehold on news and opinion which mainstream press and TV enjoyed. Tweets from Sohaib Athar in Abbottabad:?A huge window-shaking bang here in AbottabadI hope it?s not the start of something nasty? was the first indication of the remarkable American raid on Osama bin Laden?s hideout which left the Pakistani military clueless even after the helicopters left with his body. No reporter was there to file the story.
Nic Newman of The Reuters Institute at Oxford University says that Twitterers are ??influencers??.? ??The audience isn?t on Twitter but the news is on Twitter.?? Celebrities and politicians now regularly tweet their daily meetings and travels with a growing fan network. Sashi Tharoor, former UN Under – Secretary General and later junior minister in India?s Foreign Ministry, got into trouble for his tweets on meetings with foreign dignitaries and for lamenting travelling ?cattle-class? to conform to the Congress Party?s strictures on public travel for MPs.

Alternative media compensate for discredited mainstream media

Closer to home, Singapore?s recent elections and the ongoing Malaysian politics demonstrate the far reaching effects of social media, mobile communications and the Internet as citizens initiate, share, query and distribute information virally to groups and individuals without the agency of mainstream press or TV.
This is having interesting effects on the behaviour of journalists, editors and politicians. Mainstream press which once dismissed Bloggers out of hand, now follows the established ones closely to track the cyberchatter of posts and counter-posts. They quote Bloggers in press reports. ?The Malaysian government has invited Bloggers to press conferences. Dr Tony Tan bidding for Presidential elections in Singapore, announced his decision on a Blogging platform to reach young voters.
Governments and their intelligence agencies are vigilantly tracking cyberchatter for clues to political sentiment and the public will. The Chinese government is particularly adept at this silent eavesdropping. It has resulted in delayed statements from the Prime Minister to address public anger about rising food prices and unaffordable housing.
This crowd-sourced feedback bypasses the inefficient and unreliable network of spies and informers who filter intelligence for their political masters. In some ways this is an amplified, authentic mirror of public sentiment to governments which hopefully will reduce misbehaviour of the power structure.

What are the lessons for the business of News?

It is all out there. The news process is becoming a ??curation?? of content from formal, informal and co-opted amateur sources on mobile phones, You Tube, Facebook and Twitter. Trusted brands have an advantage in credibility on all platforms which consumers access at different times of the day, from home to office and back. The people, formerly known as the audience, now participate in the process of news creation, sharing and verification.
Digital distribution of rich media blurs the previous distinction between printed, online and broadcast channels. News producers have to become multimedia?orchestrators for consumers who want to read, see, hear and experience news. Tablet publishing is the first such integrated rich-media platform for busy citizens on the go.?The garden variety reporter will be useless. Domain experts who comment, analyse and contextualise news will be needed to add value to content. News will be channel agnostic.?Dependency on advertising will diminish as news businesses find new revenue streams from consumers, brands and transactions.
Cyril Pereira is the Co-Chairman of Asian Publishing Convention

My Journey as a Witness

Subscribe to ShahidulNews

Share

Shahidul Alam: My Journey as a Witness

Edited by Rosa Maria Falvo

  • September 23, 2011
  • Hardcover
  • Photography – Individual Photographer
  • Skira
  • 9-1/2 x 11
  • $50.00
  • $57.00
  • 978-88-572-0966-1

About This Book

An insight into the evolution of one of the most significant movements in contemporary photography, through the eyes and voice of the man who shaped it. An extraordinary artist, Shahidul Alam is a photographer, writer, activist, and social entrepreneur who used his art to chronicle the social and artistic struggles in a country known largely for poverty and disasters.
Lucid and personal, this much-awaited book includes over 100 photographs tracing Alam?s artistic career, activism, and the founding of photography organizations. From early images shot in England to photographs of the last two decades in his native Bangladesh, this is a journey from photojournalism into social justice. Alam?s superb imagery is matched by his perceptive accounts, at once deeply intimate and bitingly satirical.

