To my fellow prisoners in Keraniganj Jail, and the youth of Bangladesh who continue to resist, and to Abrar Farhad who was murdered by fellow students for his defiance.
Book design by Shahidul Alam and Holger Feroudj / Steidl Design
7.3 x 9.3 in. / 18.5 x 23.5 cm
37 black-and-white and 74 colour photographs Four-colour process
€ 28.00 / £ 25.00 / US$ 30.00
“On the night of 5 August, I did not know if I was going to live or die,” writes Shahidul Alam, one of Bangladesh’s most respected photo- journalists, essayists and social activists, remembering his arrest, torture and eventual 101-day incarceration in Keraniganj Jail in 2018. Just a few hours before, he had given a television interview criticising the government’s brutal handling of the student protests of that year which had called for improved road safety and an end to wider social injustice—in his words, “the years of misrule, the corruption, the wanton killing, the wealth amassed by the ruling coterie.” Combining Alam’s photos and texts with those of a range of collaborators, including artwork by Sofia Karim and fellow inmates, The Tide Will Turn documents his experiences, the global support for his release, and the ongoing fight for secularism and democracy in Bangladesh and beyond.
Described by its editor Vijay Prashad as about “the beauty and tragedy of our world, about how to photograph that dialectic,
and about how to write about it,” Continue reading “The Tide Will Turn”
Part of the “No More” public awareness campaign of Drik.
Let me ask a silly question, my partner Rahnuma had said. “But isn’t it all in your imagination” Of course it was. The images I’d created, while based upon complex scientific procedures, did not ‘prove’ anything. The objects I had photographed, while silent witnesses, had not ‘seen’ the crime. The artifacts, interviews, videos and photographs I was presenting were not ‘evidence.
An exhibition of observations, both witnessed and imagined of the Rana Plaza collapse.
24th April, 2013. 1127 garment workers perished in the collapse of Rana Plaza in Savar. Excluding natural disasters this is the single largest cause of death, post-independence. Hundreds of workers have been injured. Hundreds still missing.
The rescue operation at Rana Plaza continued for 21 days. The loved ones of the victims held their vigil without respite, twenty four hours a day, scrambling from Odhor Chondro Park to Enam Clinic, to the morgue and back. As tiring bodies wore down, they slept in nearby coffins. It is of course a tragedy of enormous proportions, but by calling it a tragedy, we are shielding the guilt. Making it appear as if no one was to blame. That this is the destiny of the poor and the downtrodden. Is that how it was?
The history of the garment industry in Bangladesh is littered with incidents of fire and collapsed buildings. 27 workers were trampled to death in Sharaka Garments in 1990, while trying to flee a fire. There have been many deaths since, some through faulty construction, some due to the absence of fire exits. The fire in Lucas Garments took away 10 lives in 1995. 14 died in Suntex Garments in 1996. 22 in Rahman and Rahman Garments in 1997. Another 27 in Tamanna Garments the same year. We lost 53 in Chowdhury Knitwear Limited in 2000. It is a longer list including the recent fire in Tazreen Fashions, with Rana Plaza being the latest addition. Drik had invited photographers, activists and other artists to submit work and register their protest. Their observations, recorded and imagined, form the basis of this exhibition. Murder, not tragedy. ??
The exhibition?“Tragedi Noi Hottakando”?will be opened at Drik Gallery tomorrow Friday, 31 May 2013 at 5 pm. The exhibition will continue till 5 June 2013. Please get your friends, family and clients to come and voice their support. This cannot, must not, go on.
THIS IS IT. OITIJ-JO IS HERE.
A WORLD CLASS VENUE AT THE HEART OF LONDON, SERIES OF WORLD CLASS EXHIBITS, WORLD CLASS ARTISTS AND EMERGING TALENT.
COME AND EXPLORE BANGLA CREATIVITY WITH US THIS WEEKEND!
includes free exhibitions and tickets start from ?5.00! Continue reading “Bangladesh extravaganza in London”
An unmissable chance to discover and explore the rich culture and creativity of Bangladesh and its new directions. From 22nd to 24th February at the Bargehouse London SE1 9PH
FEBRUARY 22-24 |
BARGEHOUSE | LONDON | SE1 9PH
London?s South Bank will play host to the UK?s biggest and most vibrant showcase of Bangladeshi creativity next month when a three-day celebration of art, craft, design, fabrics, fashion, literature and music takes place at the Bargehouse from Friday 22 to Sunday 24 February. OITIJ-JO?is a three-day celebration of creativity and culture rooted in Bangladesh.
Participants include dancer Akram Khan, photographers Shahidul Alam and Enamul Hoque, jazz musician Zoe Rahman, singer Shapla Salique, State of Bengal, textiles artist Rezia Wahid and the world music fusion band, Lokkhi Terra?alongside a new generation of designers, creators, cultural commentators and craft historians at?Oitij-jo.
The festival is taking place at the Bargehouse, Oxo Tower Wharf, South Bank, London, SE1 9PH
Friday 22 ? Sunday 24 February 2013. Public opening hours are 11am ? 7pm, daily.? Admission to first two floors of exhibitions and events is FREE. ?Admission to the upper floors costs ?7.50p (?5).
Oitij-jo?also offers a selection of unique and special events each evening, ticketed separately.
The festival is being organised by a broad alliance of UK-Bangladesh trade bodies, business people, community groups and cultural organisation led by the Bangladesh Brand Forum UK (BBF-UK), Culturepot Global and Paraa
Browse the?programme?line-up + click on the above links to buy tickets
British Council and Drik India cordially invite you to the launching of the book by Dr. Shahidul Alam ? My Journey As A Witness? followed by lecture presentation of the artist. Dr. Shahidul Alam is an eminent photographer, writer, activist and the Managing Director of the award winning media agency Drik Bangladesh.
Date: 21 November,2012
Time: 6- 8 pm
Venue: Jamini Roy Gallery, 3rd floor, Indian Council for Cultural Relations (ICCR), 9A Ho Chi Minh Sarani, Kolkata 700 016 ( Opposite to US Consulate)?? with?Shahidul Alam. Review of My journey as a witness by John G Morris
7 November?at?09:00?until?3 December?at?17:00 in UTC+10
This documentary photographic exhibition presents historical photographic overview of the Bangladesh war of independence in 1971.
The Bangladesh war of independence was one of the bloodiest conflicts in living memory. An incredible list of talented and deeply dedicated photographers from all across the globe responded to one of the greatest humanitarian crises of recent times. This included several Bangladeshi photographers; some professional, some amateur. Unlike their western counterparts, these photogr
aphers worked on their own, taking huge risks as they were themselves amongst the persecuted. Their documents are an indictment of those who caused the pain and the ones who let it happen. They are a tribute to those who fought valiantly.
Shown for the first time in Australia, this unique archival collection embodies the pride of Bangladesh?s struggle for independence, the pain of loss, the humiliation of being violated and the joy of victory.
Opening night: 6.30pm Wed 07 Nov
Presented by Drik, UQ?s Centre of Communication and Social Change, School of Journalism and Communication, Griffith University?s Queensland College of Art (QCA) and Brisbane Powerhouse