HUMAN CHAIN: Protest against the murder of Photographer and Drik Employee 'Irfanul Islam'

Irfanul Islam
Irfanul Islam

 
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Dear All,
Drik Picture Library and Pathshala South Asian Media Institute will initiate to form a Human chain at T.S.C, Dhaka University on 9th?April, 2016,?Saturday?at?3.30pm?for the protest against the murder of Photographer and Drik Employee ?Irfanul Islam? who was kidnapped and murdered on 2 April, 2016. Photographers will wrap black cloth on their camera and other participants will wear a black badge and show protest placard.
We are requesting you all to take part in this protest and please note your presence and support is?VERY IMPORTANT.?

Irfanul Islam: My quiet friend

Irfanul Islam

The moon was low over the city lights at 4:30 in the morning in Mexico City. A dull orange thin sliver, it too was in mourning. I was heading to the airport, but had just heard the news. Rahnuma had been keeping me updated. Ever since Irfan’s disappearance, we had feared the worst, but hoped upon hope that this time it would be different. They had the money, why did they need him? The news hit very hard.

I had joined the Bangladesh Photographic Society in 1984. Irfan had been part of our small administrative team. After serving as secretary general and three terms as president, I left the BPS to start up the Drik agency. Irfan soon decided to follow me to Drik. He worked in the darkroom with Anisur Rahman. The giant prints we had made in those days of Bangabandhu, in that tiny darkroom, with improvised troughs and hand mixed chemicals, were the handiwork of these two fine technicians.

Quiet and somewhat reclusive, Irfan was also slightly self-conscious as he had a mild stammer. He was a photographer, though he was not employed as one at Drik. He still joined us on photo shoots. He made friends easily with his disarming smile, but was less comfortable with more public roles. Once we closed the wet darkroom at Drik, a lab technician was no longer needed. Given his interest in photography, we tried Irfan out at our school of photography, Pathshala, but it was Drik, where he felt at home, and while he was not normally the person to say no or be defiant, this was one instance where he put his foot down. He was not going to budge from Drik. We had to find a new role for him. Continue reading “Irfanul Islam: My quiet friend”

Kalpana's Warriors opens in Delhi

 
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Kalpana Chakma, a young leader of the Bangladeshi Hill Women?s Federation, was abducted from her home by military personnel and civilian law enforcers at gunpoint on 12 June 1996. She remains missing. Through this work, part of Drik?s ?No More? campaign, photographer?Shahidul Alam?has tried to break a silence that successive governments, whether civilian or military backed, have carefully nurtured. The exhibition uses laser etching on straw mats, an innovative technique developed specifically for this exhibition. The process involved in creating these images is rooted to the everyday realities of the hill people, the paharis. Interviewees had repeatedly talked of the bareness of Kalpana?s home. That there was no furniture. That Kalpana slept on the floor on a straw mat. The straw mats were burned by a laser beam much as the fire that had engulfed the pahari villages.
Shilpakala Award recipient Shahidul Alam, set up Drik and Majority World agencies, Pathshala South Asian Media Institute and Chobi Mela festival. Honorary Fellow of the Royal Photography Society and visiting professor at Sunderland University. Alam has chaired the World Press Photo jury. Alam also introduced email to Bangladesh. His book my journey as a witness has been described as ?the most important book ever written by a photographer? by legendary picture editor of?Life Magazine, John Morris. He is an internationally acclaimed public speaker and has presented at Hollywood, National Geographic, re:publica, COP21 and POP Tech.
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As Drik As Possible

The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a magazine, joined as our librarian. We offered and she happily accepted a local salary. My partner Rahnuma Ahmed often got roped in when we were short-staffed, which was often.

Climate_Migrants
Climate Migrants: “Our people are driven by a terrible sense of deficiency. When the last tree is cut, the last fish is caught, and the last river is polluted; when to breathe the air is sickening, you will realize, too late, that wealth is not in bank accounts and that you can’t eat money.” Alanis Obomsawin Photo Abir Abdullah from his series on Climate Change.

Continue reading “As Drik As Possible”

As Drik as Possible

Introduction to the Drik 2016 calendar.

A behind the scenes glimpse at a remarkable media phenomenon:

The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Md. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a western magazine, joined as our librarian. We offered and she happily accepted a local salary.

Continue reading “As Drik as Possible”

Bentleys and Benefits

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Photo and design by Yusuf Saib