About the Author

Shahidul Alam, profoundly influenced by inequality in his native Bangladesh and The Liberation War, pursued a life in photography to challenge oppression and imperialism in all its forms. Attacked, arrested, and threatened with death, Alam built what many consider to be the finest photography school in the world, an award-winning agency, and the world?s most diverse photography festival. Widely celebrated, Alam claims as his achievements not the awards and exhibitions but the people he has trained and the lives he has transformed.?Rosa Maria Falvo is a writer and curator, and Skira?s international commissions editor, specializing in Asian contemporary art.
Introductions by:
Sebasti?o Salgado
Shahidul has managed to create a community, giving it a framework and creating links, as he has already done in Bangladesh. This is not merely another virtual community, like so many others, which have undoubtedly demonstrated their utility, but a truly concrete ensemble, which is a composite of all generations attached to their native soil, who share a much vaster territory than that of any one country. The territory I speak of is, of course, the photographic world of Shahidul Alam, which is also mine, as well as each and every one of ours. A world where we can daily sense our conscience and our faith in our planet.
and
Raghu Rai
In India we have many more photographers, some of them very good, and there are many galleries for art and especially photography. As well as reputed newspapers and magazines ? much is happening on many levels. But we don?t have a Shahidul Alam, who can combine them into a cohesive social and creative force.
The book was launched in Dhaka on the 23rd September 2011
The touring version on the exhibition will open at the Wilmotte Gallery (formerly Patrick Litchfield’s studio) in London on the 6th October 2011
The London launch (Grand Hyatt Churchill) will take place on the 10th October 2011
The New Delhi launch (Habitat Centre) will take place on the 15th October 2011
The New York launch (Rizolli Book Store) is on the 10th November 2011
A trailer for the book:

Mirror, mirror on the wall, who's the Noblest of them all?

by rahnuma ahmed

I’d thought of writing about the Nobel Laureate’s ouster from Grameen Bank last week, but fever intervened.

Nobel Peace Prize laureates, Muhammad Yunus, right and Grameen Bank represented by Mosammat Taslima Begum hold the Nobel medal and diploma during the award ceremony at Oslo Town Hall Sunday, Dec. 10, 2006. (AP)


Mine has receded, the government’s however, has not. Their’s is prolonged, one that continues. High state and party functionaries have repeatedly spoken of “irregularities” with a feverish zeal as the Bangladesh Bank relieved Dr Muhammad Yunus of his duties as managing director of Grameen Bank.
He had violated the country’s retirement law, they said. Sixty years is the age limit but Yunus was 70. This made him “too old” to be Grameen Bank’s chief, said the finance minister. He should have left ten years ago, said the Bangladesh Bank, instead of staying on “illegally”for an extra ten years.
In a writ filed at the High Court, Yunus’ defence lawyers argued that the Bangladesh Bank’s directive was illegal. No show cause notice had been served, this made his removal “illegal, malafide and arbitrary.” A week later, on 8th March, Dr Yunus lost his High Court appeal when the judge ruled, ?Professor Yunus has been continuing in his job with no legal basis, therefore his petition has been rejected.? ?Neither Yunus nor any of his senior lawyers were present at the court. ?In recent months, the independence of the judiciary has been a matter of grave concern.
Yunus and 9 members of the board of directors have filed an appeal with the Supreme Court challenging the High Court’s order. A full bench hearing is scheduled for March 15. The HC’s decision was “entirely perverse” said Dr Yunus and the members of his board, it was passed without issuing any ruling.
The alignment of local, national and global influentials against, and in support of, Yunus is telling. The prime minister’s son Sajeeb Wajed, in an e-mail sent to international agencies, human rights organisations, US state department officials and prominent persons, wrote: Yunus’ only stature in Bangladesh is that of a “Nobel prize winner,” politically-speaking, he’s a “non-entity.” Accusing the Grameen Bank of “massive financial improprieties,” “tax evasion” and “embezzlement,” Sajeeb reminded us that despite being “criminal” offences, the government has not taken any “punitive” action against Yunus. It’s only concern is to “prevent further abuse of microcredit borrowers.” (dated March 5, 2011).
As I read the e-mail, I mulled, is this not the same prime ministerial offspring against whom allegations of taking a $2 million bribe from Chevron surfaced recently? A deal reportedly brokered by Dr. Tawfiq-e-Elahi Chowdhury, the prime minister’s energy advisor, a la, also, of WikiLeaks fame? (`People’s resistance to global capital and government collaboration is vindicated,’ WikiLeaks Bangladesh I, New Age, December 27, 2010). ?Did not the news item (December 17, 2010) later land the editor of Amar Desh in jail? At least, that’s the connection made by some.
Bangladesh Chhatra League activists manhandle Grameen Bank staff and stakeholders who were holding a human chain in front of BM College in Barisal, March 11, 2011. Photo: Daily Star


Continue reading “Mirror, mirror on the wall, who's the Noblest of them all?”

