Disaster – Page 2 – Shahidul News

The World’s Preeminent Photojournalists and Thinkers Depict Essential Issues of Our Time

Sterling. 2008. 335p. ed. by David Elliot Cohen. photogs. index. ISBN 978-1-4027-5834-8. $27.95. POL SCI

Cover photo by GARY BRAASCH: An ice cave on the edge of the Marr Ice Piedmont on Anvers Island,

PHOTOGRAPHY EXPOSES TRUTHS, advances the public discourse, and demands action. In What Matters, eighteen important stories by today?s preeminent photojournalists and thinkers poignantly address the big issues of our time?global warming, environmental degradation, AIDS, malaria, the global jihad, genocide in
Darfur, the inequitable distribution of global wealth and others. A “What You Can Do” section offers 193 ways to learn more and get involved.

A four-year-old girl in Ghana walks two-and-a-half miles (four kilometers) twice each day to fetch buckets of water for her family. — Back cover inset by BRENT STIRTON: A four-year-old girl in Ghana walks two-and-a-half miles (four kilometers) twice each day to fetch buckets of water for her family

Photographed by:

Shahidul Alam ? The Associated Press ? Gary Braasch ? Marcus Bleasdale ? Raymond Depardon ? Paul Fusco ? Lauren Greenfield ? Maggie Hallahan ? Ed Kashi ? Gerd Ludwig ? Magnum ? Susan Meiselas ? James Nachtwey ? Shehzad Noorani ? Gilles Peress ? Sebasti?o Salgado ? Stephanie Sinclair ? Brent Stirton ? Tom Stoddart ? Anthony Suau ? Stephen Voss

SATHI?S FACE is covered with carbon dust from recycled batteries. She is eight years old and works in a battery recycling factory in Korar Ghat, on the outskirts of Dhaka, Bangladesh. ? Shehzad Noorani/Drik/Majority World

Commentary by:

Omer Bartov ? Judith Bruce ? Awa Marie Coll-Seck ? Richard Covington ? Elizabeth C. Economy ? Helen Epstein ? Fawaz A. Gerges ? Peter H. Gleick ? Gary Kamiya ? Paul Knox ? David R. Marples ? Douglas S. Massey ? Bill McKibben ? Samantha Power ? John Prendergast ? Jeffrey D. Sachs ? Juliet B. Schor ?
Michael Watts

A MEMORIAL to the 1994 Rwanda genocide at the Church of Ntarama, in Kigali Province. Photograph by Raymond Depardon — A MEMORIAL to the 1994 Rwanda genocide at the Church of Ntarama, in Kigali Province. ? Raymond Depardon

What Matters?an audacious undertaking by best-selling editor and author David Elliot Cohen?challenges us to consider how socially conscious photography can spark public discourse, spur reform, and shift the way we think. For 150 years, photographs have not only documented human events, but also changed their course?from Jacob Riis?s expos? of brutal New York tenements to Lewis Hine?s child labor investigations to snapshots of torture at Abu Ghraib prison. In this vein, What Matters presents eighteen powerful stories by this generation?s foremost photojournalists. These stories cover essential issues confronting us and our planet: from climate change and environmental degradation to global jihad, AIDS, and genocide in Darfur to the consequences of the Iraq war, oil addiction, and the inequitable distribution of global wealth. The pictures in What Matters are personal and specific, but still convey universal concepts. These images are rendered even more compelling by trenchant commentary. Cohen asked the foremost writers, thinkers, and experts in their fields to elucidate issues raised by the photographs.

A WOMAN TAKEN to an emergency feeding center in Somalia established by the Irish charity CONCERN waits for food and medical attention. Photography by James Nachtwey. — A WOMAN TAKEN to an emergency feeding center in Somalia established by the Irish charity CONCERN waits for food and medical attention. ? James Nachtwey.

