Didi. The Street Fighter

MAHASWETA DEVI (JANUARY 14, 1926 -?JULY 28, 2016), WRITER AND SOCIAL ACTIVIST

Mahasweta Devi looking at photo exhibition catalogue "Nature's Fury" by Shahidul Alam/Drik/Majority World
Mahasweta Devi looking at photo exhibition catalogue “Nature’s Fury” by Shahidul Alam/Drik/Majority World

Protocol wasn?t Didi?s thing.?Shoitan! (Satan) she would say lovingly. And then grab you and plonk you on her lap. The fact that both Rahnuma and I were far too old, and I was certainly much too heavy, to be sitting on anyone?s lap wasn?t something she worried much about. She didn?t care much for people?s age, and what other people thought, was something that had never bothered her. If you love someone, they sit on your lap. ?You have a problem with that??
Mahasweta Devi (Didi ? elder sister ? to all of us) had been a giant of a figure in South Asian literature for as far back as I can remember.?Jhansir Rani?(The Queen of Jhansi, 1956), Hajar Churashir Maa (Mother of 1084, 1975) and?Aranyer Adhikar?(The Occupation of the Forest, 1977) her powerful novel about the Santal uprising were what we knew this celebrated writer and activist by. That she was a tease and loved to sing, and didn?t mind the odd practical joke, was a side to her that had remained private. What should have been apparent was the rebel in her; her uncompromising stand for the oppressed, and her clear position as to which side of the fence she belonged. Continue reading “Didi. The Street Fighter”

The Story of a Starfish Thrower

Via Vanessa Marjoribankson Apr 29, 2016

Starfish article featured pic v2

I have always held a strong sense of right and wrong.?I have always wanted to help people.

Someone asked me recently why, and I responded that this was as much a part of me as the color of my eyes.
Then I realized that these innate characteristics were likely multiplied during defining moments in my own life when I wished for someone to help me.

I was the kid who found baby birds on the ground and took them home to live in our hot water cupboard.?I would enlist my friends? help to find bugs in the garden that we would mash up and painstakingly feed to the ?patient? with tiny pipettes. More often than not, the baby birds didn?t survive, which bought floods of tears.
Sometimes they did, though, and for every feathered life saved, the angst was worth it.? Continue reading “The Story of a Starfish Thrower”

Irfanul Islam: My quiet friend

Irfanul Islam
Irfanul Islam

The moon was low over the city lights at 4:30 in the morning in Mexico City. A dull orange thin sliver, it too was in mourning. I was heading to the airport, but had just heard the news. Rahnuma had been keeping me updated. Ever since Irfan?s disappearance, we had feared the worst, but hoped upon hope that this time it would be different. They had the money, why did they need him? The news hit very hard.
I had joined the Bangladesh Photographic Society in 1984. Irfan had been part of our small administrative team. After serving as secretary general and three terms as president, I left the BPS to start up the Drik agency. Irfan soon decided to follow me to Drik. He worked in the darkroom with Anisur Rahman. The giant prints we had made in those days of Bangabandhu, in that tiny darkroom, with improvised troughs and hand mixed chemicals, were the handiwork of these two fine technicians.
Quiet and somewhat reclusive, Irfan was also slightly self-conscious as he had a mild stammer. He was a photographer, though he was not employed as one at Drik. He still joined us on photo shoots. He made friends easily with his disarming smile, but was less comfortable with more public roles. Once we closed the wet darkroom at Drik, a lab technician was no longer needed. Given his interest in photography, we tried Irfan out at our school of photography, Pathshala, but it was Drik, where he felt at home, and while he was not normally the person to say no or be defiant, this was one instance where he put his foot down. He was not going to budge from Drik. We had to find a new role for him. Continue reading “Irfanul Islam: My quiet friend”

