CALL FOR ENTRY Chobi Mela X International Festival of Photography, 2019

CALL FOR ENTRY

Chobi Mela X
International Festival of Photography, 2019

PLACE
No heaven, no hell, no ever after, do I care for when I’m gone
Peace here I seek, in this sand and soil, this place where I was born
As oceans deep, as deserts wide, as forests and fences loom
As children die, as lovers sigh, no cross, no epitaph, no tomb
As bullets whiz by, as shrapnel shard, as hate pours from above
As blue skies curse, the wounded I nurse, as spite replaces love
It is home I long, as I boundaries cross, a shelter that I seek
A world for us all, white brown short tall, the boisterous and the meek
If my bosom is raised, or my beard is long, or I sleep with the ‘wrong’ kind
If my politics isn’t yours, nor my country of birth, a terrorist you will find
You return my boat to the cruel sea, back to the wars you wrought
Walls you will raise, to keep me at bay, my children in danger fraught
I love the land I was born in, the tree that gave me shade
My broken home, my shattered dreams, slain lover that goodbye bade
My slanted eyes, my dread lock hair, my tongue though strange may be
I bleed red blood, as flows in your vein, Is there a place in your heart for me?
-Shahidul Alam

 
 
Continue reading “CALL FOR ENTRY Chobi Mela X International Festival of Photography, 2019”

New Developments: How a photography course in Dhaka is challenging religious and artistic prejudices

How a photography course in Dhaka is challenging religious and artistic prejudices

Rasel Chowdhury, winner of?the?3rd Samdani Art Award, People on low incomes living in slums beside the railway station at Khilgaon, Kamalapur, Dhaka, 2012, (from the?series ?Railway Longings?, 2011?15)

Rasel Chowdhury, winner of the 3rd Samdani Art Award, People on low incomes living in slums beside the railway station at Khilgaon, Kamalapur, Dhaka, 2012, (from the series ?Railway Longings?, 2011?15). Courtesy the artist

I just got back from the third Dhaka Art Summit (DAS) in?the Bangladeshi capital. DAS is the?brainchild of Nadia and Rajeeb Samdani, a young collector couple based in the city; it?s not a biennial, nor an art fair or a festival, but an?intense four-day summit. For it?s third edition, the Chief Curator of DAS, Mumbai-based Diana Campbell Betancourt, decided not to focus on a particular theme per se but on the South Asia region as a?whole, which in itself is a contradictory concept. (What exactly is South Asia? Is Australia a part of it? Sri Lanka? Iran?) She engaged several curators, including me; I was invited to organize an exhibition for the Samdani Art Award, which is given to a Bangladeshi artist between the ages of 20 and 40. Back in October 2015, I had spent a week in Dhaka meeting the 20 artists who had been shortlisted for this award by Aaron Cezar, director of the London-based Delfina Foundation. From my very first conversation with the artists, I?sensed that?we?were at the beginning of an extremely interesting week.
I learned a lot about Bangladesh ? the local scene, art education, religion and why, for instance, art?works about love do matter. Some artists I met mentioned that their partner was either Hindu or?Muslim and that they could not tell their respective families. As the?week went on, I became increasingly enthusiastic about the obvious sense?of urgency with which all of the nominated artists work: Bangladesh is rapidly changing on all levels, and?these artists are all embracing the challenge to get involved, to have their voices heard and to find appropriate forms of?expression for that.
This seemed particularly true?for many of the photographers on the shortlist. As it turned out, they all came from a single school: Dhaka?s Pathshala South Asian Media Institute. Set up in 1998?by the Bangladeshi photographer, writer, curator and activist Shahidul Alam, this private school has been dedicated to documentary photography and reportage from the beginning. Located in the central Dhanmondi/Panthapath area of Dhaka, it is a small institute for about 90 students who follow the three-year professional programme, and for about 600 students enrolled in the short, one-semester course. Initially funded by international organisations, Pathshala now is entirely supported through tuition fees. (Though relatively modest at?US$460 per semester for the professional programme, inevitably, as in Europe or the US, students are?likely to come from more affluent backgrounds, while there are scholarships allowing five students?per year to study for free.) Continue reading “New Developments: How a photography course in Dhaka is challenging religious and artistic prejudices”