Some stories in What Matters will make you cry; others will make you angry; and that is the intent. What Matters is meant to inspire action. And to facilitate that action, the book includes an extensive ?What You Can Do? section??a menu of resources, web links, and effective actions you can take now.

A PIPELINE carrying drinking water to more prosperous districts of India?s largest city, Mumbai (population 20 million), passes through the shantytown of Mahim, where it serves as an impromptu thoroughfare. Photography by Sebasti?o Salgado. — A PIPELINE carrying drinking water to more prosperous districts of India?s largest city, Mumbai (population 20 million), passes through the shantytown of Mahim, where it serves as an impromptu thoroughfare. ? Sebasti?o Salgado.

Cohen hopes What Matters will move people to take positive steps??no matter how small??that will help change the world. As he says in his introduction, the contributors? work is so compelling that ?if we show it to you, you will react with outrage and create an uproar.? If, says Cohen, you look at these stories and think, ?What?s the use? The world is irredeemably screwed up,? we should remember that, historically, outraged citizens have gotten results. ?We did actually abolish slavery and child labor in the US; we abolished apartheid in South Africa; we defeated the Nazis; we pulled out of Vietnam. As the saying goes, ?All great social change seems impossible until it is inevitable.? ?

PHILANTHROPIST Abdul Sattar Edhi with a few of the many thousands of children he has helped. Shahidul Alam/Drik/Majority World

– Michael Zajakowski, Chicago Tribune

TRANS AMADI SLAUGHTER is the largest slaughterhouse in the Niger Delta. Workers kill thousands of animals a day, roast them over burning tires and prepare the meat for sale throughout the delta. Fish was traditionally the main source of protein here, but fish stocks have dwindled due to overfishing and oil pollution. Ed Kashi — TRANS AMADI SLAUGHTER is the largest slaughterhouse in the Niger Delta. Workers kill thousands of animals a day, roast them over burning tires and prepare the meat for sale throughout the delta. Fish was traditionally the main source of protein here, but fish stocks have dwindled due to overfishing and oil pollution. ? Ed Kashi

A. Newspapers and Online
1. Hard to see, impossible to turn away – Issues and images combine in ‘What Matters,’ a powerful and passionate new book
“Great documentary photojournalism, squeezed out of mainstream newspapers and magazines in an age of shrinking column inches, has had a hard time gaining traction in other venues… But nobody has told the 18 photographers in “What Matters: The World’s Preeminent Photojournalists and Thinkers Depict Essential Issues of Our Time.” These are photo essays by some of today’s best photojournalists following the great tradition begun over a hundred years ago with the expos?s of New York tenement life by Jacob Riis. Through the doggedness of these photographers?who are clearly committed to stirring us out of complacency?all the power and passion of the medium is evident in this book… Some of the pieces will break your heart, some will anger you. All will make you think. To channel your thoughts and feelings into action, the book ends with an appendix “What You Can Do,” offering hundreds of ways to be a part of the solution to these problems.”
– Chicago Tribune Book Review, 2 page spread
2. “Must viewing.”
– San Francisco Chronicle, 2 page story
3. Photographs that Can Change the World
“David Elliot Cohen?s new book, What Matters, which hits bookshelves today, is a collection of photo essays that explore 18 distinct social issues that define our time. Shot by the world?s most renowned photojournalists, including James Nachtwey, who has contributed to V.F., the photographs explore topics ranging from genocide and global warming to oil addiction and consumerism, offering a raw view into the problems that plague our world. Each photo essay is accompanied by written commentary from an expert on the issue. Cohen hopes the book will inspire people to work toward resolving these problems. ?Great photojournalism changed the world in the past, and it can do it again,? Cohen says. ?I want people to see these images, get angry, and act on that anger. Compelling images by the world?s best photojournalists is the most persuasive language I have to achieve this.?
– vanityfair.com
4. Book Review: What Matters
“Changing the world might sound like a lofty goal for a photo book, but that?s what the new book, What Matters, The World?s Preeminent Photojournalists and Thinkers Depict Essential Issues of our Time edited by David Elliot Cohen (Sterling Publishing, $28, 2008), hopes to do. Citing the power of socially conscious photographers over the last 150 years, the beautiful collection of 18 photo-essays by some of today?s prominent photojournalists hopes to ?inform pre-election debate and inspire direct action.” Regardless of what side of the political fence you sit on, this collection of heartbreaking and powerful stories and images is guaranteed to get you thinking.”
– Popular Photography
5. What Matters: The World’s Preeminent Photojournalists and Thinkers Depict Essential Issues of Our Time.
Those doubting the power of photojournalism to sway opinion and encourage action would do well to spend some time with this book. In 18 stories, each made up of photos by leading photojournalists and elucidated by short essays by public intellectuals and journalists, this book explores environmental devastation, war, disease, and the ravages of both poverty and great wealth. The photos are specific and personal in their subject matter and demonstrate how great photography can illuminate the universal by depicting the specific. Cohen has a goal beyond simply showcasing terrific photography. In his thoughtful introduction, he makes explicit his aim to connect the work compiled here with the great tradition of muckraking photography that helped to change conditions in New York tenements and to end child labor at the turn of the last century. A terrific concluding chapter directs readers to specific actions they can take if they are moved to do so by the book’s images, and it’s hard to imagine the reader who would not be moved. Highly recommended for public libraries and academic libraries supporting journalism and/or photography curricula. (a starred review in Library Journal generally means the book will be acquired by many libraries.)
– Library Journal
6. First of five part series about What Matters
(The first installment drew 500,000 page views)
– CNN.com
7. Second part in CNN. Black Dust by Shehzad Noorani

