When Dollars Swim Freely

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New Internationalist Magazine Issue 332. March 2001

If the billions of dollars in aid to Bangladesh over the last?three decades had been given directly to the poor, it would?have made a major difference to their lives. As it is, the poor?continue to struggle while the rich flaunt their ever-increasing?wealth. Shahidul Alam visits the homes of people?at opposite ends of this great divide.
The guard at the gate hesitates before questioning me. My white friend walks on. Her right to entry is beyond doubt. A cough by someone nearer the door, and higher up in the chain of command, signals my credentials and the hesitant guard makes a smart salute. I?ve been here before. At the gate of the British High Commission or the office of the UN Development Programme, for example. These are places where the?bideshis(foreigners) and the well-to-do Bangladeshis have ready access. My sloppy clothes and the fact that I did not alight from a fancy Mitsubishi Pajero were enough to give my position away. Besides, I walked differently, made eye contact with those outside the chosen circle, and was clearly not supremely confident of my position.

?
Prince Moosa Bin Shamsher; a self-proclaimed prince, runs construction businesses in the Middle East, and is in the manpower business, recruiting agency for migrant workers. The 'prince' in his Gulshan home in Dhaka, Bangladesh. Part of Migrant soul project, an attempt to understand the dreams and the realities of Bangladeshi migrant people. Shahidul Alam/Drik/Majority World

Hasib?s palatial home is in Baridhara, a part of town with the most intriguing architecture. Here Tudor houses rub shoulders with Spanish villas, with the occasional Greek columns thrown in. What are missing are the lavish gardens one might expect. Land is expensive here and homes are often built up to the edge of an individual plot and sometimes even beyond it. Only the very special ones have a patch of green, perhaps a swimming pool.
This is a land of tranquillity. No?hartals (general strikes) affect the normal flow of life. The American International School where Hasib?s children study is perhaps more expensive than the average private school in Britain, but does give his heirs the sort of training needed to blend seamlessly into the high-powered positions they will surely come to occupy. The school holidays prioritize Hallowe?en over Eid. No adulteration of ?higher cultures? by local practices is tolerated here. The one discomfort that the inhabitants face are the slums by the edge of the lake, the hungry stares from across the metal fence, the huts between the palaces, that have not yet been cleared out. The dark glass of the Pajero does reduce contact, but even the air-conditioning doesn?t quite clear the smell.
The interior d?cor of Hasib?s home matches the fantasyland exterior. This is a home appropriate to a wealthy media person whose companies receive funding from UN agencies, who is an agent for a prominent US company in the energy sector, and who is well-connected to all the major political parties. Hasib is not a person you would want as an enemy. The presence at this party of the ?lite of the city, the aid givers and takers, and a sprinkling of ?intellectuals? testifies to his acceptance in the circles that matter. Smiling photographs with former leaders Mujib and Ershad, with the US Ambassador and prominent heads of state, adorn his office, though they are appropriately changed to suit the political clime. Ershad at his most powerful visited Hasib?s office, though he was later to comment jokingly in Parliament on Hasib?s smuggling links.
These are well-travelled people, and all that is best in the world outside is present here. Cut-glass chandeliers in abundance. Leather-bound classics neatly arranged in teak shelves. Expensive paintings, mostly by artists who have died, but also by Shahabuddin, the current?enfant terrible, hang in gilded frames.
The well-dressed waiter snakes through the crowd distributing wine, beer and whisky, technically illegal in Muslim Bangladesh. This is a place for men of the world and emancipated women.
Nadia, Hasib?s wife, tosses her hair back in her revealing dress as she laughs with the US Ambassador. She gently acknowledges the minister as he walks by, excusing herself to talk to the editor of the most popular daily. She looks out for the World Bank chief, and relaxes as she spots him out by the swimming pool, talking to the head of the largest NGO. She only wishes she didn?t have to invite the MP who was found making bombs in his house. Such people give others a bad name.
The MP was a minor embarrassment to the ruling political party, especially as it had just embarked on a clean-up campaign. Fourteen-year-old Rimon was at the other end of the spectrum. He was one of several young men arrested when they were trying to make the clean-up campaign look good. They had to plant a knife in his hand in order to make the arrest. He had no previous record and the witnesses all denied in court that they had seen Rimon with weapons, but these were not insuperable problems. The fact that he was a minor was, on the other hand, a technicality that might have proved awkward. Fortunately he was too poor to make an issue out of being under- age or about being kept in jail for two years without a trial.
One could look at it as a democratic process. The system doesn?t really care about class, race or gender. If one has money, one stays out of jail. Without money, one stays in. Rimon?s mother Fatema works seven days a week as a domestic help in the home of a top civil servant. Low-paid and with no benefits, she has had to borrow over 20 times her monthly salary to try to get a fair trial for her son. The process of trying to bribe judges, paying high fees to lawyers and regularly paying the police is something she seems to have accepted. Her biggest sorrow is that the food she buys for her son doesn?t always get through to him, despite the bribes she pays to the wardens. ?I used to serve food in four plates for my children. Now I serve only three. The pain burns within me every day.?
The justice you are likely to get is directly linked to the money you are able to muster. Hasib was suspected of smuggling gold, but no-one made too much of his going scot-free on that count. Now Hasib is into bigger things. An agent for a leading US gas company, his other hat as a major media baron comes in handy. Press releases by the US gas companies appear dressed up as news reports.
He has even ?written? a book. The senior professor and the archeologist who ghost-wrote it do not seem too perturbed by the mismatch between the book?s content and the official author?s credibility as a writer. At the press launch, leading?litt?rateurs talked of the talent of the man, his contribution to society.
Rimon never even went to school. Long before his body had fully matured, he was pulling a rickshaw, helping to support the schooling of his two sisters and younger brother. Ironically, on a per-square-metre basis, his mother Fatema pays more rent for her shack than the standard rental in wealthy Baridhara. In many slums, access to water is a privilege you pay for separately. Sanitation, electricity and other amenities are all extras.
Being important vote banks, slums are controlled by local strongmen with affiliations to the major political parties. Fires rage through them on a regular basis: sceptics claim that this is a convenient way to evict unwanted residents. Sometimes fires precede a sell-out to developers.
At least Fatema has a roof of her own. More vulnerable are the domestic servants who live in their employers? homes. Many of them are children or young women. Murder, rape and inhuman torture are commonly reported. A far greater number go unreported.
Surrounded by her worldly belongings, a woman cooks the family meal. The next day, the water had risen another three feet. Jinjira, Dhaka, Bangladesh. 1988. ??Shahidul Alam/Drik/Majority World