What Joy Bangla means today

Originally published in New Age

By Shahidul Alam

Joy Bangla in those days had not been commandeered by any political party. It was a slogan we all used. Some took it more to heart than others. I was on a rickshaw heading towards mejo chachi?s house, (she is mother of my footballer cousin Kazi Salahuddin, better known by his nickname Turjo). Seeing a friend on the road I shouted out Joy Bangla. Joy Bangla, he waved back. At mejo chachi?s the rickshawala refused to take my fare. ?Joy Bangla bolsen na. apnar thon bhara loi kemne?? (You said Joy Bangla. How can I take fare from you?). Despite my insistence he wouldn?t budge. The rallying cry belonged to us all. He saw me as a fellow warrior.
On the 16th December, I had gone into a burning military convoy opposite Sakura hotel and took a partially charred Browning light machine gun as a trophy. Almost at the same site where I had seen, nine months ago, people being gunned down as they ran from the flames on the night of the 25th March. They lived in the slums near the Holiday office. Their brutal death part of a statistical count we still argue about.
Years later, I tried to put together a visual chronicle of the war. Collecting photographs from great photographers from far away lands and many local ones who had witnessed our pain, and shared our victory. There were moments of great bravery and greater sacrifice. There were moments of immense pain. The weight of great loss. Rashid Talukder?s image of the dismembered head in Rayerbazar was one of the most striking. Kishor Parekh?s sculpted frames showing, dignity, honour, elation and loss. Raghu Rai?s monumental images of seas of people seeking shelter. Captain Beg?s rare photographs of the mukti bahini during battle. Mohammad Shafi?s striking image of women smuggling grenades in half submerged baskets. Aftab Ahmed?s image of the final surrender, stoic and significant.

A woman emerges out of hiding for the first time, carrying a rifle and accompanied by her children. The family were hiding from Pakistani troops during the Bangladesh War of Independence in 1971. Photo: Penny Tweedie
A woman emerges out of hiding for the first time, carrying a rifle and accompanied by her children. The family were hiding from Pakistani troops during the Bangladesh War of Independence in 1971. Photo: Penny Tweedie

The image that stood out from all the others however, was by Penny Tweedie. Freelancing and without an assignment, Penny had neither the luxury of a client?s budget, nor the assurance of a publishing slot. She did the best she could, getting lifts from fellow photographers, flitting between areas of conflict and stress, she stayed close to ordinary people. People like my rickshawala friend, or the people I saw dying on the night of the 25th March. People who resisted, people who fled, people who sheltered others. People who fed people when they had little food themselves. The image of a woman, carrying a gun walking through a paddy field, with children in tow, was for me the image that encapsulated the war. These were ordinary people who had war thrust upon them. They made do, as best as they could. Bearing their pain with dignity. Fighting with no hope for return. Unlike me, they were not trophy hunters. I doubt if that woman ever made it to a muktijoddha list. I have no way of knowing if she, or her children made it through the war alive. They gave us this nation where we had all hoped we would be free. Continue reading “What Joy Bangla means today”

Golam Kasem Daddy Letters: 1

73, Indira Road
Dhaka
8. 9. 97
Dear Dr. Alam,
I am in difficulty. I am unwell, but I am alone and there is none to help me. I am having slight attack of fever and am very weak. Many thanks for inviting me at Drik function, but I am very sorry I am unable to attend due to my illness. However, I hope the function will be successful. Thanks for 2 doorscreens, and many thanks to your mother for food. Manuscript for my photobook is ready for you. Please take it at your convenience.
Yours Sincerely,
Daddy

Hand written letter by Golam Kasem Daddy, when he was 103.
One of the last hand?written letters to me by Golam Kasem Daddy, written when he was 103. He passed away on the 9th January 1998./Drik Archives

Other letters by Daddy:
When the mind says yes:

The Statesman, and the Photographer

The statesman, and the photographer

by Shahidul Alam

Photographer Rashid Talukder and Sheikh Mujibur Rahman (photographer unknown)/Drik archives
LOOKING at this photograph, one of the few in our library where the photographer is unknown, I realise how times have changed. This is the undisputed leader of a country with his arms across the shoulder of a newspaper photographer not known for being affiliated to his party.
No security guards, no party goons, no chamchas. Both men are at ease with the situation. The smiles, the casual gait, Rashid Bhai with his camera dangling, a single prime lens. Not even a camera bag (and this was the time of film when you only had 36 exposures). How times have changed. Sure, we live in a more security conscious world, but the distance between the leaders of today, and the people, isn?t simply about changed situations, it is about changed attitudes. Today the proximity between leaders and the people surrounding them has much more to do with business and benefits, than with humility and largesse. There was much more give and much less take. Continue reading “The Statesman, and the Photographer”

Humanitarian to a nation

Originally published in Saudi Aramco World

Humanitarian to a Nation, Written by Richard Covington, Photographed by Shahidul Alam / DRIK

Pakistani philanthropist Abdul Sattar Edhi at the Edhi Centre in Clifton, Karachi.
Pakistani philanthropist Abdul Sattar Edhi at the Edhi Centre in Clifton, Karachi.

