1971 as I saw it

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Thirty five year ago, even longer perhaps, just a camera in hand, they had gone out to bring back a fragment of living history. Today, those photographs join them in protest. Peering through the crisp pages of the newly printed history books, they remind us, “No, that wasn’t the way it was. I know. I bear witness.”

The black and white 120 negatives, carefully wrapped in flimsy polythene, stashed away in a damp gamcha, have almost faded. The emulsion eaten away by fungus, scratched a hundred times in their tortuous journey, yellowed with age, they bear little resemblance to the shiny negatives in the modern archives of big name agencies. They too are war weary, bloodied in battle.

So many have sweet talked these negatives away. The government, the intellectuals, the publishers, so many. Some never came back. No one offered a sheet of black and white paper in return. Few gave credits. The ones who risked their lives to preserve the memories of our language movement, have never been remembered in the awards given that day.
35 years ago, they fought for freedom. They didn’t all carry guns, some made bread, some gave shelter, some took photographs.
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(c) Abdul Hamid Raihan
Abdul Hamid Raihan is one such photographer. A.S.M. Rezaur Rahman came upon him through a small interview on television. Unlike many other photographers, Raihan had preserved his negatives. And unlike many researchers, Reza had doggedly pursued. The exhibition, “1971, as I saw it” is not a record of momentous events, but a rare glimpse of what everyday people might have witnessed under occupation and through victory. press-release-english-bangla.doc
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Autograph ABP presents: The John La Rose Talk Series
Documentary Photography & Social Change: Mark Sealy in conversation with Lyndall Stein and Shahidul Alam at Amnesty International UK
Amnesty International UK
The Human Rights Action Centre
17 – 25 New Inn Yard
London EC2A 3EA
6.30pm – 8.00pm 29th March 2007, Phone +44(0)20 7033 1500, Nearest Tube: Old Street, Moorgate & Liverpool Street
In an age where our daily lives have been saturated by images of globalization there has been a revolt by NGOs and arts organisations who are beginning to forge links and alliances to explore new ways of using visual culture to discuss issues that address a human rights agenda in the 21st century. It is in this context that Mark Sealy the Director of Autograph ABP will explore a conversation that looks specifically at the role photography has played in helping to bring global human rights issues to a wider constituency.
Student in Prison Van
A student screams out to friends from a police van at Jagannath Hall, Dhaka University, after a police raid. 31 January 1996. (c) Shahidul Alam/Drik
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Meanwhile Bangladeshi photographers shine at the 3rd China International Press Photo (CHIPP) Contest held in Shanghai from March 21 to 25, 2007
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Former Pathshala student Munem Wasif, now working with www.driknews.com wins the bronze prize in the Daily Life category with a powerful piece showing modern forms of slavery, through his story on the workers in the tea gardens of Bangladesh.
Former student of Pathshala and University of Bolton and currently tutor of Pathshala – Andrew Biraj – wins the bronze prize in the Topical News category with his timely piece about the attempts by multinational companies to take over land of indigenous communities,
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while photographer Shafiqul Islam wins an honourable mention in the same category for his piece on police brutality against women. Biraj and Shafiq are both contributing photographers of DrikNews.
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Meanwhile on it’s independence day, Bangladesh moves towards the final eight in the ICC World Cup! However, while we celebrate these wins and the recent arrests of godfathers and the ongoing cleaning up operations, the new laws curbing public freedom continues to worry. The death of Garo activist Cholesh Ritchil (http://www.drishtipat.org/blog/2007/03/19/urgent-modhupur-eco-park-activist-killed-2/) in the hands of ‘Joint Forces’ makes us fearful of the consequences of absolute power.

Justice for Nurjahan

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Photographs Shahidul Alam
Text Rahnuma Ahmed

It was reported in the papers as suicide. On 10 January 1993 Nurjahan, a woman in her twenties from a struggling peasant household from the Maulvi Bazar district of north-east Bangladesh, was found dead from poisoning at her parents’ house in the village of Chattokchara.
Nurjahan Begum, 7th among 9 daughters, had been married five years before the incident. However, her husband abandoned her and she returned home to live with her parents. Later, her parents arranged another marriage for her, but since polyandry is forbidden by Muslim law, it was necessary to discover whether her first marriage had been properly dissolved. Nujahan’s father consulted the village imam (religious leader), who declared that she was free to marry. However, he revoked this later and claimed that the marriage was illegal because the first still stood. A shalish (village council for settling disputes and trying offending villagers) met to judge whether Nurjahan and any of her family members had broken the law. The shalish found Nujahan guilty of fornication, on the grounds that she was still married to her first husband; after debating the punishment, it decided that 101 pebbles should be thrown at Nurjahan and her second husband.
Pebbles were preferred to stones since the intention, reportedly, was to shame the couple rather than hurt or kill them. Nurjahan’s parents were also to be punished; the shalish decreed that they should be beaten with a broom. Nurjahan was made to stand in a hole that was then filled, half burying her, to receive her punishment. As she did so a member of the shalish approached her and castigated her for the shame she had brought on her family. She was not fit to live and should kill herself. Nurjahan was found dead the next day.
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Nurjahan’s father
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Nurjahan’s father: “This is where I found my daughter’s body.”
The affair was reported in a local newspaper. A campaign was launched by women’s groups to demand a criminal investigation into the circumstances of the death. Public outrage and the success of the campaign turned it into a landmark case;
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Accused being taken to Moulvibazar court
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The accused in Moulvibazar court
proceedings were brought against the imam and the members of the shalish only a year after Nurjahan’s death. He and eight others were subsequently found guilty of abetting the suicide and received the maximum possible penalty of seven years’ hard labour. The village shordar (leader) died of illness while in custody.
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The accused in court jail.
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Imam leading prayers in court jail.
Nurjahan’s father believes that his family was made to suffer because of a long-standing enmity between him and the shordar. A female relative of the shordar spoke ill of Nurjahan. “She was a bad woman,” she said. “She would be seen working outside her home.” A rickshaw-puller from Chattokchara came to her defence. “Yes, she worked outside her home. But what other choice did they have?” he argued. “The family is poor.” But he did harbour some doubts. “Why was the wedding held secretly? Why were we not invited?”
Nurjahan’s death has raised many issues for the Bangladeshi women’s movement. Her tragedy has highlighted the manifold forms of women’s subordination within rnarriage, the family and within the community. First, Nurjahan was abandoned by her husband. Then it was the imam who held the knowledge about whether she was free to marry, and he misled her. Finally, it was the members of the shalish, all men, who judged and punished her.
Shalishes have been known to fine and discipline members of the community; at the same time, there are also instances of women disobeying or ignoring and, in some cases, challenging shalish pronouncements. Nujahan’s death has given rise to questions about the sphere of jurisdiction of the shalish, which is a community body with no legal status.
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Wife of one of the accused, waiting outside courtroom.
There are few reminders of Nurjahan herself. Of her belongings, a torn corner of a shari, and a shawl she was wearing when she died, have been put aside. Her few remaining clothes were being worn by women in her family. Her only other belongings, a pot and two pans. were being used by her mother.
The family has no photographs. Her grave, like that of the shordar is a small clearing on a hillock near the village, scarcely recognisable as such. The district commissioner promised that the site will be named “Nurjahan tila”.
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Nurjahan’s sister at her grave.
The government, in turn, announced that a road would soon be built to Chattokchara. However, in all likelihood, this is probably more significant for visiting journalists and officials, than for her family.

