Type of employment: Fixed-term employment, 2 years
Extent: 100 %
Location: Valand Academy, Gothenburg
First day of employment: 2016/9/1
Reference number: PER 2016/54
Valand Academy at the University of Gothenburg and the Hasselblad Foundation have a long-term partnership developing critical reflection on photography and its mediation. As part of this partnership, the Hasselblad Foundation is launching a research project on photography and human rights in Autumn 2016, and photo-based artists holding a PhD can apply to a two-year Post-Doctoral position at Valand Academy starting September 2016. The number of positions available is one.
Continue reading “Postdoctor in Photography, Photography and Human Rights”
28TH JANUARY 2016??/??
Shahidul Alam has long been gripped by the life of a woman he has never met.
It?s been two decades since Kalpana Chakma was abducted, but Shahidul refuses to forget her. Standing at the threshold of his latest exhibition,Kalpana?s Warriors, the Bangladeshi photographer pauses for a moment.
In the room beyond is the third in a series of photo exhibitions that began with Searching for Kalpana Chakma in 2013, and was followed by 18 in 2014. The woman around whom these pictures revolve is notably absent from them. She was abducted at gunpoint in the early hours of 12 June 1996 from her home in Rangamati in Bangladesh. Her captors were a group of plain-clothed men who were recognised as being from a nearby army camp. Kalpana never returned home and her fate remains unknown.
When the exhibition first opened at the Drik Gallery in Dhaka, many of those who had been photographed could not risk coming out of hiding, yet the room was full of people who knew Kalpana?s story intimately. Some simply stood for a while before the portraits, others wept. Continue reading “Kalpana's Warriors in Delhi”
Kalpana Chakma, a young leader of the Bangladeshi Hill Women?s Federation, was abducted from her home by military personnel and civilian law enforcers at gunpoint on 12 June 1996. She remains missing. Through this work, part of Drik?s ?No More? campaign, photographer?Shahidul Alam?has tried to break a silence that successive governments, whether civilian or military backed, have carefully nurtured. The exhibition uses laser etching on straw mats, an innovative technique developed specifically for this exhibition. The process involved in creating these images is rooted to the everyday realities of the hill people, the paharis. Interviewees had repeatedly talked of the bareness of Kalpana?s home. That there was no furniture. That Kalpana slept on the floor on a straw mat. The straw mats were burned by a laser beam much as the fire that had engulfed the pahari villages.
Shilpakala Award recipient Shahidul Alam, set up Drik and Majority World agencies, Pathshala South Asian Media Institute and Chobi Mela festival. Honorary Fellow of the Royal Photography Society and visiting professor at Sunderland University. Alam has chaired the World Press Photo jury. Alam also introduced email to Bangladesh. His book my journey as a witness has been described as ?the most important book ever written by a photographer? by legendary picture editor of?Life Magazine, John Morris. He is an internationally acclaimed public speaker and has presented at Hollywood, National Geographic, re:publica, COP21 and POP Tech.
Buzz in Town
Saudi Arabia Implements SMS–Tracking System
HASSAN AMMAR / AFP / GETTY IMAGES?Saudi women have few travel choices: they either must take a taxi or have a male companion drive. But a new campaign encourages women to flout the ban.
Reports emerged of the system last week when?Manal al-Sherif, a women?s rights campaigner who has urged women to defy the driving ban, was alerted by a husband who received a message from the immigration authorities advising him that his wife had left the international airport in Riyadh. He happened to be traveling with her.
(MORE😕IKEA Edits Women Out of Saudi Arabian Catalog)
Women are treated as legal minors in the Saudi guardianship system, requiring permission from their male guardian if they want to work or study. Women who want to travel outside the country need their male guardian to sign what is known as a ?yellow sheet? at the airport or border.
Badriya al-Bishr a columnist critical of the Kingdom?s conservative interpretation of Islamic law,?said to the AFP?that women were being held under a ?state of slavery?,?adding?that ?this is technology used to serve backwardness in order to keep women imprisoned.?
The system notifying male guardians that their dependents?which includes their wife, children and foreign workers sponsored by them?had left the country appears to have been in place for a couple of years now.?Ahmed Al Omran, a Saudi blogger, explains that?it appears that this service, which in the past was an opt-out service, is now reaching those who had previously registered their details with the Ministry of Interior.
