Photographer Rasel Chowdhury Wins Bangladesh's Top Contemporary Art Award

Photographer Rasel Chowdhury Wins Bangladesh’s Top Contemporary Art Award

?artnet News

Rasel Chowdhury. Photo: Sarker Protick

Documentary photographer?Rasel Chowdhury beat out 300 other applicants to win this year’s?Samdani Art Award. The winner was announced today?at the Dhaka Art Summit,?which is curated by Diana Campbell Betancourt.?It is the largest showcase of South Asian contemporary art in the world.
Bangladesh’s premier art prize is awarded bi-annually to emerging artists between the ages of 22-40 living and working in the country. Chowdhury, who is a contract photographer for the New York Times and Getty,?will enjoy an?all-expenses paid three-month residency at the Delfina Foundation in London in order to work on his craft. Continue reading “Photographer Rasel Chowdhury Wins Bangladesh's Top Contemporary Art Award”

As Drik As Possible

The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a magazine, joined as our librarian. We offered and she happily accepted a local salary. My partner Rahnuma Ahmed often got roped in when we were short-staffed, which was often.

Climate_Migrants
Climate Migrants: “Our people are driven by a terrible sense of deficiency. When the last tree is cut, the last fish is caught, and the last river is polluted; when to breathe the air is sickening, you will realize, too late, that wealth is not in bank accounts and that you can’t eat money.” Alanis Obomsawin Photo Abir Abdullah from his series on Climate Change.

Continue reading “As Drik As Possible”

As Drik as Possible

Introduction to the Drik 2016 calendar.

A behind the scenes glimpse at a remarkable media phenomenon:

The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Md. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a western magazine, joined as our librarian. We offered and she happily accepted a local salary.

Continue reading “As Drik as Possible”

Golam Kasem Daddy Letters: 1

73, Indira Road
Dhaka
8. 9. 97
Dear Dr. Alam,
I am in difficulty. I am unwell, but I am alone and there is none to help me. I am having slight attack of fever and am very weak. Many thanks for inviting me at Drik function, but I am very sorry I am unable to attend due to my illness. However, I hope the function will be successful. Thanks for 2 doorscreens, and many thanks to your mother for food. Manuscript for my photobook is ready for you. Please take it at your convenience.
Yours Sincerely,
Daddy

Hand written letter by Golam Kasem Daddy, when he was 103.
One of the last hand?written letters to me by Golam Kasem Daddy, written when he was 103. He passed away on the 9th January 1998./Drik Archives

Other letters by Daddy:
When the mind says yes:

The Statesman, and the Photographer

The statesman, and the photographer

by Shahidul Alam

Photographer Rashid Talukder and Sheikh Mujibur Rahman (photographer unknown)/Drik archives
LOOKING at this photograph, one of the few in our library where the photographer is unknown, I realise how times have changed. This is the undisputed leader of a country with his arms across the shoulder of a newspaper photographer not known for being affiliated to his party.
No security guards, no party goons, no chamchas. Both men are at ease with the situation. The smiles, the casual gait, Rashid Bhai with his camera dangling, a single prime lens. Not even a camera bag (and this was the time of film when you only had 36 exposures). How times have changed. Sure, we live in a more security conscious world, but the distance between the leaders of today, and the people, isn?t simply about changed situations, it is about changed attitudes. Today the proximity between leaders and the people surrounding them has much more to do with business and benefits, than with humility and largesse. There was much more give and much less take. Continue reading “The Statesman, and the Photographer”

Rare and Unseen photographs of Bangabandhu Sheikh Mujibur Rahman from the Drik archives

The iconic Parliament Building of Bangladesh, designed by Louis Kahn. Site of the landmark exhibition on rare and largely unseen photographs of Bangabandhu Sheikh Mujibur Rahman from the Drik archives on Rashid Talukder. Photo: Shahidul Alam/Drik/Majority World
The iconic Parliament Building of Bangladesh, designed by Louis Kahn. Site of the landmark exhibition on rare and largely unseen photographs of Bangabandhu Sheikh Mujibur Rahman from the Drik archives on Rashid Talukder. Photo: Shahidul Alam/Drik/Majority World

