Photography in Bangladesh: a medium on the move

F?ted internationally, the country?s photographers have struggled for status at home. Could that be about to change?

Water reservoir is for the Komolapur Railway station. It?s the main station in Bangladesh. Dhaka.

From the series ?Railway Longings? (2011-2015) by Rasel Chowdhury

The eerie moonscape of Munem Wasif?s new photographic series, ?Land of Undefined Territory?, appears empty. On closer inspection, it reveals the scars of industrial activity, from vehicle tracks to stone crushing. The sense of menace and alienation is compounded by a three-channel video with a grating soundtrack.
These digital black-and-white shots were taken along an indefinite border between Bangladesh and India ? disputed land that is now home to unregulated mining but which also soaked up the blood of past upheavals, from the first, temporary partition of Bengal under the viceroy in 1905, to Partition in 1947 and the Liberation war of 1971. Ostensible documentary veers into questioning in Wasif?s deeply unsettling yet distanced probing of history, territory, ownership and exploitation. Continue reading “Photography in Bangladesh: a medium on the move”

Open Call For Iranian and Bangladeshi Artists

Open Call For Iranian and Bangladeshi Artists
Khooshk
Exchange Program (Iran ? Bangladesh)
1-31 July, 2016 ? Tehran
7 January ? 7 February?, 2017?? Dhaka
Application Deadline
10 May, 2016
Pathshala?and Kooshk Residency present the first?round of?exchange program between Tehran and Dhaka?for two Bangladeshi?and two Iranian visual artists. This exchange program exists out of two parts. The first part is held from 1-31 July,?2016 in Tehran, Iran.
In?this residency, the Bangladeshi?artists have the opportunity to work in Tehran, Iran and collaborate with the Iranian artists. During this time, the space will be open to a local public of artists, students, and art critics. The program will end with a presentation and a panel discussion. Continue reading “Open Call For Iranian and Bangladeshi Artists”

HUMAN CHAIN: Protest against the murder of Photographer and Drik Employee 'Irfanul Islam'

Irfanul Islam
Irfanul Islam

 
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Dear All,
Drik Picture Library and Pathshala South Asian Media Institute will initiate to form a Human chain at T.S.C, Dhaka University on 9th?April, 2016,?Saturday?at?3.30pm?for the protest against the murder of Photographer and Drik Employee ?Irfanul Islam? who was kidnapped and murdered on 2 April, 2016. Photographers will wrap black cloth on their camera and other participants will wear a black badge and show protest placard.
We are requesting you all to take part in this protest and please note your presence and support is?VERY IMPORTANT.?

Photographer Rasel Chowdhury Wins Bangladesh's Top Contemporary Art Award

Photographer Rasel Chowdhury Wins Bangladesh’s Top Contemporary Art Award

?artnet News

Rasel Chowdhury. Photo: Sarker Protick

Documentary photographer?Rasel Chowdhury beat out 300 other applicants to win this year’s?Samdani Art Award. The winner was announced today?at the Dhaka Art Summit,?which is curated by Diana Campbell Betancourt.?It is the largest showcase of South Asian contemporary art in the world.
Bangladesh’s premier art prize is awarded bi-annually to emerging artists between the ages of 22-40 living and working in the country. Chowdhury, who is a contract photographer for the New York Times and Getty,?will enjoy an?all-expenses paid three-month residency at the Delfina Foundation in London in order to work on his craft. Continue reading “Photographer Rasel Chowdhury Wins Bangladesh's Top Contemporary Art Award”

As Drik As Possible

The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a magazine, joined as our librarian. We offered and she happily accepted a local salary. My partner Rahnuma Ahmed often got roped in when we were short-staffed, which was often.

Climate_Migrants
Climate Migrants: “Our people are driven by a terrible sense of deficiency. When the last tree is cut, the last fish is caught, and the last river is polluted; when to breathe the air is sickening, you will realize, too late, that wealth is not in bank accounts and that you can’t eat money.” Alanis Obomsawin Photo Abir Abdullah from his series on Climate Change.

Continue reading “As Drik As Possible”

As Drik as Possible

Introduction to the Drik 2016 calendar.

A behind the scenes glimpse at a remarkable media phenomenon:

The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Md. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a western magazine, joined as our librarian. We offered and she happily accepted a local salary.

