They had risked all to hold on to this moment in history. The scarred negatives, hidden from the military, wrapped in old cloth, buried underground, also bore the wounds of war. These photographers were the only soldiers who preserved tangible memories, a contested memory that politicians fight over, in their battle for supremacy. These faded images, war weary, bloodied in battle, provide the only record of what was witnessed. Nearly four decades later, they speak.
Women marching in the streets of Dhaka. 1971. ? Rashid Talukder/Drik/Majority World
A photographic exhibition and film season that focuses on one of South Asia?s most significant political events: the foundation of Bangladesh as an independent state.
Pakistani soldiers surrendering on the 16th December 1971. ? Aftab Ahmed/Drik/Majority World
The Bangladesh war of independence in 1971 was one of the bloodiest conflicts in living memory. In an attempt to crush forces seeking independence for what was then East Pakistan, the West Pakistani military regime unleashed a systematic campaign of violence that resulted in the deaths of thousands of Bangalis. Many of the photographs from the unique collection of the Drik archives will be shown in the UK for the first time.
Dismembered head at the Rayerbajar Killing Fields where intellectuals were slaughtered on the 14th December 1971 ? Rashid Talukder/Drik/Majority World
Victorious Mukti Bahini returning home at the end of the war. ? Jalaluddin Haider/Drik/Majority World
Sheikh Mujibur Rahman on his return to Bangladesh from Pakistan. 10th January 1972 ? Rashid Talukder/Drik/Majority World
In 266 days Bangali, hill people and Adivasi resistance fighters and their allies defeated the military forces of Pakistan. The result was the birth of a new nation – Bangladesh – and the dismemberment of Pakistan.
It was only after the 16th of December 1971 when Pakistani troops surrendered in East Pakistan, that Bangladeshis began to realise the scale of the atrocities committed during the previous nine months.
Children amidst shells. ? Abdul Hamid Raihan/Drik/Majority World
1971 was a year of national and international crisis in South Asia. The history of Bangladesh is implicitly tied to the partition of India in 1947 and therefore the tragic events of 1971 are linked to Britain?s colonial past. For Bangladesh, ravaged by the war and subsequent political turmoil, it has been a difficult task to reconstruct its own history. It is only during the last few years that this important Bangladeshi photographic history has begun to emerge.
Now decades after the war, Autograph ABP in collaboration with Drik presents a historical photographic overview of Bangladesh 1971 at Rivington Place.
A major documentary photographic exhibition of primarily Bangladeshi photographers that focuses on the independence struggle in 1971. The exhibition is produced in partnership with Shahidul Alam, Director of Drik, a media activist and journalist from Bangladesh. This will be the first comprehensive review in the UK of one of the most important conflicts in modern history. It is recognised that over a million people died in 266 days during the struggle for an independent Bangladesh.
UK partner Autograph ABP. Curator Mark Sealy, director of Autograph ABP.
Exhibition open to public April 4th ? 31st May 2008
Press View – Both curators will be available to meet the press 11.30am ? 1pm April 3rd
The exhibition is accompanied by the Bangladesh 1971 Film Season throughout April 2008 in partnership with Rich Mix and The Rainbow Film Society. Please see attached document for full details.
For further information or images, contact Indra Khanna 020 7749 1261 or David A Bailey 020 7749 1264.
Autograph ABP, Rivington Place, London EC2A 3BA.
off Rivington Street
London EC2A 3BA
020 7749 1240
April 4th ? 31st May 2008
Open Tuesday – Friday 11am – 6pm
Saturday 12pm – 6pm
Entry is free. Venue is wheelchair accessible.
? Shahidul Alam: Curator, photographer, activist. Gallery Talk (in Bengali) 2pm April 5th
? Mark Sealy: Director of Autograph ABP. Gallery Talk (in English) 6.30pm April 17th
? Many other talks and events to be confirmed
? Bangladesh 1971 Film Season throughout April 2008 in partnership with Rich Mix and The Rainbow Film Society
? Special screening of documentaries and artists? films at Rivington Place to be announced
Photographers included in the exhibition: Abdul Hamid Raihan, Aftab Ahmed, BegArt Collection, Golam Mawla, Jalaluddin Haider, Mohammad Shafi , Naib Uddin Ahmed, Rashid Talukder, Sayeeda Khanom and Bal Krishnan.
It was a bad day for cows
Korbani meat being distributed outside National Museum during Eid. 21st December 2007. ? Shahidul Alam/Drik/Majority World
But the Bangladesh government had a supreme sacrifice in mind. When the most prized of your possessions needed to be sacrificed, and when the gods have changed to western powers, the four-legged creatures simply wouldn't do. The nation's most prized archaeological possessions were therefore bundled away in Homebound chariots to distant museums. The door to heaven's gate might not have opened, but a Schengen visa and perhaps a few trips to Paris for some, had surely been assured.
It was well timed. The Eid holidays meant there would be no newspapers for two days. Most reporters would be away. The streets of Dhaka would be empty. Holidays meant there was no rush. No pesky public to worry about at opening hours. Still one needed to be sure. Bus no Dhaka Jo 11 1767, was on standby with riot police. The police jeep Dhaka Jo 11 4364 followed behind. Then the media that got in the way. With so many Eid events to cover, why had they gathered round the national museum? The sanctity of sacrifice should surely have been respected. Reinforcements in the form of another busload of riot police came in via bus number Dhaka Jo 14 1799.
Balloon man outside National Museum. Friday 21st December 2007. ? Shahidul Alam/Drik/Majority World
Family out on Eid. Friday 21st December 2007. ? Shahidul Alam/Drik/Majority World
Aisha outside National Museum. ? Shahidul Alam/Drik/Majority World
Sign says the museum is closed from the 20th till the 22nd on account of Eid. Friday 21st December 2007. ? Shahidul Alam/Drik/Majority World
Aisha had come with her parents to visit the museum. Like many others they were turned away. The museum was closed, at least to the public. The Eid holidays of museum officials had however been cancelled. The shippers were working overtime.