In the cool interior of a mental ward in Karachi, a short, powerfully built man with a flowing snow-white beard and penetrating dark-brown eyes is standing at the bedside of a distraught young woman. She has covered her head with a sheet and is pleading for news of the two children her husband took from her.
?I know you are suffering terribly, but this is no way to bring back your children,? says the man with stern compassion. ?You have a college degree. You can do many things to help the other patients.?
More photos on flickr: Continue reading “Humanitarian to a nation”

An Occurrence at Owl Creek Bridge

by Ambrose Bierce (please read till the end)

A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man’s hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout cross-timber above his head and the slack fell to the level of his knees. Some loose boards laid upon the sleepers supporting the metals of the railway supplied a footing for him and his executioners–two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff. At a short remove upon the same temporary platform was an officer in the uniform of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle in the position known as “support,” that is to say, vertical in front of the left shoulder, the hammer resting on the forearm thrown straight across the chest–a formal and unnatural position, enforcing an erect carriage of the body. It did not appear to be the duty of these two men to know what was occurring at the center of the bridge; they merely blockaded the two ends of the foot planking that traversed it.
 
Beyond one of the sentinels nobody was in sight; the railroad ran straight away into a forest for a hundred yards, then, curving, was lost to view. Doubtless there was an outpost farther along. The other bank of the stream was open ground–a gentle acclivity topped with a stockade of vertical tree trunks, loopholed for rifles, with a single embrasure through which protruded the muzzle of a brass cannon commanding the bridge. Midway of the slope between the bridge and fort were the spectators–a single company of infantry in line, at “parade rest,” the butts of the rifles on the ground, the barrels inclining slightly backward against the right shoulder, the hands crossed upon the stock. A lieu tenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right. Excepting the group of four at the center of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the bridge. The captain stood with folded arms, silent, observing the work of his subordinates, but making no sign. Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference.
 
The man who was engaged in being hanged was apparently about thirty-five years of age. He was a civilian, if one might judge from his habit, which was that of a planter. His features were good–a straight nose, firm mouth, broad forehead, from which his long, dark hair was combed straight back, falling behind his ears to the collar of his well-fitting frock coat. He wore a mustache and pointed beard, but no whiskers; his eyes were large and dark gray, and had a kindly expression which one would hardly have expected in one whose neck was in the hemp. Evidently this was no vulgar assassin. The liberal military code makes provision for hanging many kinds of persons, and gentlemen are not excluded.
 
The preparations being complete, the two private soldiers stepped aside and each drew away the plank upon which he had been standing. The sergeant turned to the captain, saluted and placed himself immediately behind that officer, who in turn moved apart one pace. These movements left the condemned man and the sergeant standing on the two ends of the same plank, which spanned three of the cross-ties of the bridge. The end upon which the civilian stood almost, but not quite, reached a fourth. This plank had been held in place by the weight of the captain; it was now held by that of the sergeant. At a signal from the former the latter would step aside, the plank would tilt and the condemned man go down between two ties. The arrangement commended itself to his judgment as simple and effective. His face had not been covered nor his eyes bandaged. He looked a moment at his “unsteadfast footing,” then let his gaze wander to the swirling water of the stream racing madly beneath his feet. A piece of dancing driftwood caught his attention and his eyes followed it down the current. How slowly it appeared to move, What a sluggish stream!
 
He closed his eyes in order to fix his last thoughts upon his wife and children. The water, touched to gold by the early sun, the brooding mists under the banks at some distance down the stream, the fort, the soldiers, the piece of drift–all had distracted him. And now he became conscious of a new disturbance. Striking through the thought of his dear ones was a sound which he could neither ignore nor understand, a sharp, distinct, metallic percussion like the stroke of a blacksmith’s hammer upon the anvil; it had the same ringing quality. He wondered what it was, and whether immeasurably distant or near by–it seemed both. Its recurrence was regular, but as slow as the tolling of a death knell. He awaited each stroke with impatience and–he knew not why–apprehension. The intervals of silence grew progressively longer, the delays became maddening. With their greater infrequency the sounds increased in strength and sharpness. They hurt his ear like the thrust of a knife; he feared he would shriek. What he heard was the ticking of his watch.
 