Pathshala excels in Sony World Photography Awards

Subscribe to ShahidulNews

Share

Tushikur Rahman and GMB Akash shortlisted in prestigious photo contest.

Tushikur Rahman, a second year student of the three year BA programme in photography at Pathshala South Asian Media Academy, was yesterday announced as one of the 10 photographers from across the world who have been short listed for the 2011 Sony World Photography Awards Student Focus competition.
Tushikur’s short listed images have triumphed over hundreds of images entered from around the world into the world’s one of the most high profile student photography programme and award, says a press release issued from London yesterday.

Photo: Tushikur Rahman

Being shortlisted, Tushikur has two parts to his prize. Firstly, his image will be exhibited as part of the Sony World Photography Awards Exhibition at Somerset House in London and secondly, he will be flown to London in April to take part in the World Photography Festival London and in the final stage of the competition.

Pathshala is one of the ten academic institutions and the only one from Asia to be shortlisted.

Former student GMB Akash?s pictures of people travelling, precariously, on the roofs on trains in Bangladesh has been shortlisted in the professional section Travel category.

Majed Miya, a carpenter, on the roof of the Dhaka to Mymensing train. He has travelled this way for two decades, going to Dhaka for work and returning weekly to his family in Mymensing. In Bangladesh many people ride on the roofs of trains as frequently that is the only space available. For others, the fares are too high and can be avoided or reduced by travelling on the roof. However, this practice also leads to regular accidents, many of them fatal. ??GMB Akash