Police returning to station, after staging the 'escape'. ? Shahidul Alam/Drik/Majority World
Police and plainclothes intelligence officials were present in abundance, their riot gear jarring with the bright new clothes of Dhakaites. Then it took another turn. Spitting and booing had failed to stop the Homebound trucks earlier. This time the protesters changed tack. Chains were put on the gate of the national museum. Visions of the Chipko Resistance
Protester chaining front gate of National Museum. Friday 21st December 2007. ? Shahidul Alam/Drik/Majority World
Police breaking padlock at front gate of National Museum. Friday 21st December 2007. ? Gazi Nafis Ahmed/DrikNews
Burning shirt in protest outside National Musuem. Friday 21st December 2007. ? Munir uz Zaman/DrikNews
Despite emergency rule and government efforts to bury the story, media continued to give the event full coverage. ? Shahidul Alam/Drik/Majority World
sprang to mind. In place of burglars breaking in, the comic view of government officials breaking their way out of the national museum to escape with museum valuables would have brought laughter in a trirotno drama (popular Bangladeshi sitcom). In the theatre of Bangladeshi governance, it was yet another tragedy.
"The benefits, for both countries, are cultural: it is a win-win situation where France gains a better knowledge of Bangladeshi heritage and Bangladesh gains a better image on the international cultural scene," the French embassy handout had clarified.
The partially demolished Rangs building continues to be a grave for the buried Bangladeshi workers far down the priority chain. Presumably, that is a 'Bangladeshi heritage' the Parisians will not get to see.
The last time round, they had been playing one of my favourite Bhupen Hajarika songs. This time there was no music, and no one was smiling. Even the Bangladeshi flag failed to flutter on this Eid day. Video of trucks carrying artefacs out of museum. ? Shahidul Alam/Drik/Majority World
embed> Bangladeshi flag refuses to flutter as prized Bangladeshi objects are taken out of museum. ? Shahidul Alam/Drik/Majority World
Video of trucks carrying artefacs out of museum.
He was charming, witty, and took blame upon himself. Adviser Ayub Quadri, was the Minister of Education, Minister of Primary and Mass Education and Minister of Cultural Affairs, Government of the People?s Republic of Bangladesh. He was the perfect guy to rely upon for damage control. The public school background showed, as did the many years as a top bureaucrat. He had been a member of the elite Civil Service of Pakistan (CSP). An old boys network that still holds clout in the subcontinent.
The Press Information Department (PID) auditorium on the 3rd floor of Building 9, in the Bangladesh Secretariat was packed. Unlike many other Bangladeshi events this press conference started on time. Squeezing through the footpaths, crossing fences, lifting my bicycle over rickshaws stuck in traffic, I had panted my way to the secretariat. The police at gate 2 had been too perplexed by a bicycle going through the gate to even stop me for papers. I arrived just as the first question was raised. It was a packed hall, and while I thought I would stay at the back, I realised that I needed to get up there to stand any chance of getting a question in. I sat on the floor in between the video tripods.
The journalists had done their homework. And while there were a few questions that were repetitive, by and large, they knew what they wanted. In response to a question about the alleged corruption charges against one of the government officials involved in the transaction, the adviser joked. “Well I am the person in overall charge. The police don’t seem to be after me for corruption.” Pretty answer. Pity it didn’t answer the question.
The large table with the adviser in the middle was imposing. The Secretary of Culture on the left and another officer on the right played a largely ornamental role. So did the entire row of officials in the back. They did however lean forward to whisper in the adviser’s ear from time to time. The question came up of the alleged transportation of the bronze casket in 1959 to France, which Mr. Zakaria, the ex Secretary of Culture had mentioned in a press conference on the 1st December. The adviser let the question slip, saying he’d heard of such accusations and was looking into it. A member of the back row broke ranks and retorted, “There is no such record.” Mr. Zakaria, also an ex director of the department of archaeology, had mentioned a 49 year fight to get back this prized possession, without success. A journalist mentioned the case of the 30 paintings of Mohammad Younus. They had been sent to Yugoslavia, on a government to government exchange. None had ever come back. Quadri again said he didn’t know. “Don’t know” was quite a common response to questions. Candid perhaps, but not particularly useful.
In answer to the questions about the irregularities regarding the loan inventory, the adviser did provide figures, but no documents he could back them up with. Questions from the floor pointed to the disjoint between the figures he quoted and the ones given in the government documents submitted to the court. That they didn’t correspond to the inventory produced by the French themselves. He promised to provide updated documents this very evening. Tomorrow morning at the latest. Why the government had provided documents to the court which did not tally with the shipment, was a question that never got asked, and was certainly not clarified. The mystery of calling a press conference, but not having these documents at hand was never solved by the guests.
“I have full confidence that the items will come back.” He said, taking the weight of the world on his shoulders. As to why Bangladeshis should have confidence in him, was one that was never clarified.
“The company that had packed the crates have been doing so for 300 years,” he mentioned. The doubters have been asking for the packers to be named ever since the beginning, but have not been given an answer. Those who had thought the press conference would enlighten them were disappointed.
Since only government members of the committee were present, there was no one to question the claim that everything had been done to please the committee. That the committee had been fully satisfied with the proceedings. The fact that the official letter by the committee, in the hands of the press, said something entirely different was a mere technicality.
