IDLO Photo Exhibition in Rome Farnesina Porte Aperte 2015 22 – 29 May 2015
IDLO’s photo exhibition “In Focus: Justice and the Post-2015 Agenda” will form part of this year’s initiative by the Italian Ministry of Foreign Affairs and International Cooperation to open its doors to the general public. From 22 until 29 May 2015, visitors will be able to participate in “Farnesina Porte Aperte” and view the exhibition during guided tours of the building. The Farnesina’s art collection is internationally recognized, and IDLO is proud to have been chosen to exhibit alongside this.
Curated by IDLO and the photo agency Majority World, the exhibition focuses on the challenges of development and the rule of law. From gender equality and indigenous rights to energy poverty and land tenure, it presents the rule of law as lived experience. The pictures vividly explore the human side of the rule of law and its importance in everyday life.
?In Focus: Justice and the Post-2015 Agenda? illustrates these themes through 32 images – taken by photographers from Afghanistan, Bangladesh, Brazil, India and Kenya – ranging from the Amazonian settlement of Colniza, Brazil, where rule of law measures have reversed illegal logging and deforestation, to the energy-starved metropolis of Kibera, Africa?s largest slum.
To sign up for a guided tour, please visit the Ministry of Foreign Affairs and International Cooperation?s Farnesina Porte Aperte website and choose the ?art route?, currently available from Monday 25 until Wednesday 27 May.
Before traveling to Rome, the exhibition was shown at the Palais des Nations in Geneva, to coincide with the 28th session of the United Nations Human Rights Council. Over the coming months, it will be shown in Milan, New York, Washington and The Hague, and will return to Rome for an exclusive viewing in November.
Quiet moments, tender thoughts, wistful emptiness make up our love songs. Raindrops on misty windowpanes, the cool breeze of dusk, dry leaves, fill our odes to belonging. We pine. Almost inaudibly we whisper, I miss you. Intimacy is most intensely felt through absence. The warmth of togetherness, shared secrets, discovered moments remind us of how it had been. I miss you, we whisper again. Intimacy is personal. Bitter sweet. Painful. Exuberant. Wondrous. Continue reading “Drik's 2015 Calendar: "Intimacy"”
There?s an electricity in the moon. A pulse, a magic, an energy. A bewitching entrancement unlike that of the sun.
The moon is for things unseen, things done in the shadows and beneath the fog. Under bridges and beneath bed sheets ? it?s for wild hearts and unconcerned minds. It?s where plans are made in dark alleyways and secrets revealed under the soft haze of light coming through the cracks of closed shutters.
Win a festival catalogue!
Deadline: 28 February 2014
Propose your theme for Chobi Mela VIII, January 2015
Chobi Mela, the international festival of photography since its inception in 2000 has aimed at exploring the semiotics of present day photographic practice in a broad international context, to bring about an understanding of the medium both within the industry and amongst the public at large. The past festivals, thematically addressed?Differences, Exclusion, Resistance, Boundaries,?Freedom, Dreams and Fragility?provided an opportunity to fine art photographers, conceptual artists and photo journalists, to explore possibilities, in its myriad forms.
Chobi Mela invites you to propose a theme for its upcoming eighth edition. Proposals will then be debated online and followed by a poll. The most voted theme will be chosen for the next festival and will win an exciting copy of the Chobi Mela VIII catalogue. Deadline: 28 February 2014
Drop your theme and be a part of world?s most inclusive festival!
It was during a discussion for a planned exhibition of his personal photographs that artist David Hockney hit upon a new way of making pictures.?Alain Sayag, of the Pompidou Center in Paris, had visited Hockney at his LA home, and was looking through the 100-odd photo albums, when Hockney realized the photographs had ?cheated,? as they had not captured a true sense of the events they depicted.
In the history of the Nobel Prize, nearly every Laureate has pursued the arts. According to research by psychologists Michele and Robert Root-Bernstein, ?almost all Nobel laureates in the sciences actively engage in arts as adults. They are twenty-five times as likely as the average scientist to sing, dance, or act; seventeen times as likely to be a visual artist; twelve times more likely to write poetry and literature; eight times more likely to do woodworking or some other craft; four times as likely to be a musician; and twice as likely to be a photographer.?
It only takes a single glance to recognize a classic. The confirmation can be seen here, in this direct, forthright photography ? the same quality that came through in the series devoted to ?Salty Tears?, in which Munem Wasif examined, documented and questioned the situation regarding water in his country, Bangladesh. Classic by choice, starting with the choice of black and white, whose relative distancing from reality demands exacting precision in the composition. Arising, as always in photography, from a succession of rejections, eliminations and decisions, this choice precludes the picturesque quality that too often prevails when lands and peoples are viewed through the prism of exoticism. But black and white, while it places the photographer within a documentary tradition long associated with journalism, obliges him to go beyond merely transposing a visual record of the world. He must take a position, and he does, deliberately and consistently.
My research for the curatorial presentation at the Angkor Wat festival led me to many interesting bodies of work. I had help from several areas. The photographers themselves, particularly Pedro Meyer, Frad Baldwin and Wendy Watriss of Fotofest, were many amongst them. Francoise Callier??helped by giving me unfettered freedom in choice and format. It was hard work, but I was enjoying it. As always, there was work I couldn’t include into a 90 minute presentation. I decided to continue the work. Here is some of the work that didn’t make it to the show. Not because the work wasn’t good enough, but because it didn’t quite fit. Enjoy:
Moscow-based photographer Alexander Khokhlov and makeup artist Valeriya Kutsan have created a bewitching series of portraits that play with the natural lines of their models? faces and twist them into strange new forms.
Their newest series of stunning colored portraits,?2D Or Not 2D, is only the latest collaboration between the two artists. Khokhlov and Kutsan have also created portrait series with powerful black-and-white designs and a series parodying the popular Angry Birds game. The designs are amazing ? some of them soften or break down the face?s lines, while others reinforce them or create unnaturally perfect patterns. Continue reading “2D Or Not 2D”