German Foreign Office and Neue Galerie Berlin will present Shahidul Alam at Deutsche Welle?s Global Media Forum and at the Global Forum on Migration and Development in Berlin.
With the book publication and the exhibition ?The best years of my life. Bangladeshi Migrants in Malaysia? the international well-known photographer and activist Shahidul Alam will be present on Monday, June 19, 2017 through the Neue Galerie Berlin and with the support of the German Foreign Office on the Global Media Forum of the Deutsche Welle. After the end of the forum in Bonn, the exhibition will be on display at the German Foreign Office in Berlin from Thursday, June 23, 2017, and will be part of the Global Forum on Migration and Development from 28 to 30 June. The Finissage will be published on 30 June 2017 at the Federal Foreign Office with a greeting from the State Secretary Dr. Markus Ederer within the framework of the GFMD. The artist will be present in Bonn and Berlin and will be available for questions and interviews. Further information on the exhibition and the artist in the appendix.
As an additional digital component, the Neue Galerie Berlin, together with the technology partner snap2live, presents the newly developed image recognition app ?Neue Galerie Berlin?. All pictures of the Alam exhibition can be scanned with the app (tentatively available on Android). Behind the pictures
In 2016 Tanja von Unger founded the Neue Galerie Berlin (www.neuegalerieberlin.de).
To provide a relevant platform beyond photography the businessmodel
also collaborates with publishing groups and institutions and is known for its groundbreaking presentation of photographers and their works at economic conferences and events such as the Economic Summit of the Su?ddeutsche Zeitung, Falling Walls Conference, Rheingauer Economic Forum, Global Solutions G 20 Conference of the Dieter von Holtzbrinck publishers.
Snap2Life create apps for companies in the media, publishing, automotive, business, sports and advertising sectors. Most of these apps are equipped with our innovative image recognition functionality, which we also provide as an API for integration into other apps. In a fraction of seconds we connect the offline world with any kind of relevant content from the online world.
The Deutsche Welle Global Media Forum (GMF) is the Place Made for Minds, where decision makers and influencers from all over the world come together. It?s the global platform put on by Deutsche Welle and its partners and the place where you can connect and strengthen relations with over 2,000 inspiring representatives from the fields of journalism, digital media, politics, culture, business, development, academia and civil society. The conference provides a unique opportunity to network, get inspired and collaborate using a wide variety of state-of-the-art formats.
?Towards a Global Social Contract on Migration and Development?
Tenth Global Forum on Migration and Development Summit 28 to 30 June 2017, Berlin
Germany and Morocco have assumed the co-chairmanship of the Global Forum on Migration and Development (GFMD) from 1 January 2017 until 31 December 2018. During this two-year period, the focus will be on the contribution of the GFMD to the United Nations? Global Compact on Migration. The Compact is intended to constitute a strong signal of the international community for an enhanced global migration policy, to be adopted by the community of states in 2018.
An exhibition by Metaceptive Projects + Media
5th June ? 5th July 2015 across five venues in Durham, UK
Introductory description from the curator and artistic director, Kooj Chuhan
International artists, researchers, communities and local activists are combining forces using art to push climate change up the agenda in a ground-breaking exhibition titled Footprint Modulation. The exhibition focuses on the massive and increasing impact that climate change will have on humans by forcing us to abandon our homes and migrate. The renowned, award-winning Bangladeshi photographer Shahidul Alam presents work for the first time in the North East. Platform based in London use film and performance to highlight the corruption within global oil. A number of UK-based artists from diverse backgrounds provoke us to connect with human realities in other countries. The New York based architecture and digital art company Diller Scofidio + Renfro present a film commissioned by the Cartier Foundation to artistically re-interpret data about climate migration.
Continue reading “Footprint Modulation: art, climate and displacement”
Memory, Justice, Healing evening at Making Democracy Real 2014 with Salman Rashid, Rajmohan Gandhi, Archana Rao and Rahul Bose
A week earlier, he had received a letter from his youngest sister Tahira. Having completed her higher secondary school exams, she was visiting with her older sister Zubaida whose husband was then a surveyor with the Survey of India and posted at Solan midway between Kalka and Simla. Tahira had written that Solan was rife with communal tension and that she wanted to be with the parents in Jalandhar. She asked her brother if he could come for her to take her home.
Continue reading “Memory, Justice, Healing”
A boatload of refugees making the 200-mile journey to Christmas Island.