 
Bentleys and Benefits is a unique exhibition at?Rich Mix?capturing the story and social diversity of the East End through the eyes of the young people who live here. The exhibition brings together the outcomes of ?Demystifying Photography?, a series of photography workshops, by?Drik Picture Library, Dhaka in collaboration with?Rich Mix?and?Morpeth School.
Five workshops between October 2014 and June 2015 were conceived to offer the youth of East London an opportunity to work with?Shahidul Alam, founder of?Drik?and world-renowned photographer, writer and activist from Bangladesh, and learn how to use digital technology to capture a memorable image by using key elements of story telling. By exploring emotion and perspective, and studying qualitative shifts between first person and third person narratives,?Alam?introduces the often-neglected sphere of visual literacy.
The photographers, all sixth form students at?Morpeth school, have been working closely with?Alam, to develop their own voice through photography; resulting in an intimate, compassionate and inclusive dialogue shaped by their experiences of life in Bethnal Green. The result is a photographic journey through the financial and social landscape of this extraordinary area of London.
Photographers: Arshad Ali, Fahim Ali, Halima Khanom, Mohammad Nahid Zakaria, Mohammad Zackariyya Ullah, Zayn Ali, Yusuf Saib?(Morpeth school)
Workshop Leader:?Shahidul Alam?(Drik)
Text: Mohammad Zackariyya Ullah (Morpeth school), Mary George (Drik)
Flyer Design: Yusuf Saib?(Morpeth school)
Logo Design: Yusuf Saib?(Morpeth school)
Social Media: Halima Khanom, Mohammad Zackariyya Ullah, Arshad Ali?(Morpeth school)
Fundraising: Zayn Ali, Mohammad Nahid Zakaria (Morpeth school), Mary George (Drik)
Coordinators: Matthew Keil and Sam French (Morpeth school), Mary George (Drik)
Project Management: Saiful Islam (Drik)
Prints proudly supported by?theprintspace.
Drik logoMorpeth logoRich Mix logoPrint space logo

Twitter:?@BntlyandBenefit

Resilience and Reasons

Nepal Earthquake by Abir Abdullah
text by ?Photographer Syed Latif Hossain?
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Our sub-continent is now emerging from a crucial experience of its history. This history narrates defining moments captured in epic tragedy, inflicted wounds that are slowly fortifying, and material and spiritual loss that would be embalmed in the hearts of generations. On a seemingly normal weekend day as people went about their business, the earth in Nepal shook up its natives to the point of unfamiliarity. An earthquake, that registered 7.8 on the Richter scale. It caused many people to flee and it rendered many others immobile; and it caused hearts to freeze as they witnessed their world crumbling around them. A sea of hearts, many which remained trapped in the sea of rubble, with their homes, their temples and their loved ones. Continue reading “Resilience and Reasons”

Majority World exhibition in Rome: Justice in Focus

IDLO Photo Exhibition in Rome
Farnesina Porte Aperte 2015
22 – 29 May 2015

justice in focus in rome

IDLO’s photo exhibition “In Focus: Justice and the Post-2015 Agenda” will form part of this year’s initiative by the Italian Ministry of Foreign Affairs and International Cooperation to open its doors to the general public. From 22 until 29 May 2015, visitors will be able to participate in “Farnesina Porte Aperte” and view the exhibition during guided tours of the building. The Farnesina’s art collection is internationally recognized, and IDLO is proud to have been chosen to exhibit alongside this.

The photographs were also featured by The Guardian.
guardian piece on justice in focus

Curated by IDLO and the photo agency Majority World, the exhibition focuses on the challenges of development and the rule of law. From gender equality and indigenous rights to energy poverty and land tenure, it presents the rule of law as lived experience. The pictures vividly explore the human side of the rule of law and its importance in everyday life.
 
?In Focus: Justice and the Post-2015 Agenda? illustrates these themes through 32 images – taken by photographers from Afghanistan, Bangladesh, Brazil, India and Kenya – ranging from the Amazonian settlement of Colniza, Brazil, where rule of law measures have reversed illegal logging and deforestation, to the energy-starved metropolis of Kibera, Africa?s largest slum.
 
To sign up for a guided tour, please visit the Ministry of Foreign Affairs and International Cooperation?s Farnesina Porte Aperte website and choose the ?art route?, currently available from Monday 25 until Wednesday 27 May.
Before traveling to Rome, the exhibition was shown at the Palais des Nations in Geneva, to coincide with the 28th session of the United Nations Human Rights Council. Over the coming months, it will be shown in Milan, New York, Washington and The Hague, and will return to Rome for an exclusive viewing in November.
 
For more information, please read this article in Italy’s Corriere della Sera,?visit theIDLO mini-site and watch video interviews?with the photographers.

Defying the Laws of Gravity

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Rich Mix exhibition
It?s an unlikely mix. ?The powerful but sage Abir Abdullah,, the protesting activist Taslima Akhter, the quiet and reflective Sarker Protick, the agent provocateur Jannatul Mawa, the deep and other worldly Anisul Hoque, the disturbingly questioning Tushikur Rahman and the visionary Shahidul Alam. Collectively they shape one of the most powerful photographic movements of modern times. Continue reading “Defying the Laws of Gravity”

Global Photography Exhibition Opens at UN Rights Council Meeting

Photographs Humanize Rule of Law and Access to Justice

Photographers: Kabir Dhanji, Lucas Lenci, Shehzad Noorani, Vicky Roy, Farzana Wahidy
Curator: Shahidul Alam
?In Focus: Justice and the Post-2015 Agenda,? a photo exhibition on the challenges of development and the rule of law by the International Development Law Organization (IDLO) and Majority World photo agency, launches on the 2nd March 2015?during the opening of the UN Human Rights Council Meeting in Geneva.
IDLO_Photo Exhib 2015_Booklet_WEB FINAL_Page_01 800 pix
Continue reading “Global Photography Exhibition Opens at UN Rights Council Meeting”