On One Eid Day

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Dr A.K.M. Abdus Samad, the director of the mental hospital in Hemayetpur, Pabna, was pragmatic. “An average of 2% of all populations are schizophrenic, and of course there are many other mental ailments. In this country of 130 million, we have one hospital with 400 beds. What do you expect? The government allocation for food is 18 Taka per day (about 45 US cents when we met in 1993). Many mental patients are hyperactive and need more food. A good portion of that 18 Taka goes to the contractor, the remainder has to provide three meals a day. So what can I do? I make sure they get plenty of rice. That way they at least have a full stomach. We have little money for drugs, and virtually no staff for counselling, so we keep them doped. Then they don’t suffer as much.”
The other doctors had a different take. “Pity you’ve come on a Friday they said. On a weekday we could have shown you an electric shock treatment.” It seemed to be a popular ‘treatment’. To the uninitiated like me, the violent convulsions and the near comatose state the patients lay in afterwards didn’t seem to be the way to treat anyone. The care givers differed. The treatment was generally given to suicidal patients they said, and the way they saw it, it was “better than letting them kill themselves.” I didn’t have much of an argument against that one.
I saw the group of visitors come round to the dorms at night and peep through the windows. It was well after visiting hours, but they had paid to get in and have a look at the ‘pagols’ (loonies). On Eid day, many would dress up and come to the peep show. Some patients did get visitors on Eid, a select few even got new clothes or special food, but for most, it was another day of waiting. Another day of hoping that someone close might come and take them away.
In every ward I went, someone would take me aside, and slip a note in my hand. Invariably, scrawled in that note would be an address. “You must take it to them (their relatives). Tell them I’m OK. Tell them to take me away from here.” The first few times I did try and contact those relatives. Some addresses had people who recognised them, most didn’t. None seemed keen on responding. Eventually I gave up, but I would still take the notes. In Hemayetpur, even false hope seemed something worth giving.
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As another Eid approaches, I remember the child Shoeb Faruquee had photographed in Chittagong. It won him an award at World Press Photo, but I wonder where the child is now.
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Patient at mental hospital, Bangladesh
? Shoeb Faruquee, Bangladesh, Drik/Majority World

Mohammad Moinuddin had yet another story to tell:
http://www.newint.org/columns/exposure/2006/08/01/md-main-uddin/
magic-medallion-500px.jpg ? Md. Mainuddin, Bangladesh, Drik/Majority World
I was on an assignment at Domra Kanda, an asylum for the mentally ill in Kishoreganj, Bangladesh, where the only medications provided are these ?medallions? filled with spiritual spells and ?blessed water? from traditional spiritual healers. Illiteracy about medical treatments ? particularly those related to mental health issues ? misconceptions and limited health facilities mean that many parents resort to their faith in such medallions and other blessings from spiritual healers. The clinics which provide such traditional solutions do not offer scientific medications of any type and neither are they approved by any health authority. But for many Bangladeshis, faith in traditional healers and their treatments is more powerful, effective and easily available than scientific medication. The parents strongly believe that it is their faith in such spirituality that will cure their child and bring back the long lost peace and happiness to their family.
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In a world where normality is a virtue, I salute the few individuals who have chosen to be different.
Shahidul Alam
23rd October 2006. Dhaka
ps: Apologies to ZAK on my spelling of Eid: http://www.kidvai.com/zak/2005/11/its-that-time-of-year-again.html

Bank for the Poor

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It was 1988. The flood waters had reached Dhaka, and I needed a boat to get to the head office of the Grameen (Rural) Bank. A soft spoken unassuming gentleman, casually clad, sat at a plain wooden table. There was no air?-conditioning and the fresh breeze flowed freely through the open windows. My posh camera seemed quite out of place here.
Dr. Muhammed Yunus shook my hands warmly and words flowed easily from the man who had created one of the most remarkable organisations in banking history.

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Nobel Peace Laureate Professor Muhammad Yunus on the rooftop of the Grameen building in Mirpur. Dhaka. Photo: Shahidul Alam/Drik/Majority World

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Nobel Peace Laureate Professor Muhammad Yunus. Photo: Shahidul Alam/Drik/Majority World

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Nobel Peace Laureate Professor Muhammad Yunus. Photo: Shahidul Alam/Drik/Majority World