The inconsistencies were the problem. We still don’t know exactly how many items are being sent. Neither do we know exactly what is being sent. The few specifics the advisor provided, that there were “50 silver coins, and 8 gold coins,” might have helped in purchasing supplies for an Everest expedition, but didn’t help much in evaluating either the value, or the specifics of a museum item. Especially when the court record states “50 punchmarked coins” in one entry and an unspecified number of “gold and silver coins” in another. Assuming the number of silver coins in the latter entry is non-zero, and that the punchmarked coins are all silver, we still have a problem. The French inventory specifies “93 punch marked coins.” Are the “gold and silver coins” non-punchmarked? Do they add up to the “8 gold coins” the adviser was referring to? 50 + non-zero number = 50 and 50 + 8 = 93 in Ayub Quadri’s arithmetic.
There are bigger issues. He generally accepted that the insurance value was low, but claimed that it was an academic issue in the case of priceless items. Especially since he was confident that they were all coming back. However the French press release, issued on the 25th September 2007, stated that the insurance value was 4 million euro. The adviser today clearly stated 2.6 million euro. So who are we to believe? We are after all talking of the most prized possessions of a nation. Consistent statements help remove doubt. The adviser’s “confidence” might work on a poker table, but does little to put a worried population at ease.
He brushed off the accusation about whisking off the items in a hurry, or that there was any question of impropriety or stealth in terms of going against court directives. When asked why such an important event, which was covered by all major independent media, was completely unreported on state television, he smiled. The gentleman on the right did speak up this time. He pointed out that the question was “irrelevant.”
Other questions remain. Gold and silver coins is one thing. In the documents presented to the court by the government, even one of the most valued items, the large (and extremely rare) bronze statue the Vajrasattva does include an insurance value (not always the case for other items listed) of 200,000 euro. This item too does not have an accession number.
Quadri was unruffled throughout, never losing cool. Always extremely pleasant. His only admission to some concern was in answer to a question about when the items would come back. He said in no uncertain terms, “April.” He added, “Until then, I will stay worried, and looking at the mood in the room, I can tell that you too will not rest.” I hope he meant 2007.
As a child, we would watch the candy floss man take a tiny spoonful of sugar, a dollop of colouring and would watch with amazement as the machine spun out a pink web, which he would twirl around a stick. One portion was only dui poisha (two paisa). A figure which we could realistically save up. The large pink fluff, folded on contact, and melted in the mouth, but did give a sense of attainment. We called it hawai mithai, sweet made of air. This candy floss press conference too, had little substance but plenty of form.
Whether the media kids will feel they got value for their dui poisha is something we’ll see in tomorrow’s headlines.
3rd December 2007. Dhaka.
Previous governments have killed farmers when they demanded fertilisers and seeds. Villagers have been killed when they had the audacity to demand electricity, resist open pit mining. Yesterday 14 cyclone affected people were detained for trying to present a memorandum demanding relief. We wonder what demands for saving our heritage will bring.
Singapore Airlines warned of “protests by university students developing in Dhaka” as we boarded the plane. But emails from Delower and Rahnuma during the brief stopover in Singapore talked of the curfew in place in the six main cities. This was no longer a small skirmish in Dhaka University. Joshim was going to be at the airport with my accreditation card and we would try and find a way back home.
Students at Dhaka University under teargas attack, throwing bricks at police. 22 August 2007. Dhaka Bangladesh ? Munir uz Zaman/DrikNews
Students at Dhaka University shielding themselves with sheets of tin, during fights with police. Photographer anonymous.
Protesting students gather at Dhaka University campus during violent clashes with police. Photographer anonymous.
Student hit by police shotgun bullet being carried away by fellow students. Photographer anonymous.
Enraged students burn a car at the Teacher’s Student’s Centre (TSC). Photographer anonymous.
Members of Dhaka University Teacher’s Association protesting against the attacks on campus by police and army, and demanding withdrawal of the state of emergency. Two of the teachers in the front row have since been arrested. 22 August 2007. Dhaka Bangladesh ? Munir uz Zaman/DrikNews
Rocketing prices of essentials create extreme distress for people with low earnings, like the people pictured in the foreground. The military of Bangladesh, which has not had to fight since the birth of the nation in 1971, has in the meanwhile, had increasing budgetary allocations in each successive regime. Numerous allegations about corruption in military purchase, has gone uninvestigated. 22 August 2007. Dhaka Bangladesh ? Munir uz Zaman/DrikNews
The government had taken all mobile networks off the air. With only official press releases for information, the person in the street was in for a rough time. It was easy to find Joshim in the empty car park. Only the occasional long distance truck plied VIP road. I put the video camera on record mode, but relied on my less conspicuous LUMIX to photograph the empty streets. Though I stopped on the Mohakhali flyover to take pictures, I was nervous when the RAB vehicles passed below. There was never a good time for being arrested, but this was as wrong a time as it could get.
Aaasteeey! The policeman strode over lazily. Ki bapar? I did have my card dangling from my neck, and from previous experience, used my confident, ‘I belong here’ approach. That usually worked best with low tier security people.
The Mohakhali Junction, one of Dhaka’s busiest traffic spots, is empty on the night of the 22nd August, when the government called an indefinite curfew. Dhaka Bangladesh. ? Shahidul Alam/Drik/MajorityWorld
I’d stopped to take pictures by the near-empty Tejgaon rail station. Stepping carefully through the people sleeping on the floor, I came up to Shahjahan and Neela. Unaware of the curfew, they had brought their sick child Shamim from Tangail, but got stranded in Tejgaon. There was no food, no doctor, no place to sleep, no way of knowing how long this would go on. Each visit to the toilet cost 5 Taka.
