by rahnuma ahmed
Romel Chakma, 20 year-old HSC examinee and student leader of Pahari Chatra Parishad,
was picked up by army personnel on April 5, 2017. Allegedly tortured, he died in hospital two weeks later.
How does one restore dignity to the memory of a youth who was picked up and tortured, who died of torture, whose body was not handed over to family members for cremation, but burnt after pouring petrol and kerosene? Continue reading “ROMEL CHAKMA. PART-I: Is custodial killing heroic?”
DEATH OF ROMEL CHAKMA
NHRC seeks Army?s explanation
Muktadir Rashid | Published: 00:23, Jun 24,2017 | Updated: 00:38, Jun 24,2017
explanation for the death of Romel Chakma as a commission investigation has observed that army personnel concerned cannot avoid the responsibility for the death.
Commission chairman Kazi Reazul Hoque told New Age on Friday that a full commission meeting analysed the investigation report and sent a copy of the report to the defence ministry asking for the explanation from the army in the past week.
?We did not get any version from army, so we wrote a letter to the defence ministry based on the recommendation made by the commission probe committee on the issue,? he said.
He said the commission found circumstantial evidences against perpetrators and wanted to know the army?s explanation.
Commission officials said that the commission received the copy of a letter of the defence ministry to the army headquarters seeking their explanation.
The three-member probe body headed by commission member Banchita Chakma, also former Rangamati College principal, submitted the report to the commission on June 11.
Banchita Chakma said that they submitted the report without any version from the army.
She said that the witness accounts suggested that the visually challenged ethnic minority youth was in the custody of the army when he died at Chittagong Medical College Hospital on April 20.
Physicians at the hospital in the medical report observed that Romel Chakma died from kidney infection.
Probe committee members said there were two reasons for kidney infections ? severe internal injuries caused by either torture or major accident.
?We believed Romel was tortured,? said a commission member.
The probe body recorded statements of 15 people including Romel?s family, local police and physicians to examine what happened to the youth but no version from army was available.
The probe concluded that the army in no way could avoid the responsibility for the death of Romel Chakma.
The committee included commission?s deputy director in Rangamati Gazi Md Salahuddin and executive magistrate Tapos Shil from Rangamati district administration.
Committee members said that had approached army zone commander at Nannerchar on May 24 during the inquiry but could got no response.
The field office of army told the probe committee that they would speak if their high ups allowed them to talk.
The probe committee recorded the statement from five police officials who narrated that Romel Chakma was brought to them in a critical condition and that was why the police did not receive him.
The police officials told the committee that Romel did not carry major mark of injuries but he was vomiting and the army personnel carrying him informed police that Romel met an accident.
It takes hardly 10 minutes from the police station to the nearby health complex.
The inquiry found that it took one hour and a half to take Romel Chakma from police station to the health complex. Romel was moved to Chittagong Medical College Hospital where he was admitted under security protection by army personnel.
?We have collected the documents from police station and the hospital,? said a probe body member.
Formed on April 24, the three-member probe body met with Romel?s family and local people at his village Purba Hatimara under Burighat union of Nannerchar on May 1.
On April 6, Romel?s father Binoy Kanti Chakma wrote to the commission chairman demanding justice for the ?inhuman torture? on his son by army personnel.
In a statement issued on April 24, commission Reazul termed it a serious violation of human rights to kill an innocent person in torture.
HSC examinee Romel, 20, was the general secretary of United Peoples? Democratic Front-backed Pahari Chhatra Parishad?s Nannerchar upazila unit.
He was allegedly picked up by local army personnel on April 5 and taken to police station in the evening.
The next morning, police and army personnel admitted him to the Chittagong Medical College Hospital, where he died on April 20.
Romel?s father alleged that they were barred from meeting him at the camp as well as at the hospital.
According to media reports, the Inter Services Public Relations alleged that Romel had masterminded the attack in which two buses were robbed and a truck was set on fire in the area on January 23.
Different rights groups, student bodies and UPDF demanded a judicial inquiry into the death terming the detention and torture unjust.
By Andrew Fienstein
28TH JANUARY 2016??/??
Shahidul Alam has long been gripped by the life of a woman he has never met.
It?s been two decades since Kalpana Chakma was abducted, but Shahidul refuses to forget her. Standing at the threshold of his latest exhibition,Kalpana?s Warriors, the Bangladeshi photographer pauses for a moment.
In the room beyond is the third in a series of photo exhibitions that began with Searching for Kalpana Chakma in 2013, and was followed by 18 in 2014. The woman around whom these pictures revolve is notably absent from them. She was abducted at gunpoint in the early hours of 12 June 1996 from her home in Rangamati in Bangladesh. Her captors were a group of plain-clothed men who were recognised as being from a nearby army camp. Kalpana never returned home and her fate remains unknown.
When the exhibition first opened at the Drik Gallery in Dhaka, many of those who had been photographed could not risk coming out of hiding, yet the room was full of people who knew Kalpana?s story intimately. Some simply stood for a while before the portraits, others wept. Continue reading “Kalpana's Warriors in Delhi”
Kalpana Chakma, a young leader of the Bangladeshi Hill Women?s Federation, was abducted from her home by military personnel and civilian law enforcers at gunpoint on 12 June 1996. She remains missing. Through this work, part of Drik?s ?No More? campaign, photographer?Shahidul Alam?has tried to break a silence that successive governments, whether civilian or military backed, have carefully nurtured. The exhibition uses laser etching on straw mats, an innovative technique developed specifically for this exhibition. The process involved in creating these images is rooted to the everyday realities of the hill people, the paharis. Interviewees had repeatedly talked of the bareness of Kalpana?s home. That there was no furniture. That Kalpana slept on the floor on a straw mat. The straw mats were burned by a laser beam much as the fire that had engulfed the pahari villages.