When the Waters Came

It was nearly twenty years ago when I had written this. After one of my first photojournalistic assignments:
What does one photograph to depict a flood? A submerged house, a boat on a highway, people wading in water?
As we boated through the branches in Jinjira we found a wicker basket in a tree. The family had long since abandoned their home, and their worldly belongings, gathered in that basket, waited patiently for their homecoming.

Wicker basket in tree. Jinjira. 2nd September 1988. Dhaka Bangladesh. ? Shahidul Alam/Drik/MajorityWorld

The worst flood in a hundred years? That statistic is hardly relevant. They, as those before them and after them will always face the floods. How does it matter whether they are 60% starved or 75% starved? How does it matter what country the relief wheat comes from? They themselves are mere statistics to power hungry politicians.

The family still needed to be fed. When I went back the next day to this place in Jinjira, the water had risen another three feet. I never saw her again. 2nd September 1988. Dhaka Bangladesh. ? Shahidul Alam/Drik/MajorityWorld

What is relevant are the feelings that have been kindled, that half kilogram of rice that has been shared, that solitary dry house that has warmly welcomed all who have needed the shelter. That others have shared the pain.

Wading down a street near Kamlapur railway station. “Dreamland Photographers”, the local studio, was still open for business. 2nd September 1988. Dhaka Bangladesh. ? Shahidul Alam/Drik/MajorityWorld

What is relevant is that now the roads are dry and the walls repainted and that a nation that once so cared has so quickly forgotten.
I look back and merely feel the ineffectuality of my images.
Shahidul Alam
Dhaka 1988
Nearly twenty years on, the floods are with us again. They are a part of our natural agricultural cycle. They irrigate the land, replenish the topsoil, remove the toxins. But deforestation in the mountains, illegal constructions, ill planned roads and ill caring leaders make floods take on a violent form. The waters get angry.
This year, when the waters had risen, our adviser advised that it was not yet a calamity. When the waters reached danger levels, the decree came that because of the state of emergency, ‘[political] banners were banned’ so while people struggled for food and shelter, banner rights became the issue. Now as the waters engulf the land and people flounder in need of relief, our adviser advises us ?we don?t have to help the people, they?re going to their relative?s house by themselves?.
Now that is a solution Bangladesh can offer to all the distressed people in the world. Just go find a relative.

