Shahidul Alam is a Bangladeshi photojournalist, teacher, and social activist. A TIME “Person of the Year”, he is celebrated for his commitment to using his craft to preserve democracy in his country at all costs. See the project at http://mediastorm.com/clients/2019-icp-infinity-awards-shahidul-alam
Tribute video for 2018 Lucie Awards Honoree Shahidul Alam for the Humanitarian Award.
Presented at Zankel Hall at Carnegie Hall in New York City, Sunday October 28th 2018. Presented and Received by Gayatri Spivak.
They say photography liberated painting from the need to be representational, freeing it of the task to show things as they are. Less than two centuries from the birth of photography, we need to consider whether photography needs to be liberated from itself. What photography excels at, its phenomenal ability to record the visible, is perhaps its Achilles heel. Not for doing it badly, as many practitioners do it phenomenally well, but because of the weight that bears down upon its shoulders. The burden of trust, rather than the erosion of it, lies at the centre of the drama, for drama is what it is. If the world is a stage then the photographer is the scribe, the choreographer, and sometimes the script writer, but rarely the one directing the play.
Ironically, it is the entity that is blamed for the demise of truthful photography, the digital sleight of hand, which is perhaps the true liberator. What photography did for painting, the computer has done for photography. Not by replacing it, but by removing the mask. Photography, like any other medium, is what its proponent makes it to be. Its fidelity makes it neither more honest nor more ethical. Those attributes continue to reside with the author, both the one with the camera and the other author, the one who sits at the editorial table. The photographer selects the frame, the editor selects the frame within which this inner frame exists. The selection of the image, the cropping, the juxtaposition with text or graphic or advert or headline, the sequencing, the timing and the hierarchy within the news pyramid, makes the photographic image the putty with which the truth is massaged. Its unintended veracity, the very tool, which others in the news-chain exploit with abandon. Continue reading “Liberating the Liberator”
On the night of 5 August, a couple of dozen men turned up at the photographer Shahidul Alam’s house in Dhaka. They dragged him from his apartment, bound and screaming, smashing surveillance cameras on the way out. Alam’s partner, Rahnuma Ahmed, was with a neighbour, so she could not react in time. By the time anyone fully realised what was going on, Alam had been thrown into a white van and driven off into the night’s darkness.
The following is an excerpt from “The Man Who Saw Too Much: Why the Bangladesh government fears Shahidul Alam,” by Kaamil Ahmed, published in The Caravan’s latest issue, alongside Alam’s visual account of Bangladesh’s extrajudicial killings. Subscribe now to read in full. Continue reading “Shifting the Lens”
Where’s your bicycle? The Uber driver asked me jokingly. Yes, I had been known in photography circles and it is true that I did know a few Nobel Laureates. Given that I am a public speaker, and wear several hats, I do also come across the odd head of state, or celebrity. I’d be overstating it if I said they all knew me well. I have featured prominently in a film produced by Sharon Stone, but the long conversation on the phone, after my release, was very much an exception. But now that I have Uber drivers recognizing me, and people stopping me in the streets for selfies, I need to be careful I don’t trip over my own ego. Maybe I should be thanking the same person that everyone else thanks for everything that ever happens in Bangladesh.
I flatly deny making payments to the Bangladesh government for running a media campaign on my behalf. Neither is it true that I deliberately planted the inconsistencies in their fake news, making it appear they can’t tell a Kaffiey from a tablecloth. Let’s not get too technical. It started with me being a Mossad agent and taking money from Israel. Now I’ve been placed in the Al Qaeda farm, and definitely anti Israel. Considering that Israel is the one country that my government does not have diplomatic relationships with, and the only country my passport is not valid for, being anti Israel should theoretically make me a pal. My enemy’s enemy is my friend and all that.
June 13, 2018
Dear Mr. Alam:
It is my great pleasure to announce that the Lucie Foundation and its Advisory Board have selected you as the 2018 recipient of the distinguished Humanitarian Award presented at The Lucie Awards. Congratulations on your nomination! Your exceptional contribution to photography and society will be a welcomed addition to an illustrious list that has included the Josephine Herrick Project, Lisa Kristine, Nancy McGirr, Sara Terry, Zana Briski, Sebastião Salgado, and Phil Borges.
German Foreign Office and Neue Galerie Berlin will present Shahidul Alam at Deutsche Welle?s Global Media Forum and at the Global Forum on Migration and Development in Berlin.