The Grameen Bank gave money only to the poor. Loans to the landless were interest free. None of the debtors had collateral. 75% of the bankwas owned by the landless who could purchase shares of Take 100 (about two pounds; each in 1988. Only one share was allowed per person). The bank boasted 346 branches and 3,000,000 members, 64% of whom were women. Incredibly, about 98% of the loans were returned! It was rapidly expanding and by the following year, Yunus hoped to have 500 branches.
An economics graduate from Vanderbilt University, Yunus had been teaching at Tennessee State University when war broke out in Bangladesh in 1971. He got actively involved in the liberation movement and returned to the newly created nation in 1972 and took up teaching at Chittagong University.
The famine in ’74 touched him deeply. The sight of the dying in the streets made him question the validity of the economic theoories that he espoused. During this soul searching he mixed intimately with the villagers and learnt of their habits, their values and their problems. One of them was a woman who made Moras (bamboo stools). She was skilled and conscientious and worked long hours. He was appalled when he discovered that she earned only eight annas (about one pence) for her daily labour! Angered and dismayed, he sought out the reasons for this shamefully unfair setup.
It had long been claimed that laziness, lack. of skill, and extreme conservativeness was the root cause of poverty in Bangladesh. Here was a woman who was skilled, worked extremely hard and had taken the initiative of setting up a business for herself and was still being cruelly exploited.
She did not have the money to buy the bamboo, so she had to borrow from the trader. He paid a price for the finished stool which was barely the price of the raw materials. She ended up with a penny a day!
With the help of a student Emnath, Yunus made up a list of 42 people who worked under similar conditions. He paid out their total capital requirement of Taka 826 (less than a pound per head) from his own pocket. It was a loan, but it was interest free.
Aware that this was not the real solution to the problem, Yunus approached his local bank manager. The man laughed. The idea of giving money to the poor, and that too without collateral, was to him hilarious. Undeterred, Yunus approached the assistant general manager of Janata Bank:, Chittagong. The manager was encouraging,, but felt that in the absence of collateral, a guarantee by influential people in the village would be necessary. Yunus realised that this would eventually lead to some sort of a slave trade. The bank was adamant, and eventually he talked them into accepting him as the guarantor. The manager was reluctant in the beginning, but felt he could take the risk, the sum being so small.
The system worked, all the loans were repaid and more people were offered loans. Yunus suggested that it was time the bank took over the responsibility themselves and lent out money directly to the villagers.?So I tried to establish that this could be done as a business proposition. I became vocal against the banking institutions, arguing that they were making the rich people richer and keeping the poor people poor through something called collateral. Only a few people could have access to funds. The bankers were not convinced.
Finally they challenged me to do it over a whole district, not just a few villages. They said if I could do it over a whole district, and still come back with a good recovery, then they would reconsider. I accepted their challenge. They asked me to go far away, to where people would not recognise me as a teacher but would instead think I was a banker. So I went to a far flung district in 1978, and started working there.”
It worked beautifully. They had almost a 100% recovery. The small loans made a big difference to the people, but the banks still dragged their feet. Yunus realised that if he went back to the University, the project would die. He suggested the formation of a new bank. One owned by the people themselves. The banks were skeptical, but he got a lot of public support, and eventuual1y in October ’83, an independent bank called the Grameen Bank was formed.
Dr. Yunus is modest about his own contribution. Asked if the bank would survive without him, he smiled “Look at what we have achieved, could it ever have been possible without dedication at all levels ??
There is a more important reason for the bank’s survival. Contrary to most other viable commercial banks, this one is truly designed to serve the people.
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Woman receiving call on her mobile Grameen Phone, speaks to her husband who is a migrant worker in Singapore. Photo: Shahidul Alam/Drik/Majority World

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Woman who has set up her mobile telephone business using a Grameen loan. Photo: Shahidul Alam/Drik/Majority World

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Woman who has set up her mobile telephone business using a Grameen loan, takes her phone to a customer. Photo: Shahidul Alam/Drik/Majority World

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Woman who has set up her mobile telephone business using a Grameen loan, doing her accounts at the end of the day. Photo: Shahidul Alam/Drik/Majority World

Always quick to accept innovations, Professor Yunus was the first person to order an email account when we set up Bangladesh’s first email service in the early nineties. He was user number six, the first five accounts being Drik’s internal numbers. Later he ordered the entire Grameen office to be networked and had generic email addresses issued to key personnel.
The bank now has nearly six and a half million members, 96% of whom are women. The $ 5.3 billion given out as loans and the $ 4.7 billion recovered are figures any commercial banker would be proud of. Since then other Grameen entities under the more recently formed Grameen Foundation have been born. Grameen Phone, a highly successful telecommunications company has provided phones to rural women, many of whom have become successful entrepreneurs. However both the Grameen Bank and micro-credit have had critics. The high rate of interest is seen to be exploitative by many. There have been accusations that the methods of recovery, often by overzealous bank officials, have led to extreme hardship. grameen-office-copy.jpg
The skyscraper that now houses the bank, many feel, distance it from the poor it represents. The close links with Clinton and Turner, and the uncritical position taken by Yunus in his public interactions with them, has also been viewed with suspicion. Yunus makes light of these observations. Regarding the criticism of his model, he has a simple answer. ?I make no claims to having a perfect system. The problem has to be solved. Should someone come up with a better solution, I would happily adopt it.?
Bangladesh has largely been known for floods famine and other disasters. Yunus has provided Bangladesh with a pride it badly needs. Many had hoped that he would enter politics, providing an alternative to power hungry politicians that people have lost trust in. While he has steered away from mainstream politics, Yunus was an adviser to the caretaker government. That this popular teacher turned banker should be the Nobel Peace Prize winner in 2006 is a source of great joy to Bangladeshis, but an honour they feel was long overdue.
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(Photo by Munem Wasif / DrikNEWS)
Shahidul Alam
Drik Picture Library Ltd.
Dhaka 1988 and 2006
High resolution photographs available from Drik Picture Library: library@drik.net
and DrikNews: driknews@gmail.com, driknews@yahoo.com

Thailand coup d'?tat

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?There?s been a coup d’?tat,? said Cherrie breaking into our meeting at the Imperial Tara Hotel in Bangkok. Some of the participants have just returned from shopping and there were little signs of the unrest that it implied. My camera had been handed in for repairs, and my first instinct was to see who had one I could borrow. Suvendu kindly and only half reluctantly offered his. Zaheer and I decided to go out, but he returned soon afterwards, seeing the pouring rain.

 

Rainy Street
There was some housekeeping to be done. Several participants were due the next day and decisions needed to be made as to whether they should make the trip. Spending as little time as I could get away with, I clutched Suvendu?s camera and broached the rain. Some shops had closed, but there were people in the streets. The Japanese restaurant at the end of Sukhumvit Soi 26 wasn?t full, but did have customers.

 

 

Seven Eleven
Zaheer needed a SIM card, but the girl in the 7/11 simply said ?no card?. Military takeover, or political unrest didn?t seem to pervade the air.

 

 

 

Train station
The train station was closing, perhaps a bit earlier than usual as it wasn?t midnight yet, but the traffic in the streets seemed normal. People outside the 7/11 waited for the bus as they normally do.


Must try and sneak out of the meeting tomorrow to go downtown where the tanks are meant to be, but here the only sign a conspiracy theorist could use as ammunition was the Securicor car waiting outside the bank. Perhaps an ominous sign.

Shahidul Alam

Imperial Tara Hotel

Bangkok

 

Sitting on a man’s back

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Three bombs had gone off the day before, and they weren’t comfortable about me walking on my own in the streets of Kabul.

Streets of Kabul

The driver insisted that he gave me a lift. The suggestion that a particular hill not too far away would give me a good view of the city was a good one, and the late evening light was just leaking through the haze. He offered to stay to give me a lift back, but I wanted to be on my own, and writing down that I needed to get back to Choroi Malek Asghar, I wandered off, free at last. Coming down the hill, I wandered through the back streets as I tend to do in cities I am new to. An odd conversation in my broken Urdu helped. As always kids wanted to be photographed, and wherever I went, people offered me cups of tea, or invited me home.