Politics of Cultural Industries in the neo-Liberal Jomana…

Subscribe to ShahidulNews

Share

by rahnuma ahmed

A vicious cyclone had struck the night before. Dawn, stillness. A calm and eerie light. I tagged behind my older brothers as they ventured out, gazing in awe at a neighbouring house, its roof had flown off, while scenes of devastation lay around us with trees uprooted, branches severed from trunks, debris lying in the middle of the road. Fragments of a childhood memory.
As news of death and destruction poured into our home, so did groups of radio artists?singers, musicians?and many others, all working for the Chittagong radio station, like my father, a journalist, who worked in its news section.
By midday we were out in the streets, singers and musicians at the front, the rest behind, two rows of men, women and children, holding on to the corners and edges of a white billowing bedsheet. As the long procession wound down major roads, pedestrians turned around at the sound of singing, reaching for their pockets as we drew nearer. Women and girls peered at us, while boys were sent out, clutching notes, or a handful of coins (in those days, coins mattered). As the hours passed, the chador no longer remained taut; heavy with cash offerings, it sagged in the middle.
We trooped home. Instructed to separate coins from banknotes, we kids worked feverishly as my mother busied herself in rustling up some food for the sudden influx of guests. Neatly laid out piles of banknotes, tottering columns of coins. My father and his colleagues counted, double-checked. The money was sent off to aid cyclone victims. It was 1965. It was Chittagong. We belonged to Pakistan.
The central seat of power, Islamabad, was far away. It was (still) possible for state functionaries and artists to come together. To take to the streeets spontaneously, aroused by community feelings of helping people in distress. An event that was not orchestrated. No heads had rolled. Had cameras clicked? No, not that I remember.
Fast forward to now. Natural disasters. Large cheques are donated to the prime minister’s relief fund. Banks. Multinational mobile phone companies. Business associations. Civil society. NGOs. Smaller cheques too, a day’s salary of government employees, of private firms. An extended hand offers a cheque, as the other accepts, both faces turn toward the TV cameras, toward the photojournalists. The state-capital-media nexus, although riven by internal disagreements and rivalries, work collectively to manufacture national interests. A far cry from earlier times when broadcasting and telecasting space was controlled by state-owned Radio Bangladesh and Bangladesh Television, when 5-10 regular privately owned dailies, and a film industry, not known for signs of originality, was all that there was. Before things began changing in the 1990s.
Market reforms however, began earlier, Ziaur Rahman (1975-1981) and Hussain Mohammad Ershad (1981-1990) used them as instruments to build and maintain political coalitions, particularly with traders and industrialists. Economic liberalisation programmes, traded off for garnering the political support of business elites, did not, as Fahimul Quadir points out, contribute to the micromanagement of the economy, nor to the advancement of human development goals.?Instead, they allowed big business to emerge as a major player in national decision-making. Not unsurprisingly, contradictions emerged?it adversely affected the state’s ability to enforce contracts, to develop a mechanism for redistributing assets?but these were ignored by the military rulers as the issue of gaining legitimacy among civilian sectors was far more pressing.
Despite General Ershad being ousted from power in 1990, subsequent regimes, led by Khaleda Zia and Sheikh Hasina, treaded earlier paths, smoothed by undisclosed contributions to party coffers, far more important than improving the living standards of the majority. These patterns are similar to those in Philippines, president Marcos, US ally and long-time friend, was deposed in 1986 through a popular uprising, but despite his ouster, many, if not most, of the “fundamental relations of exploitation,” remained intact. Democracy was “nominally restored” while the masses continued to suffer, writes Jonathan Beller; prostituted Filipinas became overseas Filipino workers (OFWs), radicals continued to be murdered, giving lie to a particular fantasy about the importance of individuals (autocrats are deposed, but the system does not get dismantled).
Ceaseless political party bickering which has characterised politics in Bangladesh for the last two decades, has benefited media corporatisation’s ideology, “impartial” and “neutral” news journalism has been redefined as that which is independent of political party allegiances, distracting attention from the fact that corporate media works to further corporate interests, to create a consumer culture, to advance the interests of market forces (Fahmidul Huq). Not surprisingly, there have been other contradictions as well. As Zeenat Huda Wahid notes, Khaleda Zia’s new media policy in 1992 initiated satellite television, leading to scores of Indian channels being available to Bangladeshi viewers. Despite, Huda argues, the BNP government’s crafting of a religio-territorial identity, one that was portrayed as resistant to Indian domination. ?Or, as Meghna Guhathakurta writes (1997), Sonar Bangla, the rallying cry of the liberation struggle?evoking images of classlessness, prosperity, peaceful agrarian relations?was not only abandoned by the Awami League post-1971, it has become “fossilised.” Sheikh Hasina’s government (1996-2001; 2008 onwards) has not veered from liberalisation policies initiated by previous governments, including those which are her sworn enemies, the BNP-Jamaat alliance that ruled the nation (2001-2007); the present government’s proclamation of Muktijuddher pokkher shokti is shorn of Shonar Bangla ideals, as fundamental relations of exploitation remain. Intact.
The culture industry’s victory lies in two things, “what it destroys as truth outside its sphere can be reproduced indefinitely within it as lies.” We can no longer simply talk of control, writes Sefik Seki Tatlic, we must talk of the nature of the interaction between one who is being controlled and the one who controls.?Of how the one that is “controlled” is asking for more control over him/herself while expecting to be compensated by a surplus of freedom to satisfy trivial needs and wishes. Of how the fulfillment of trivial needs is declared as freedom. Readers, remember, RC Cola, freedom of choice? Or, remember Grameen Phone’s current slogan, Stay Close, invoking family ideology (security, warmth, intimacy, support, romance) to further corporate profits (Stay Close so that we can fleece you?). Consumer freedom, Tatlic reminds us, implies as well the freedom to choose not to be engaged in any kind of socially sensible or politically articulated struggle. Very true in the case of Bangladesh, for one does not see media celebrities, singers, actors and actresses, writers, playwrights, intellectuals, advertising industry’s geniuses etc etc, those who froth at the mouth at the slightest mention of 1971, lend support to any of the pro-people struggles and movements current in Bangladesh, two of the foremost being the garments workers struggles for living wages and safe and secure workplaces, ?and, the Phulbari peoples struggle to not be uprooted from their land and livelihood, to resist the impoverishment which multinationals, and the government (both present and past) have destined for them.?Life is so much more comfortable for the ruling class and its functionaries when Muktijuddho gets divested of Shonar Bangla ideals, when fundamental relations of exploitation can, and do, remain intact.

Telenor and Grameen Telecom have shown how a for-profit company can work with a non-profit one for the greater social good. Outlook India, Dec 26, 2009.