A self-taught photographer with a strong sense of humour?Rashid Talukder?received a Lifetime Achievement Award at the?Chobi Mela?international photography festival in Dhaka, in 2006. His images of the war of liberation of Bangladesh and the political events leading up to it, are the most comprehensive visual documentation of Bangladesh’s political history on record. Rashid Talukder handed over his entire collection of negatives to the Drik Picture Library in Dhaka??before he passed away.
With support from Drik’s long standing partner, the Prince Claus Fund?Drik has been scanning the Talukder archives of over 165,000 original negatives. The archives contain rare images, many of them never previously seen. These include major political events, everyday life and photographs of Bangabandhu Sheikh Mujibur Rahman, the founder of Bangladesh, whom Talukder was especially close to. The photographs show Mujib, not only as a statesman, but also as someone close to his people. There are also private and intimate moments which give insights not only to the public figure, but also to the individual.
Father of the Nation, Bangabandhu Sheikh Mujibur Rahman with girl scouts. Photo: Rashid Talukder/Drik/Majority World
Father of the Nation, Bangabandhu Sheikh Mujibur Rahman with girl scouts. Photo: Rashid Talukder/Drik/Majority World

While Talukder is virtually unknown outside of Bangladesh, he was one of the foremost chroniclers of the struggle for independence, photographing its origins in the language movement of the 1950s and continuing through the war?s aftermath.


Now hailed as a founding father of Bangladeshi photojournalism, Mr. Talukder made some of the most important images of the war, which by some estimates claimed one million lives and turned 10 million of his countrymen into refugees.?He also documented everyday life in Bangladesh during his 46-year career, during which he worked for the newspapers The Daily Sangbad and The Daily Ittefaq.Through an initiative of the new mayor of Dhaka North Annisul Huq, and his council members, a massive outdoor exhibition has been arranged at the iconic parliament building of Bangladesh, designed by Louis Kahn, based largely on the Drik archives. Special access has also been arranged for the general public where even rickshas will be allowed into the parliament complex.
Commemorating the 40th death anniversary of the father of the nation, this provides?a rare opportunity for visitors not only to see these previously unseen photographs, but also visit this landmark building, considered one of the architectural masterpieces of the 20th century.

Invitation to the exhibition of rare and largely unseen photographs of Bangabandhu Sheikh Mujibur Rahman, largely based on the archives of Drik Picture Library
Invitation to the exhibition of rare and largely unseen photographs of Bangabandhu Sheikh Mujibur Rahman, largely based on the archives of Drik Picture Library

The honourable Prime Minister of Bangladesh, Sheikh Hasina, the daughter of Sheikh Mujibur Rahman, will inaugurate the exhibition today the 13th August 2015 at 5:00 pm.

Footprint Modulation: art, climate and displacement

An exhibition by Metaceptive Projects + Media

5th June ? 5th July 2015 across five venues in Durham, UK

Introductory description from the curator and artistic director, Kooj Chuhan
International artists, researchers, communities and local activists are combining forces using art to push climate change up the agenda in a ground-breaking exhibition titled Footprint Modulation. The exhibition focuses on the massive and increasing impact that climate change will have on humans by forcing us to abandon our homes and migrate. The renowned, award-winning Bangladeshi photographer Shahidul Alam presents work for the first time in the North East. Platform based in London use film and performance to highlight the corruption within global oil. A number of UK-based artists from diverse backgrounds provoke us to connect with human realities in other countries. The New York based architecture and digital art company Diller Scofidio + Renfro present a film commissioned by the Cartier Foundation to artistically re-interpret data about climate migration.
FootprintModulation-poster_A4_PREVIEW Continue reading “Footprint Modulation: art, climate and displacement”

Majority World exhibition in Rome: Justice in Focus

IDLO Photo Exhibition in Rome
Farnesina Porte Aperte 2015
22 – 29 May 2015

justice in focus in rome

IDLO’s photo exhibition “In Focus: Justice and the Post-2015 Agenda” will form part of this year’s initiative by the Italian Ministry of Foreign Affairs and International Cooperation to open its doors to the general public. From 22 until 29 May 2015, visitors will be able to participate in “Farnesina Porte Aperte” and view the exhibition during guided tours of the building. The Farnesina’s art collection is internationally recognized, and IDLO is proud to have been chosen to exhibit alongside this.