The slums are the entry points for the millions who converge upon the metropolis from the villages in search of work. In the countryside the divide between rich and poor is similarly reinforced by foreign money.
Wasim Ali, a wealthy shrimp farmer in Khulna, goes around in a gunboat warding off and occasionally killing trespassers. His guard points out the shrimps, saying ?dollars swim in the water?. The World Bank assists Wasim and others in setting up shrimp-processing units and Japan buys much of the shrimp.
This was once an agrarian family. They are now forced into shrimp cultivation by the big landowners. There is no land left for grazing. ? Shahidul Alam/Drik/Majority World

Lokhi Pal?s family, who used to grow paddy, were forced into selling their land to Wasim once the entire area became salinated due to the new embankments that had been built. ?We had cows and a vegetable patch,? she told me. ?All we needed to buy was oil and clothes.? Now they go during?hat (the weekly market day) to a neighbouring village to stock up on food and basic supplies once a week. The family eats well for the first three days then hangs on till the next hat day. Still attached to their cow, they send it off to a nearby village to graze but have to pay for the privilege.
Back in the city Fatema worries about her son?s health, about the money she will somehow have to repay. She worries most that unless she finds some way to get her son out of prison he will soon end up embittered. Then when he does come out he could be forced to do the kind of thing for which he could be arrested again. Right now, however, she longs to have an extra mouth to feed. For Hasib and Wasim, of course, the dollars continue to swim freely.
——————————————————-
The feature is based on facts, but the names have been altered.

New Internationalist Magazine Issue 332, March 2001.
The issue was co-edited by Shahidul Alam and the NI editorial team.

A State of Danger

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The material that follows has been provided by the?New Internationalist



A STATE OF DANGER

This is?Shahidul Alam’s inside story, in words and pictures, of the intense struggle against repression which has been raging in Bangladesh, unnoticed by the Western media. Resistance work there is dangerous – photographers and journalists are regularly attacked and arrested.



In the beginning there was light. One of the climactic moments from Begum Khaleda Zia’s victorious election campaign in 1991. Hope burgeons as Bangladesh launches into a rare free and fair election. The latest in a series of military-backed dictators, Hussain Mohammad Ershad, had finally been ousted two months before following an intensive three-year campaign for democracy.

But the optimism is short-lived. Demonstrators take to the streets when the Government allies with the fundamentalist Jamaat-e-Islam, whose leaders aided the Pakistani Army’s genocide of Bangladeshis in 1971. Under the watchful eye of authority, children of that war’s martyrs demand the trial of the war criminals.

Women feel they have most to lose if the Islamic fundamentalists gain ground. On International Women’s Day in 1994 Shamima Nazneed enacts a play by Tagore (Stri’r Potro, ‘The Wife’s Letter’) which shows the oppressive influence of the family.

The Government becomes increasingly repressive and starts to rig by-elections, leading all opposition parties to resign from Parliament. A general election is called and there is a brutal clampdown on dissent. This student is arrested on 31 January 1996 in a police swoop on a mainly Hindu hall of Dhaka University – he screams out to friends from the prison van.

Resistance hits the streets.

The opposition boycott of the election is complete: polling stations stand idle. Yet the Government reports a huge turnout of voters and a landslide victory. The contrast with the last election is painful as heavy security cordons guard Khaleda Zia while she addresses her followers. She is just visible over their shoulders in the centre, aloof and distant heir to an autocratic tradition.

Dhaka Traffic Blues

Politically Correct Eid Greetings

Well, the long holidays are over, and the streets of Dhaka are slowly getting back to their normal frenzy. The horns, the put-put of the baby taxis, the bewildered stare of the taxi driver as he tries to interpret the gyrations of the traffic warden, the gentle smile on the bus driver as he parks the bus in the center lane waiting for the passengers to offload the chicken coops on the rooftop, the suicidal pedestrian who tries to cross the road over to Jahangir Tower in Kawran Bajar, the glee on Asma, the flower girl’s face as she spots me, and skips between two trucks, to my bicycle, knowing she has a sure sale, the babu in the back seat with the newspaper covering his face, the blind beggar coughing through the thick black smoke of the BRTC double-decker are some of the familiar signs that tell me that there is stability in my life and the world has not changed. In this season of greetings, and eco conscious, politically correct messages, I send you a recycled, lead-free wish.

May you find a way to travel
From anywhere to anywhere
In the rush hour
In less than an hour
And when you get there
May you find a parking space
The year has had its usual ups and downs for Drik, but the adrenaline flowing due to the constant crisis management during Chobi Mela has everyone hyped up. The big show on the 10th January looms. The hits in the web site have climbed regularly, and the December total of 105,857 hits is an all time record for us. It’s a credit to you all for having stuck with us for so long.
Thank you. Thank you. Thank you.
May the good light be with you.
Shahidul Alam
Wed Jan 3, 2001

Everything Smelled of Money

Aid – Bangladesh / WORLD OF MONEY

Everything smelled of money
In 1994 Shahidul Alam and Drik Picture Library launched a unique initiative which involved training children from poor, working-class families in Dhaka as photojournalists. Their progress since has been remarkable – now 16 years old, the ‘Out of Focus’ children are still learning but have had exhibitions, produced a photographic calendar and are now collaborating on a TV magazine programme for young people. Along the way, however, they have been thrown up against a world of money and opportunity, aid agencies and big business, to which people from their background never normally have access. The NI recorded a conversation about their impressions of this brave new world.

Photo: Abir Abdullah / Drik We remember the time we had to go to some UNICEF meeting or other with Bhai’ya (Shahidul Alam). It was in the Sonargaon Hotel. A huge, fancy affair, where we had trouble walking, where our feet kept slipping on the shiny lobby floor. A different world, the world of the rich. As if that wasn’t enough, Pintu had lost one of his sandals on the way there. We knew we wouldn’t be allowed inside in bare feet, but Bhai’ya told us that there was no need to worry, that everything would be fine. So we walked on that slippery floor and looked everywhere. Everything seemed so grand, everything smelled of money. People throw away so much money! In the middle of the hotel was a swimming pool with almost-naked foreigners in it. We felt too ashamed to look at them.

