A report on Pathshala South Asian Media Institute, published by the online news portal bdnews24.com, has come to our attention (?Shahidul Alam?s Pathshala operates without affiliation,? bdnews24.com, 6 August 2016). Unsubstantiated allegations, backbiting and innuendo and the absence of cross checking characterise the ?report.? It is a shoddy piece of journalism. Continue reading “PATHSHALA?S RESPONSE TO BDNEWS24.COM?S REPORT”
F?ted internationally, the country?s photographers have struggled for status at home. Could that be about to change?
The eerie moonscape of Munem Wasif?s new photographic series, ?Land of Undefined Territory?, appears empty. On closer inspection, it reveals the scars of industrial activity, from vehicle tracks to stone crushing. The sense of menace and alienation is compounded by a three-channel video with a grating soundtrack.
These digital black-and-white shots were taken along an indefinite border between Bangladesh and India ? disputed land that is now home to unregulated mining but which also soaked up the blood of past upheavals, from the first, temporary partition of Bengal under the viceroy in 1905, to Partition in 1947 and the Liberation war of 1971. Ostensible documentary veers into questioning in Wasif?s deeply unsettling yet distanced probing of history, territory, ownership and exploitation. Continue reading “Photography in Bangladesh: a medium on the move”
Having heard Saif speak of muslin over the last three years, I had gained some knowledge, albeit second hand. Going out filming with him to museums, arboretums and libraries, I had met some of the world?s leading experts. Lived part of the history. A surprise awaited me. It is not a book written by an expert, but a labour of love, written by a hungry enthusiast, not yet jaded by the weight of authority. It has all the facts. The rigour of research. The scholarly precision. The concern for one?s fellow human. Continue reading “The spirit of a ghostly fabric”
Kalpana Chakma, a young leader of the Bangladeshi Hill Women?s Federation, was abducted from her home by military personnel and civilian law enforcers at gunpoint on 12 June 1996. She remains missing. Through this work, part of Drik?s ?No More? campaign, photographer?Shahidul Alam?has tried to break a silence that successive governments, whether civilian or military backed, have carefully nurtured. The exhibition uses laser etching on straw mats, an innovative technique developed specifically for this exhibition. The process involved in creating these images is rooted to the everyday realities of the hill people, the paharis. Interviewees had repeatedly talked of the bareness of Kalpana?s home. That there was no furniture. That Kalpana slept on the floor on a straw mat. The straw mats were burned by a laser beam much as the fire that had engulfed the pahari villages.
Shilpakala Award recipient Shahidul Alam, set up Drik and Majority World agencies, Pathshala South Asian Media Institute and Chobi Mela festival. Honorary Fellow of the Royal Photography Society and visiting professor at Sunderland University. Alam has chaired the World Press Photo jury. Alam also introduced email to Bangladesh. His book my journey as a witness has been described as ?the most important book ever written by a photographer? by legendary picture editor of?Life Magazine, John Morris. He is an internationally acclaimed public speaker and has presented at Hollywood, National Geographic, re:publica, COP21 and POP Tech.
Buzz in Town
An exhibition by Metaceptive Projects + Media
5th June ? 5th July 2015 across five venues in Durham, UK
Introductory description from the curator and artistic director, Kooj Chuhan
International artists, researchers, communities and local activists are combining forces using art to push climate change up the agenda in a ground-breaking exhibition titled Footprint Modulation. The exhibition focuses on the massive and increasing impact that climate change will have on humans by forcing us to abandon our homes and migrate. The renowned, award-winning Bangladeshi photographer Shahidul Alam presents work for the first time in the North East. Platform based in London use film and performance to highlight the corruption within global oil. A number of UK-based artists from diverse backgrounds provoke us to connect with human realities in other countries. The New York based architecture and digital art company Diller Scofidio + Renfro present a film commissioned by the Cartier Foundation to artistically re-interpret data about climate migration.