The photographs were also featured by The Guardian.
guardian piece on justice in focus

Curated by IDLO and the photo agency Majority World, the exhibition focuses on the challenges of development and the rule of law. From gender equality and indigenous rights to energy poverty and land tenure, it presents the rule of law as lived experience. The pictures vividly explore the human side of the rule of law and its importance in everyday life.
 
?In Focus: Justice and the Post-2015 Agenda? illustrates these themes through 32 images – taken by photographers from Afghanistan, Bangladesh, Brazil, India and Kenya – ranging from the Amazonian settlement of Colniza, Brazil, where rule of law measures have reversed illegal logging and deforestation, to the energy-starved metropolis of Kibera, Africa?s largest slum.
 
To sign up for a guided tour, please visit the Ministry of Foreign Affairs and International Cooperation?s Farnesina Porte Aperte website and choose the ?art route?, currently available from Monday 25 until Wednesday 27 May.
Before traveling to Rome, the exhibition was shown at the Palais des Nations in Geneva, to coincide with the 28th session of the United Nations Human Rights Council. Over the coming months, it will be shown in Milan, New York, Washington and The Hague, and will return to Rome for an exclusive viewing in November.
 
For more information, please read this article in Italy’s Corriere della Sera,?visit theIDLO mini-site and watch video interviews?with the photographers.

Current residencies, workshops and opportunities for artists

Crystal Ruth Bell Residency ? Duos, Trios & Collectives!

Duos, trios, collectives & collaborations, apply for a funded residency this July in Beijing!

Deadline: 25/05/2015
Location: China

Crystal Ruth Bell Residency ? Duos, Trios & Collectives!

Truth, Lies, Lore | Visual Arts Residency at The Banff Centre

Practitioners of all disciplines are invited to explore what is hidden and what is revealed.

Deadline: 27/05/2015
Location: Canada

Faculty recruitment at Pathshala March 2015

 

South Asian Media Institute
South Asian Media Institute

Vacancy Announcement

Pathshala South Asian Media Institute invites applications for the post of Contractual (Part Time) Teachers (Job Title: Faculty member) to teach the short courses and workshops the institution offers (Basic Photography Course, Foundation Course, Digital Photography, Teen Photography etc.) under the supervision of Head of Photography/Academic Council/Faculty Moderator. The Faculty Member/s will be responsible for planning, organising and implementing an appropriate educational programme at Pathshala in a learning environment that guides and encourages students to develop and fulfill their academic potential along with delivering an innovative and inspirational educational module that will positively impact the students? learning. Teachers need to be competent in teaching photography techniques including camera exposures, digital photography and composition as well as the appropriate use of light and lens. Other responsibilities include establishing, developing and implementing the curriculum and course materials for each semester. Contributing to the development and co-ordination of a particular area of the curriculum; providing a variety of learning materials, designing projects, organising group sessions and other activities to enhance the learning experience; maintaining discipline in accordance with the rules of the institute; performing certain duties including student support, counseling students with academic problems and providing student encouragement by treating all students fairly within a professional relationship. The faculty member should also  ensure that there is total confidentiality of all material used in the Pathshala courses and that there are no situations leading to a conflict of interest with competing institutions without prior managment approval. Preparing reports on one?s own activities with results against targets and suggestions will need to be presented in faculty  meetings.
S/he should be holding a minimum graduate or higher degree with good spoken and written Bangla and English and have at least 2 years of working experiences in a related field along with teaching experience on relevant subjects or work experience as a professional. Knowledge of relevant technology is assumed. Job location is in Dhaka and salary is negotiable with other benefits as per organisational policy.
Interested candidate should apply with a CV and a recent photograph to [email protected] or [email protected]by March 24, 2015.
Or
Send at this address by ?mentioning the post? on the envelope:
To
Head of Human Resource Department
Pathshala South Asian Media Institute
16, Sukrabad, Panthapath, Dhaka-1207, Bangladesh.
www.pathshala.net