When you have too much money what else can you do except go to a swimming pool to show off, to say ‘Look at the money I have – I go swimming in a big hotel’s pool.’ The rich and their airs! Coming out with their cars just to show off to us, to the poor, to those of us who don’t have cars. The way they look at us! And their talk: which is better, a white car or a black car? It’s unbelievable, the arrogance!

Photo: Abir Abdullah / Drik When we go somewhere people usually comment ‘Oh you poor deprived children’. Nonsense! If they grab all the opportunities of course we’ll be deprived. First they take everything for themselves, then they coo ‘Oh, you poor deprived child’. If we are not given a chance, how can we make it? Our speech, the way we talk is offensive to the bhadrolok, the upper class. ‘Oooh, your pronunciation,’ they sniff at us, ‘the way your language wanders all over the place.’

We are poor. But the fact that we have cameras and know how to take photos makes people uncomfortable. And so something simple becomes complicated. People who see us keep asking us ‘Accha, are these the cameras you use?’ But, you see, the camera’s not the point. The point is to take photographs. It doesn’t sit well with a lot of folks that the children of the poor should have cameras. Makes you laugh. Once Bhai’ya took some of our shots to the Lab for printing. The people at the Lab thought that one of the photos was his. ‘Take a look at Shahidul Alam’s work,’ they said. Well, it was actually taken by Iqbal, and when Bhai’ya told them so, they just shut up and wouldn’t say anything more.

Passion for pictures. Rabeya studies negatives while Moli, Iqbal and Shefali look on. Inset are photos of Shahidul Alam with a new group of children from a village in Brahmanbaria – the ‘Out of Focus’ children are helping to teach them photography.
Photo: Shahidul Alam / Drik

Hamida and Rabeya have been abroad. The word has spread. That’s how they are introduced, as having gone abroad. We take photos. That is not our identity however. The point is who has gone abroad.

Yet another way to show off is English. You aren’t anybody if you don’t know English. As if the real thing, the only thing, is not the work itself, but whether you know English. It’s such a fashion to speak it. They say you have to know it, but what do the foreigners know? Shouldn’t all those photographers and all the other visitors who come here know Bangla? Nobody tells them ‘You should know Bangla’.

Through our photographs we want to change things. But lately the going has been tough. With the children of the wealthy it is enough that they take photos, but with us it seems that we have to prove ourselves by learning English too. What will happen to those English-speaking friends who also carry on the struggle? Will they learn our language and join us? Oh come on! Will they not join ranks with us? What then is our language of photography to be?

These comments were made during an informal discussion involving
Faysal Ahmed Dadon, Hamida Akhtar Bristi, Abul Kashem, Refanur Akhtar Moli,
Rabeya Sarker Rima, Sopna Akhtar, Shefali Akhtar Setu and Md Zakir Hossain.
It was recorded/compiled by Manosh Chowdhury and translated by Khademul Islam.

First Published in the New Internationalist Magazine

Ruhul Amin's Story

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The streets of Dhaka looked far from festive last night. The eerie glow of the sodium lamps lit the mounted police and their dogs. There were said to be 5000 in the streets. The barbed wire barricades and the stop searches, put a damper on the marauding young men prowling the streets, but the packed dance floor at the Gulshan Club seemed unaffected by it all. The TSC corner at Dhaka University, on the other hand, was an all male affair. The police presence was not reassuring enough for women to enter the macho fray.
As I opened the greeting cards that wished me well for the new season, I kept remembering how different was Eid for the Afghans from Christmas for the US Marines.
I remembered my delight as a child, when we would look out of the rooftops for the new moon. We would bathe early in the morning and go out with our friends, all decked in our new clothes. Alert to the idea that a few smart salaams could net some extra pocket money.
For Ruhul Amin, in this story by the children of Out of Focus “Season’s Greetings” perhaps has more to do with going back home to the village, than with Christianity or Islam, or the celebration of Bangla or Chinese identity.
“I was born in Mirpur, Dhaka, and I have grown up here. When I was 8 or 9 years old, I went to my village home for the very first time. I loved it there. I met my grandparents from my mother’s and my father’s side, and they were very happy to see me. So I asked my mother, why did you leave everybody here and move to the city?
In the coming days, I wish for you and I, and Ruhul Amin and the children of Out of Focus, less murderous and warmongering leaders.
Shahidul Alam
Tue Jan 1, 2002

