Crossing the Threshold

The Drik Calendar 2019

We were behind schedule. Every August, I find myself writing the introduction to the Drik calendar. Over the last few years, we’ve developed a practice of featuring Chobi Mela on odd years and finding a topic of common interest on even ones. With my arrest on 5th August-for reporting on ongoing events-the equation changed. Drik, Pathshala, family and friends had all run ragged trying to arrange my release. The calendar was simply not a priority.
Cover of Drik calendar 2019 featuring work by Pathshala alumni

As things settled, we decided we would continue doing the things we did. That would become part of our resistance. However, the Bangladeshi Jail Code has restrictions on what a prisoner can send out. In my case, it meant a complete firewall.

Resourceful as ever, Rahnuma and Saydia, managed to get a short list of suggested photographs through to me, and I was able to do an edit. Abir Abdullah and Tanzim Wahab were to co-write the introduction. But we had underestimated the power of our brilliant legal team and the sheer doggedness of the local and global campaigners and I was finally granted bail on 15th November. Even that didn’t lead to my release, and after a lot of drama in and out of court, and tension constantly rising outside the jail gate, the political dam burst, leading to my release on the night of the 20th. As we sang our way out of prison, Rahnuma whispered in my ear “you have an intro to write.” No rest for the wicked. Continue reading “Crossing the Threshold”

On the ?uncertified? Pathshala

At a time when our entire education system is in crisis, the quality of education is in question and the values that student?s inculcate is a source of fear.?A student of?Pathshala South Asian Media Institute,?in response to questions about the validity of the very certificate he has obtained, talks passionately about the institution?s pedagogic model and how he has been transformed by it.

by Mahtab Nafis?

Mahtab Nafis
Mahtab Nafis

A letter to whom it may concern
BEFORE joining Pathshala, I had studied in nine schools and one university (all certified) in this country. But never before had I found an environment similar to the one at Pathshala. South Asian Media Institute, founded by Shahidul Alam. Forget about competing, none of them are even light years close.
From a very early age I had sincere doubts and disagreements with the ?socially accepted? and ?certified? educational systems. For, all I had seen was a bunch of sheep-like people following a curriculum given by a governing body or authority without assessing, questioning or having an opinion on the teaching method or the materials. It seemed that people blindly followed the dictum ?this is how things are?, an attitude which I could never accept. Everywhere, I saw teachers give students instructions or orders to follow a rigid structure, to memorise, to cover the syllabus. Even those studying in a creative field had teachers who would promote and indoctrinate a particular pattern of thinking or school of thought. This basically means that you are thinking other people?s thoughts and are being conditioned in someone else?s mental shadow. Continue reading “On the ?uncertified? Pathshala”

Bentleys and Benefits

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Photo and design by Yusuf Saib

 
Bentleys and Benefits is a unique exhibition at?Rich Mix?capturing the story and social diversity of the East End through the eyes of the young people who live here. The exhibition brings together the outcomes of ?Demystifying Photography?, a series of photography workshops, by?Drik Picture Library, Dhaka in collaboration with?Rich Mix?and?Morpeth School.
Five workshops between October 2014 and June 2015 were conceived to offer the youth of East London an opportunity to work with?Shahidul Alam, founder of?Drik?and world-renowned photographer, writer and activist from Bangladesh, and learn how to use digital technology to capture a memorable image by using key elements of story telling. By exploring emotion and perspective, and studying qualitative shifts between first person and third person narratives,?Alam?introduces the often-neglected sphere of visual literacy.
The photographers, all sixth form students at?Morpeth school, have been working closely with?Alam, to develop their own voice through photography; resulting in an intimate, compassionate and inclusive dialogue shaped by their experiences of life in Bethnal Green. The result is a photographic journey through the financial and social landscape of this extraordinary area of London.
Photographers: Arshad Ali, Fahim Ali, Halima Khanom, Mohammad Nahid Zakaria, Mohammad Zackariyya Ullah, Zayn Ali, Yusuf Saib?(Morpeth school)
Workshop Leader:?Shahidul Alam?(Drik)
Text: Mohammad Zackariyya Ullah (Morpeth school), Mary George (Drik)
Flyer Design: Yusuf Saib?(Morpeth school)
Logo Design: Yusuf Saib?(Morpeth school)
Social Media: Halima Khanom, Mohammad Zackariyya Ullah, Arshad Ali?(Morpeth school)
Fundraising: Zayn Ali, Mohammad Nahid Zakaria (Morpeth school), Mary George (Drik)
Coordinators: Matthew Keil and Sam French (Morpeth school), Mary George (Drik)
Project Management: Saiful Islam (Drik)
Prints proudly supported by?theprintspace.
Drik logoMorpeth logoRich Mix logoPrint space logo

Twitter:?@BntlyandBenefit

If you want to learn code, pick up a paintbrush

In the history of the Nobel Prize, nearly every Laureate has pursued the arts. According to research by psychologists Michele and Robert Root-Bernstein, ?almost all Nobel laureates in the sciences actively engage in arts as adults. They are twenty-five times as likely as the average scientist to sing, dance, or act; seventeen times as likely to be a visual artist; twelve times more likely to write poetry and literature; eight times more likely to do woodworking or some other craft; four times as likely to be a musician; and twice as likely to be a photographer.?
Perhaps?you don?t need to learn to code.
For a testament to the Nobel observation, see?Richard Feynman?s sketches and drawings. We also know that Einstein worked out some of his most difficult physics problems?while playing violin.

Pathshala Admission

Opportunity to study at one of the finest schools of photography in the world

?I do not know of a single institute of higher education anywhere in the world which provides the quality of education being provided here in Bangladesh today.?
Rob Mountfort, Picture Editor of?AsiaWeek, 1999 Continue reading “Pathshala Admission”

Shake up your story

Artist Raghava KK demos his new children’s book for iPad with a fun feature: when you shake it, the story — and your perspective — changes. In this charming short talk, he invites all of us to shake up our perspective a little bit.
Please retweet #children #art #ipad

Enhanced by Zemanta

In & Out- New generation photographers

From Munem Wasif’s Diary (8th September)

It was truly inspiring yesterday. We had our final presentation. It has been wonderful experience for me in last three years; Pathshala has given me so much as a student, as a teacher. I think more than photography I have changed as a human being.
But it was also not that easy also. I have different kind of students. They were passionate, lazy, egocentric, blank, sweet, old, psycho. Mix of personalities. I guess it was  harder for them than to me. I was rude, mean, arrogant to them but thorough the process I have also learned to be patient, adaptive and calm. But we also learned to love each other.
Thanks to Abir bhai who trusted on me and ask me to teach. Thanks to Biraz for traveling to Australia otherwise i think i will not become a teacher. I was just there to fill up the gap as a proxy teacher but sadly the proxy became too long.
Please have a look at their work at www.inoout.wordpress.comI hope it will be good enough to explain what they have achieved in a short period of time. Continue reading “In & Out- New generation photographers”

Deutsche Welle on Pathshala

Interview by Arafatul Islam

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