5th June ? 5th July 2015 across five venues in Durham, UK
Introductory description from the curator and artistic director, Kooj Chuhan
International artists, researchers, communities and local activists are combining forces using art to push climate change up the agenda in a ground-breaking exhibition titled Footprint Modulation. The exhibition focuses on the massive and increasing impact that climate change will have on humans by forcing us to abandon our homes and migrate. The renowned, award-winning Bangladeshi photographer Shahidul Alam presents work for the first time in the North East. Platform based in London use film and performance to highlight the corruption within global oil. A number of UK-based artists from diverse backgrounds provoke us to connect with human realities in other countries. The New York based architecture and digital art company Diller Scofidio + Renfro present a film commissioned by the Cartier Foundation to artistically re-interpret data about climate migration. Continue reading “Footprint Modulation: art, climate and displacement”
IDLO Photo Exhibition in Rome Farnesina Porte Aperte 2015 22 – 29 May 2015
IDLO’s photo exhibition “In Focus: Justice and the Post-2015 Agenda” will form part of this year’s initiative by the Italian Ministry of Foreign Affairs and International Cooperation to open its doors to the general public. From 22 until 29 May 2015, visitors will be able to participate in “Farnesina Porte Aperte” and view the exhibition during guided tours of the building. The Farnesina’s art collection is internationally recognized, and IDLO is proud to have been chosen to exhibit alongside this.
Curated by IDLO and the photo agency Majority World, the exhibition focuses on the challenges of development and the rule of law. From gender equality and indigenous rights to energy poverty and land tenure, it presents the rule of law as lived experience. The pictures vividly explore the human side of the rule of law and its importance in everyday life.
?In Focus: Justice and the Post-2015 Agenda? illustrates these themes through 32 images – taken by photographers from Afghanistan, Bangladesh, Brazil, India and Kenya – ranging from the Amazonian settlement of Colniza, Brazil, where rule of law measures have reversed illegal logging and deforestation, to the energy-starved metropolis of Kibera, Africa?s largest slum.
To sign up for a guided tour, please visit the Ministry of Foreign Affairs and International Cooperation?s Farnesina Porte Aperte website and choose the ?art route?, currently available from Monday 25 until Wednesday 27 May.
Before traveling to Rome, the exhibition was shown at the Palais des Nations in Geneva, to coincide with the 28th session of the United Nations Human Rights Council. Over the coming months, it will be shown in Milan, New York, Washington and The Hague, and will return to Rome for an exclusive viewing in November.
??????????????????????????????????? Photographers in Bangladesh 1987 -2014
It?s an unlikely mix. ?The powerful but sage Abir Abdullah,, the protesting activist Taslima Akhter, the quiet and reflective Sarker Protick, the agent provocateur Jannatul Mawa, the deep and other worldly Anisul Hoque, the disturbingly questioning Tushikur Rahman and the visionary Shahidul Alam. Collectively they shape one of the most powerful photographic movements of modern times. Continue reading “Defying the Laws of Gravity”
Photographs Humanize Rule of Law and Access to Justice
Photographers: Kabir Dhanji, Lucas Lenci, Shehzad Noorani, Vicky Roy, Farzana Wahidy Curator: Shahidul Alam
?In Focus: Justice and the Post-2015 Agenda,? a photo exhibition on the challenges of development and the rule of law by the International Development Law Organization (IDLO) and Majority World photo agency, launches on the 2nd March 2015?during the opening of the UN Human Rights Council Meeting in Geneva.
Older than the mountains, it is a river that forces its way through the towering Himalayas. The Tibetans know it as the Yarlung Tsang Po (the purifier). In India, it is known as Brahmaputra. In Bangladesh, it is also known as the Jamuna, The Padma and finally the Meghna before it opens into the sea.
Photographer Shahidul Alam will share his journey towards Brahmaputra’s origin. Continue reading “Brahmaputra Diary by Shahidul Alam”
In this lovely interview, Salima Hashmi, who has played such a vital role in promoting Pakistani art, talks about her father Faiz Ahmad Faiz. About writing poetry under military rule, about his meeting with Pablo Neruda and his feelings about the birth of Bangladesh.
Recorded at the Bellagio Centre in Italy in 2013.
The sound of the bolt seemed to grate loud into the night as he locked the door.? For a fleeting moment he flustered as he imagined every person in the enormous house knowingly smile at hearing the sound. It was her he was more worried about; locking the door when they were the only ones in the room seemed to have sinister implications somehow ? but, surely it was understandable, after all they were now man and wife. Continue reading “Ami Tomay Bhalobashi”
I am starting this project with the hope that people across the globe can help me identify and hopefully trace as many people as possible in these photographs. I shall be regularly uploading images and linking them up with my social media. Please comment, link, tag, share these images and help me locate the people in them. Please also feel free to share insights into the situation, particularly if you happen to have been present.
I would like to complete this by 2021, when I would like to curate a major show to commemorate 50 years of Independence. Please feel free to send me pictures to. Please try to provide as much information as you can about the photograph and the photographer. Ideally we would like all the photographs to be credited.
Thanks for your help.
Here is the first image. It was taken by one of our finest photojournalists, and a dear friend,?Rashid Talukder. The photograph was taken on the 10th January 1972, when Mujib returned to an independent Bangladesh upon his release from captivity in Pakistan. The person dangling from the jeep with the Rollei hanging is another famous Bangladeshi photographer Aftab Ahmed:
Emaho got into a free-wheeling t?te-?-t?te with the legendary award-winning Bangladeshi photographer, Shahidul Alam to pry beyond his politics
Manik: In all your past interviews, you have mentioned how photography happened to you, so I will not ask that question, but what is photography for you? And your relationship with politics?
Shahidul: I am a very political animal and the reason I took up photography was because of my political position. Being concerned about the social situation in my country and globally, I happened to stumble into photography and discovered what a powerful tool it was; which happens to be the only reason why I practice it. I am fond of photography, I enjoyed images but at the end of the day that for me is not the point of the exercise. I continued to use photography in whatever way I can. Largely because, I see the strength of the medium and I recognise the potential. Having said that I think ? I have said this before ? that if tomorrow it ceases to effective, I?ll have no qualms about giving it up and taking something new.