Sitting on a man’s back

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Three bombs had gone off the day before, and they weren’t comfortable about me walking on my own in the streets of Kabul.

Streets of Kabul

The driver insisted that he gave me a lift. The suggestion that a particular hill not too far away would give me a good view of the city was a good one, and the late evening light was just leaking through the haze. He offered to stay to give me a lift back, but I wanted to be on my own, and writing down that I needed to get back to Choroi Malek Asghar, I wandered off, free at last. Coming down the hill, I wandered through the back streets as I tend to do in cities I am new to. An odd conversation in my broken Urdu helped. As always kids wanted to be photographed, and wherever I went, people offered me cups of tea, or invited me home.

Abdul Karim latched on to me. Insisting that I visit his family, he took me through the narrow winding mud path that led to the tiny doorway that was the entrance to his home. My first task was to take photographs of the family. I had none of the language skills he had, but it didn’t seem to matter. Initially surprised by this stranger the man had brought home, the family quickly turned to more important things, like being hospitable to this mehman (guest).

Marine Engineer

I gesticulated wildly enough to convince them that I needed to catch the light while it was there, and Abdul Karim became my self appointed guide. I could go and take some photographs, but was to come back and have tea. The sun had almost set by the time we were back up the hill. A lone runner ran circles around the flattened top of the hillock. Football fever had set in and the shouting of the kids chasing a ball in the dried up swimming pool in the centre, carried through the evening sky. Four young men came up and made conversation. Two of them had been to Pakistan, and we spoke in Urdu and in English. One was an out of work webmaster, and wanted my email address. They posed, I photographed, and he scribbled his email address so I could email the picture back.

Four young men

The sun had set and Abdul Karim wanted me to keep my end of the bargain. The young men also wanted me to visit their homes. Perhaps they could take me out the following day they suggested. They knew great places for photography. We exchanged mobile phone numbers. Undiplomatically, I suggested that perhaps they too could come to Abdul Karim?s and then I could go with them to their homes. One young man took me aside and explained that they couldn’t go. It would be breaking purdah. I wondered how I had become an exception to the rule.

Abdul Karim, his mother, Bibi Shirin, his wife Ayesha, and their two children Mehjebeen and Sufia lived in this one room flat. There were mattresses on the floor and one television set and one radio. There was a tiny courtyard and metal steps that went up to what looked like a loft. Abdul Karim had worked as an engineer in the marines and was now out of a job. He showed me the children’s book he used, to try and teach himself English. Even with body language and the best of intentions, our communication faltered, but there was no mistaking that I was a welcome guest, and my major challenge that evening was leaving without having dinner with the family. The path outside was by now pitch black, and Abdul Karim walked me through the maze and got me to a cab. We parted with some sadness.

Back at the Aina office where I was staying, the guard with the Kalashnikov welcomed me with a smile. I could see why my colleague Nazrul hadn’t left the compound for the last two months.

Aina guard

Day before yesterday we drove up to Salang, past the bombed out ruins of what had been thriving villages, past the tank carcasses, past vast stretches of barren land, interspersed with lush foliage by the river beds. A young man took great pleasure in racing his steed against our minivan. Two boys flagged me down, insisting that their friendship be recorded in my camera.

Two boys

Back in Kabul, I did walk out on my own, without an escort, and went to the marketplace. The men in the bakery insisted that I try their freshly baked bread and I briefly sat with new found friends and watched Hindi films in the restaurants.

Bread maker

I spoke to Arif who ran a small studio, and came across the out of work labourers in the market square looking for work. A child and an old man reached into the gutter to pick up a polythene bag they could sell. It was in a worker’s face that I realized why people who are capable of so much hospitality, and are so willing to give, have become objects of terror to the foreigners who live here.

Labourer looking for work

They want the very things that the west has officially championed. Jobs, security, a home for their families and for their land to be free of occupation.

Organisers at the Sarina Hotel claimed it was the first fashion show in 20 years in Afghanistan. There were few tell tale signs of the riots that had taken place here a few days ago. But the white Land Rovers outside, four sets of security barriers, and the armed US soldiers on guard, marked the distance between central Kabul and the rest of the country.

Fashion BurkhaUS security guards

I remember Tolstoy’s words “I sit on a man’s back, choking him, and making him carry me, and yet assure myself and others that I am very sorry for him and wish to ease his lot by any means possible, except getting off his back.” They seem to have learned little in 120 years.

Choroi Malek Asghar
Kabul
9th July 2006

It's For Your Own Good

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We will kill your children
Destroy your mosques
Grind to dust your citadels
With your oil, we’ll buy you food
Believe you me, it’s for your own good

Regime change, that’s what its about
Jay Garner* instead, what more could you want
You’ll have Big Macs and Coke
As we know you should
Believe you me, its for your own good

Forget your heritage, its so uncool
Face the facts, the US rules
Afghanis blew statues
They were ever so rude
We will raze Baghdad, for your own good

CNN, BBC, they report for our cause
Embedded journalists, they know the laws
Al Jazeera is not cricket
C’mon you dude
You know we care, its for your own good

US contracts, Haliburton rules
Conflict of interest? C’mon you fools
My interest in oil
That’s obscene, that’s lewd
Its Iraqis I care for, its for your own good

It’s freedom I want, get out of my way
A new Middle East map, drawn as I say
Imperialist expansion
Must you be crude
Are you not listening, its for your own good

World opinion, who gives a damn
My latest war cry, Saddam Saddam
United Nations
Step out if you would
Don’t get in the way, its for their own good

US weapons of mass destruction?
Don’t be absurd, we’re a peace-loving nation
Hiroshima Nagasaki
Why do you still brood?
As my God has said, it was for your own good.