Stranded passengers at Tejgaon Railway Station, sleep on the floor. 22 August 2007. Dhaka Bangladesh. ? Shahidul Alam/Drik/MajorityWorld
Shahjahan and Neela tend to their sick child Shamim, whom they had brought to Dhaka for treatment. Along with other stranded passengers at Tejgaon Railway Station, the family had no food or drink, or a place to sleep. 22 August 2007. Dhaka Bangladesh. ? Shahidul Alam/Drik/MajorityWorld
The next checkpost was slightly more hostile, but the expired accreditation card dangling from my neck was working overtime. We passed without much harassment. Dropping Joshim home, I went past the Shonar Bangla Market in Karwan Bazaar. The busy market place had a haunted look. No cackle of chickens, haggling for prices, or calls from vendors. Just one man counting loose change.
Shonar Bangla Market at Karwan Bazaar is one of the busiest market places in Dhaka. The shops are empty on the night of 22nd August 2007. Dhaka Bangladesh. ? Shahidul Alam/Drik/MajorityWorld
The brightly lit Square Hospital in Panthapath stood out in the dark. Government orders to turn down the lights after dusk to save electricity was presumably for commoners only. The street was empty, but this time as I approached with my camera police converged from all directions. I fumbled a bit, but recovered in time to get one shot. This was not the time to look for best angles. Rattling off important sounding words like ministry of information, and dropping the occasional names I could think of, I got into the car and drove off before the uniformed men had gathered their wits. A government adviser’s business interests in Square Pharmaceuticals – while undeclared – was well known. Students had already attacked the building the previous day. The approaching police knew whose business interests to protect.
The Square Group, one of the wealthiest business enterprises in Bangladesh owns the Square Hospital. Government regulations prohibit the excess use of electricity and non-essential shops are required to close by 8 pm. Several people were killed by the police when they came out in protest, demanding adequate electricity. The Square Group is owned by the family of one of the advisers of the caretaker government. 22 August 2007. Dhaka Bangladesh. ? Shahidul Alam/Drik/MajorityWorld
The road through Dhanmondi was eerie. The women who walked the streets near Abahani playground were nowhere to be seen. Like the many others who struggled to make a living, they too would not be earning tonight.
The junction near ULAB was scarred by burnt tyres. The convoy of police vans deterred me from getting my camera out and I turned into road 4A. It was time to go home. Kamaler Ma, Joigun, Zohra and Rahnuma were all up waiting. With the mobile network off, they didn’t have any news about me. There must have been others in many more homes who were up worrying.
Rahnuma and I talked of the events over the last two days, of the army camp in Dhaka University. Of a soldier slapping a student. Of the vice chancellor (acting) being beaten up by police. This had never happened before, not even during the Ayub or Ershad military regimes. The reference to ‘evil doers’ in the chief adviser’s speech to the nation was worryingly close to the ‘axis of evil’. Independent media channels were then still defiant. That night the information adviser advised the media to practice ‘self censorship’.
Despite their claims, this government had never been called in by the people. We had no say in who the advisers would be. It was not military rule the people had welcomed, but the cessation of violence and the fear of further anarchy if the rigged elections were held. Banana trees would have made equally good replacements. However, banana trees would not have sold national interests. Closed down environmentally-friendly jute mills. Made slum dwellers homeless, or tortured and killed adibashis protesting the military acquisition of their ancestral lands. So while there was initial relief, as the price of essentials soared, news of nepotism and the partisan manner in which Jamaat -e-Islami was being shielded soon made people realise this banana tree would never bear fruit, let alone run a government.
Warrantless arrests by plainsclothes army under the cover of curfew. Dissenting teachers picked up in the middle of the night. Making threats to independent channels ETV and CSB are hardly the character of a saviour government pledged to the return of democracy. As the behind-the-scene military decides it will now take centre stage. As Bangladeshis realise that a democratically elected autocratic government has simply been replaced by an unelected autocratic one, the tune in the streets is changing.
Symbols of fascist oppression drawn on university road. 21st August 2007. Dhaka Bangladesh ? Munem Wasif/DrikNews
Multiple demands of students and teachers have been whittled down to one – withdraw emergency rule. Underground pamphlets are spreading like wildfire. With the Internet down, text messages are filling up the ether. The information adviser’s suave statements to the media faltered as he snapped, “why such a fuss about a slap or two?”
The photograph that was being shown here has been removed on the request of the photographer
“In unprecedented scenes, soldiers in uniform were seen being chased out of the Dhaka university campus by students. In two days, the myth of the army’s omnipotence was all but laid to rest.” BBC. Photographer Anonymous.
The US has declared support for the chief adviser’s statement. What he lacks is the support of the people.
It was nearly twenty years ago when I had written this. After one of my first photojournalistic assignments:
What does one photograph to depict a flood? A submerged house, a boat on a highway, people wading in water?
As we boated through the branches in Jinjira we found a wicker basket in a tree. The family had long since abandoned their home, and their worldly belongings, gathered in that basket, waited patiently for their homecoming.
Wicker basket in tree. Jinjira. 2nd September 1988. Dhaka Bangladesh. ? Shahidul Alam/Drik/MajorityWorld
The worst flood in a hundred years? That statistic is hardly relevant. They, as those before them and after them will always face the floods. How does it matter whether they are 60% starved or 75% starved? How does it matter what country the relief wheat comes from? They themselves are mere statistics to power hungry politicians.
The family still needed to be fed. When I went back the next day to this place in Jinjira, the water had risen another three feet. I never saw her again. 2nd September 1988. Dhaka Bangladesh. ? Shahidul Alam/Drik/MajorityWorld
What is relevant are the feelings that have been kindled, that half kilogram of rice that has been shared, that solitary dry house that has warmly welcomed all who have needed the shelter. That others have shared the pain.
Wading down a street near Kamlapur railway station. “Dreamland Photographers”, the local studio, was still open for business. 2nd September 1988. Dhaka Bangladesh. ? Shahidul Alam/Drik/MajorityWorld
What is relevant is that now the roads are dry and the walls repainted and that a nation that once so cared has so quickly forgotten.