Chobi Mela IX: Transitions

Imagine being told you have only ten more days. To love, to live, to celebrate, to cherish, to repent, to ponder. Perhaps ten weeks, maybe months. Perhaps you have cancer, or you are on someone?s hit list. Or you have just been sentenced.Perhaps someone thousands of miles away will press a button. Perhaps you are in jail, being tortured. Perhaps death to you is a release, and end to pain, an ?acceptable price for your belief. Let?s move to happier thoughts. Perhaps you will start a new life. Maybe your first child is about to be born. You have crossed many miles and you near land. You see sunlight after years in solitary confinement. You bathe in rain after months of drought.
Maybe you have a discovery that will transform the way we live. Are you at a fork in your life as an artist? Have you embraced another medium, has someone given new meaning to your work? Is there a new visual language that will help interpret your world?
Perhaps you are seeing, or hearing for the first time. Maybe you are in love.Perhaps years of research have unearthed hidden wonders in the artistic space you walk on? Have you found a sparring partner, who stretches you to the limits of your potential? Is there a new way of seeing? Does your artistic journey, bring new relevance to the work you produce? Are you ready to emerge, as a butterfly from a chrysalis, momentarily waiting for your wings to dry?
Are you a curator whose interpretation has caused the world to look at a body of work anew? Are you on the other side of the fence, seeing what artists within have forgotten to see?? Are you prepared to take on the complexities of seeing, when doors are closed, minds are locked?? Perhaps space is your forte, and you work with the physicality of a venue, producing site-specific work that is ephemeral in its form, but eternal in its concept. Are you tied down by the shackles that define photography, or are you prepared to take flight, going outside the boundaries, reaching out to the periphery, unearthing the unknown?
Are you the old or the new, or do you not accept such definitions? Does your visual space extend to the non-visual, do you hear, touch, feel through your eyes? Is your photography trapped between the corners of a two dimensional frame, or will new relationships between dimensions be the catapult that releases your art? Do pixels move you? Are you married to grains of silver? Are objects found and unearthed, part of your domain?
Does the white cube encumber you? Do you seek open spaces? In spirit, in mind,in form. Are you able to connect the dots? Are you the artist, the curator, the scientist, the historian, the editor, the journalist, the collector, who will find the magic that will take photography to new heights? Who will tell your story? Share your thoughts, cherish those moments. Who will help you live after you die? Who will hold your hand as you dance naked in the sun, wear bright colours, sing out loud? Are you the storyteller who visualizes a changing planet?
Submission Guidelines

Continue reading “Chobi Mela IX: Transitions”

Photographer Rasel Chowdhury Wins Bangladesh's Top Contemporary Art Award

Photographer Rasel Chowdhury Wins Bangladesh’s Top Contemporary Art Award

?artnet News

Rasel Chowdhury. Photo: Sarker Protick

Documentary photographer?Rasel Chowdhury beat out 300 other applicants to win this year’s?Samdani Art Award. The winner was announced today?at the Dhaka Art Summit,?which is curated by Diana Campbell Betancourt.?It is the largest showcase of South Asian contemporary art in the world.
Bangladesh’s premier art prize is awarded bi-annually to emerging artists between the ages of 22-40 living and working in the country. Chowdhury, who is a contract photographer for the New York Times and Getty,?will enjoy an?all-expenses paid three-month residency at the Delfina Foundation in London in order to work on his craft. Continue reading “Photographer Rasel Chowdhury Wins Bangladesh's Top Contemporary Art Award”

As Drik as Possible

Introduction to the Drik 2016 calendar.

A behind the scenes glimpse at a remarkable media phenomenon:

The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Md. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a western magazine, joined as our librarian. We offered and she happily accepted a local salary.