He unclosed his eyes and saw again the water below him. “If I could free my hands,” he thought, “I might throw off the noose and spring into the stream. By diving I could evade the bullets and, swimming vigorously, reach the bank, take to the woods and get away home. My home, thank God, is as yet outside their lines; my wife and little ones are still beyond the invader’s farthest advance.”
 
As these thoughts, which have here to be set down in words, were flashed into the doomed man’s brain rather than evolved from it the captain nodded to the sergeant. The sergeant stepped aside.
 
 
II
Peyton Farquhar was a well-to-do planter, of an old and highly respected Alabama family. Being a slave owner and like other slave owners a politician he was naturally an original secessionist and ardently devoted to the Southern cause. Circumstances of an imperious nature, which it is unnecessary to relate here, had prevented him from taking service with the gallant army that had fought the disastrous campaigns ending with the fall of Corinth, and he chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in war time. Meanwhile he did what he could. No service was too humble for him to perform in aid of the South, no adventure too perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war.
 
One evening while Farquhar and his wife were sitting on a rustic bench near the entrance to his grounds, a gray-clad soldier rode up to the gate and asked for a drink of water. Mrs. Farquhar was only toe, happy to serve him with her own white hands. While she was fetching the water her husband approached the dusty horseman and inquired eagerly for news from the front.
 
“The Yanks are repairing the railroads,” said the man, “and are getting ready for another advance. They have reached the Owl Creek bridge, put it in order and built a stockade on the north bank. The commandant has issued an order, which is posted everywhere, declaring that any civilian caught interfering with the railroad, its bridges, tunnels or trains will be summarily hanged. I saw the order.”
 
“How far is it to the Owl Creek bridge?” Farquhar asked.
 
“About thirty miles.”
 
“Is there no force on this side the creek?”
 
“Only a picket post half a mile out, on the railroad, and a single sentinel at this end of the bridge.”
 
“Suppose a man–a civilian and student of hanging–should elude the picket post and perhaps get the better of the sentinel,” said Farquhar, smiling, “what could he accomplish?”
 
The soldier reflected. “I was there a month ago,” he replied. “I observed that the flood of last winter had lodged a great quantity of driftwood against the wooden pier at this end of the bridge. It is now dry and would burn like tow.”
 
The lady had now brought the water, which the soldier drank. He thanked her ceremoniously, bowed to her husband and rode away. An hour later, after nightfall, he repassed the plantation, going northward in the direction from which he had come. He was a Federal scout.
 
 
III
As Peyton Farquhar fell straight downward through the bridge he lost consciousness and was as one already dead. From this state he was awakened–ages later, it seemed to him–by the pain of a sharp pressure upon his throat, followed by a sense of suffocation. Keen, poignant agonies seemed to shoot from his neck downward through every fiber of his body and limbs. These pains appeared to flash along well-defined lines of ramification and to beat with an inconceivably rapid periodicity. They seemed like streams of pulsating fire heating him to an intolerable temperature. As to his head, he was conscious of nothing but a feeling of fulness–of congestion. These sensations were unaccompanied by thought. The intellectual part of his nature was already effaced; he had power only to feel, and feeling was torment. He was conscious of motion. Encompassed in a luminous cloud, of which he was now merely the fiery heart, without material substance, he swung through unthinkable arcs of oscillation, like a vast pendulum. Then all at once, with terrible suddenness, the light about him shot upward with the noise of a loud splash; a frightful roaring was in his ears, and all was cold and dark. The power of thought was restored; he knew that the rope had broken and he had fallen into the stream. There was no additional strangulation; the noose about his neck was already suffocating him and kept the water from his lungs. To die of hanging at the bottom of a river!–the idea seemed to him ludicrous. He opened his eyes in the darkness and saw above him a gleam of light, but how distant, how inaccessible! He was still sinking, for the light became fainter and fainter until it was a mere glimmer. Then it began to grow and brighten, and he knew that he was rising toward the surface–knew it with reluctance, for he was now very comfortable. “To be hanged and drowned,” he thought? “that is not so bad; but I do not wish to be shot. No; I will not be shot; that is not fair.”
 