The category of the “spectacle” is the medialogical paradigm, says Beller, as the accumulation of capital becomes an image (think of all the commodities advertised), and again, as “the diplomatic presentation of hierarchical society to itself.” The spectacle is not merely a relation, but a relation of production for it produces consciousness. We must put language on images, he writes. Excited by Beller’s theory, I return to YouTube to watch Shahrukh Khan’s performance in Dhaka (I missed when it was shown live on TV), where Dhaka crowds, who had paid exorbitant amounts to purchase tickets, were said to have been bowled-over by the mega-star’s performance.?A few voices have expressed their disgust at the “vulgarism,” ?at the “obscenity,” at his cultural arrogance, his condescending attitude toward the Bangladeshi audience, at his oft-repeated use of a “slang” word (not written by those who felt offended, I had to go to great trouble to discover it). Shala! Now, shala is a kinship term, used by the husband to indicate his wife’s brother. Gentrification has led to `shaylok‘ being preferred over shala, and I have yet to find a Bengali able to explain why it offends. The answer lies in its underlying message, embedded in patriarchal power relations, deeply sexualised, “I f..k your sister.”
Bollywood superstar Shahrukh Khan at the Dhaka army stadium, dancing with Russian models, at the all sold King Khan Live in Dhaka show, December 12, 2010.

The diplomatic presentation of hierarchical relations between India and Bangladesh as the BSF, the Indian border forces, kill Bangladeshis randomly, systematically? The King Khan tamasha made us forget the truth that lies outside the sphere crafted by the culture industries. Shala is a patriarchal lie, it must be dismantled.
Published in New Age, Monday February 21, 2011

Bangladesh double in World Press Photo

Subscribe to ShahidulNews


Share



While Bangladesh might be the minnows in test cricket. In the field of photography, Bangladesh has carved a space for itself. Former students of the prestigious Joop Swart Masterclass, GMB Akash, Andrew Biraj, Munem Wasif and Saiful Huq Omi are amongst the finest photographers around today. Abir Abdullah, a student of the first World Press Photo seminar series in 1998, was a member of the international jury this year.
The international jury of the premier contest World Press Photo,?is considered the UN of photojournalism.?Its accolades are coveted by photographers across the world. Shahidul Alam, who has been a juror on four occasions, is the only Asian to have chaired the international jury, ?Besides these Pathshala photographers, Shafiqul Alam Kiron, a photographer from the MAP agency has also been a winner in the past.
Andrew Biraj was also a winner (3rd Prize) in the Daily Life category this year, with the following image:

The results of the 54th annual World Press Photo Contest were announced during a press conference at the Boekmanzaal in the Amsterdam City Hall, Amstel. This year again a record number of photographs with 108,059 images were submitted by 5,847 photographers. The photographers represent 125 different nationalities.
The members of the jury were:
Chair
? David Burnett, USA, photojournalist and founding member Contact Press Images
Members
? Abir Abdullah, Bangladesh, photographer EPA and vice principal Pathshala South Asian Media Academy
? Vince Aletti, USA, freelance critic
? Koji Aoki, Japan, chief photographer Aflo sport / Aflo dite and president Aflo Co., Ltd.
? Peter Bialobreszki, Germany, artist
? Harry Borden, UK, photographer
? Giovanna Calvenzi, Italy, picture editor Sportweek / La Gazzetta dello Sport
? Marizilda Cruppe, Brazil, photographer O Globo / Eve Photographers
? Ruth Eichhorn, Germany, director of photography Geo
? Renata Ferri, Italy, photo editor Io Donna – Corriere Della Sera
? Heinz Kluetmeier, USA, photographer Sports Illustrated
? Mattias Klum, Sweden, photographer and filmmaker
? H?ric Libong, Cameroon, head of photo department Panapress
? Enric Mart?, Spain, regional editor AP for Latin America and Caribbean
? Wim Melis, The Netherlands, curator Noorderlicht
? Terence Pepper, UK, curator of photographs National Portrait Gallery
? Sujong Song, South Korea, independent curator and photo editor
? Sophie Stafford, UK, BBC Wildlife Magazine
? Aidan Sullivan, UK, vice president photo assignment Getty Images
Secretaries
? Daphn? Angl?s, France/USA, European picture coordinator The New York Times
? Stephen Mayes, UK, managing director VII Photo Agency
Former student Andrew Biraj, is currently a teacher at Pathshala The South Asian Media Academy