With the book publication and the exhibition ?The best years of my life. Bangladeshi Migrants in Malaysia? the international well-known photographer and activist Shahidul Alam will be present on Monday, June 19, 2017 through the Neue Galerie Berlin and with the support of the German Foreign Office on the Global Media Forum of the Deutsche Welle. After the end of the forum in Bonn, the exhibition will be on display at the German Foreign Office in Berlin from Thursday, June 23, 2017, and will be part of the Global Forum on Migration and Development from 28 to 30 June. The Finissage will be published on 30 June 2017 at the Federal Foreign Office with a greeting from the State Secretary Dr. Markus Ederer within the framework of the GFMD. The artist will be present in Bonn and Berlin and will be available for questions and interviews. Further information on the exhibition and the artist in the appendix.
As an additional digital component, the Neue Galerie Berlin, together with the technology partner snap2live, presents the newly developed image recognition app ?Neue Galerie Berlin?. All pictures of the Alam exhibition can be scanned with the app (tentatively available on Android). Behind the pictures
In 2016 Tanja von Unger founded the Neue Galerie Berlin (www.neuegalerieberlin.de).
To provide a relevant platform beyond photography the businessmodel
also collaborates with publishing groups and institutions and is known for its groundbreaking presentation of photographers and their works at economic conferences and events such as the Economic Summit of the Su?ddeutsche Zeitung, Falling Walls Conference, Rheingauer Economic Forum, Global Solutions G 20 Conference of the Dieter von Holtzbrinck publishers.
Snap2Life create apps for companies in the media, publishing, automotive, business, sports and advertising sectors. Most of these apps are equipped with our innovative image recognition functionality, which we also provide as an API for integration into other apps. In a fraction of seconds we connect the offline world with any kind of relevant content from the online world.
The Deutsche Welle Global Media Forum (GMF) is the Place Made for Minds, where decision makers and influencers from all over the world come together. It?s the global platform put on by Deutsche Welle and its partners and the place where you can connect and strengthen relations with over 2,000 inspiring representatives from the fields of journalism, digital media, politics, culture, business, development, academia and civil society. The conference provides a unique opportunity to network, get inspired and collaborate using a wide variety of state-of-the-art formats.
?Towards a Global Social Contract on Migration and Development?
Tenth Global Forum on Migration and Development Summit 28 to 30 June 2017, Berlin
Germany and Morocco have assumed the co-chairmanship of the Global Forum on Migration and Development (GFMD) from 1 January 2017 until 31 December 2018. During this two-year period, the focus will be on the contribution of the GFMD to the United Nations? Global Compact on Migration. The Compact is intended to constitute a strong signal of the international community for an enhanced global migration policy, to be adopted by the community of states in 2018.
A report on Pathshala South Asian Media Institute, published by the online news portal bdnews24.com, has come to our attention (?Shahidul Alam?s Pathshala operates without affiliation,? bdnews24.com, 6 August 2016). Unsubstantiated allegations, backbiting and innuendo and the absence of cross checking characterise the ?report.? It is a shoddy piece of journalism. Continue reading “PATHSHALA?S RESPONSE TO BDNEWS24.COM?S REPORT”
Type of employment: Fixed-term employment, 2 years
Extent: 100 %
Location: Valand Academy, Gothenburg
First day of employment: 2016/9/1
Reference number: PER 2016/54
Valand Academy at the University of Gothenburg and the Hasselblad Foundation have a long-term partnership developing critical reflection on photography and its mediation. As part of this partnership, the Hasselblad Foundation is launching a research project on photography and human rights in Autumn 2016, and photo-based artists holding a PhD can apply to a two-year Post-Doctoral position at Valand Academy starting September 2016. The number of positions available is one.
Continue reading “Postdoctor in Photography, Photography and Human Rights”
Indonesia: 50 Years After the Coup and the CIA Sponsored Terrorist Massacre. The Ruin of Indonesian Society
Last year, I stopped travelling to Indonesia. I simply did? I just could not bear being there, anymore. It was making me unwell. I felt psychologically and physically sick.
Indonesia has matured into perhaps the most corrupt country on Earth, and possibly into the most indoctrinated and compassionless place anywhere under the sun. Here, even the victims were not aware of their own conditions anymore. The victims felt shame, while the mass murderers were proudly bragging about all those horrendous killings and rapes they had committed. Genocidal cadres are all over the government. Continue reading “The Ruin of Indonesian Society”