Abdul Karim latched on to me. Insisting that I visit his family, he took me through the narrow winding mud path that led to the tiny doorway that was the entrance to his home. My first task was to take photographs of the family. I had none of the language skills he had, but it didn’t seem to matter. Initially surprised by this stranger the man had brought home, the family quickly turned to more important things, like being hospitable to this mehman (guest).

Marine Engineer

I gesticulated wildly enough to convince them that I needed to catch the light while it was there, and Abdul Karim became my self appointed guide. I could go and take some photographs, but was to come back and have tea. The sun had almost set by the time we were back up the hill. A lone runner ran circles around the flattened top of the hillock. Football fever had set in and the shouting of the kids chasing a ball in the dried up swimming pool in the centre, carried through the evening sky. Four young men came up and made conversation. Two of them had been to Pakistan, and we spoke in Urdu and in English. One was an out of work webmaster, and wanted my email address. They posed, I photographed, and he scribbled his email address so I could email the picture back.

Four young men

The sun had set and Abdul Karim wanted me to keep my end of the bargain. The young men also wanted me to visit their homes. Perhaps they could take me out the following day they suggested. They knew great places for photography. We exchanged mobile phone numbers. Undiplomatically, I suggested that perhaps they too could come to Abdul Karim?s and then I could go with them to their homes. One young man took me aside and explained that they couldn’t go. It would be breaking purdah. I wondered how I had become an exception to the rule.

Abdul Karim, his mother, Bibi Shirin, his wife Ayesha, and their two children Mehjebeen and Sufia lived in this one room flat. There were mattresses on the floor and one television set and one radio. There was a tiny courtyard and metal steps that went up to what looked like a loft. Abdul Karim had worked as an engineer in the marines and was now out of a job. He showed me the children’s book he used, to try and teach himself English. Even with body language and the best of intentions, our communication faltered, but there was no mistaking that I was a welcome guest, and my major challenge that evening was leaving without having dinner with the family. The path outside was by now pitch black, and Abdul Karim walked me through the maze and got me to a cab. We parted with some sadness.

Back at the Aina office where I was staying, the guard with the Kalashnikov welcomed me with a smile. I could see why my colleague Nazrul hadn’t left the compound for the last two months.

Aina guard

Day before yesterday we drove up to Salang, past the bombed out ruins of what had been thriving villages, past the tank carcasses, past vast stretches of barren land, interspersed with lush foliage by the river beds. A young man took great pleasure in racing his steed against our minivan. Two boys flagged me down, insisting that their friendship be recorded in my camera.

Two boys

Back in Kabul, I did walk out on my own, without an escort, and went to the marketplace. The men in the bakery insisted that I try their freshly baked bread and I briefly sat with new found friends and watched Hindi films in the restaurants.

Bread maker

I spoke to Arif who ran a small studio, and came across the out of work labourers in the market square looking for work. A child and an old man reached into the gutter to pick up a polythene bag they could sell. It was in a worker’s face that I realized why people who are capable of so much hospitality, and are so willing to give, have become objects of terror to the foreigners who live here.

Labourer looking for work

They want the very things that the west has officially championed. Jobs, security, a home for their families and for their land to be free of occupation.

Organisers at the Sarina Hotel claimed it was the first fashion show in 20 years in Afghanistan. There were few tell tale signs of the riots that had taken place here a few days ago. But the white Land Rovers outside, four sets of security barriers, and the armed US soldiers on guard, marked the distance between central Kabul and the rest of the country.

Fashion BurkhaUS security guards

I remember Tolstoy’s words “I sit on a man’s back, choking him, and making him carry me, and yet assure myself and others that I am very sorry for him and wish to ease his lot by any means possible, except getting off his back.” They seem to have learned little in 120 years.

Choroi Malek Asghar
Kabul
9th July 2006

These strangers are family now

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PHOTOS and TEXT by SHEHAB UDDIN

Nepal Times Issue #304 (30 June 06 – 06 July 06)

Most people find shelters for senior citizens depressing and avoid visiting them. But working on this photo feature at the Pashupati Bridhashram over the past six months, I have been inexplicably uplifted. I forget the stress of living in Kathmandu and my homesickness for my native Bangladesh. I feel fortunate that I have a family, as many of the senior citizens once had. But what gives me hope is that even though they have lost families and possessions, they still care. They care for each other and they retain a deep sense of humanity. The story of how they landed up here is almost always the same: in their old age they became a burden on their families who dumped them at Pashupati. For the elderly, it?s sometimes a relief that they are in such a holy place and don?t have to bear the taunts of a home where they are no longer welcome. None of them came here willingly and no one has anywhere to go. The Pashupati Bridhashram is run by the government so its budget is limited, it is congested, short-staffed and shows signs of mismanagement. There are 230 residents, 140 of them women.


GREETING:
?Namaste, aram?? That is how Sankule Lati, 77, greets strangers with a namaste and a quick tilt to her head.


LAUGHING:
Til Kumari Khatri, 71, and Yadongba Tamang, 70, laugh and play like children. Til Kumari has been here since 1998. Her daughter-in-law brought her to the shelter one day and left saying: ?I?ll be back soon.? She never came back.

CHANTING:
Every morning and evening residents gather for bhajans. Those who can?t walk to the prayer room chant from their own beds.

BATHING:
Dhana Kumari Ranabhat, 99, takes a bath with the help of her husband Dil Bahadhur Ranabhat, 90. The couple is lucky, few here still have their spouses. Dhana Kumari was forced here after her husband died but married Dil Bahadhur, a retired soldier.

CHATTING:
Tirtha Maya Thapa, 75 and Man Kumari Thapa, 75, sit and chat. Tirtha Maya was so busy taking care of her parents, she never married. But after they died, her relatives evicted her from her house. Man Kumari?s long lost son came and took her home a few months ago.

EATING:
Bishnumaya Lati, 72, takes her evening meal with her two favourite dogs in attendance. She lives here with her husband.

COOKING:
Kanchi Khatri cooks food in the shelter. She was the maid servant at the home of an astrologer and when she was no longer able to work nine years ago, her employer brought her here.

PRAYING:
Laxmi Thapa, 68, prays to a wall full of pictures of the gods. She doesn?t remember where she was born or her family since she was married very young. Laxmi worked as a domestic all her life. Her alcoholic husband used to beat her up. When she broke her arm, her employer abandoned her so she came here. Now she prays all the time. ?I spent all my life helping others,? she says, ?now there is no one to help me.?

FEEDING:
Dipa Thapa, 75, has two pet cats in the shelter. They are her only friends. She used to sell flowers in Pashupati and when her husband died, she came here.

COMBING:
Ratna Maya Katiwada, 68, has kept to herself since she came here three years ago. No one knows the whereabouts of her family or where she is from.



