Tag: OSI

Moving Walls

GRANTS

Documentary Photography Project

Moving Walls 21 Guidelines

The Open Society Foundations invite photographers to submit a body of work for consideration in the Moving Walls 21 group exhibition, scheduled to open in New York in the fall 2013.?The?Moving Walls exhibition series?showcases documentary photography that highlights human rights and social issues that coincide with the Open Society Foundations? mission. Moving Walls is exhibited at our offices in New York and Washington, D.C.
For participating photographers, a key benefit of the program is to gain exposure for their projects, as well as the social justice or human rights issues they address. In addition to a $2,500 honorarium, photographers receive their professionally produced exhibitions at the end of the exhibition tour in New York and Washington, D.C.

Eligibility Criteria
Each Moving Walls exhibit highlights issues or geographic regions where the Open Society Foundations are active. Priority is given to work whose subject has not been recently addressed in Moving Walls, and special consideration is given to long-term work produced over years of commitment to an issue or community. Work in progress may be submitted as long as a substantial portion of the work has been completed.
Any emerging or veteran photographer who is working long-term to document a human rights or social justice issue may apply for Moving Walls.
Photographers working in their home countries, women, emerging artists, and people of color are strongly encouraged to apply.
The Open Society Foundations does not discriminate based on any status that may be protected by applicable law.
Purpose and Priorities
Launched in 1998, Moving Walls has featured over 175 photographers. Over the past 14 years, we have been proud to support the brave and difficult (and often self-funded) work that photographers undertake globally in their visual documentation of complex social and political issues. Their images provide the world with evidence of human rights abuses, put faces onto a conflict, document the struggles and defiance of marginalized people, reframe how issues are discussed publicly, and provide opportunities for reflection and discussion. Moving Walls honors this work while visually highlighting the Open Society Foundations? mission to staff and?visitors.
Guidelines
Deadline for submissions to Moving Walls is Tuesday, February 26, 2013. To apply, go to:?apply.movingwalls.org.

The story the CIA doesn't want to talk about

Ghost flights, black sites, and stories of appalling abuse.

Watch Amrit Singh of the Open Society Justice Initiative describe the grim realities of the CIA?s post-9/11 campaign of secret detention and torture.

She has compiled a first-of-its-kind report that tells the story of how the United States used its position to cajole, persuade, and strong-arm 54 other countries to take part in the CIA?s highly classified programs.
From Australia to Iran, Canada to Sweden, Hong Kong to Indonesia. The list is shocking.
Even though I?you?have heard many stories about what was done in the name of the war against terror, I found myself shocked again about what was done under the CIA?s secret programs after 9/11.
These are not the practices of an open society. Only with a full reckoning can the United States hope to close the door on this shameful chapter in its history.
Take a step toward puncturing the layers of secrecy. Watch?and share?this video.
Sincerely,
George Soros
Chairman and Founder

Bengali ?Crossfire? reaches U.S.

by?BEENA SARWAR?on?MAY 4, 2012 Latitude News


In ?Crossfire,? an exhibition of photographs at the Queens Museum of Art in New York that closes on Sunday the 6th, acclaimed Bangladeshi photographer and activist Shahidul Alam chronicles the extra-judicial killings allegedly committed by Bangladesh?s Rapid Action Battalion, or RAB.Over a thousand victims have been ?cross-fired,? or executed by police without trial, in the last four years in the South Asian country, human rights activists claim. Many more people, perhaps thousands in total, have suffered similar fates, they say.

Shahidul Alam in New York’s Central Park (Beena Sarwar) Continue reading “Bengali ?Crossfire? reaches U.S.”