The War We Forgot

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Iqbal had asked me when we first met. “Bhaiya, where are Barkat and Salaam’s graves?” I didn’t know. He was 10, I was 39. As a 15 year old in 1971, I had felt the warm flush of victory as I held a Pakistani Light Machine Gun in my hand. I hadn’t really won it in battle, but only recovered it from a burning military truck. But the joy was just as much. That was the time when a rickshaw wallah had refused to take my fare, because he had heard me greet a friend with ‘Joy Bangla’ (freedom for Bengal, the 1971 slogan symbolizing freedom from Pakistani rule). Things had changed, and the promise of our own land had slowly been eroded by politicians and military rulers who had lived off our dreams. Each time we became skeptical, each time we sniffed that something other than ‘Shonar Bangla (Golden Bengal)’ was in their minds, they led us on with vitriolic rhetoric. Eventually, as on that day in 1994, I too had forgotten. I didn’t know where Salaam and Barkat’s graves were. I had never heard of Dhirendranath Datta. More importantly, I didn’t care. But Iqbal did. Born long after Salaam and Barkat’s bodies had merged with the soil, Iqbal only knew of this great battle that we had fought. Though the heroes had changed depending upon who ruled the country at any particular time. Salaam and Barkat were beyond dispute. They were not a threat to anyone. They didn’t apply for a trade license, or bid for a government tender. It was safe for the history books to remember them. Remembering Hindus or women was a bit more problematic.
My search for these other heroes, the ones with cameras, began in 1994. After Iqbal reminded me that I had forgotten. It was in the Paris office of Sipa that Goksin Sipahioglou, excited at my presence ran down the stairs and brought back with him an armload of slide folders. It took a while for it to sink in. These were the first colour photographs of the Muktijudhdho that I had ever seen. We had heard that some of these photographs had been published. But our only source of news at that time was Shadhin Bangla Radio. It talked of the glory of our freedom fighters, of how they were fearless against enormous odds. Of their glory in battle. M R Akhtar Mukul in ‘Chorompotro’ was the one voice we longed for. We chuckled as he talked of the plight of the Pakistanis. His wry but animated voice, muffled by the blanket we hid under, and barely audible in the turned down volume of the transistor radio, gave us hope, and kept us going through the dark nine months.
It was Abbas’ photographs that Goksin had brought for me. Later that month, in the back garden of a house in Arle, I met Don McCullin. Don was excited about the show I wanted to do, and unhesitatingly agreed to give us pictures. I found Abbas, at a beach near Manila, quite by accident. Both of us had been following the golden late afternoon light in a summer evening in Manila beach. Abbas too was excited. He wanted to be part of the show. Michele Stephenson and I had been in the same jury of World Press Photo on two occasions, and I had plenty of time to tell her about my plans. She invited me to New York and arranged for me to go through the archives of her magazine, Time. It was in the basement of the Time Life Building in the Avenue of the Americas, that I came across the daily bulletins that the reporters had sent in.
Memories flooded through my mind as I remembered those harrowing days and nights. I remembered the screams of people being burned alive as the flame throwers belched fire at the Holiday office near the Hotel Intercontinental.
Most of the people who died were the people who slept in the streets and the slum dwellers around the newspaper office. Those who chose to escape the fire ran into a hail of machinegun bullets. My father, mother, Babu bhai and I, watched quietly from our verandah in Nasheman on New Elephant Road. My dad had suffered from Hindu bhodrolok prejudice in the pre-partition days, and had never supported the break-up of Pakistan. And we would have great fights in the home, the younger ones wanting independence, Dad’s generation feeling things could be patched up. That was the night Dad said it was over. No longer could we ever be one Pakistan.
I excitedly went through the reams of paper. Each scrap of news had a meaning for me. I could relate to these news bulletins. I remembered the horror of those nights. As I thumbed through a tattered red diary, I noticed the skimpy notes of a photojournalist as he traveled through Jessore. I remembered Alan Ginsberg’s poem. It was David Burnett’s diary. Several years later as David and I met in Amsterdam in yet another World Press Jury, I told him where his diary was. In Kuala Lumpur, Dubai, Delhi, and so many other cities have I picked up the scraps of evidence that would help me piece this jigsaw together.
It was in Paris that I spoke excitedly of my plans to Robert Pledge, the president of Contact Press Images. Robert shared my enthusiasm for the project, but I harried him with my feverish frenzy. We couldn’t wait, we had to do it now. That now has taken over six years. But in these years we have made the most amazing discoveries. The stories, the images, the people we have come across, make up the life of this exhibition. It is the war veterans, the men and the women in the villages of Bangladesh, who fought the war, the forgotten heroes with their untold stories, the men and women who were killed and maimed, the women who were raped that this show is dedicated to. It is not a nostalgic trip for us to romanticize upon. It is for Iqbal and his friends to know that Barkat and Salaam, were more than simply names in history books.
Shahidul Alam
November 2000. Dhaka

When a Modem Costs More Than a Cow

Bangladesh’s history is that of colonisation, oppression and genocide. It is less than thirty years since several million people were killed and many more became refugees in perhaps one of the greatest atrocities of modern times. There were two basic tools that have engineered and enforced this domination, technology and language. Our war was based on language, and it was technology that provided the military, the muscle.

With technology and language both being owned by the wealthy, class divides are intrinsically linked to this hegemony. How then do we see the most dominant of modern cultures, the Internet? The ownership of the Net is almost entirely Northern globally, and exclusively urban and elite locally. The hype surrounding the Internet and the top down approach with which it is meant to provide deliverance, hides the politics of corporate ownership, the way in which this media is controlled, and the simple fact that for the majority of the world the Internet doesn’t exist, and for many others in the South, it is barely effective.

The propaganda surrounding this imperialist tool, fits in well with the stated objectives of our colonial rulers: ‘ Natives must either be kept down by a sense of our power, or they must willingly submit from a conviction that we are more wise, more just, more humane, and more anxious to improve their condition than any other rulers they could possible have.’ ?Minute by J Farish dated August 28, 1838, quoted in B.K.Boman-Behram, Educational Controversies of India, p. 239

Language forms the biggest barrier to computer literacy in Bangladesh, and when less than 15% of the population has access to electricity, and a far smaller fraction owns computers, it is clear that only the wealthy will have access to this technology. Here, a modem costs more than a cow. Yet this technology and this associated language both exist. We must stare this dual hegemony straight in the face, but we cannot, dare not, let this technology pass us by. To find creative routes to turn this technology to our benefit is our greatest challenge.

The Internet can be a subversive tool. It remains the only medium which gives scope – relatively inexpensively, and without the support of the gatekeepers, for a lone voice to be heard. It is this unique characteristic that we have to nurture. The bigger players have the money, the clout, the physical strength and the social control to bludgeon their way through, but they do not have the flexibility, the ability to pop up and disappear at will, the speed of action or the elasticity to slip through the holes, that the well trained individual has. Given the important proviso of access, the Net is fast, cheap, and difficult to stop. It is the Net that we must use, to fight its own dominance.

Cultures dominate by creating norms that are not questioned by creating ‘accepted practices’ that become tools of oppression and by defusing the need for critical analysis. Consumer forces convince us of the need for bigger RAM, faster processors and software that gives us greater choice. Wildly disproportionate pay scales, between locals and expatriates and between English speaking and non English speaking co-workers teach us the importance of fluency in English. Indecent consultancy fees that siphon back most of what is provided as aid, make us believe that western values and skills are what one must strive to attain. Dominant cultures define who is primitive and who is civilized. The dissenting voice that questions the goodness of donor efforts, quickly discovers the reach of donor funds. One must not stand in the way of progress, particularly when that progress is backed by individuals whose personal wealth is greater than that of entire nations they are trying to civilise.

Now we are to behold a literature so full of all qualities of loveliness and purity, such new regions of high thought and feeling? that to the dwellers in past days it should seem rather the production of angels than of men. Madras Christian Instructor and Missionary record (1844) Let us examine these ‘productions of angels’ in Bangladesh in greater detail. Networking has traditionally been a strength of global organizations, multinationals, international donor agencies and NGOs, and large local NGOs. International telecommunications has been way beyond the means of small local players. Even interconnectivity amongst themselves has often been too difficult to maintain.