?The problem is not that there is now an electronic system that sends an SMS when women travel,??writes Omran. ?The problem is that the government is enforcing rules of male guardianships even on the rest of us who don?t believe in such rules.?
There are signs that the Kingdom is slowly changing its approach to the rights of women. Last year King Abdullah granted women the right to vote and run in the 2015 municipal elections. What impact that will have on the guardianship system however is yet to be determined.
Opening Reception & Forum:?Sunday, April 15, 6:00 pm ? 9:30 pm, 2012
Queens Museum of Art, NYC Building, Flushing Meadows Corona Park, Queens, NY 11368? DIRECTIONS
Forum & Opening Reception for Partnership Gallery Exhibition in Collaboration with Drik Picture Library, Dhaka.
Bangladeshi photographer and human rights activist Shahidul Alam?s Crossfire exhibition will open in the Partnership Gallery at the Queens Museum of Art on 15th April, 2012 and run until May 6th, 2012. The exhibition aims to gather international support for a campaign to end extra-judicial killings in Bangladesh by state forces, usually called ?crossfire.? Continue reading “Crossfire ? Photographs by Shahidul Alam”
The garment industry is one of the?largest industrial sectors in Bangladesh. It accounts for a good portion of the country?s exports and employs more than three million workers. Most of them are women.
?Workers toil from dawn to dusk on minimum wage,? said?Taslima Akhter, a Bangladeshi photographer who has spent more than four years capturing the workers? movement for ?The Life and Struggle of Garment Workers.?
Ms. Akhter, 37, was compelled to bring to light some of the industry?s darker aspects, like dangerous working conditions and low salaries. As an activist, a photographer and a resident of Bangladesh, she sees the ongoing project as both a personal agenda and a civic duty.
Ms. Akhter said she believed that the struggle of garment workers ? particularly women ? was one of the country?s most pressing issues. A transition to democracy in Bangladesh would raise questions about women?s rights, she said, expressing hope that her project could help speed the country toward that goal? ? and inspire the workers to make their own voices be heard.
In 2006, garment workers in Bangladesh made less than $25 per month, Ms. Akhter said. Following a tremendous protest in 2010, their wages increased to just under $45 monthly ? still not a living wage.
That strike ? and the number of women who participated ? drove Ms. Akhter to continue her work on the project, most of which she photographed in and around her hometown, Dhaka, the capital of Bangladesh. (Outside Dhaka, she shot in Gazipur, to the north, and Narayanganj, to the east.) Ms. Akhter studied photojournalism at the?Pathshala South Asian Media Academy in Dhaka in 2007. She completed a master?s degree in philosophy from theUniversity of Dhaka. She just completed a six-week course on photography and human rights at New York University?s?Tisch School of the Arts as part of a?Magnum Foundation scholarship she was awarded in 2010.
By Owen Bowcott
A photographer who was struck in the face by a police shield during the G20 protests last year has been awarded ?30,000 compensation by the Metropolitan police.
David Hoffman, who was covering the event in his professional capacity, suffered fractured teeth after a police inspector in full riot gear ran at him and hit him with the shield, says his law firm, Bindmans, which negotiated the settlement.
Hoffman’s solicitor, Chez Cotton, said in a statement: “Journalists such as my client are critical in disseminating information into the wider public domain.
“Reporters and photojournalists play a significant role recording political unrest, political events, which includes recording protest and, if it arises, police wrongdoing.
“That my client was assaulted by a police officer when carrying out this essential function, and brutally so, is shocking. Fortunately with photographic and film evidence of the incident and detailed testimony, Mr Hoffman has succeeded in holding the police to account.”
In an accompanying apology, the Metropolitan police said: “On 1 April 2009 well-respected social issues photographer David Hoffman was recording the G20 protests in the City of London.
“The Metropolitan Police Service (MPS) recognise that Mr Hoffman was entitled to report on that day but was caused injury by an MPS officer during the event, preventing him from doing so.
“The MPS confirms its recognition that freedom of the press is a cornerstone of democracy and that journalists have a right to report freely. The MPS apologise to Mr Hoffman for the treatment he received and have paid compensation.”
Jeremy Dear, the NUJ’s general secretary, said: “No journalist should be singled out by the police and the police service has no legal powers or moral responsibility to prevent or restrict photographers’ work. Journalists have a duty to record and report on public protests as well as the behaviour of the police.
“David’s case is a shocking example of police brutality and totally unacceptable.”
Related link in British Journal of Photography