I look back and merely feel the ineffectuality of my images.
Nearly twenty years on, the floods are with us again. They are a part of our natural agricultural cycle. They irrigate the land, replenish the topsoil, remove the toxins. But deforestation in the mountains, illegal constructions, ill planned roads and ill caring leaders make floods take on a violent form. The waters get angry.
This year, when the waters had risen, our adviser advised that it was not yet a calamity. When the waters reached danger levels, the decree came that because of the state of emergency, ‘[political] banners were banned’ so while people struggled for food and shelter, banner rights became the issue. Now as the waters engulf the land and people flounder in need of relief, our adviser advises us ?we don?t have to help the people, they?re going to their relative?s house by themselves?.
Now that is a solution Bangladesh can offer to all the distressed people in the world. Just go find a relative.
Before the floods. People affected by cyclone Akash. Mohishshoiri River. Khulna. 21 May 2007. ? Tanvir Ahmed/DrikNews
Woman fishes in the flood waters. 13 June 2007. Comilla Bangladesh. Kalim Shantu/DrikNews
Twenty villages had been affected at the junction of the rivers Ghagot, Brahmaputra and Teesta making numerous people homeless. 31 July 2007. Gaibandha. Bangladesh ? Quddus Alam/DrikNews
Woman in search of dry land. 30 July 2007. Sirajgonj Bangladesh ? Tanvir Ahmed/DrikNews
Villagers rescuing mother and child. 30 July 2007. Sirajgonj Bangladesh ? Tanvir Ahmed/DrikNews
Woman feeding goats in makeshift tent. 30 July 2007. Sirajgonj Bangladesh ? Tanvir Ahmed/DrikNews
Diarrheal patients at hospital in Dhaka. 11 August 2007. Dhaka Bangladesh ? Munir uz Zaman/DrikNews
Spontaneous relief operations organised by citizen groups. 30 July 2007. Sirajgonj Bangladesh ? Tanvir Ahmed/DrikNews
While one third of the country was flooded, people inside the DND (Dhaka Narayanganj Demra) embankment faced the stagnant water cause by rains. 25 July. Narayanganj Bangladesh ? Tanvir Ahmed/DrikNews
700,000 people were marooned in Sirajgonj. 64 people had already died when this photograph was taken. 5 August 2007. Sirajgonj Bangladesh ? Tanvir Ahmed/DrikNews
Boats are the only means of communication during floods. July 2 2007. Rangpur, Bangladesh. ? Ador Rahman/DrikNews
A family looks for shelter using a raft made of banana trees. 31 July 2007. Gaibandha Bangladesh ? Quddus Alam/DrikNews
And across the border, viewed from afar:
The Rains Reach Kolkata
When I was just a little boy, I watched the clouds advance
From rooftop high above the streets and bustle of Calcutta.
Up there, I watched the hawks soar high, and saw the palm fronds’ dance,
In wind that blew before the storm, and banged each window shutter.
It was in June, when summer’s heat had risen to its height,
That clouds approached, as though for war, advancing in a line,
Their heads held high, dark wall beneath — a fear-instilling sight,
With lightning streaks, and thunder-growls of warriors divine.
The sparrows, crows and pigeons fled, in haste to get away
And find refuge, as dust was blown from streets by gusts so strong
That palm trees bent, and tossed their heads, and back and forth did sway,
As leaves and clothes, and sailing fronds, with birds were swept along.
Then from the heat, we knew respite, as cool winds did descend
>From belly of the thunderhead, which bore a mist so fine,
With ions, whose electric charge did minds and bodies mend
And lift from summer somnolence like clear celestial wine.
And I would run and scramble down, from perch on highest roof,
To shelter in a doorway, where I still could watch the storm
Without myself being blown away, or struck by lightning hoof,
As racing clouds obscured the sky, like wraiths in equine form.
And then the dark, the greenish gloom, the flash more bright than sun,
The crack so loud it seemed the earth was cloven by the sky,
And pelting rain in slanting sheets, like bullets from a gun,
On roofs of tin, and wooden shades, and roll of thunder high!
And so the chariots of the gods would roll by overhead,
And we could hear the neighs and roars, and see the sparks that flew
As titans battled in the skies, by trumpet blowers led,
And sword of land pierced mail of sea, and blood of rain then drew.
And all the kids would venture out, unheeding of the scolds,
To jump with glee and leap and splash, in dance as old as time,
And yet as freshly bold that day, as in the eons old,
When sea would come to land to fight, and mate, in yearly rhyme.
Babui / Arjun Janah*
2007 August 11th, Sat.
*Arjun has an identity of his own, but for us photographers, he is the son of the legendary Indian photographer Sunil Janah.
Portraits of commitment
Why people become leaders in the AIDS response
Challenges help us find our true selves. They take us on a journey within the depths of who we are, leaving us at a destination we hope is worthy. Some people find themselves at lesser places.
AIDS is one of those challenges.
The South Asians in this book tell how AIDS has made them a better doctor, researcher, legislator, citizen or person. We know AIDS affects our daily life?but because of it we now have more respect for human rights and individual choice where once there was little or none. AIDS has helped us to see who we want to be.
Photographs by Shahidul Alam. Interviews by Karen Emmons. Commissioned by UNAIDS.