It was to address these specific issues that Drik set up a small Email network in 1994. Our server was a used 286 computer, and the phone line was shared for voice, fax and data. We used Fidonet, and rang Amsterdam (our gateway to the Internet) only twice a day, but even that transformed the way we worked. Our clients included large and small NGOs, government ministers, western embassies, The World Bank, students, corporations, activists. There were frequent power cuts, the telephone lines didn’t always work, a thunderstorm destroyed most of our modems, and we ourselves were only semi-skilled. Still our network grew. And though we were paying our Dutch counterparts 30 cents per kilobyte for transmitting files, we were making the system pay. We setup fax gateways, and an Email club where more experienced users taught the others how to use Email to extract information from the net, how to compress files to save on transmission costs, and how to decode files that looked like garbled messages.

Our oldest user, photographer and writer Golam Kasem, had just turned 103 and had never seen a computer before. I would cycle over to his house in Indira Road with a printout of a message from his grandson in Canada and next day peddle up to collect his reply. I remember the frail old man, straightening up the computer printout and adjusting his thick glasses as he held the paper by his tungsten lamp. Bangladeshi feminist writer Taslima Nasreen received a death threat from Islamic fundamentalists and was charged with blasphemy by the Government. We needed to move quickly – to create national and international pressure so Taslima could come out of hiding to alert friends overseas, PEN (the international writers support group) and Amnesty International and the campaign took off. Our fragile network was working.

There were other ways in which the technology was being used. The Daily Star newspaper set up a ‘Live from the Internet’ column. Readers who had no access to either computers or the Internet would write to the Star, which the newspaper would relay to Internet chat groups. The responses would get printed in the column. These hybrid off-line techniques became an important means for our communication. We setup electronic bulletin boards and a whole set of discussion groups sprang up. Important campaigns were initiated through these virtual conferences, and the network became a seat of resistance.

When full Internet services became available however, networks such as ours were quickly ditched. The government ignored us and gave permission only to large corporations and major NGOs. Interestingly, Grameen Bank, BRAC and Proshikha, three giant NGOs who used to get connectivity from us, set up their own ISPs. In Bangladesh, they owned the Internet. The conferences disappeared, and local networks that we had painstakingly setup rapidly vanished. We were being squeezed out of the market. Unable to compete at an economic level we found alternative means for providing support to our users.

The ISPs were not interested in servicing non-urban users. We maintained our off-line service, which could still service people with DOS based machines, with analog lines, living in remote areas. We leased lines from these NGOs and used them to transfer data to the Net, reducing our transmission costs. We began setting up new discussion groups and mailing lists. Most importantly, we set up our own web site, which we used to support our campaigns. We moved from providing connectivity which we could no longer provide reliably, to providing content.

Recently, when women students at a nearby university began a campaign against campus rape, our web site became a principal tool for advocacy. Pressure that was exerted internationally and nationwide added to the massive physical protests by the students forcing the establishment to conduct an enquiry. Five students of the ruling party were indicted. At it’s peak, our site was getting over 5000 hits per day. Articles were sent to the newspapers, and we began publishing things they had censored out. We were learning to wield our new weapon. We had been concerned by absence of working class and rural representation in mainstream media.

At about the time we set up our Fidonet network, we began providing photojournalism training to working class children. The going was never smooth and we made many mistakes, but these children progressed remarkably.

Excited by what the children had achieved, we tried setting up a distance education programme for rural Bangladeshi children. We set up a server in a town called Sylhet in the North East of Bangladesh. Using microwave links we then connected schools in nearby villages (using computers bought collectively by students and by us) to the server, A dial up link to Dhaka provided Internet mail. Sylhet has a lot of migrant workers who have gone overseas, and Email reunited these families. We are now helping develop multimedia training modules for teaching vocational skills. We tried linking the education programme with an afforestation scheme and even tried setting up a commercial service that would help subsidise the project. Things didn’t work as well as we had planned, but enough progress was made to interest other players in the project.

The focus however already seems to be shifting from the basic grass roots work that we had set out to do. Now that the big boys are interested, the transformation they may bring, might have the same effect as the changes they introduced to the Internet scene. A major cause of the high connectivity costs in our region is the monopoly of the telecom sectors in all our countries. This is not merely a national issue, but is linked to the unequal trade terms between nations of the South and the North. Alliances between global telecom players and local governments have resulted in local consumers getting shortchanged.

Vested interests have often required entire nations to follow technological solutions totally unsuited to local requirements. We began using the Net to pool together a team of regional IT professionals. We pleasantly discovered that our collective knowledge base could easily cut through the hogwash that the governments and corporations used.

The other useful collective decisions we were able to make related to developing local language tools, from standard UNICODE formats to OCR for local languages. Since many of our languages have common roots we found that work being done by several people across local borders could provide a lot of synergy. An area that has to be addressed, particularly where the international donor community is involved relates to the mind set that ‘appropriate technology’ is necessarily ‘low technology’. It is fashionable to design ergonometric rickshaws, and better spinning wheels. When we talk of Internet or IT there is the feeling that it is inappropriate for poor people and cannot have a role in ‘poverty alleviation’.

It is important to recognize that poverty cannot be addressed unless one addresses exploitation and distribution modes within society. This applies not only to regional power relationships but also to global imbalances. Politicians rarely feel accountable to voters and hide behind the lack of transparency of the government sector. Major decisions that affect community life are taken behind closed doors, where the people most affected have no access. Though the constitution grants equal rights to all citizens, legal, medical and educational rights are only realized for the minority in power, with women and children of poor communities, pegged at the other end of the spectrum, rarely aware of these rights, let alone being in a position to extract them from society.

Where information is power, denying information to marginalized communities, actively prevents the rural poor from overcoming the unequal power structures that they are trapped within. While it is in the interest of the powerful in society to restrict such access, it is also in the interest of the powerful nations to deny access and maintain domination. The unrestricted flow of general information is an essential pre-requisite for an egalitarian society

Shahidul Alam

Dhaka, 30th April,1999

First published in bytes for all

When The Mind Says Yes

It was in the foothills of the Himalayas that he was born. In a bullock cart amidst a snowstorm. It was in the cold chill of January, in the severest winter in Bangladesh’s memory, that he died. Alone and uncared for, the frail old man shrunken with age, but with a heart as wide as the ocean, and a mind as young as the children that he loved, Golam Kasem, nicknamed Daddy, died at the tender age of 104. The single storied yellow building at 73 Indira Road, with its unkempt garden, was home not only to Bangladesh’s oldest photographer, but also the first Bengali Muslim short story writer.