Continue reading “Footprint Modulation: art, climate and displacement”
|IDLO Photo Exhibition in Rome
Farnesina Porte Aperte 2015
22 – 29 May 2015
|IDLO’s photo exhibition “In Focus: Justice and the Post-2015 Agenda” will form part of this year’s initiative by the Italian Ministry of Foreign Affairs and International Cooperation to open its doors to the general public. From 22 until 29 May 2015, visitors will be able to participate in “Farnesina Porte Aperte” and view the exhibition during guided tours of the building. The Farnesina’s art collection is internationally recognized, and IDLO is proud to have been chosen to exhibit alongside this.|
The photographs were also featured by The Guardian.
|Curated by IDLO and the photo agency Majority World, the exhibition focuses on the challenges of development and the rule of law. From gender equality and indigenous rights to energy poverty and land tenure, it presents the rule of law as lived experience. The pictures vividly explore the human side of the rule of law and its importance in everyday life.
?In Focus: Justice and the Post-2015 Agenda? illustrates these themes through 32 images – taken by photographers from Afghanistan, Bangladesh, Brazil, India and Kenya – ranging from the Amazonian settlement of Colniza, Brazil, where rule of law measures have reversed illegal logging and deforestation, to the energy-starved metropolis of Kibera, Africa?s largest slum.
To sign up for a guided tour, please visit the Ministry of Foreign Affairs and International Cooperation?s Farnesina Porte Aperte website and choose the ?art route?, currently available from Monday 25 until Wednesday 27 May.
Before traveling to Rome, the exhibition was shown at the Palais des Nations in Geneva, to coincide with the 28th session of the United Nations Human Rights Council. Over the coming months, it will be shown in Milan, New York, Washington and The Hague, and will return to Rome for an exclusive viewing in November.
|For more information, please read this article in Italy’s Corriere della Sera,?visit theIDLO mini-site and watch video interviews?with the photographers.|
??????????????????????????????????? Photographers in Bangladesh 1987 -2014
It?s an unlikely mix. ?The powerful but sage Abir Abdullah,, the protesting activist Taslima Akhter, the quiet and reflective Sarker Protick, the agent provocateur Jannatul Mawa, the deep and other worldly Anisul Hoque, the disturbingly questioning Tushikur Rahman and the visionary Shahidul Alam. Collectively they shape one of the most powerful photographic movements of modern times. Continue reading “Defying the Laws of Gravity”
Photographs Humanize Rule of Law and Access to Justice
Photographers: Kabir Dhanji, Lucas Lenci, Shehzad Noorani, Vicky Roy, Farzana Wahidy
Curator: Shahidul Alam
?In Focus: Justice and the Post-2015 Agenda,? a photo exhibition on the challenges of development and the rule of law by the International Development Law Organization (IDLO) and Majority World photo agency, launches on the 2nd March 2015?during the opening of the UN Human Rights Council Meeting in Geneva.
Continue reading “Global Photography Exhibition Opens at UN Rights Council Meeting”
Lecture no- 340?Series: Nature
Speaker:?? ? ? ???Shahidul Alam
Topic: ? ? ? ? ? ? ?My Journey As A Witness
Date: ??? ? ? ? ? ? ?August 26, 2014
Time:???? ? ?? ? ?? 6.30?PM
Venue: ? ? ? ? ? ? EMK Centre, Midas Centre, 9th floor, Plot: 5, Road 16 (old 27), Dhanmondi, Dhaka
Moderator: ? ? ?Tughlaq Azad
Ticket: ? ? ? ? ? ? ?50 Taka?only
Older than the mountains, it is a river that forces its way through the towering Himalayas. The Tibetans know it as the Yarlung Tsang Po (the purifier). In India, it is known as Brahmaputra. In Bangladesh, it is also known as the Jamuna, The Padma and finally the Meghna before it opens into the sea.
Photographer Shahidul Alam will share his journey towards Brahmaputra’s origin. Continue reading “Brahmaputra Diary by Shahidul Alam”
In this lovely interview, Salima Hashmi, who has played such a vital role in promoting Pakistani art, talks about her father Faiz Ahmad Faiz. About writing poetry under military rule, about his meeting with Pablo Neruda and his feelings about the birth of Bangladesh.
Recorded at the Bellagio Centre in Italy in 2013.
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