Viewers watching “Portaits of Commitment” at Fort Station in Colombo on the 21st August 2007, as part of ICAAP8. ? Shahidul Alam/Drik/MajorityWorld
A story from Sri Lanka on WAD: Positive & Strong Princey Mangalika on HIV/AIDS
Reviews: IPS. Daily Mirror
Shilpa Shetty. Actress, Big Brother Winner. Mumbai India. “Being a celebrity has advantages – people hear you. I thought I should make use of this position and speak out.” ? Shahidul Alam/Drik/MajorityWorld
Tahir Baig Barlas. Corporate Manager. Karachi Pakistan. “We have the opportunity to do something now before it’s too late. Let’s not be reactive.” ? Shahidul Alam/Drik/MajorityWorld
Sabina “Putul” Yeasmin, Daughter of a sex worker. Tangail Bangladesh. “I gave wrong information to make others afraid, as I had been. I had to go back and give correct information.” ? Shahidul Alam/Drik/MajorityWorld
Sapana Pradham-Malla. Advocate. Kathmandu Nepal. “I can’t turn away.” ? Shahidul Alam/Drik/MajorityWorld
Sally Hulugalle. Community Worker. Colombo Sri Lanka. “I want a better deal for those who are voiceless.” ? Shahidul Alam/Drik/MajorityWorld
Rev. Alex Vadakumthala. Priest. New Delhi India. “The church finds its meaning when it responds to the challenges of the times.” ? Shahidul Alam/Drik/MajorityWorld
Rajiv Kafle. Former Drug User. Kathmandu Nepal. “I saw a need and an opportunity where I could step up and really make a difference.” ? Shahidul Alam/Drik/MajorityWorld
Noor jehan Penazai. Partliamentarian. Islamabad Pakistan. “These politicians have to realise it’s a very serious disease and we have to talk about it.” ? Shahidul Alam/Drik/MajorityWorld
Dr. Ananda Wijewickrama. Doctor. Colombo Sri Lanka. “I had to do something for the patients …they needed a place to go, to be consoled and, if dying, to die with dignity.” ? Shahidul Alam/Drik/MajorityWorld
Arif Jafar and Anis Fatima, MSM and mother. Lucknow India. “I am grateful to Allah he gave such a son to me.” ? Shahidul Alam/Drik/MajorityWorld
Habiba Akter. Dhaka Bangladesh. Positive Counsellor.
“I have no choice. If I don’t do it no one will.” ? Shahidul Alam/Drik/MajorityWorld
An exhibition supporting the book opens at the Barefoot Gallery, in Colombo at 7:00 pm on the 18th August. 704 Galle Rd. Colombo 3.
When Jolly?s son Asif asked me to take a portrait of him and his new bride Rifat, I took it on with grandfatherly pride. The photo session was booked for Sunday morning, the 26th December 2004. Boxing day.
The envelope from Sri Lanka also arrived on Boxing Day. 2006. Priantha and his daughter Shanika had sent me Christmas greetings. I felt bad that I had not sent them one.
I used to love the winding path up to the hilltop house in Chittagong. Zaman Bhai was the chief engineer of the Chittagong Port Trust. One of the few Bangalis in high positions in 1971. It is thirty five years since the Pakistanis took him away, but even many years after liberation, my cousin Tuni Bu would still look for him. Anyone going to Pakistan would be given the task of trying to find out if there was any knowledge of where he might have been taken, what might have happened. One knows of course what must have happened, and I am sure Tuni Bu knows too, but that never stopped her from trying to find out. She was much older than me, and it was my nephews Bulbul and Tutul and my niece Jolly, that I was close to. Atiq was too young in those days to qualify for our friendship. The house had a fountain and the surrounding pool was our swimming pool. It was the only home I had ever known that had a pool. Technically I was of granddaddy status to Jolly?s son, and the young man reminded me of my own happy childhood.
While I played around with the studio lights, Asif told me of the Richter 9 earthquake that had hit Bangladesh. Of course I didn?t believe him. Richter 9 is big and there simply couldn?t have been an earthquake of such magnitude without anyone registering it. But I did turn on the news immediately after the portrait session, and the enormity of the disaster slowly sank in. I rang Rahnuma and asked her to turn on the television, and went back to work. By then however, the news of the carnage in places thousands of miles away started coming across the airwaves.
The next day the numbers steadily rose from the hundreds to thousands and we were glued to the set. Though we hadn?t said it out aloud to each other, both Rahnuma and I knew I had to go. BRAC had organized a training for women journalists in their centre in Rajendrapur on the 28th. I had committed myself to the training some time ago and couldn?t really bail out in the last minute. On the way I heard from Arri that my friend in Colombo Chulie de Silva was missing. I kept losing the signal on my Grameen mobile phone on my way to and from Rajendrapur, but near Dhaka I managed to get text messages through. Chuli was safe, but her brother had died.
Babu Bhai managed to get me a flight the next day via Bangkok. I had posted an angry message in ShahidulNews in response to the tourist centric reporting in mainstream media and many friends responded. Margot Klingsporn from Focus in Hamburg wired me some money. Not waiting for the money to arrive, I gathered the foreign currency I could lay my hands on, packed a digital camera and a video camera along with my trusted Nikon F5 and left. That was when I made friends with Shanika.
It was Chulie who helped trace her. She had heard my story and wrote to me that she had found a ?Shanika Caf?? near Hikkaduwa. We had gone out together in search of the girl. When we did find Shanika and her dad Priantha, she rushed to my arms.
Through Chulie?s translations Priantha told me that Shanika had been withdrawn and wouldn?t relate to people. It was our friendship that had brought out the little girl.
More than the wreckage and the rotting flesh,
I remember the mother in the refugee camp stealing a kiss from her new born child.
I remember the family sitting in the wreckage of their home in Hikkaduwa, going through the family album.
I remember the devotees returning to the Shrine of Our Lady of Matara Church to pray.
As a photojournalist we are touched by, and touch many people?s lives. Sometimes – not often – we are able to make a difference. But invariably we move on. On to another disaster, another success, another story in the making. The Shanikas of our stories, become yet more stepping stones in our career path, and the Christmas cards flow only in one direction.
