The roses are blooming at the window in the immaculately kept gardens of Trinity College, Cambridge and Amartya Sen is comfortably ensconced in a cream armchair facing shelves of his neatly catalogued writings. There are plenty of reasons for satisfaction as he approaches his 80th birthday. Few intellectuals have combined academic respect and comparable influence on global policy. Few have garnered quite such an extensive harvest of accolades: in addition to his?Nobel prize?and more than 100 honorary degrees, last year he became the first non-US citizen to be awarded the?National Medal for the Humanities. An Uncertain Glory: India and its Contradictions by Jean Dreze, Amartya Sen
But Sen doesn’t do satisfaction. He does outrage expressed in the most reasonable possible terms. What he wants to know is where more than 600 million Indians go to defecate. Continue reading “Amartya Sen: India's dirty fighter”
I HAD spent much of my life writing music for commercials, film and television and knew little about the world of philanthropy as practiced by the very wealthy until what I call the big bang happened in 2006. That year, my father, Warren Buffett, made good on his commitment to give nearly all of his accumulated wealth back to society. In addition to making several large donations, he added generously to the three foundations that my parents had created years earlier, one for each of their children to run.
Emaho got into a free-wheeling t?te-?-t?te with the legendary award-winning Bangladeshi photographer, Shahidul Alam to pry beyond his politics
Manik: In all your past interviews, you have mentioned how photography happened to you, so I will not ask that question, but what is photography for you? And your relationship with politics?
Shahidul: I am a very political animal and the reason I took up photography was because of my political position. Being concerned about the social situation in my country and globally, I happened to stumble into photography and discovered what a powerful tool it was; which happens to be the only reason why I practice it. I am fond of photography, I enjoyed images but at the end of the day that for me is not the point of the exercise. I continued to use photography in whatever way I can. Largely because, I see the strength of the medium and I recognise the potential. Having said that I think ? I have said this before ? that if tomorrow it ceases to effective, I?ll have no qualms about giving it up and taking something new.
As far as Shahidul Alam is concerned, he does not live in the third world or the developing world. While the photographer’s home is in Bangladesh, a decidedly poor country, he thinks of himself as residing in “the majority world.”
Most people today do not live in Europe or North America, or have white skin. Yet the world’s economy and media are dominated by a handful of Western countries, and the reporting on developing nations is not always done by people who know their subjects well. Continue reading “Wresting the Narrative From the West”
The Asia-Europe Foundation (ASEF) is organising the 9th ASEF
Journalists? Colloquium, which will be held in New Delhi (Gurgaon),
India from?9-11 November 2013.
We are pleased to invite interested journalists from ASEM countries to apply for participation. To apply, more information can be found here:
Travel subsidies to and from New Delhi and accommodation will be
provided by the organisers for successful participants. Continue reading “9th ASEF Journalists? Colloquium: New Delhi”
The German Development Media Awards recognize excellence in human rights and development journalism. The awards champion independent media across the world and put the spotlight on journalists telling important stories affecting their communities, countries and regions.
These awards are a new initiative by the German Federal Ministry for Economic Cooperation and Development (BMZ) and Germany’s international broadcaster, Deutsche Welle. Continue reading “German Development Media Awards”
From?Bangladesh,?Cuba,?Turkey,?United Kingdom Open-eared and well-travelled world/jazz fusion
The music of Lokkhi Terra isn’t for those who don’t travel well, while those with strong wanderlust in their bones are advised to strap themselves in. The sound of this London-based, multi-membered collective zigzags all over the map. Their point of departure appears to be jazz fusion, but from here they touch down in the streets of Bangladesh, the Afrobeat clubs of Nigeria, the cantinas of Cuba and the beaches of Brazil. Such eclecticism might suggest a disjointed jumble, a sound dreamed up by committee. But in Lokkhi Terra’s care, it all makes utter and perfect sense, a seamless collage of some of the best noises this planet’s ever made. And they’re a bunch keen on album titles that sum up their modus operandi. Last year’s No Visa Required emphasised their border-busting sound, while their forthcoming record also gives a hint of their influences and inspirations: it’s called Che Guevara’s Rickshaw Diaries.
(Biography written by Nige Tassell 2011)
They have all performed around the world at venues such as Ronnie Scotts, Royal Albert Hall, Royal Festival Hall, the House of Commons, Glastonbury and at Womad.? They were one of the critics? choices at this year?s Womad festival in the UK, and was the band chosen to perform at the closing ceremony of the South Asian Games 2010.
Lokkhi Terra?s two albums?No Visa Required,?and?Che Guevara?s Rickshaw Diaries, received much critical acclaim around the world.
The combined sonic forces usually transform a quiet room into one which has people clapping and swaying within minutes and Khan is hoping for a similar reaction in India. Times of India. Lokkhi Terra will be playing?23rd of January at Blue Frog Delhi and on the 24th January at Blue Frog Mumbai.
Lokkhi Terra is led by the Bangladeshi Kishon Khan
Here is what people have said about him:
?Kishon Khan leant back from his keyboards with the glee of a man driving a super-car, and played as if distilling the entire 1970s work of Herbie Hancock into a high-octane drive in the country, as congas bounced and brass slid around him…? FT.com
?A formidable jazz pianist? Simon Broughton, Evening Standard
? Highly innovative, a key figure in the British Bangla-Afro-Cuban-Jazz circle? Agogo Records
?Exceptional? ? Movimientos
Kishon Khan is a classically trained pianist, born in Bangladesh, and brought up and living in London. He is widely regarded as one of the most versatile players on the scene today ? sessioning across the genres whilst also being at the heart of some of London?s most critically acclaimed bands. He has lived, studied and worked in countries a far afield as Cuba, Brazil, South Africa, and of course Bangladesh, and this is reflected in the diversity of his musical works/collaborations.
Lokkhi Terra is developing the theme music for Chobi Mela VII, the international festival of photography, held in Dhaka.
The year sadly ended with the attack at Ramu, the devastating fire at Tazreen Fashions and the brutal assassination in broad daylight of Biswajit Das. While both parties wax lyrical on their successes at the talk shows, the real heroes of Bangladesh continue to be the farmer in the field, the migrant workers and the garment workers who pay for the lavish lifestyles of the Tri State residents of Gulshan, Baridhara and Banani. Let’s take time to remember some of the other Bangladeshis who have made us proud. Some of them young like the choreographer Akram Khan and the writer Tahmima Anam the cricketer Shakib Al Hasan, the educationist Salman Khan and others more senior like the elephant in the room whom we are not allowed to mention, Muhammad Yunus.
Please Retweet #bangladesh #muhammadyunus #tahminaanam #akramkhan #shakibalhasan #salm
Like most photographers in conflict zones, Stanley Greene has spent a lot of time with nongovernmental organizations, befriending aid workers who dealt with war, famine and refugees. They not only shared the same concerns as he, but also made it possible for him to gain access to the crisis zones.
Mr. Green traveled to Dhaka, Bangladesh, in July 2011, to photograph a hospital operated by M?decins Sans Fronti?res (M.S.F.), a group that photographers often accompany while on editorial assignment. But even though he was shooting many of the same things he had often photographed ? and in similar ways ? this felt different. This time, M.S.F. was paying him to photograph, as part of its Urban Survivors project. Continue reading “When Interest Creates a Conflict”