Daddy looking out of his window at 73, Indira Road. Dhaka. Shahidul Alam/Drik/Majority World
Daddy looking out of his window at 73, Indira Road. Dhaka. Shahidul Alam/Drik/Majority World

Born on the 5th November 1894, Daddy lost his mother shortly after birth. Brought up by his aunt, the young man took up photography the way many young men take up many things, to impress a young girl. She had promised to cook for him if he could develop a film that others had failed with. Kasem embarked with the same trait for disciplined research, that he maintained till his death. He went round the studios of Mednapur to find out the method that would win him his meal. He never talked of what the meal was like, but did describe how he used a hardner to prevent the emulsion from peeling off. Saving his bus fare to school to buy a brownie camera, he began taking photographs of the things he loved most, animals, flowers and children. And importantly, he preserved those negatives. In his archives, amidst old paper sachets marked in his neat handwriting are glass plates dating back to 1918. The harbour in Calcutta, early steam engines, the Gurkha regiment in shorts, and many many portraits. Period pieces lit in that soft natural light that early studios used.
Ship at port. 1925.
Ship at port. 1925. ? Golam Kasem/Drik/Majority World

Steam engine. B2 glass negative. Date unknown. Golam Kasem
Steam engine. B2 glass negative. Date unknown. ? Golam Kasem/Drik/Majority World

Grainless negatives of people, generally in studied poses. His spontaneous pictures were those of animals and children, and amongst them are some gems. “Her first dance” is a delicate photograph of a child amidst a twirl, centre stage with her family as an audience. Strong portraits of his friend a teacher and the calm portrait of his grandmother belie the fact that he was an amateur, who took photographs for fun. He sold his first photograph at the age of 98, for Drik’s 1991 calendar.
First picture sold by Daddy. Intro for Drik 1991 calendar. Golam Kasem. 35mm negative. Date unknown.
First picture sold by Daddy. Intro for Drik 1991 calendar. 35mm negative. Date unknown. ? Golam Kasem/Drik/Majority World.

Boat. 120 negative. Date unknown. Golam Kasem.
Boat. 120 negative. Date unknown. ? Golam Kasem/Drik/Majority World

The founder of the Camera Recreation Club, Daddy arranged regular meetings at his house in Indira Road where the club was housed. Regular visitors included poet Sufia Kamal, painter Qamrul Hassan and photographer Manzoor Alam Beg. His letters were hand-written, each one numbered, and the envelopes often made of recycled newspapers or book wrappings. Competitions at the Camera Recreation Club were unusual events. Photographers who would abstain from many local competitions would submit those small 4″ x 5″ prints. And they were proud of the simple prizes they sometimes won. The prize giving was always accompanied by a cultural programme. And Daddy would always sing.
A house wife. 1927. B2 Glass negative. Golam Kasem
A house wife. 1927. B2 Glass negative. ? Golam Kasem/Drik/Majority World

My colleague. Dhaka 1935. B2 glass negative. Golam Kasem
My colleague. Dhaka 1935. B2 glass negative. ? Golam Kasem/Drik/Majority World

The room next to his bedroom was his darkroom. A red plastic bowl stuck under a light bulb, his safe light. He mixed his own chemicals from old tins of chemicals. Often I would get a SOS. The same neat handwriting, asking for potassium ferricyanide or some other chemical that he needed for his latest experiment. Photography was his passion. Once at a meeting at the Bangladesh Photographic Society (BPS), where he had been presented a new camera, Daddy spoke of how the camera he had been given would be much more than a machine to him. He talked of how he kept his camera next to his pillow when he went to sleep. How, when he was sad, he would speak to it, and that it would talk back and comfort him. Unimpressed by the modern motor driven models, his preference was for a simple manual SLR, “preferably not too heavy” he would add with a mischievous smile. That is not to say he was shy of technology. I remember him holding up his thick glasses to read his first Email from his grandson in Canada. He asked me to come back the next day, and as I parked my bicycle by his rose garden, he was ready with his answer, again written in his neat handwriting. He was fascinated by Email and used it regularly, and curious about how the message would get through the ether.
My grandmother. Dhaka 1935. Golam Kasem.
My grandmother. Dhaka 1935. Golam Kasem/Drik/Majority World

Sky and water. 1923, Midnapore. 4 x 5 sheet film. Golam Kasem
Sky and water. 1923, Midnapore. 4 x 5 sheet film. ? Golam Kasem/Drik/Majority World

He was fiercely independent. He cooked his own meals, fed his dog and his cats and did his own shopping. Until recently, he would even go on his own to a house down the road and guide himself up the stairs to meet a lady friend whom he occasionally visited. Rarely would he talk of himself and it was only in passing conversation with the late Mr Nasiruddin that I discovered that Daddy was the first Bengali Muslim short story writer. He used to write regularly for Shawgat, and continued to write, both technical articles on photography for the BPS newsletter, and short stories for general publication. His last manuscript, a simple manual on photography, sadly lies in my hands, unpublished. He had dearly wanted it printed before he died. The proofing was complete, the photographs selected, but ‘matters of consequence’ allowed other projects to take precedence. His last note, urging me on with the publication, will forever haunt me.
Two girls. Midnapore 1926. B2 glass negative. Golam Kasem
Two girls. Midnapore 1926. B2 glass negative. ? Golam Kasem/Drik/Majority World

Always articulate, on his 100th birthday, at the opening of a joint photographic exhibition by him and the other photographic guru Manzoor Alam Beg at the Drik Gallery, he talked eloquently of how photography was the way for people of the world to make friends, to break barriers, to discover one another. Later as the chief guest at the opening of the 1996 World Press Photo, he talked of his own struggle to overcome the limitations of an ageing body. “My body says no, but my mind says you must, and in the end it is the mind that wins.” On Friday the 9th January 1998, the body finally said no and the mind took wings.
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Thank You Mr. Harkin, Sir!

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When US Senator Tom Harkin proposed a boycott of the products of child labour,
Western campaigners applauded. But there were unforeseen consequences
for the children of Bangladesh, as Shahidul Alam reports.