28th December 2006
?Come out we won’t shoot?, they had yelled out over the megaphone. Not the most alluring of invitations, particularly when it is from a police van surrounding your flat at midnight. They had thought we were hiding someone and after searching our rooftop had come into our flat. As they left, I had gone out to take pictures from our verandah. Rahnuma had turned up the television volume to hide the sound of the shutter on my Nikon 501, but it still seemed to make a very loud click. Luckily, I wasn?t noticed. It was the 2nd December 1990. Ershad?s autocratic government was feeling the heat.
Two days earlier, after the Friday prayers, they had opened fire on the Baitul Mukarram mosque killing a man.
Lawyers had played an important role in our democracy movement. They had upheld writ petitions against the government, and when the government tried to flex its muscles, they came out in protest, united in their stand.
On this day, exactly sixteen years ago, barrister Shahjahan, Sarah Hossain and other lawyers were meant to meet at Drik. We were monitoring the government action, and were ourselves under scrutiny. My colleagues had warned me that plain clothed detectives were looking for me at the office. The detectives seemed to know we lived in Lalmatia, and my colleagues suggested that we stay elsewhere that night. Ma (Rahnuma?s mum), Rahnuma, Tehmina (a lawyer friend of ours) and I went over to Saif and Rini?s flat in Dhanmondi Rd 8. This was not the time for taking chances. The media too had played their role. When censorship became intolerable, they refused to publish. It was that night that Ershad had announced on television that he was going to step down. People were rejoicing in the streets. The following morning the first newspaper was out.
We all went out into the streets. Altaf on his motorbike, me on my bicycle, and the others in whatever transport they could find.
A little girl walked down Mirpur road with a bouquet of flowers in her hand. She too was celebrating the return of democracy. People were dancing in the streets. In Paltan, too often the scene of violence, people gathered in ones and twos.
Men and women in their sleeping clothes, some with children, gathered in the winter night. Chatpati wallas sensing a business opportunity appeared out of the fog. At about 1:30 am Shimul Billa, Bangladesh’s Shirley Temple, sang out ?Bichar poti tomar bichar korbe jara, aj jegeche ei jonota?.
The song ?O judge, the people have risen, it is now the day of your judgement?, was strangely prophetic.
And now in 2006, the chief justice of the supreme court intervenes to prevent a decision
going against a political party, lawyers ransack the court, a president with zero credibility heads a caretaker government, and of all people, Ershad himself is in the streets, demanding the removal of the current president, while Moudud, the chameleon survivor, then Ershad’s right hand man, now holds hands with the chief justice.
4th December 2006
An extra day! Not unusual in itself, but considering that a deadline had been announced so long ago, it seems a strange thing to ask for. What could happen in that extra day that could not have happened before? This extra day brings fresh violence, and while the advisers give us hope of ‘light at the end of the tunnel’, it is unfortunate that yet more loss of life continues while the politicians do their tap dance. If the Chief Election Commissioner (CEC) is to step down, he should do so soon. The presence of a party appointee as head of state, head of military and head of government is bad enough. An appointee Chief Election Commissioner armed with a rigged voter list simply cannot be the basis of a fair and free election.
If there be a genuine belief in a multiparty system, the process must involve, putting in place a caretaker government with backbone, and accepting a free and fair election regardless of the outcome.
Providing electricity, ensuring wage increase for garment workers, eliminating rampant corruption and ensuring freedom from extortion and ?crossfire? are far better means of ensuring support, than empty rhetoric, paid goons and spineless sycophants in key positions. There is more blood on the streets today. It is time politicians were made accountable.
It was Nasreen’s birthday on the 18th, but though friends gathered in their Dhanmondi home and sang songs, and Jamila stayed her chirpy self, gloom pervaded the air. The article in the Daily Star brought up renewed doubts about corruption, cover-ups and selling out the country.
Pathshala alumni Monirul Alam is on vigil outside President House. The expectation is that the CEC will be bringing his resignation letter. Drik photographer Shehab Uddin is in Nepal following the peace agreement. Perhaps we too can hope for peace.
Burning car at Russel Square, close to Pathshala earlier in the afternoon.
Singing in Mirpur Road
Protesting lawyers coming out of the Supreme Court
Open air concert at Russel Square last night.
Friends singing on Nasreen’s birthday
Chobi Mela IV continues despite it all. Rashid Talukder opened the splendid exhibition resulting from Morten Krogvold’s workshop, at Shilpakala Academy.
Despite my scraggly beard, Torsten thought I was Father Christmas when I went to drop off the Chobi Mela gift packs at the Goethe Institut, insisting that he teach me the German song that Santa Claus would have sung.
Two and a half years after the opening of the gallery, the airconditioners had still not been installed, but the viewers were not to be deterred, nor were the rag pickers outside Drik, Shanta and her friends, who decided the cool open space of Drik’s new gallery was the best place to try out their break dancing routine.
I am sure my pictures on the walls enjoyed their dance. I know I did.
It was a dramatic ending to Robert Pledge?s presentation. Via Topu and Omi, I?d received the news that the military had been called out. Robert wanted to finish the presentation, but once I?d announced the government?s decision, the auditorium of the Goethe Institut quickly emptied out. This particular Chobi Mela IV presentation had come to an abrupt end. It was 1987 revisited.
Noor Hossain had painted on his back ?Let Democracy be Freed? and the police had gunned him down on the 10th November 1987. But the people had taken to the streets and while we were scared the military would come out, there was no stopping us. It had taken three more years of street protests, before the general was forced to step down. The people had won. But then it had been a military general who was ruling the country. This was a civilian caretaker government. The general mistrust of a party in power, had resulted in this unique process in Bangladesh where an interim neutral caretaker government headed by a Chief Adviser (generally the most recently retired Chief Justice) and consisting of other neutral but respected members of the public were entrusted with conducting the elections. Why then the military? Yes, the president was a Bangladesh Nationalist Party (BNP, the largest party in the outgoing coalition government) appointee, there are ten advisors who are meant to be neutral.