He was not conscious of an effort, but a sharp pain in his wrist apprised him that he was trying to free his hands. He gave the struggle his attention, as an idler might observe the feat of a juggler, without interest in the outcome. What splendid effort!–what magnificent, what superhuman strength! Ah, that was a fine endeavor! Bravo! The cord fell away; his arms parted and floated upward, the hands dimly seen on each side in the growing light. He watched them with a new interest as first one and then the other pounced upon the noose at his neck. They tore it away and thrust it fiercely aside, its undulations resembling those of a water snake. “Put it back, put it back!” He thought he shouted these words to his hands, for the undoing of the noose had been succeeded by the direst pang that he had yet experienced. His neck ached horribly; his brain was on fire; his heart, which had been fluttering faintly, gave a great leap, trying to force itself out at his mouth. His whole body was racked and wrenched with an insupportable anguish! But his disobedient hands gave no heed to the command. They beat the water vigorously with quick, downward strokes, forcing him to the surface. He felt his head emerge; his eyes were blinded by the sunlight; his chest expanded convulsively, and with a supreme and crowning agony his lungs engulfed a great draught of air, which instantly he expelled in a shriek!
 
He was now in full possession of his physical senses. They were, indeed, preternaturally keen and alert. Something in the awful disturbance of his organic system had so exalted and refined them that they made record of things never before perceived. He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf–saw the very insects upon them: the locusts, the brilliant-bodied flies, the grey spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies’ wings, the strokes of the water-spiders’ legs, like oars which had lifted their boat–all these made audible music. A fish slid along beneath his eyes and he heard the rush of its body parting the water.
 
He had come to the surface facing down the stream; in a moment the visible world seemed to wheel slowly round, himself the pivotal point, and he saw the bridge, the fort, the soldiers upon the bridge, the captain, the sergeant, the two privates, his executioners. They were in silhouette against the blue sky. They shouted and gesticulated, pointing at him. The captain had drawn his pistol, but did not fire; the others were unarmed. Their movements were grotesque and horrible, their forms gigantic.
 
Suddenly he heard a sharp report and something struck the water smartly within a few inches of his head, spattering his face with spray. He heard a second report, and saw one of the sentinels with his rifle at his shoulder, a light cloud of blue smoke rising from the muzzle. The man in the water saw the eye of the man on the bridge gazing into his own through the sights of the rifle. He observed that it was a grey eye and remembered having read that grey eyes were keenest, and that all famous marksmen had them. Nevertheless, this one had missed.
 
A counter-swirl had caught Farquhar and turned him half round; he was again looking into the forest on the bank opposite the fort. The sound of a clear, high voice in a monotonous singsong now rang out behind him and came across the water with a distinctness that pierced and subdued all other sounds, even the beating of the ripples in his ears. Although no soldier, he had frequented camps enough to know the dread significance of that deliberate, drawling, aspirated chant; the lieu. tenant on shore was taking a part in the morning’s work. How coldly and pitilessly–with what an even, calm intonation, presaging, and enforcing tranquillity in the men–with what accurately measured inter vals fell those cruel words:
 
“Attention, company! . . Shoulder arms! . . . Ready! . . . Aim! . . . Fire!”
 
Farquhar dived–dived as deeply as he could. The water roared in his ears like the voice of Niagara, yet he heard the dulled thunder of the volley and, rising again toward the surface, met shining bits of metal, singularly flattened, oscillating slowly downward. Some of them touched him on the face and hands, then fell away, continuing their descent. One lodged between his collar and neck; it was uncomfortably warm and he snatched it out.
 
As he rose to the surface, gasping for breath, he saw that he had been a long time under water; he was perceptibly farther down stream nearer to safety. The soldiers had almost finished reloading; the metal ramrods flashed all at once in the sunshine as they were drawn from the barrels, turned in the air, and thrust into their sockets. The two sentinels fired again, independently and ineffectually.
 
The hunted man saw all this over his shoulder; he was now swimming vigorously with the current. His brain was as energetic as his arms and legs; he thought with the rapidity of lightning.
 
The officer,” he reasoned, “will not make that martinet’s error a second time. It is as easy to dodge a volley as a single shot. He has probably already given the command to fire at will. God help me, I cannot dodge them all!”
 
An appalling plash within two yards of him was followed by a loud, rushing sound, diminuendo, which seemed to travel back through the air to the fort and died in an explosion which stirred the very river to its deeps!
 
A rising sheet of water curved over him, fell down upon him, blinded him, strangled him! The cannon had taken a hand in the game. As he shook his head free from the commotion of the smitten water he heard the deflected shot humming through the air ahead, and in an instant it was cracking and smashing the branches in the forest beyond.
 
“They will not do that again,” he thought; “the next time they will use a charge of grape. I must keep my eye upon the gun; the smoke will apprise me–the report arrives too late; it lags behind the missile. That is a good gun.”
 