No. No photographs. Saleha is scared. Many a time she has hidden under tables, been locked up in the toilet, or been sent to the roof in the scorching sun for two or three hours. It happens whenever foreign buyers enter the factory. She knows she is under-age, and doesn?t want photographers messing things up ? she needs the job. The whole industry has suddenly become sensitive. Owners want their factories open. The workers want their jobs. The special schools for former child labourers want aid money. No photographs.
Neither Saleha nor any of the other child workers I have interviewed have ever heard of Senator Tom Harkin. All they know is that pressure from the US, which buys most of Bangladesh?s garments, has resulted in thousands of them losing their jobs at a stroke.
According to a press release by the garment employers in October 1994: ?50,000 children lost their jobs because of the Harkin Bill.? A UNICEF worker confirms ?the jobs went overnight?.
The controversial bill, the ?Child Labor Deterrence Act?, had first been introduced in 1992. A senior International Labour Organization (ILO) official has no doubt that the original bill was put forward ?primarily to protect US trade interests? ? Tom Harkin is sponsored by a key US trade union, and cheap imports from the Third World were seen as undercutting American workers? jobs. ?When we all objected to this aspect of the Bill,? says the ILO official, ?which included a lot of resistance in the US, the Bill was amended, the trading aspect was toned down, and it was given a humanitarian look.? It was when it was reintroduced after these amendments in 1993 that the Bill had its devastating impact in Bangladesh.
The child workers themselves find it particularly hard to interpret the US approach as one of ?humanitarian concern?. When asked why the buyers have been exerting such pressure against child labour, Moyna, a ten-year-old orphan who has just lost her job, comments: ?They loathe us, don?t they? We are poor and not well educated, so they simply despise us. That is why they shut the factories down.? Moyna?s job had supported her and her grandmother but now they must both depend on relatives.
Other children have had no alternative but to seek new kinds of work. When UNICEF and the ILO made a series of follow-up visits they found that the children displaced from the garment factories were working at stone-crushing and street hustling ? more hazardous and exploitative activities than their factory jobs.
?It is easier for the boys to get jobs again,? Moyna complains, pointing to ex-garment boys who have jobs in welding and bicycle factories. Girls usually stay at home, doing household work and looking after smaller children; many end up getting married simply to ease money problems.
Rethinking
In the wake of the mass expulsion of child garment workers it was plain that something had gone very wrong. UNICEF and the ILO tried to pick up the pieces. After two years of hard talking with the garment employers they came up with a Memorandum of Understanding. This guaranteed that no more children under 14 would be hired, that existing child workers would be received into special schools set up by local voluntary organizations and would receive a monthly stipend to compensate them for the loss of their wages.
Some garment owners feel that, instead of doing a deal, they should have called the US bluff and continued employing young children. ?We export 150 million shirts a year to the US,? says one. ?The K-mart $12 shirt would have cost $24. Bill Clinton would have lost his job.?
As of now 10,547 of the estimated 50,000 children have been registered, and of these 8,067 have enlisted in school. Most weren?t registered initially, as few garment owners admitted having children working in their factories. Many lost their jobs before the registration process began. Unregistered children, regardless of their age or their schooling, are not admitted into the scheme.
Saleha is tall for her age. Though in her factory there are quite a few under-age children, in most factories children that look small are no longer taken. This is what Moyna and Ekram and the other children repeatedly say: ?We didn?t make the size.? In a country where births are not registered there is no way of accurately determining a person?s age. Children with good growth keep their jobs. Children who look smaller, perhaps because they are malnourished, do not.
The reliance on size rather than age means that many children are still at work in the factories ? and many have no inclination to take up a place in one of the special schools. Take Sabeena. Her factory is colourful with tinsel when I visit and many of the girls have glitter on their faces. It is the Bangla New Year and Eid all in one and they are celebrating. Sabeena proudly shows me the machine she works on. She is almost 14 and, like Saleha, big for her age. She has been working at a garment factory ever since she finished Grade Five, about 18 months ago. Until then, schooling was free. There was no way her parents could pay for her to go to school and, with her father being poorly, Sabeena needed to work to keep the family going.
Taking home 2,200 taka ($52) a month (with overtime) Sabeena, at 13, is now the main breadwinner in the family. She is lucky to have work, though she would rather study. She laughs when I talk of her going to school. She has mouths to feed, and to give up her job for a 300-taka-per-month stipend for going to school simply wouldn?t make sense. Besides, the special schools only teach up to Grade Five. The better students, who have studied that far, find they have neither jobs nor seats in the school. So Sabeena?s studies begin at around eleven at night, with a paid private tutor, usually by candlelight. At seven in the morning she has to leave for work. Seven days a week.
Money is a key concern even for those children who have been received into the special schools. At the school run by the Bangladesh Rural Advancement Committee (BRAC) in Mirpur, the children gather round a worker doing the rounds. ?When do we get paid, sir?? they keep asking.
Despite the promises, not a single child that I have interviewed has received the full pay they are owed. In some cases field workers, eager to improve their admission rates, have promised considerably more than the stipulated 300 taka ($7) per month. In others, unfounded rumours have created expectations that the schools cannot meet.
Shahjahan (pictured on the facing page) was one of the lucky ones admitted to a BRAC school. The 300 taka per month is a small sum for him too, but he works in a tailoring shop from nine till eleven in the morning, and again from two-thirty in the afternoon till ten at night. He doesn?t complain. Though the scheme does not encourage it, he feels he is getting the best of both worlds: free schooling, including a stipend, as well as paid work and a potential career.
A strange question
Did they like working in garment factories? The children find this a strange question. They earned money because of it, and it gave them a certain status that non-working children did not have. They put up with the long hours. The exceptions remind me that it is children we are talking about. ?I cried when they forced me to do overtime on Thursday nights,? says Moyna. ?That was when they showed Alif Laila (Arabian Nights) on TV.?
Child workers are popular with factory owners. ?Ten- to twelve-year-olds are the best,? says Farooq, the manager of Sabeena?s factory. ?They are easier to control, not interested in men, or movies, and obedient.? He forgets to mention that they are not unionized and that they agree to work for 500 taka ($12) per month when the minimum legal wage for a helper is 930 taka.
Owners see Tom Harkin as a well-meaning soul with little clue about the realities of garment workers? lives. ?As a student, I too hailed the Bill,? says Sohel, the production manager at Captex Garments. ?I was happy that someone was fighting for children?s rights. But now that I work in a factory and have to turn away these children who need jobs, I see things differently. Sometimes I take risks and, if a child is really in a bad way, I let them work, but it is dangerous.?
The notion that a garment employer might be helping children by allowing them to work may seem very strange to people in the West. But in a country where the majority of people live in villages where children work in the home and the fields as part of growing up, there are no romantic notions of childhood as an age of innocence. Though children are cared for, childhood is seen as a period for learning employable skills. Children have always helped out with family duties. When this evolves into a paid job in the city neither children nor their families see it as anything unusual. In poor families it is simply understood that everyone has to work.
The money that children earn is generally handed over to parents, who run the household as best as they can. Most parents want their children to go to school. But they also feel that schooling is a luxury they cannot afford. The garment industry has increased the income of working-class families in recent years and this has also led to a change in attitudes. Many middle-class homes now complain that it is difficult to get domestic ?help? as working-class women and children choose to work in garment factories rather than as servants. This choice ? made on the grounds not just of better economics, but of greater self-respect ? is one many children have lost because of the Harkin Bill.
The US is wielding power without responsibility. A nation with a history of genocide and slavery, and a reputation for being a bully in international politics, suddenly proclaims itself a champion of people?s rights, but refuses to make concessions over the rates it will pay. The dollar price-tags on the garments produced in some factories suggest a vast profit being made at the US end. The buyers claim that what they pay for the garments is determined by ?market forces?. The garment owners make the same claim with regard to the conditions of employment for their workers. Both are simply justifying their own version of exploitation ? and to address child labour without addressing exploitation is to treat the symptom, not the disease.
The garment-industry experience has led to an active debate amongst development workers and child-rights activists. ?What we have done here in Bangladesh is described as fantastic,? says a senior ILO worker. ?I wonder how fantastic it really is. How much difference will these two or three years in school make to these children? In three years, the helper could have been an operator, with better pay and more savings. Even if the manufacturers keep their word and give them back their jobs at the end of their schooling, the Memorandum children will hardly be better off, while their peers will have gotten on with their careers. We have spent millions of dollars on 8,000 children. The money itself could have transformed their lives. This is an experiment by the donors, and the Bangladeshi children have to pay.?
The children?s names have been changed to protect them.