A free and fair election hasn?t yielded the electoral democracy we had hoped for. After each term, the people have voted out the party in power, only to be rebuffed by a political system that has never had the interest of the people on their agenda. Still, the elections were held, and despite the fact that there had been one rigged election in 1996 (rejected and held again under a neutral caretaker government), an electoral process of democratisation, was slowly developing.
This time however, the total disregard for the electoral process has created a sham, and the three key people in this electoral process, the president, the chief adviser, and the chief election commissioner (CEC), are colluding against the people. The first two, being represented by the same person, was a BNP appointee. He also happens to be the head of the military. The CEC, now a cartoon character, had also been appointed by the BNP while it was in power. Coupled with a clearly flawed voters list, this has removed any hope of a free and fair election. Can the caretaker government genuinely conduct a fair election? I believe it still can, if given the chance, despite the president?s lack of credibility. But for that to happen, the military, the bureaucracy and the police need to remember that it is with the people that their allegiance lies.
However, it does depend upon the removal of the other obstacles. The election commissioner cannot constitutionally be removed, and his removal is central to the opposition demands. What then can we do? There is only one body higher than the constitution, the people themselves. The advisors need to be empowered if they are to pull off this election. Sandwiched between a partisan executive head and another partisan CEC, the advisers risk becoming irrelevant. The only way this can be checked is if people come out in droves. Not ?hired for the day? supporters but ordinary people committed to civilian rule, and a multi-party system.
It is we the people who need to take to the streets. And it is time we sent out the message to all political parties, that an entire nation cannot be appropriated. They need to be told that we did not liberate our country in vain, and despite the poverty and the hardship that we go through, we will not be cowed down, and will not blindly tow a party line, when the party itself has disengaged from the people. If tomorrow, every woman man and child takes to the street of Bangladesh, there is no power, not the military, not the president, not the advisers, not the CEC, not the BNP and not AL that can stop us.
There is hope yet. The advisers have had the good sense to reverse the home ministry?s unilateral decision to call out the army and the president and chief adviser has been challenged for taking such a step. Whether the advisers can continue to take such bold steps depends on our ability to bolster their nebulous position.
Blockades and hartals do hurt the economy, and ironically, it is the person in the street who is the most vulnerable. But faced with an attempt to take away the only chance she has to exercise her right to elect the government of her choice, she has little option left but to take to the streets. As the world is finding out, in Iraq, in Afghanistan, and wherever else there is conflict, a military victory is never a victory. If the anger of the people is to be quelled, then the underlying causes of discontent need to be solved. Flexing the muscles of the military, will only put a lid on the boiling pot, and the longer the lid is pressed down, the bigger will be the eventual explosion. More have died today, and with every death, the flashpoint looms closer.
Chobi Mela IV has continued despite it all. The dancing in the all night boat party,
the heated arguments at every meeting point, the mobile exhibitions, all went on despite the turmoil. The presentations on the night of the 11th, with Yumi Goto, showing work by the children from Bandar Aceh, Neo Ntsoma showing her work on youth culture in South Africa, Chris Rainier showing his long term projects on ?Ancient Marks?, and the deeply personal, but very different accounts of Trent Parke
and Pablo Bartholomew, made one of the most intriguing evenings I can remember. The packed audience that had braved the blockade had perhaps an inkling of what was to come. Morten had a full house for his ?gallery walk? at the Alliance Francaise and Trent?s workshops were packed out. The grand opening was at the National Museum, where we had one fifth of the cabinet opening the show. Kollol gave a passionate rendering of his song ?Boundaries? written especially for the festival. The rickshaw vans designed to take the festival to the public, plied the streets of Old Dhaka, Mirpur and other areas not used to gallery crowds.
The chief guest, adviser C.M. Shafi Sami, the special guests adviser Sultana Kamal and Robert Pledge, photographers Morten Krogvold and Trent Parke and the scholarship recepient Dolly Akhter all spoke eloquently. Little did the audience know about the drama that had taken place the night before. With the museum functionaries doing their best to keep us from putting up the Contact Press Images show (http://www.chobimela.org/contact_press_images.php), we were under pressure, but working all through the night and sleeping on the museum floor, we managed to put the show up on time.
Last night, the empty streets, looked ominous as I dropped off Chulie, Robert and Yang, and people have been dying in the streets.
Since then we have had Morten Krogvold?s passionate presentation at the gallery walk at Alliance, Rupert Grey?s clinical dissection of the law and his dry British humour,
both at the British Council and the Goethe Institut, Saiful Huq Omi?s disturbing but powerful images of political violence, Cristobal Trejo?s poetic rendering of an unseen world, Richard Atrero De Guzman?s honest response to difficult questions about representation and my own presentation on natural disasters and their social impact have all been well attended, despite the tension in the desolate Dhaka streets. The evening presentations close tonight with an insightful film by Indian film maker Joshy Joseph, presentations by Norman Leslie and a behind the scenes look by the photographers at the Drik Photo Department, Md. Main Uddin, Shehab Uddin and Amin, Chandan Robert Rebeiro, Imtiaz Mahabub Mumit and Shumon of Pathshala and Mexican exhibitor Cristobal Trejo. The shows go on as they always do at Drik.
In 1991, a woman with her vote had avenged Noor Hossain’s death.
A fortnight ago, the city was in flames, and a stubborn chief election commissioner is stoking the flames again. It is a fire he and his allies will be powerless to stop.
Chobi Mela site
Blog by Australian curator Bec Dean
Short video on Chobi Mela IV