Continue reading “As Drik as Possible”

Footprint Modulation: art, climate and displacement

An exhibition by Metaceptive Projects + Media

5th June ? 5th July 2015 across five venues in Durham, UK

Introductory description from the curator and artistic director, Kooj Chuhan
International artists, researchers, communities and local activists are combining forces using art to push climate change up the agenda in a ground-breaking exhibition titled Footprint Modulation. The exhibition focuses on the massive and increasing impact that climate change will have on humans by forcing us to abandon our homes and migrate. The renowned, award-winning Bangladeshi photographer Shahidul Alam presents work for the first time in the North East. Platform based in London use film and performance to highlight the corruption within global oil. A number of UK-based artists from diverse backgrounds provoke us to connect with human realities in other countries. The New York based architecture and digital art company Diller Scofidio + Renfro present a film commissioned by the Cartier Foundation to artistically re-interpret data about climate migration.
FootprintModulation-poster_A4_PREVIEW Continue reading “Footprint Modulation: art, climate and displacement”

Majority World exhibition in Rome: Justice in Focus

IDLO Photo Exhibition in Rome
Farnesina Porte Aperte 2015
22 – 29 May 2015

justice in focus in rome

IDLO’s photo exhibition “In Focus: Justice and the Post-2015 Agenda” will form part of this year’s initiative by the Italian Ministry of Foreign Affairs and International Cooperation to open its doors to the general public. From 22 until 29 May 2015, visitors will be able to participate in “Farnesina Porte Aperte” and view the exhibition during guided tours of the building. The Farnesina’s art collection is internationally recognized, and IDLO is proud to have been chosen to exhibit alongside this.

The photographs were also featured by The Guardian.
guardian piece on justice in focus

Curated by IDLO and the photo agency Majority World, the exhibition focuses on the challenges of development and the rule of law. From gender equality and indigenous rights to energy poverty and land tenure, it presents the rule of law as lived experience. The pictures vividly explore the human side of the rule of law and its importance in everyday life.
 
?In Focus: Justice and the Post-2015 Agenda? illustrates these themes through 32 images – taken by photographers from Afghanistan, Bangladesh, Brazil, India and Kenya – ranging from the Amazonian settlement of Colniza, Brazil, where rule of law measures have reversed illegal logging and deforestation, to the energy-starved metropolis of Kibera, Africa?s largest slum.
 
To sign up for a guided tour, please visit the Ministry of Foreign Affairs and International Cooperation?s Farnesina Porte Aperte website and choose the ?art route?, currently available from Monday 25 until Wednesday 27 May.
Before traveling to Rome, the exhibition was shown at the Palais des Nations in Geneva, to coincide with the 28th session of the United Nations Human Rights Council. Over the coming months, it will be shown in Milan, New York, Washington and The Hague, and will return to Rome for an exclusive viewing in November.
 
For more information, please read this article in Italy’s Corriere della Sera,?visit theIDLO mini-site and watch video interviews?with the photographers.

Drik's 2015 Calendar: "Intimacy"

cover01
credit_page
 
INTIMACY

Quiet moments, tender thoughts, wistful emptiness make up our love songs. Raindrops on misty windowpanes, the cool breeze of dusk, dry leaves, fill our odes to belonging. We pine. Almost inaudibly we whisper, I miss you. Intimacy is most intensely felt through absence. The warmth of togetherness, shared secrets, discovered moments remind us of how it had been. I miss you, we whisper again. Intimacy is personal. Bitter sweet. Painful. Exuberant. Wondrous. Continue reading “Drik's 2015 Calendar: "Intimacy"”

Call for themes: Chobi Mela VIII

Theme for
Chobi Mela VIII

Win a festival catalogue!
Deadline: 28 February 2014

Propose your theme for Chobi Mela VIII, January 2015

Chobi Mela, the international festival of photography since its inception in 2000 has aimed at exploring the semiotics of present day photographic practice in a broad international context, to bring about an understanding of the medium both within the industry and amongst the public at large. The past festivals, thematically addressed?Differences, Exclusion, Resistance, Boundaries,?Freedom, Dreams and Fragility?provided an opportunity to fine art photographers, conceptual artists and photo journalists, to explore possibilities, in its myriad forms.
Chobi Mela invites you to propose a theme for its upcoming eighth edition. Proposals will then be debated online and followed by a poll. The most voted theme will be chosen for the next festival and will win an exciting copy of the Chobi Mela VIII catalogue.
Deadline: 28 February 2014
Drop your theme and be a part of world?s most inclusive festival!

http://chobimela.org/chobimela-viii/
Best regards,
Chobi Mela Secretariat
Dhaka, Bangladesh
E-mail:?chobimela@drik.net