Continue reading “As Drik as Possible”

Resilience and Reasons

Nepal Earthquake by Abir Abdullah
text by ?Photographer Syed Latif Hossain?
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Our sub-continent is now emerging from a crucial experience of its history. This history narrates defining moments captured in epic tragedy, inflicted wounds that are slowly fortifying, and material and spiritual loss that would be embalmed in the hearts of generations. On a seemingly normal weekend day as people went about their business, the earth in Nepal shook up its natives to the point of unfamiliarity. An earthquake, that registered 7.8 on the Richter scale. It caused many people to flee and it rendered many others immobile; and it caused hearts to freeze as they witnessed their world crumbling around them. A sea of hearts, many which remained trapped in the sea of rubble, with their homes, their temples and their loved ones. Continue reading “Resilience and Reasons”

Faculty recruitment at Pathshala March 2015

 

South Asian Media Institute
South Asian Media Institute

Vacancy Announcement

Pathshala South Asian Media Institute invites applications for the post of Contractual (Part Time) Teachers (Job Title: Faculty member) to teach the short courses and workshops the institution offers (Basic Photography Course, Foundation Course, Digital Photography, Teen Photography etc.) under the supervision of Head of Photography/Academic Council/Faculty Moderator. The Faculty Member/s will be responsible for planning, organising and implementing an appropriate educational programme at Pathshala in a learning environment that guides and encourages students to develop and fulfill their academic potential along with delivering an innovative and inspirational educational module that will positively impact the students? learning. Teachers need to be competent in teaching photography techniques including camera exposures, digital photography and composition as well as the appropriate use of light and lens. Other responsibilities include establishing, developing and implementing the curriculum and course materials for each semester. Contributing to the development and co-ordination of a particular area of the curriculum; providing a variety of learning materials, designing projects, organising group sessions and other activities to enhance the learning experience; maintaining discipline in accordance with the rules of the institute; performing certain duties including student support, counseling students with academic problems and providing student encouragement by treating all students fairly within a professional relationship. The faculty member should also  ensure that there is total confidentiality of all material used in the Pathshala courses and that there are no situations leading to a conflict of interest with competing institutions without prior managment approval. Preparing reports on one?s own activities with results against targets and suggestions will need to be presented in faculty  meetings.
S/he should be holding a minimum graduate or higher degree with good spoken and written Bangla and English and have at least 2 years of working experiences in a related field along with teaching experience on relevant subjects or work experience as a professional. Knowledge of relevant technology is assumed. Job location is in Dhaka and salary is negotiable with other benefits as per organisational policy.
Interested candidate should apply with a CV and a recent photograph to recruitment@drik.net or hr@pathshala.netby March 24, 2015.
Or
Send at this address by ?mentioning the post? on the envelope:
To
Head of Human Resource Department
Pathshala South Asian Media Institute
16, Sukrabad, Panthapath, Dhaka-1207, Bangladesh.
www.pathshala.net

Defying the Laws of Gravity

??????????????????????????????????? Photographers in Bangladesh 1987 -2014

Rich Mix exhibition
It?s an unlikely mix. ?The powerful but sage Abir Abdullah,, the protesting activist Taslima Akhter, the quiet and reflective Sarker Protick, the agent provocateur Jannatul Mawa, the deep and other worldly Anisul Hoque, the disturbingly questioning Tushikur Rahman and the visionary Shahidul Alam. Collectively they shape one of the most powerful photographic movements of modern times. Continue reading “Defying the Laws of Gravity”

Chasing Windmills

AZIZUR RAHIM PEU, born 10th June 1964, died 14 October 2014

Azizur Rahim Peu
Azizur Rahim Peu

?If you let me go, I?ll kill myself.? I?d never given a job to anyone before. So this response to my suggestion that there was a better future for him elsewhere, was something I wasn?t prepared for. I had returned to Bangladesh after having been away for twelve years. Not having the capital myself, I had set up a photographic studio in partnership with a businessman cum photographer Khan Mohammad Ameer and his businessmen brothers. The studio ?Fotoworld? was posh, and we photographed the glitterati. We also took pictures of factories, the odd milk powder tin, food, cigarette cartons and pretty much anything people would pay us (and sometimes not pay us) to shoot. Azizur Rahim Peu was my first recruit. I?d come to know him through the Bangladesh Photographic Society, where I was the general secretary and had taken an immediate liking to the young man. Continue reading “Chasing Windmills”