Changing their destiny

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www.newint.org/issue287/contents.html

Letter from Bangladesh

Changing their destiny

Shahidul Alam travels with the poor who chase a dream to distant lands.

They all have numbers. Jeans tucked into their high-ankled sneakers. They strut through the airport lounge, moving en masse. We work our way up the corridors leading to the airplane, but many stop just before boarding. The cocky gait has gone. The sad faces look out longingly at the small figures silhouetted on the rooftops. They wave and they wave and they wave. The stewardess has seen it all before and rounds them up, herding them into the aircraft. One by one they disengage themselves, probably realizing for the first time just what they are leaving behind.
Illustration by SARAH JOHNInside the aircraft it is different. They look around at the metallic finish of the interior, try on the headphones and drink lemonade. They have seats together and whisper to each other about each new thing they see. Abdul Malek, sitting opposite me, is in his early twenties. He is from a small village not far from Goalondo. This is his second attempt. He was conned the first time round. This time his family has sold their remaining land as well as the small shop that they part-own. This time, he says, he is going to make it.
As in the case of the others, his had been no ordinary farewell. They had all come from the village to see him off. Last night, as they slept outside the exclusive passenger lounge, they had prayed together. Abdul Malek has few illusions. He realizes that on $110 a month, for 18 months, there is no way he can save enough to replace the money that his family has invested.
But he sees it differently. No-one from his village has ever been abroad. His sisters would get married. His mother would have her roof repaired, and he would be able to find work for others from the village. This trip is not for him alone. His whole family, even his whole village, are going to change their destiny.
That single hope, to change one’s destiny, is what ties all migrants together ? whether they be the Bangladeshis who work in the forests of Malaysia, those like Abdul Malek, who work as unskilled labour in the Middle East, or those that go to the promised lands of the US. Not all of them are poor. Many are skilled and well educated. Still, the possibility of changing one’s destiny is the single driving force that pushes people into precarious journeys all across the globe. They see it not merely as a means for economic freedom, but also as a means for social mobility.
In the 25 years since independence the middle class in Bangladesh has prospered, and many of its members have climbed the social ladder. But except for a very few rags-to-riches stories, the poor have been well and truly entrenched in poverty. They see little hope of ever being able to claw their way out of it, except perhaps through the promise of distant lands.
So it is that hundreds of workers mill around the Kuwait Embassy in Gulshan, the posh part of Dhaka where the wealthy Bangladeshis and the foreigners live. Kuwait has begun recruiting again after the hiatus caused by the Gulf War, and for the many Bangladeshis who left during the War, and those who have been waiting in the wings, the arduous struggle is beginning. False passports, employment agents, attempts to bribe immigration officials, the long uncertain wait.
Some wait outside the office of ‘Prince Musa’ in Banani. He is king of the agents. His secretary shows me the giant portraits taken with ‘coloured gels’, in an early Hollywood style. She carefully searches for the admiration in my eyes she has known to expect in others. She brings out the press cuttings: the glowing tributes paid by Forbes, the US magazine for and about the wealthy, the stories of his associations with the jet set. She talks of the culture of the man, his sense of style, his private jet, his place in the world of fashion.
Apart from the sensational eight-million-dollar donation to the British Labour Party in 1994 ? which Labour denies, but which the ‘Prince’ insists was accepted ? there are other stories. Some of these I can verify, like the rosewater used for his bath, and the diamond pendants on his shoes (reportedly worth three million dollars). Others, like his friendship with the Sultan of Brunei, the Saudi Royals and leading Western politicians, are attested to by photographs in family albums.
He was once a young man from a small town in Faridpur, not too distant from Abdul Malek’s home or economic position, who made good. Whether the wealth of the ‘Prince’ derives mainly from commissions paid by thousands of Maleks all over Bangladesh or whether, as many assume, it is from lucrative arms deals, the incongruity of it all remains: the fabulously wealthy are earning from the poorest of the poor.
Whereas the ‘Prince’ has emigrated to the city and saves most of his money abroad, Malek and his friends save every penny and send it to the local bank in their village. Malek is different from the many Bengalis who emigrated to the West after World War Two, when immigration was easier and naturalization laws allowed people to settle. Malek, like his friends, has no illusions about ‘settling’ overseas. He knows only too well his status amongst those who know him only as cheap labour. Bangladesh is clearly, irrevocably, his home. He merely wants a better life for himself than the Bangladeshi princes have reserved for him.
An old friend of the NI, Shahidul Alam is guiding light of Drik, a remarkable photographic agency in Dhaka.