Shilpakala Award recipient Shahidul Alam, set up Drik and Majority World agencies, Pathshala South Asian Media Institute and Chobi Mela festival. Honorary Fellow of the Royal Photography Society and visiting professor at Sunderland University. Alam has chaired the World Press Photo jury. Alam also introduced email to Bangladesh. His book my journey as a witness has been described as ?the most important book ever written by a photographer? by legendary picture editor of?Life Magazine, John Morris. He is an internationally acclaimed public speaker and has presented at Hollywood, National Geographic, re:publica, COP21 and POP Tech.
Buzz in Town
The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a magazine, joined as our librarian. We offered and she happily accepted a local salary.
My partner Rahnuma Ahmed often got roped in when we were short-staffed, which was often. That was 25 years ago. Little experience and zero cash rarely got in the way: we started publishing from day one. Postcards, bookmarks (often using offcuts from the press) and even a company calendar were produced by friendly printers who printed on credit. Residents of Bangladesh?s capital, Dhaka, used to seeing flowers, pretty women, mosques and waterfalls, suddenly woke up to social messages in black and white on their wall calendars. It worked, and we were able to sell them door-to-door and pay back the printers ? until there was a flood and half our stock got inundated.
Tired of being pitied for our poverty, and do-gooder attempts to ?save? us, we had decided to become our own storytellers. And did we have stories to tell! Our agency Drik, grew, and we picked up many loyal friends and several powerful enemies along the way. Knowing we had to compete with better-resourced entities in the West, we set up the nation?s first email network using Fidonet. Banglarights, our human rights portal, annoyed the government; our telephone lines were switched off for 30 months. Mainstream galleries turned down exhibitions which were shamelessly political and often critical of the establishment, so we built our own. The government sent riot police to close down our shows on several occasions. Being stabbed in the street, arrested, and generally persecuted became some of the more troubling after-effects of our activism, but a nationwide campaign to reopen our gallery, and a court ruling in our favour, convinced us that the person on the street was on our side. That was all the ammunition we needed.
Along the way, we had set up a photo school, Pathshala, now recognized as being among the finest in the world. We also set up a photo festival, Chobi Mela. Again, a highlight of the Asian cultural calendar. Geed up by what we?d achieved in Bangladesh, we set our sights on challenging the global world order. Majority World was born, a platform for local photographers from Africa, Asia, Latin America and the Middle East with their own stories to tell.
Activism didn?t pay the bills though and competing in the market place, often with professionals we ourselves had trained, required us to remain cutting edge. Clients cared less for ?good intentions? than they did for good delivery and value for money. It was comforting therefore when a prestigious international client, mentioned in the ?special instruction? section that she wanted the work to be ?As Drik as possible.?
As the organisation grew, we needed better management, stricter controls, increased efficiency and lower costs. This led to a culture shift which didn?t come easily to a group that had grown up like a family and had gotten used to working in a particular way. Our new CEO reminded us, that producing the perfect product was gratifying, but getting it to market on time and within budget, was just as important.
Drik today is a role model for the majority world, but a world that is changing. Twenty five years ago, it made sense to start from the ground up. Today we tap into fine professionals we ourselves have groomed, and take them to the international arena. Long term strategy, succession plans and a more global vision are the concerns of the day. It?s a lean, agile and creative organisation run by a younger team, ready for tomorrow.
Drik?s ultimate strength however, has been the people who have rallied around us. This includes the people who work here, but goes way beyond it. People, all across the globe, across all conventional barriers, who have believed in us, and stood by us, in the many difficult moments we?ve shared, through many dark nights and days. We owe our very survival to them. Some we have lost forever. Others have stayed away from the limelight, happy to bask in our success from afar. While they have never wanted or expected anything in return, we shall remain indebted to them. This publication is a tribute to them all.
See as slideshare
All credits and supplementary text available in Flickr page
Introduction to the Drik 2016 calendar.
A behind the scenes glimpse at a remarkable media phenomenon:
The dot matrix Olivetti printer was noisy. The XT computer came without a hard drive: two floppy disks uploaded the operating system. When the electricity went (as it often did), we had to reload it. Our bathroom doubled as our darkroom. A clunky metal cabinet housed our prints, slides, negatives and files. Md. Anisur Rahman and Abu Naser Siddique were our printers; I was photographer, manager, copy editor and part-time janitor. Cheryle Yin-Lo, an Australian who had read about us in a western magazine, joined as our librarian. We offered and she happily accepted a local salary.
ABOUT THE AUTHOR
John Tulloch is a British university lecturer who is best known as a survivor of the July 7, 2005 London Bombings. Continue reading “7/7 Survivor: Why we should not bomb Syria”
1-minute video: 5-year-old Palestinian schools Israeli soldiers on War Crimes
All your armies, all your fighters,
All your tanks, and all your soldiers,
Against a boy holding a stone.
Standing there all alone,
In his eyes I see the sun.
In his smile I see the moon.
And I wonder, I only wonder.
Who is weak, and who is strong?
Who is right, and who is wrong?
And I wish, I only wish,
That the truth has a tongue!