Before the floods. People affected by cyclone Akash. Mohishshoiri River. Khulna. 21 May 2007. ? Tanvir Ahmed/DrikNews

Woman fishes in the flood waters. 13 June 2007. Comilla Bangladesh. Kalim Shantu/DrikNews

Twenty villages had been affected at the junction of the rivers Ghagot, Brahmaputra and Teesta making numerous people homeless. 31 July 2007. Gaibandha. Bangladesh ? Quddus Alam/DrikNews

Woman in search of dry land. 30 July 2007. Sirajgonj Bangladesh ? Tanvir Ahmed/DrikNews

Villagers rescuing mother and child. 30 July 2007. Sirajgonj Bangladesh ? Tanvir Ahmed/DrikNews

Woman feeding goats in makeshift tent. 30 July 2007. Sirajgonj Bangladesh ? Tanvir Ahmed/DrikNews

Diarrheal patients at hospital in Dhaka. 11 August 2007. Dhaka Bangladesh ? Munir uz Zaman/DrikNews

Spontaneous relief operations organised by citizen groups. 30 July 2007. Sirajgonj Bangladesh ? Tanvir Ahmed/DrikNews

While one third of the country was flooded, people inside the DND (Dhaka Narayanganj Demra) embankment faced the stagnant water cause by rains. 25 July. Narayanganj Bangladesh ? Tanvir Ahmed/DrikNews

700,000 people were marooned in Sirajgonj. 64 people had already died when this photograph was taken. 5 August 2007. Sirajgonj Bangladesh ? Tanvir Ahmed/DrikNews

Boats are the only means of communication during floods. July 2 2007. Rangpur, Bangladesh. ? Ador Rahman/DrikNews

A family looks for shelter using a raft made of banana trees. 31 July 2007. Gaibandha Bangladesh ? Quddus Alam/DrikNews
And across the border, viewed from afar:
The Rains Reach Kolkata
When I was just a little boy, I watched the clouds advance
From rooftop high above the streets and bustle of Calcutta.
Up there, I watched the hawks soar high, and saw the palm fronds’ dance,
In wind that blew before the storm, and banged each window shutter.
It was in June, when summer’s heat had risen to its height,
That clouds approached, as though for war, advancing in a line,
Their heads held high, dark wall beneath — a fear-instilling sight,
With lightning streaks, and thunder-growls of warriors divine.
The sparrows, crows and pigeons fled, in haste to get away
And find refuge, as dust was blown from streets by gusts so strong
That palm trees bent, and tossed their heads, and back and forth did sway,
As leaves and clothes, and sailing fronds, with birds were swept along.
Then from the heat, we knew respite, as cool winds did descend
>From belly of the thunderhead, which bore a mist so fine,
With ions, whose electric charge did minds and bodies mend
And lift from summer somnolence like clear celestial wine.
And I would run and scramble down, from perch on highest roof,
To shelter in a doorway, where I still could watch the storm
Without myself being blown away, or struck by lightning hoof,
As racing clouds obscured the sky, like wraiths in equine form.
And then the dark, the greenish gloom, the flash more bright than sun,
The crack so loud it seemed the earth was cloven by the sky,
And pelting rain in slanting sheets, like bullets from a gun,
On roofs of tin, and wooden shades, and roll of thunder high!
And so the chariots of the gods would roll by overhead,
And we could hear the neighs and roars, and see the sparks that flew
As titans battled in the skies, by trumpet blowers led,
And sword of land pierced mail of sea, and blood of rain then drew.
And all the kids would venture out, unheeding of the scolds,
To jump with glee and leap and splash, in dance as old as time,
And yet as freshly bold that day, as in the eons old,
When sea would come to land to fight, and mate, in yearly rhyme.
Babui / Arjun Janah*
2007 August 11th, Sat.
Berkeley, California
*Arjun has an identity of his own, but for us photographers, he is the son of the legendary Indian photographer Sunil Janah.