RECITING:
Shanti Tuladhar recites a poem from her book, Unko Samjhana. She loves poetry and is still writing. Married at 30, her husband was in the army and when he died 12 years ago, she was sent here. Shanti doesn?t like to talk about her son. She reads us her favourite poem:

In my old age
Shanti Tuladhar
My sons have grown up
Huts have turned into high-rises
They?re adding floors one by one
For me, there is just the pyre left
As the house grew taller
We were pushed lower
Lower than the staircase dark and dank
My son has grown up but what has he done?
I became a burden and he brought me here
My family is foreign forever,
These strangers are family now.
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Boishakh for Poonam

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She wakes up at five o?clock, washes utensils, cleans clothes, sweeps the floor and then gets ready for school. At school she has very few people to talk to and is often found sitting in a corner or being made fun of. If she is lucky, on some days her mother will come to pick her up. Otherwise she will have to crawl on her knees, as the wheelchair given to her by the government is broken.

Poonam is, however, determined to study and is learning to stand up on crutches given to her by a non-governmental hospital. If her family can manage $100 for an artificial leg implant in New Delhi, then she may even stand up on her own some day.

Amit Bhargava, India

When Amit?s picture was first published in the print version of the New Internationalist, several people wanted to help. Some wanted to send money. But helping was not such an easy matter. Amit had taken the original photograph over five years ago and did not have a specific address. Dhaka was over a thousand miles away. Luckily my friend professor Yogendra Yadav mentioned that he was from a nearby village. That was the encouragement I needed, and I decided to try and find Poonam. I headed out from Delhi in search of Yogendra?s activist friend Comrade Dalit Singh. Picking up Comrade Singh and his friend en-route, we continued to the village where we thought she might be. Activist networks can be fairly efficient, and Comrade Singh had done his homework. Through a schoolmaster who knew someone, who knew someone else. we eventually found her.

Things had changed over the last five years. Poonam?s father had died, but her mother had taken on extra work to make sure Poonam continued her study. She was in class nine (lower 5th in the old JMB system). She loved Amit?s photograph, even though all I had with me was a tatty photocopy. And she wanted the implant. My broken Hindi was being stretched, but we made friends.

Leaving money for the family with Comrade Singh, I went to the nearest major hospital. It was one that Yogendra?s family had setup and his sister was a doctor there. Explaining Poonam?s story, I went back to Delhi to meet Yogendra. Our friend Harsh Sethi the editor of Seminar magazine was also there. Harsh was somewhat of an expert on polio, and explained what the options were. I thought we?d solved Poonam?s problems.

Much had happened in between, and I hadn?t checked up on Poonam until recently, when I found out that they had miscalculated, and the money I had given was not nearly enough. Too embarrassed to ask me for more they had decided to try and raise the rest of the money themselves. I realised how my city life had alienated me from rural culture. I had forgotten how difficult it was to ask for more.

Published in Southern Exposure in New Internationalist Magazine

Today is ?Pohela Boishakh? the first day of the Bangla year 1413. I went out today to photograph the boishakhi storm, and gathered my first hailstones.

This is the month when farmers will harvest their new grain. This is the month when Chakma women in the Chittagong Hill Tracts will throw water at the men they would like to marry. (http://www.drik.net/calendar93/apr.htm).

I hope it is a good year for Poonam.

Shahidul Alam

Dhaka. Pohela Boishakh 1413

Mexico Revisited

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It was in the early 90?s that Pedro had written. I had only heard of this famous Mexican photographer, a pioneer of digital photography and author of the first photo essay on CD ROM, ?I Photograph to Remember?. It was a gentle, intimate and deeply perceptive essay on the last days of his parents who were dying of cancer. I remember the image of his father looking as if he could fly. He was bringing out his new CD, ?Truths and Fiction? and wanted me to write an introductory text, something about my responses to the new digital technology. We didn?t have email then, and faxes were expensive, but we continued a dialogue that went far beyond his CD, or his subsequent books.

We met several years later when Ma, Rahnuma and I had gone to Arle, in the South of France. I had a small exhibition in the festival there. Rahnuma was doing her PhD in Brighton and Ma and I were going to join her there. We would go on to France, and Italy and then go overland through the Alps to Holland. It was before Schengen, so we needed visas for each country that we needed to cross. Armed with invitation letters from friends in each country, Ma and I did the embassy rounds. Friends at the embassies helped, and we even got recommendation letters for Rahnuma which she could use in London for her visas. Undaunted by the sign inside the Belgian Embassy in Dhaka, that said ?We do not issue tourist visas?, and other equally friendly mementos in the remaining ones, we gathered all the visas, joined up with Rahnuma in London and headed off to Paris. The organisers were paying for my trip, but Andre Raynouard at the Alliance, had kindly arranged for trips to France for photographers Shehzad and Mahmud as well and we all met up in Paris. Trips to Editing, the agency that represented us in France at that time, and visits to Magnum were warm ups to Arles. We took the train to Marseille where Gilles and Isabelle picked us up. Driving through the sunflower fields that Van Gogh and Gaughin must have painted, I remember wondering if the mottled bark of the trees in Arles had inspired their rugged brush strokes.

Pedro had a massive exhibition at Arles, and I remember marvelling at the digitally produced images printed on canvas, hanging in gilded frames, all along the walls of what appeared to be a medieval church. Pedro was showing the new CD on a Mac to his enraptured audience. I too had a go playing with this new toy. Thinking I was Hispanic, Pedro came up to me and asked if I would like to see the Spanish version. In an air of nonchalance I shrugged, but suggested I might be interested in the Bangla version. Pedro smiled and told me of this very good Bangladeshi friend that he had, called Shahidul Alam, who he would introduce me to! The bear hug that I got when I revealed my identity nearly did me in.

The rest of the trip went well too, but the highlights were, being in Milano at the house of Gabriela Calvenzi, the picture editor of MODA, when Italy beat Bulgaria in the semis of the world cup and that breathtaking train ride through the Alps. We visited Nipa and Alam in Basle, and they drove us through the sunflower fields and gentle waterfalls in Switzerland. Ma was disappointed that they did not check our German visas on the train. We had gone to so much trouble to get those visas! Walking through Amsterdam?s red light district with Ma was another interesting experience, but what I remember more of that city was the meal we had. I had been in the jury of World Press (WPP) the two previous years, and had many friends there. Marloes Krijnen, the managing director of WPP took us all to dinner at a fancy Argentinean restaurant. Ma ordered a very exotic sounding dish, which we were a bit jealous of, until the waiter turned up with a baked potato with a blob of butter on top!