I wish you’d believe me. I so wish you would


Shahidul Alam
30th March 2003, Dhaka.

Ground Zero

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It was as a student of photography that I poured through the
mysterious images of Joel Meyerowitz. Haunting images of the twilight
zone. Nature’s colours blending into the neon constructions of
mankind. A changing moment in everyday life. This time Meyerowitz has
chosen a different transition point. A moment that has clearly
changed the contemporary world. An event that has taken on an iconic
status.

The stoic strength of `The Welder Wounded By Exploding Bullets’, and
the nuances of light and form in `The Blue Hour’ and `The North Wall’
are reminiscent of the vintage Meyerowitz. A few of the other
exhibits in “Images of Ground Zero” are also signature images of this
master craftsman, but by and large, the photographs are
unexceptional. The packaging is impressive however. Smartly hung on
large frosted panels, the exhibition is destined for over thirty
venues in locations around the globe. About a third of these venues
have a largely Muslim audience and the show is clearly designed with
a purpose. As a photographer from the majority world I question the
simplistic message this exhibition carries. I see an icon that has
many meanings. The exhibition does remind me that everything is NOT
okay in this world of ours, but I look beyond the rubble of ground
zero.
I hear the word democracy, over and over again, and wonder why the G8
countries, which represent only 13% of the world’s population, decide
for me how my life should be lived. I do not question the process
through which their leaders came to power, but I know that I never
chose them as my representatives. Yet they rule our lives.
I worry knowing that the 5 permanent members of the Security Council,
who happen to be the world’s largest producers of arms, are entrusted
with keeping peace in the world. I worry knowing that they have
quelled the peace-initiatives that have given us most hope, while
innocents have continued to die. I want my voice to be heard, but
know that a single veto by nations I have never chosen to be led by
can overturn the hopes of the majority of the globe.
I dream of an epitaph that we can all take strength from. That
perhaps from the rubble of ground zero, will rise a Banyan tree, that
will give shade to us all. I remember the words of an American whom
Meyerowitz’s own nation seems to have forgotten: “Every gun that is
made, every warship launched, every rocket fired signifies, in the
final sense, is a theft from those who hunger and are not fed, those
who are cold and are not clothed. The world in arms is not spending
money alone. It is spending the sweat of its laborers, the genius of
its scientists, the hopes of its children… This is not a way of
life at all, in any true sense. Under the cloud of threatening war,
it is humanity hanging from a cross of iron.”? Former U.S. President,
Dwight D. Eisenhower, in a speech on April 16, 1953.
Only when we build a world that truly respects different
civilisations, cultures, races and religions, can we honour the dead
in ground zero and those who continue to die. For when all things ARE
considered, the price is NEVER worth it.
Shahidul Alam. 7th April 2002. London.

The Terrorist

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The word “terrorist” was not in fashion in 1971. The Pakistanis called them “miscreants”. They called themselves the “Mukti Bahini” (freedom fighters). The ordinary Bangladeshi also called them “Muktis”, and therein lay their strength. They had limited resources, and very little training. They survived because the people risked their lives in giving them shelter, food, money, and a place to hide. They waved from the rooftops when the Mukti planes came to attack Dhaka. Trenches had been built, but they were too busy cheering to remember them, for in some ways, they too were Muktis.
Rejoicing in our independence, we quickly forgot those nine months, and treated the people in the Chittagong Hill Tracts much as the Pakistanis had treated us. The same oppression, the same genocide. The Bangladesh government called them “insurgents”. They called themselves the “Shanti Bahini”, (Peace Brigade), as did the other hill people. Shanti Bahini, years later, fought the Bangladeshi military junta, much as the Muktis had fought the Pakistanis, years before. Again the junta retaliated by killing the most vulnerable. It was the military that the people were terrified of. The Muktis and the Shanti Bahini were their saviours.
The main “terror” today is from the guns in the streets, the knee-capping, and the acid throwing. We call the people who do this, “shontrashis”. While the Muktis did strike terror in the hearts of the Pakistani soldiers, the goal was to liberate the people. The Shanti Bahini tried to defend their people from genocide. The shontrashis use terror to subjugate people into paying protection money, to gain control, to remove competition for government contracts, and to satisfy their lust. Protected by the politicians in power, the shontrashi and the junta are the only terrorists we have known.
Terror is not about danger itself, but about the fear of danger. Does the ordinary New Yorker, wake up in the morning expecting to die? The answer is no. Does the ordinary Afghani child lie sleepless at night in fear of the bombs from the sky and the ones lurking in the ground? The answer is a sad yes.
First published in ‘Banglarights” Bangladesh Human Rights Portal