THE DREAM BOAT
By LUKE MOGELSONMore than a thousand refugees have died trying to reach Christmas Island. But faced with unbearable conditions at home, they keep coming.Photographs by
JOEL VAN HOUDT
BY LUKE MOGELSON
PHOTOGRAPHS BY JOEL VAN HOUDT
November 15, 2013
It?s about a two-and-a-half-hour drive, normally, from Indonesia?s capital city, Jakarta, to the southern coast of Java. In one of the many trucks that make the trip each month, loaded with asylum seekers from the Middle East and Central Asia, it takes a little longer. From the bed of the truck, the view is limited to a night sky punctuated by fleeting glimpses of high-rise buildings, overpasses, traffic signs and tollbooths. It is difficult to make out, among the human cargo, much more than the vague shapes of bodies, the floating tips of cigarettes. When you pass beneath a street lamp, though, or an illuminated billboard, the faces thrown into relief are all alive with expectation. Eventually, the urban pulse subsides; the commotion of the freeway fades. The drooping wires give way to darkly looming palms. You begin to notice birds, and you can smell the sea. Continue reading “THE DREAM BOAT”
At the end of 1956, generally conceded to be the cultural birth year of rock ‘n’ roll, the best-selling album in America was not?Elvis Presley?or?Elvis, it was Harry Belafonte’s?Calypso. Belafonte was one of America’s most popular entertainers of the mid-twentieth century and parlayed his commercial success into civil rights activism. Calypso music had come from Trinidad and Tobago, with roots in West African Kaiso music and the migration of French planters and their slaves from Martinique and Dominica:
Continue reading “Harry Belafonte – "Banana Boat Song (Day O)" – 1956”
by Rahnuma Ahmed
SUPREME Court lawyer Barrister Jyotirmoy Barua, 39, initiated a writ petition immediately after the violent attacks of September 29, 2012 when innumerable Buddhist monasteries, temples and houses in Ramu, Cox?s Bazar district, were set on fire, pillaged and looted by Bengali Muslim men, mostly youths. The attackers included both locals and outsiders, angered at the news that a picture defaming the Holy Qur?an had been discovered on a Buddhist youth Uttam Kumar Barua?s facebook account. Investigative reports reveal that the allegations against Uttam were manufactured since the picture had been tagged to his account; credible news reports also reveal that the attacks were pre-planned and pre-meditated, a view subscribed to by both the ruling party and the major opposition party, who, however, blame each other for the attacks.
Jyotirmoy Barua returned to Bangladesh last year after completing his Bar-at-Law; he lived in the UK for nearly nine years, partly financing his studies as karate instructor. He has filed the writ on the basis of being personally ?aggrieved? since he belongs to Ramu. It challenges the ?inaction? of the police; hearings have begun.
The interview is based on transcripts of recorded conversations held with Barrister Jyotirmoy Barua on four different occasions totaling more than fifteen hours. I am grateful to him for having taken me into his confidence, for having gone through the draft and suggested modifications. Continue reading “Communal attacks in Ramu: of family feuds and corporate culture”
The Amnesty International?s Dutch magazine, ‘Wordt Vervolgd? invited six world recognised experts to look back at human rights issue?s of 2012.
It is a special feature of 6 images which represent 6 human rights issue?s from 2012. Last year AI had a similar successful feature by 6 international respected photographers about the arab spring.
The following photograph by Pathshala alumni Munir uz Zaman was selected by Shahidul Alam.
What is remarkable about this photograph is the absence of a gaze. Except for the woman who appears to look straight past the photographer it is as if the refugees have withdrawn from the world itself. Hounded by one nation, rejected by another, they are forced to return to their persecutors. Being returned to the jaws of death by the people they had considered their saviours. Land is the only material possession of an agrarian community. Farmers leave only when no other option exists. Their only hope is the belief that someone will shelter them from harm. Respond to their helplessness.
It is only at times like these that women and children venture out on their own. Facing strangers, men, in lands unknown, they willingly face probable dangers to flee certain ones. Bangladesh is not a signatory to the 1951 Refugee Convention or its 1967 protocol, but as a predominantly Muslim nation it theoretically offers a less hostile environment relative to the largely Buddhist Myanmar state which accuses Rohingyas of instigating violence. Given that millions of Bangladeshis were sheltered by neighbouring India during Bangladesh?s own civil war, sending back persecuted Rohingya refugees is callous in religious, historical and humanitarian grounds.
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