The US trip to visit Rahnuma?s brother Khadem, was relatively uneventful, except for the immigration officer?s zeal in checking us out, as he always did with ?certain types of passports?. This resulted in us missing our flight, and I was in full ?journo mode?. Out came my notebook, my digital recorder, I took copious notes, interviewed people, quizzed him on what he meant by ?certain types of passport?. The guy was rattled enough to upgrade us to business class for appeasement. He tried to mumble something about our garb being inappropriate, but my cold stare put a stop to that.

We didn?t go to Mexico that trip, and my first opportunity came in 1996, when the Centro de la Imagen invited me to speak at PhotoSeptembre. As it is now, there was no Mexican embassy in Dhaka. even my foreign secretary friend had been unable to extract a visa application form from the nearest embassy in Delhi, let alone a visa itself. I tried plan B. The consul general in London had heard of me and wanted to help. We exchanged phone numbers as I went off to Fotokina in Cologne, loathe to hang around in London while the bureaucrats decided what to do with me. The consul phoned me in Cologne, asking me to take the night train, in order to arrive in time. Groggily, I made my way from Waterloo to the consul office. True to his word, the consul managed a visa in time for me to race to the airport and catch my flight to New York and on to Mexico City.

Being the only African or Asian in this huge meet with over 800 exhibitions should have been daunting, but my naivet? helped me overcome such inhibitions. I was thrilled by the work on display in this amazingly culturally rich city. Manual Alvarez Bravo turning up on the day of my talk should have been enough. Reaching across to the next table over dinner to chat to Gabriel Garcia Marquez should have left me sufficiently awed, but I was too excited to be fazed by any of this. My memories were more of the trip to Oaxaca that Patricia Mendoza, the director of Centro de la Imagen had organised for a few of us. It was a small but interesting group. Fred Baldwin and Wendy Waitriss who ran Fotofest in Houston, Alasdair Foster (this was when he ran the photo festival in Edinburgh and before he became the director of the Australian Centre of Photography), and Marcelo Brodsky, the president of Latin Stock from Sao Paolo, made up our motley team. We passionately argued, and fervently planned; charting out the routes that we felt photography should take. I remember those torrid moments, but my most distinct memory is of the midnight visit to the Aztec temples that Patricia had managed to organise. The temples were off limits after sunset, but Patricia knew everyone, and had arranged for us to go on a full moon. I remember walking along the ancient corridors of the shrine, glistening in the moonlight, the quiet and eerie stillness, the sound of the bats, the whoosh of the owl, and sparkling in the valley below the gently glowing city of Oaxaca. I have very different memories of Francesco Toledo, sitting on the red clay, chatting to other artists. This was the artist who had raised millions and donated his own work, to set up some of the finest museums and galleries to be found. I could imagine him in the dried up pond in Charukola, or in Modhu?r canteen, passionately debating the merit of some work of art. While the visions included Toledo and other students, sadly, I couldn?t see the directors or the DGs of our own institutions coming out of their dull carpeted offices with towel backed chairs and touching the earth with such sincerity.

I remembered the brightly coloured shawls, the hibiscus and tamarind drinks, the blue beans and the fried crickets. So when Pedro asked me to speak at the 10th anniversary of zonezero.com I could hardly refuse. There was still no embassy, and no guarantee that it would work again in London. The world had changed in between, and Pedro was loath to have a bearded Muslim, negotiate immigration officers in the ?land of the free?. So he arranged for a direct flight to Mexico City from Paris, and sent a very official looking letter with lots of stamps to the embassy there. I had been emailed a copy. I was going to Prague enroute, so two visas needed to be managed. Luckily Martin Hadlow of the Media Development Loan Fund in Prague who had invited me to Prague, knew the ambassador in Paris, who knew the ambassador in Bangkok, who spoke to the consul general in Kuala Lumpur. The Czech consulate gave me a multiple entry visa immediately but Mexico was not going to be so easy. I was going to buy the tickets to Prague, Amsterdam and Manchester in Paris. So I had a ticket to Mexico and no visa and a visa to the Czech Republic but no ticket. It was going to be fun.

We were all approaching Prague differently. Sameera and I travelled to London together, and I went on to Paris. Czhoton had been doing a long assignment in Denmark, so he flew directly from Copenhagen. Shabbir unfortunately had been denied a visa, for the ?Catch 22? reason that he had never been to Europe before. I was staying with Sylvie Rebbot, the picture editor of Geo. In the morning, it was Sylvie who navigated the answering machine sil vous plez?s, but ended up getting no coherent response from the embassy. So armed with a map, I walked down Strassbourg St Denis to rue de? . The embassy was closed. With my rusty French, I could work out that the 16th September was Mexico?s Independence Day. Luckily, and rather uncharacteristically, I had kept a margin and had resisted purchasing my other tickets until I had my Mexican visa.

Dominique from Contact Press recommended their travel agent who was very helpful, but struggled with my itinerary. A Paris Prague single came to over $ 1,200! A return would work out cheaper, but I needed to include a Saturday night. That meant missing out on my show in Groningen, as I wouldn?t have time to go on to Manchester and then to Oldham and back to Paris in time to catch my flight to Mexico City on Tuesday morning.

Eventually we managed a Paris, Amsterdam, Prague, Amsterdam Paris ticket that was reasonable, and good old Easyjet from the nearby cybercafe, provided a Paris Liverpool Paris flight, at a quite good price. All I now needed was that Mexican visa. The visa officer I met on the 17th was very pleasant. Pedro had provided an imposing looking document, with several stamps. The sort bureaucrats love. Gauging that they would issue the visa, I hesitantly asked how long it might take. ?48 hours? was the short reply. I was in trouble. All my budget price tickets were non refundable and non endorse-able. Besides, I?d already killed two of the four days I was meant to have for this meeting in Prague. Luckily, I had my itinerary with me. The sight of eleven flights, two train journeys and four car journeys, across ten cities in three continents over fifteen days, should have been enough to convince her that I was totally mad, and shouldn?t be allowed in any country, but it worked, and she agreed to let me have the visa in an hour (my flight to Amsterdam was in the afternoon). There was the minor matter of the fee. 134 Euros to be paid in cash. I gulped. In these days of electronic money, one rarely carried cash around. No problem. I had my travellers cheques. I would be back in a jiffy with the money. Could I have my passport please. ?Sorry, we need the passport to process the visa.? Logical enough, but I was stuck again. I combed all the banks in the neighbourhood, but they wouldn?t give me an advance on my credit card. Eventually a bureau de change with a trusting officer, decided he would take the risk, and cashed my travellers cheques without a passport. Back to the embassy, collect visa, rush to Sylvies?, train to Garu du Nord (Charles de Gaulle, doesn?t have a left luggage), pick up luggage, and finally with visas, tickets and passport, I dashed to the airport. Paris, Amsterdam, Prague, Amsterdam, Groningen, Amsterdam, Liverpool, Manchester, Oldham, Manchester, Liverpool, Paris and then on to Mexico City. In between Martin had taken us on a lovely night walk across old Prague. Drew, arranged the Liverpool, Manchester Oldham circuit, and Lotte and Anonna, joined me in Groningen, where Maria and Ype gave me a grand tour of the Norderlicht (the Northern Lights) Festival. Opening up galleries in the middle of the night, Bresson, George Rodgers, Capa, all in one go! And of course there were my two shows, in the synagogue in Groningen and the one in Gallery Oldham that I had gone to see.

