The Tide Will Turn

Shahidul Alam: The Tide Will Turn

Edited by Vijay Prashad

Texts by Shahidul Alam and Arundhati Roy

To my fellow prisoners in Keraniganj Jail, and the youth of Bangladesh who continue to resist, and to Abrar Farhad who was murdered by fellow students for his defiance.
Book design by Shahidul Alam and Holger Feroudj / Steidl Design
184 pages
7.3 x 9.3 in. / 18.5 x 23.5 cm
37 black-and-white and 74 colour photographs Four-colour process
Clothbound hardcover
€ 28.00 / £ 25.00 / US$ 30.00
ISBN 978-3-95829-693-0
A Bangladeshi policeman gags photographer Shahidul Alam to prevent him from speaking to the press during a court appearance 6 August 2018. Photo courtesy Suvra Kanti Das

“On the night of 5 August, I did not know if I was going to live or die,” writes Shahidul Alam, one of Bangladesh’s most respected photo- journalists, essayists and social activists, remembering his arrest, torture and eventual 101-day incarceration in Keraniganj Jail in 2018. Just a few hours before, he had given a television interview criticising the government’s brutal handling of the student protests of that year which had called for improved road safety and an end to wider social injustice—in his words, “the years of misrule, the corruption, the wanton killing, the wealth amassed by the ruling coterie.” Combining Alam’s photos and texts with those of a range of collaborators, including artwork by Sofia Karim and fellow inmates, The Tide Will Turn documents his experiences, the global support for his release, and the ongoing fight for secularism and democracy in Bangladesh and beyond.

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Described by its editor Vijay Prashad as about “the beauty and tragedy of our world, about how to photograph that dialectic,
and about how to write about it,” Continue reading “The Tide Will Turn”

Embracing the Amateur

Photo: Javed Miandad Design: Mahbub/Drik
Photo: Javed Miandad
Design: Mahbub/Drik

We spot a lens peering at us from the corner of our eye. Immediately we straighten up, fix our hair, smooth the rough in our clothes, consciously make – or avoid – eye contact. Only the well trained is able to visibly avoid responding to the camera?s presence. The professional photographer prides in her ability to take ?natural? photographs, where her intervention is invisible. Yet, peering through family albums, wedding folders or a Facebook status we find ourselves actively inviting the portrayal of how we want to be seen. Whether we consider a photograph of ourselves to be ?good? largely depends on how well the photographer has represented us, as we would want it. As such the photographer?s success depends not so much on her aesthetic sense or insight, but on her ability to please the sitter. While this applies to the casual portraitist, it is much more true of the professional photographer. Her bread and butter depend on a satisfied client and as such, are driven by an external agenda. Whether it be a corporation, or an NGO or a newly wed couple, a good photographer is one who delivers what is required. Continue reading “Embracing the Amateur”