The book and the film celebrate 40 years of Bangladesh?s turbulent history. Through images by the finest photojournalists in the world and personal interviews of photographers, freedom fighters, refugees and care givers, they map the birth of the nation and record the pain and sacrifice of the ordinary Bangladeshi, in what was one of the most massive human displacements in recent times. ?There are brief references to the complexities facing modern Bangladesh and its hope for the future.
at the Chhayanaut Auditorium, House 72, Road 15A, Dhanmondi, Dhaka 1209
at 11 am on Monday, 12 December 2011
For those of you who missed David Burnett’s brilliant presentation last night, this is a chance to meet him in person. David Burnett, Raghu Rai and Abdul Hamid Raihan are the three photographers interviewed in the film.
Please link with us at www.drik.tv and watch live web streaming of the launch .?The live streaming will commence at 11 am (Bangladesh time), on the 12th of December 2011.
About the book
This book showcases Shahidul Alam?s photographs, more than 100 color and black and white plates illustrating the journey of an artistic, social, and political witness from inside Bangladesh. This groundbreaking work retraces his personal vision spanning three decades and provides the best interpretative and investigative angles into a culture and reality that is otherwise often misunderstood in the West. Using photography and journalism as its parameters, it is the first comprehensive vision of Bangladesh. These images are not ?about? the region from a European perspective, nor are they an ethnographic account of an ex-colonial world. Instead, this volume is an ?on-the-ground? insight, exploring its topography with decidedly competent indigenous eyes. A personal ?way of seeing? ? the journey of a witness ? this book offers a reflective picturing of national and geographical truths, where the ?other? is no longer a stranger. Alam provides a purposeful alternative to the media driven images of poverty and destruction, literally defying received notions of the Subcontinent. After many years of struggle, he is a pioneering catalyst, inspiring development from within his ?majority world?; founding an artistic movement that cannot be silenced: the emergence of local photographers, achieving an intimacy with their subjects that truly understands and so rivals Western perceptions.
Alam?s image making carries its editorial eloquence far beyond its subject matter. For over 30 years, he has led the way in developing photography as a discipline in Bangladesh, producing an entirely new generation of acclaimed artists in the international arena. His writing style is personal, sometimes fast paced, often reflective, with magnificent imagery interwoven throughout the narrative.
Purchase?My Journey as a Witness here
About the author
Shahidul Alam is a photographer, writer, curator and activist. He obtained a PhD in chemistry at London University before switching to photography. He returned to his hometown Dhaka in 1984, where he photographed the democratic struggle to remove General Ershad. A former president of the Bangladesh Photographic Society, Alam set up the award winning Drik Agency, the Bangladesh Photographic Institute, and Pathshala, the South Asian Institute of Photography; considered one of the finest schools of photography in the world. Director of the Chobi Mela International Photo Festival and chairman of Majority World Agency, Alam?s work has been exhibited in galleries such as?MOMA in New York, the Centre Georges Pompidou in Paris, the Royal Albert Hall in London and The Museum of Contemporary Arts in Tehran. A guest curator of the National Art Gallery in Malaysia and the Brussels Biennale, Alam?s numerous photographic awards include the Mother Jones and the Andrea Frank Awards. He has been a jury member in prestigious international contests, including World Press Photo, which he chaired. An Honourary Fellow of the Bangladesh Photographic Society and the Royal Photographic Society, Alam is a visiting professor of Sunderland University in the UK and principal of the South Asian Media Academy in Dhaka, Bangladesh. A prominent social activist Shahidul Alam is also a promoter of new media and has lectured and published widely on photography, new media and education, in the?USA, Europe, Africa, Asia, Australia and Latin America.
Words By Jason DeParle
Photographs by Shahidul Alam
Published: New York Times August 30, 2011
DHAKA, Bangladesh ? As global migration has rapidly expanded, so has the influence of a little-known group whose eclectic work shapes migrants? lives across six continents.
Part research group, part handyman crew, the International Organization for Migration has become the who-you-gonna-call outfit for 132 member countries grappling with the surge in migration, both legal and unauthorized. Its rapid growth is a sign that migration has outgrown most countries? ability to manage on their own. ?I haven?t made it to a country yet where migration hasn?t been high on the list of priorities,? said William L. Swing, the director general.
Yet even as its duties grow, the group operates under tight constraints that reflect the special worries migration can arouse. The United States and other rich donors largely dictate its agenda and ensure that it does not erode their power to decide which migrants they admit and how many.
?It helps them bring in the people they want and keep out the people they don?t,? said Joseph Chamie, a researcher at the Center for Migration Studies in New York.
To understand the group?s rapid growth and varied duties, consider Bangladesh, where the $10 billion that migrants send home accounts for 13 percent of the economy ? making the export of people nearly as vital as the export of shirts. But migrants borrow heavily to finance their trips, and the labor recruiting industry is rife with scams.
Continue reading “Aid and influence”
Rahman?s case is one of the latest in a growing number of cases ? 29, at last count ? in which British intelligence services have been accused of colluding in the torture of British nationals and residents: Rangzieb Ahmed, Salahuddin Amin, Zeeshan Siddiqui, Rashid Rauf by the ISI, Binyam Mohamed in Morocco, Alam Ghafoor in Dubai, and Azhar Khan in Egypt. Rahman?s case provides the clearest indication so far, of torture outsourced
The Loving Face of British Imperialism
…the [Nigerian] nationalist leader Nnamdi Azikiwe urged Africans and other colonized peoples to prepare their own blueprint of rights themselves instead of relying on those who are too busy preparing their own.
— Bonny Ibhawoh, Imperialism and Human Rights, p. 155.
Forced marriage, says a British High Commission press release, is a crime (British High Commission, ?The British Foreign and Commonwealth Office Forced Marriage Unit Launches National Publicity Campaign on Forced Marriage,? Dhaka, 28 March 2006. The link, for unknown reasons, has gone dead). As opposed to arranged marriages, forced marriages — by dint of not being based on consent — are a form of domestic violence and human rights abuse.
To increase awareness, both in Britain and abroad, the British home ministry (HO), and the foreign ministry (FCO), jointly formed a Forced Marriage Unit in January 2005. The unit was tasked with launching a publicity campaign: radio and press adverts, TV fillers and poster campaigns, and providing information. To those at risk, those affected, and those who are survivors.
The British government, said the state minister for home, Baroness Scotland QC, is determined to protect young people’s “right to choose” their spouses. A determination backed by the state minister for foreign office Lord Triesman’s assurance that “help is available” for its victims. Continue reading “On Forced Marriage, and Insourced Torture”