Mexico was all that it had promised to be. Great speakers, old friends, wonderful presentations. Our own session was unusual. There were only two speakers as opposed to the customary four. Brian Storm, Bill Gate?s right hand man at Corbis, versus this bearded Muslim from a small agency in Bangladesh! Techno power versus spunk! It was the classic duel and the gallery loved it. I don?t think Gates will be making a takeover bid for Drik just yet. It was again at Pedro?s on the eve of the talk. Trish was leaving for New York the next day, for the judging of the Eugene Smith Awards, and this was a quick dinner she?d arranged. Mark (senior curator of Victoria and Albert Museum in London) and I were the only guests. Pedro took us for a walk along Coyocan. We went down the streets where Frieda Kahlo and Trotsky used to live. Visited Cortes? palace where Pedro and Trisha were married, and soaked in the energy of Pedro?s bustling para.

There were of course the more traditional touristy visits. I?ll remember Maximilian?s palace for its ornate loo, and the boat ride along the ?Floating Gardens of Xochimilco? and the Aztec dance amidst the pyramids. It took a while to get used to the fact that we had a film crew following us for most of the trip. The producer, Michel, had been a war photographer for many years, but was now known for his sensational environmental films. We talked of the possibility of him coming to Pathshala to teach. The highlights for me were the visit to Fototeca in Pachuca where we saw the original glass plate of Zapata?s official portrait. The joy of holding history in my hands, was only to be topped by the visit to the incredible ?Museum of Anthropology? in Mexico City. I had been told about this famous museum before, but hadn?t quite made it during my last visit. This time round I was determined to make it. North Americans, Europeans, Latin Americans and one lone Bangladeshi made a curious mix.

What a museum it was! Having visited some of the most famed museums around the world, I felt I had seen it all, but this one simply took one?s breath away. Apart from the sheer exquisite nature of the exhibits, I was enchanted by the love and the care that must have gone into setting up the display. Each piece of stone, was carefully positioned, thoughtfully lit, and displayed as a prized possession, which of course they were. The tombs descended down an intricate stairway, with sections cut out, so we could visualise our descent into the burial grounds. Lights carefully placed at floor level, lit up small artefacts, that characterised the personalities of dead. Tools for the rights of passage, a child?s toy, a garment to take one across the border of the living and the dead. The walls, the floor, the ceiling, the distant vision, each had a role to play in this wondrous display.

I had finally managed to free myself from my endearing film crew, on the morning of departure. I was not going to miss the Koudelka show. Hanging around the Palais Bella Artes, waiting for the doors to open, I made rapid notes of what was left on my ?to do? list. Gift for people back home! I was in trouble. But Koudelka was having none of this. This was an exhibition that could not be rushed. The sheer versatility of the man was amazing in itself. And then to see, in his latest reincarnation, images with such mastery of tones, such splendid play of forms, such freshness of vision, was simply mind blowing. Shopping time had to go. I needed excuses. Still reeling from this visual feast, I dashed to the alleyways at the back of the Sheraton. There were no ponchos for Topu, but a few revolutionary T shirts, and the odd Mexican trinket would have to do.

I stopped in Paris long enough to drop in at Reza?s and pick up the CD for the new Drik calendar. Sylvie had arranged an assignment for me with Geo, and having taken over the Contact Press Office, I asked the writer to visit me there. Michel Szulc Krysnovsky had just returned from his assignment in Dhaka where Pathshala student Sunny, had worked as his fixer. He brought his portfolio over, and we talked of exhibition possibilities. Robert gave a copy of his new book on the Cultural Revolution for Rahnuma and me, duly stamped with his new Chinese signature. A few hours sleep at Sylvie?s and it was time for the airport again. I would have three whole days in Dhaka before heading off to Taipei. Bliss.

