Life Without Sex

By?SOPHIE FONTANEL New York Times?

Published: July 20, 2013

PARIS ? FOR a period of my life, from my 27th to my 39th years, I slept alone: I had no sex. I wasn?t unhappy. Or frustrated. In fact, I found no sex preferable to disappointing sex.

Just before giving up, I had a boyfriend. He often said that we were happy sexually, but frankly he was blind to my unhappiness. So that winter, I went skiing without him.

Alone in all that sun and snow, absorbing energy from the sky and mountains, I let my body breathe quietly. The freedom and whiteness of the snow and mountains produced a kind of ecstasy. And the special pleasure I found skiing in this paradise made me think about the possibilities of my body, my sensuality. And I asked myself, ?Sophie, is your sexual life so very stimulating, actually?? And my answer was, ?No.? I realized that even when I took pleasure, I was not ecstatic with my sexual life. In fact, I seemed to be going through the motions of lovemaking because, I thought, that?s what everybody did. I decided to take a break, to recover a true desire.

And what a break! Twelve years!

It was so easy to stop.

At the beginning, I kept the fact that I had given up sex a secret, and nobody around me could guess how untouched I was. I knew perfectly well that people accept all kinds of sexual behaviors, just so long as you are doing something with your body.

Are you single, married, engaged, ?it?s complicated?? Are you straight, gay, a lesbian? All of these categories suggest sexual activity, which somehow reassures us. You are doing something.

But I don?t think that?s our true life and rhythm. We are not machines. Nothing is so tidy about our sex lives. We are very alone in how we dream. We are not making love as easily as we boast we are. And when we are making love, it is not always enjoyable.

We are liars, poor liars trying to mystify one another. Perhaps French people are especially big liars. At the very least, we are full of contradictions. If you visit Paris, you will notice that we are very thin, even if we are the country of bread and cheese. We are also very sexy, but maybe it?s only a show to save our reputation.

By giving up sex, I abandoned all this pretense. During the 12 years I didn?t have sex, I learned so much. About my body, the role of art in eroticism, the power of dreams, the softness of clothes, the refuge and the importance of elegance. That I can take more pleasure while watching Robert Redford shampooing Meryl Streep?s hair in ?Out of Africa? than being in a bed with a man. Sometimes I took pleasure just by staring at men?s necks. Sometimes, just by listening to a voice. It was libido, trust me. It was desire. But society doesn?t recognize this kind of felicity. It?s too much! I?ve learned that most people mainly want to prove that they are sexually functioning, and that?s all. Strangely, people are ashamed to admit that they are alone in their beds, which I discovered is a huge pleasure.

Even the pleasure you can give to yourself (everyone asked me about masturbation) is a paradise. Alone, you are so completely free. Your imagination can sleep with who you want, even Cary Grant! He was one of my lovers, actually.

As I wrote about my experiences, I thought a lot about privacy. I realized privacy is not about what you are doing so much as about what you are not doing. Privacy is that which you can hide ? which, in our modern society, is not much. Sexuality is completely on display. Around me, children know about their parents? sexuality; parents know about children?s sexuality. Where is the treasure of silence, of things not shown? Where is the mystery? Our openness is a good thing, for many reasons (of course!), but it has made indiscretion the norm. Everywhere, the question of ?Who are you?? is answered with an explanation of sex. This is silly. We?re more than that. We?re poetry, we are floating creatures, sometimes happy sexually, and sometimes in a desert, even as we share our lives with someone.

I believe that a desert is sometimes necessary. Sometimes, it is what your soul and your body need. A rest. To dream instead of do. And believe me, when the body really wants the skin of someone else, it knows perfectly how to behave. You will look into someone?s eyes, and nature will take over. No matter how old you are. No matter wrinkles, or norms.

Finally, I?ve met someone. Not a long story, but a very important one. I?ve met a man who is not afraid of my long years of solitude and is perhaps heated and reassured by my honesty and what he calls my ?exciting expectations.? Who could ask for more?

Sophie Fontanel is the?author?of the forthcoming book ?The Art of Sleeping Alone.?
A version of this op-ed appeared in print on July 21, 2013, on page?SR12?of the?New York edition?with the headline: Life Without Sex.

Author: Shahidul Alam

Time Magazine Person of the Year 2018. A photographer, writer, curator and activist, Shahidul Alam obtained a PhD in chemistry before switching to photography. His seminal work “The Struggle for Democracy” contributed to the removal of General Ershad. Former president of the Bangladesh Photographic Society, Alam set up the Drik agency, Chobi Mela festival and Pathshala, South Asian Media Institute, considered one of the finest schools of photography in the world. Shown in MOMA New York, Centre Georges Pompidou, Royal Albert Hall and Tate Modern, Alam has been guest curator of Whitechapel Gallery, Winterthur Gallery and Musee de Quai Branly. His awards include Mother Jones, Shilpakala Award and Lifetime Achievement Award at the Dali International Festival of Photography. Speaker at Harvard, Stanford, UCLA, Oxford and Cambridge universities, TEDx, POPTech and National Geographic, Alam chaired the international jury of the prestigious World Press Photo contest. Honorary Fellow of Royal Photographic Society, Alam is visiting professor of Sunderland University in UK and advisory board member of National Geographic Society. John Morris, the former picture editor of Life Magazine describes his book “My journey as a witness”, (listed in “Best Photo Books of 2011” by American Photo), as “The most important book ever written by a photographer.”

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