Suddenly he felt himself whirled round and round–spinning like a top. The water, the banks, the forests, the now distant bridge, fort and men–all were commingled and blurred. Objects were represented by their colors only; circular horizontal streaks of color–that was all he saw. He had been caught in a vortex and was being whirled on with a velocity of advance and gyration that made him giddy and sick. In a few moments he was flung upon the gravel at the foot of the left bank of the stream–the southern bank–and behind a projecting point which concealed him from his enemies. The sudden arrest of his motion, the abrasion of one of his hands on the gravel, restored him, and he wept with delight. He dug his fingers into the sand, threw it over himself in handfuls and audibly blessed it. It looked like diamonds, rubies, emeralds; he could think of nothing beautiful which it did not resemble. The trees upon the bank were giant garden plants; he noted a definite order in their arrangement, inhaled the fragrance of their blooms. A strange, roseate light shone through the spaces among their trunks and the wind made in their branches the music of ?olian harps. He had no wish to perfect his escape–was content to remain in that enchanting spot until retaken.
 
A whiz and rattle of grapeshot among the branches high above his head roused him from his dream. The baffled cannoneer had fired him a random farewell. He sprang to his feet, rushed up the sloping bank, and plunged into the forest.
 
All that day he traveled, laying his course by the rounding sun. The forest seemed interminable; nowhere did he discover a break in it, not even a woodman’s road. He had not known that he lived in so wild a region. There was something uncanny in the revelation.
 
By nightfall he was fatigued, footsore, famishing. The thought of his wife and children urged him on. At last he found a road which led him in what he knew to be the right direction. It was as wide and straight as a city street, yet it seemed untraveled. No fields bordered it, no dwelling anywhere. Not so much as the barking of a dog suggested human habitation. The black bodies of the trees formed a straight wall on both sides, terminating on the horizon in a point, like a diagram in a lesson in perspective. Overhead, as he looked up through this rift in the wood, shone great garden stars looking unfamiliar and grouped in strange constellations. He was sure they were arranged in some order which had a secret and malign significance. The wood on either side was full of singular noises, among which–once, twice, and again–he distinctly heard whispers in an unknown tongue.
 
His neck was in pain and lifting his hand to it found it horribly swollen. He knew that it had a circle of black where the rope had bruised it. His eyes felt congested; he could no longer close them. His tongue was swollen with thirst; he relieved its fever by thrusting it forward from between his teeth into the cold air. How softly the turf had carpeted the untraveled avenue–he could no longer feel the roadway beneath his feet!
 
Doubtless, despite his suffering, he had fallen asleep while walking, for now he sees another scene–perhaps he has merely recovered from a delirium. He stands at the gate of his own home. All is as he left it, and all bright and beautiful in the morning sunshine. He must have traveled the entire night. As he pushes open the gate and passes up the wide white walk, he sees a flutter of female garments; his wife, looking fresh and cool and sweet, steps down from the veranda to meet him. At the bottom of the steps she stands waiting, with a smile of ineffable joy, an attitude of matchless grace and dignity. Ah, how beautiful she is! He springs forward with extended arms. As he is about to clasp her he feels a stunning blow upon the back of the neck; a blinding white light blazes all about him with a sound like the shock of a cannon–then all is darkness and silence!
 
Peyton Farquhar was dead; his body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek bridge.

The Torch

Nuhash Humayun?November 13, 2013

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I was ten years old, on a bicycle, taking the only path I knew. I was going from my mother?s place to my father?s. People would ask me what it was like, having parents who were separated. I never really had an answer. Honestly, it wasn?t strange for me, it was the only life I knew. It was always like this, as far back as I remembered. My sisters would tell me that we were once this one big happy family, but those were just stories to me, fairytales almost. I had almost no recollection of seeing my parents together, ever. As far as I knew, this was life. I had a happy family too, just a little separated. And separations were temporary, right? It?s just one big fight that takes a while to fix. Continue reading “The Torch”

Ami Tomay Bhalobashi

Bedford College Magazine (my first short story)

rose

The sound of the bolt seemed to grate loud into the night as he locked the door.? For a fleeting moment he flustered as he imagined every person in the enormous house knowingly smile at hearing the sound. It was her he was more worried about; locking the door when they were the only ones in the room seemed to have sinister implications somehow ? but, surely it was understandable, after all they were now man and wife. Continue reading “Ami Tomay Bhalobashi”