A behind the scenes glimpse at a remarkable media phenomenon:
The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Md. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a western magazine, joined as our librarian. We offered and she happily accepted a local salary.
Bentleys and Benefits is a unique exhibition at?Rich Mix?capturing the story and social diversity of the East End through the eyes of the young people who live here. The exhibition brings together the outcomes of ?Demystifying Photography?, a series of photography workshops, by?Drik Picture Library, Dhaka in collaboration with?Rich Mix?and?Morpeth School.
Five workshops between October 2014 and June 2015 were conceived to offer the youth of East London an opportunity to work with?Shahidul Alam, founder of?Drik?and world-renowned photographer, writer and activist from Bangladesh, and learn how to use digital technology to capture a memorable image by using key elements of story telling. By exploring emotion and perspective, and studying qualitative shifts between first person and third person narratives,?Alam?introduces the often-neglected sphere of visual literacy.
The photographers, all sixth form students at?Morpeth school, have been working closely with?Alam, to develop their own voice through photography; resulting in an intimate, compassionate and inclusive dialogue shaped by their experiences of life in Bethnal Green. The result is a photographic journey through the financial and social landscape of this extraordinary area of London.
Photographers: Arshad Ali, Fahim Ali, Halima Khanom, Mohammad Nahid Zakaria, Mohammad Zackariyya Ullah, Zayn Ali, Yusuf Saib?(Morpeth school)
Workshop Leader:?Shahidul Alam?(Drik)
Text: Mohammad Zackariyya Ullah (Morpeth school), Mary George (Drik)
Flyer Design: Yusuf Saib?(Morpeth school)
Logo Design: Yusuf Saib?(Morpeth school)
Social Media: Halima Khanom, Mohammad Zackariyya Ullah, Arshad Ali?(Morpeth school)
Fundraising: Zayn Ali, Mohammad Nahid Zakaria (Morpeth school), Mary George (Drik)
Coordinators: Matthew Keil and Sam French (Morpeth school), Mary George (Drik)
Project Management: Saiful Islam (Drik)
Prints proudly supported by?theprintspace.
Nepal Earthquake by Abir Abdullah text by ?Photographer Syed Latif Hossain?
Our sub-continent is now emerging from a crucial experience of its history. This history narrates defining moments captured in epic tragedy, inflicted wounds that are slowly fortifying, and material and spiritual loss that would be embalmed in the hearts of generations. On a seemingly normal weekend day as people went about their business, the earth in Nepal shook up its natives to the point of unfamiliarity. An earthquake, that registered 7.8 on the Richter scale. It caused many people to flee and it rendered many others immobile; and it caused hearts to freeze as they witnessed their world crumbling around them. A sea of hearts, many which remained trapped in the sea of rubble, with their homes, their temples and their loved ones. Continue reading “Resilience and Reasons”
IDLO Photo Exhibition in Rome Farnesina Porte Aperte 2015 22 – 29 May 2015
IDLO’s photo exhibition “In Focus: Justice and the Post-2015 Agenda” will form part of this year’s initiative by the Italian Ministry of Foreign Affairs and International Cooperation to open its doors to the general public. From 22 until 29 May 2015, visitors will be able to participate in “Farnesina Porte Aperte” and view the exhibition during guided tours of the building. The Farnesina’s art collection is internationally recognized, and IDLO is proud to have been chosen to exhibit alongside this.
Curated by IDLO and the photo agency Majority World, the exhibition focuses on the challenges of development and the rule of law. From gender equality and indigenous rights to energy poverty and land tenure, it presents the rule of law as lived experience. The pictures vividly explore the human side of the rule of law and its importance in everyday life.
?In Focus: Justice and the Post-2015 Agenda? illustrates these themes through 32 images – taken by photographers from Afghanistan, Bangladesh, Brazil, India and Kenya – ranging from the Amazonian settlement of Colniza, Brazil, where rule of law measures have reversed illegal logging and deforestation, to the energy-starved metropolis of Kibera, Africa?s largest slum.
To sign up for a guided tour, please visit the Ministry of Foreign Affairs and International Cooperation?s Farnesina Porte Aperte website and choose the ?art route?, currently available from Monday 25 until Wednesday 27 May.
Before traveling to Rome, the exhibition was shown at the Palais des Nations in Geneva, to coincide with the 28th session of the United Nations Human Rights Council. Over the coming months, it will be shown in Milan, New York, Washington and The Hague, and will return to Rome for an exclusive viewing in November.
??????????????????????????????????? Photographers in Bangladesh 1987 -2014
It?s an unlikely mix. ?The powerful but sage Abir Abdullah,, the protesting activist Taslima Akhter, the quiet and reflective Sarker Protick, the agent provocateur Jannatul Mawa, the deep and other worldly Anisul Hoque, the disturbingly questioning Tushikur Rahman and the visionary Shahidul Alam. Collectively they shape one of the most powerful photographic movements of modern times. Continue reading “Defying the Laws of Gravity”
Photographs Humanize Rule of Law and Access to Justice
Photographers: Kabir Dhanji, Lucas Lenci, Shehzad Noorani, Vicky Roy, Farzana Wahidy Curator: Shahidul Alam
?In Focus: Justice and the Post-2015 Agenda,? a photo exhibition on the challenges of development and the rule of law by the International Development Law Organization (IDLO) and Majority World photo agency, launches on the 2nd March 2015?during the opening of the UN Human Rights Council Meeting in Geneva.
We spot a lens peering at us from the corner of our eye. Immediately we straighten up, fix our hair, smooth the rough in our clothes, consciously make – or avoid – eye contact. Only the well trained is able to visibly avoid responding to the camera?s presence. The professional photographer prides in her ability to take ?natural? photographs, where her intervention is invisible. Yet, peering through family albums, wedding folders or a Facebook status we find ourselves actively inviting the portrayal of how we want to be seen. Whether we consider a photograph of ourselves to be ?good? largely depends on how well the photographer has represented us, as we would want it. As such the photographer?s success depends not so much on her aesthetic sense or insight, but on her ability to please the sitter. While this applies to the casual portraitist, it is much more true of the professional photographer. Her bread and butter depend on a satisfied client and as such, are driven by an external agenda. Whether it be a corporation, or an NGO or a newly wed couple, a good photographer is one who delivers what is required. Continue reading “Embracing the Amateur”
The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a magazine, joined as our librarian. We offered and she happily accepted a local salary.
The New Internationalist Magazine in Oxford, has been a long time friend and supporter. This two page spread was put together by them to commemorate Drik’s 25th anniversary. Thanks NI.Continue reading “Drik's 25th Anniversary”