Boxing Day Blues

When Jolly’s son Asif asked me to take a portrait of him and his new bride Rifat, I took it on with grandfatherly pride. The photo session was booked for Sunday morning, the 26th December 2004. Boxing day.

The envelope from Sri Lanka also arrived on Boxing Day. 2006. Priantha and his daughter Shanika had sent me Christmas greetings. I felt bad that I had not sent them one.

I used to love the winding path up to the hilltop house in Chittagong. Zaman Bhai was the chief engineer of the Chittagong Port Trust. One of the few Bangalis in high positions in 1971. It is thirty five years since the Pakistanis took him away, but even many years after liberation, my cousin Tuni Bu would still look for him. Anyone going to Pakistan would be given the task of trying to find out if there was any knowledge of where he might have been taken, what might have happened. One knows of course what must have happened, and I am sure Tuni Bu knows too, but that never stopped her from trying to find out. She was much older than me, and it was my nephews Bulbul and Tutul and my niece Jolly, that I was close to. Atiq was too young in those days to qualify for our friendship. The house had a fountain and the surrounding pool was our swimming pool. It was the only home I had ever known that had a pool. Technically I was of granddaddy status to Jolly’s son, and the young man reminded me of my own happy childhood.

While I played around with the studio lights, Asif told me of the Richter 9 earthquake that had hit Bangladesh. Of course I didn’t believe him. Richter 9 is big and there simply couldn’t have been an earthquake of such magnitude without anyone registering it. But I did turn on the news immediately after the portrait session, and the enormity of the disaster slowly sank in. I rang Rahnuma and asked her to turn on the television, and went back to work. By then however, the news of the carnage in places thousands of miles away started coming across the airwaves.

The next day the numbers steadily rose from the hundreds to thousands and we were glued to the set. Though we hadn’t said it out aloud to each other, both Rahnuma and I knew I had to go. BRAC had organized a training for women journalists in their centre in Rajendrapur on the 28th. I had committed myself to the training some time ago and couldn’t really bail out in the last minute. On the way I heard from Arri that my friend in Colombo Chulie de Silva was missing. I kept losing the signal on my Grameen mobile phone on my way to and from Rajendrapur, but near Dhaka I managed to get text messages through. Chuli was safe, but her brother had died.

Babu Bhai managed to get me a flight the next day via Bangkok. I had posted an angry message in ShahidulNews in response to the tourist centric reporting in mainstream media and many friends responded. Margot Klingsporn from Focus in Hamburg wired me some money. Not waiting for the money to arrive, I gathered the foreign currency I could lay my hands on, packed a digital camera and a video camera along with my trusted Nikon F5 and left. That was when I made friends with Shanika.

http://www.zonezero.com/tsunami/shahidul/article.html

It was Chulie who helped trace her. She had heard my story and wrote to me that she had found a “Shanika Cafe” near Hikkaduwa. We had gone out together in search of the girl. When we did find Shanika and her dad Priantha, she rushed to my arms.

Shanika with Shahidul. Photo: Chulie De Silva

Through Chulie’s translations Priantha told me that Shanika had been withdrawn and wouldn’t relate to people. It was our friendship that had brought out the little girl.

More than the wreckage and the rotting flesh,

I remember the mother in the refugee camp stealing a kiss from her new born child.

I remember the family sitting in the wreckage of their home in Hikkaduwa, going through the family album.

I remember the devotees returning to the Shrine of Our Lady of Matara Church to pray.
As a photojournalist we are touched by, and touch many people’s lives. Sometimes – not often – we are able to make a difference. But invariably we move on. On to another disaster, another success, another story in the making. The Shanikas of our stories, become yet more stepping stones in our career path, and the Christmas cards flow only in one direction.

Shahidul Alam

28^th December 2006

Tag: Disaster

What Matters

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The World’s Preeminent Photojournalists and Thinkers Depict Essential Issues of Our Time

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When the Waters Came

Boxing Day Blues