The VIP from Bangladesh

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Comitted to PEOPLE’S RIGHT TO KNOW Vol. 4 Num 53 Sat. July 19, 2003 Literature Travel Writing
Bluffing, bluffing, bluffing….
Shahidul Alam
In this tale of banging around Beijing on a working tour, our ever intrepid photographer/gearhead shows us how fast thinking and native gall can even carry one past the watchful eyes of the Chinese Red Army.
“Kemon achen?” Mr. Li from the Chinese embassy greeted me in near perfect Bangla. I had an invitation to the Middle Kingdom, in Chinese, with a gold stamp and an embossed watermark. I felt important as he ushered me in to the spacious embassy building in Gulshan and offered me tea. Normally, I am not a tea drinker, but this elaborate concoction of herbs and berries steeped in water could hardly be refused. It didn’t look anything like tea anyway, and I didn’t want to appear rude. He brought pictures of China, gave me a video and showed me their photographic collection. However, despite all the fanfare, what he steadfastly refused to do was to issue me a multiple entry visa. I had half hoped this official invitation by the Mayor of Beijing, would make my subsequent trip to Tibet easier. Oh well!My first trip to China had been in 1986. The Indian photographer Raghu Rai and I had been asked to judge the Standard Chartered Photography Contest in Hong Kong. The photographs weren’t that great and we’d gone through them quickly. The organisers were embarrassed. Having gotten us, the judges, over for a week, they now needed to entertain us, and arranged for us to see a dolphin show. Raghu and I both felt a side trip to China would be far more interesting. We had taken the train to Guangzhou, and found to our amazement Hindi music wafting down the aisles. Staid-looking Chinese passengers were glued to the train video, listening to “Ichik dana bichik dana, dana’r upar danaaa”. I did have a three-month solo show at the Nikon Gallery in Richmond with that work, but that had been a long time ago, and I was looking forward to Beijing.
The last time I was in Beijing, a brief fly-in, fly-out, was on my way to Mongolia. My mother had wanted to go to China’s capital city, and with the then Foreign Secretary Farooq Sobhan’s help (he was an ex- bridge partner), amma had been given the red-carpet treatment by our High Commission. So that trip had been more for her than for me, and every time I’d rung up from Ulan Bator to talk to her all I would get was the dial tone: she was away, to the Great Wall, to the Forbidden City, or on some other adventure. So this time around (August of 1999) I was determined to see some of the city for myself.
My old friend, Vincent Menzel, the picture editor of ‘M’ Magazine in the Netherlands, was there, as were Nicole Aeby of Lookat Pictures in Switzerland. Nicole was exactly as I’d imagined Heidi (as in the prototypical Heidi) to be, and I’ve never called her by any other name since. It was wonderful to find Bryn Campbell there. The first book on photography I had ever bought back in London in 1980 had been “World Photography” by Bryn. I had never before met the author of one of my favourite books. He too got a new name on that trip. Our charming hostess Jin Yan, called him “Mr. Campabell,” and the name stuck.
Chinese hospitality made fitting in the judging difficult. We did go to the Great Wall and the Forbidden City and the usual tourist spots. I needed to get my shopping in. Luckily Pathshala (Drik’s photography school in Dhaka) hadn’t been set up then, but still, with all my Drik colleagues to think of, the children of “Out of Focus” program, and the neighbourhood children, I needed to shop smart. Cheap, light, not too fragile, interesting things in batches of fifty was what I was looking for. Fortunately there were plenty to choose from in China. Eventually I opted for the solar-powered singing birds in small ornate cases. They were a great hit, but sadly, my own birds lie broken, one too many visiting child having treated them with too much affection. And then there were the extensive meal breaks. The Chinese meals I had been taught to expect, had a fixed sequence. You started with soup, had a couple of main meals and ended with dessert. I had not been warned about these thirty-course meals. Neither had I been told what sequence to expect. Soup and dessert came somewhere along the middle, and not knowing how many more dishes were awaiting my rapt attention, it was impossible to pace myself. My grandmother had always liked me because I was a big eater, and I hoped my Chinese hosts would have the same response to my overindulgence.
We survived the judging, the food, the trips to the sites, even the generous offers of massage by the stunning women on all the floors of the hotel, or the women pimps in Beijing streets. Even if I say so myself, I, the bearded man in panjabi pajama from Manjala (Chinese name for Bangladesh), was a great hit. Old women stopped me in the streets to stroke my beard, while kids pointed and giggled. And of course I had found my cyber caf?, Spark Ice, near the World Trade Centre. An 8-Remimbee ride by taxi, until I realised a bus was 1/400th the price. Later I discovered they had pre-paid Internet cards which I could use from my laptop in my hotel room and no longer had to run the gauntlet of the Beijing pimps.
In the rare moments when our hosts had left gaps in our itinerary, we would go walking down the side streets, generally at night. While there were still the Tai Chi people performing to music early in the morning, I missed the bird people I had seen in Guangzhou way back in ’86. They would take their birds avec cage, for a walk in the park in the morning. Later they would take them to the tea stalls, and introduce them to friends over breakfast. I could spend hours photographing those tea stalls.
Meanwhile the floods were raging in Harbin (90 minutes by air from Beijing), and as photojournalists we had to go there. There were a couple of snags. The Chinese government had completely banned foreign media from the flood- affected areas, and I didn’t have my passport. In China you need to show your passport even for domestic flights and mine was at the travel agents awaiting a permit for visiting The Tibetan Autonomous Regions. Bryn “Campabell” sensibly passed on the idea, but Vincent and I decided to have a go, and our newfound Dutch friend Astrid, who worked for UNHCR in Beijing, joined us.
We landed at an airport near Harbin and managed to bluff our way out of it. We did have a contact through the journalists in the local radio station but our lead led to a dead end. So we hired a taxi and decided to try our luck. When the road led to the first of the many Chinese military checkposts, with an immense degree of confidence we asked to immediately be taken to ‘the leader’.
Bureaucracy loves to run along a single, well-grooved channel. And our technique worked like a charm on the intrinsic inertia of the bureaucrat, the fundamental urge of the bureaucrat to do nothing and pass the buck. By letting us through to ‘the leader,’ (saying the ‘great helmsman’ would have been too much, even for the likes of us!) the officers would avoid taking a decision themselves, would neatly avoid either permitting or denying us permission for whatever purpose we had really come for. They were passing the buck and they loved it. So we passed unimpeded, and merrily, through military checkposts, gaining confidence as we progressed. And curiously, as the checkposts became more imposing the farther we went, the more effective was our charade. The very fact that we had progressed that far gave us a degree of credibility that our bureaucrat friends were loathe to question.
Eventually we got to the river itself. The banks had indeed broken and the soldiers were working furiously with typical Chinese efficiency. It was impressive to watch. Still, we needed our ‘leader’ and repeated our plea to the most impressive-looking officer. He clicked his heels smartly and said he would take us to the control tower. Hey, we realized, we were going to get an audience. Quick thinking was necessary, and given our credentials as nationals of sea-level nations, we rightly felt we should present ourselves to ‘the leader’ as ‘flood experts’ from Bangladesh and Holland who had come to evaluate their flood prevention efforts.
The press and media officer came along, and briefed us that the floodwaters had risen 14 metres in the last day. I dared to suggest that perhaps it was 14 centimetres, but the media officer was adamant. 14 metres was what his press briefing said, and that was what it was. It was an awkward moment, but then the leader arrived. An extremely polite gentleman who spoke little and gestured a lot. We were then asked whether we had a vehicle. When we mentioned that we had a taxi waiting, they asked us to let it go. This move had us worried: had they grown wise to our little caper? Not to worry. Soon we discovered that we were no mere mortals, but honest-to-goodness VIPs, and they were going to arrange a limousine for us. But first we had to join them for lunch, no doubt an extravagant Chinese affair. This unexpected turn of events required delicate handling. We had come on a morning flight and needed to catch the afternoon flight back. I had a meeting in Singapore the next afternoon and needed to catch the morning flight the following day. The others had similar plans. Still we couldn’t refuse this hospitality. Eventually, imploring that our work was extremely urgent and we needed to hand in our report within the deadline, we managed to avoid the grand lunch, but they filled our limo with packed lunches and off we went (in a limousine!) to the heart of the flood-affected area.
I couldn’t really get the shots I wanted from the limo, so a speedboat was arranged, and we went down the river. In many ways it was like Bangladesh, with families pooling together to share resources. Animals and people sharing the small bits of dry space. Makeshift tents where people were busy tending goats, cows and chicken. And as ever, children peering into the lens, making sure they utilised every photo op. We even got pictures of a political leader making a speech. With profuse thanks to ‘the leader’ and suitable congratulations for doing an excellent job, we scurried back to the airport, eager to exit before the VIP shine wore off.
A smooth take-off, much laughter on board, then back to Beijing, a flight to Singapore, and work, work, work!
Shahidul Alam heads Drik Picture Gallery in Dhaka.