1971 – Page 8 – Shahidul News

Remembering December 1971

Winter, War and Refugee Camps

Julian Francis

?So, what were you doing in December, 1971??, asked a colleague the other day. Every year at this time, as well as in the month of March, I remember vividly the birth of Bangladesh in 1971. In charge of OXFAM?s refugee relief programme covering 500,000 refugees, I was very worried about the onset of winter as many of the camps in which we were working were in very cold areas of North Bengal as well as Assam, Meghalaya and Tripura. We were having great difficulty in getting supplies of warm clothes and blankets through to the refugee camps because the roads in the border areas had been choked with Indian military supplies in November and early December. Sometimes we used old Dakota aircraft and flew supplies from Kolkata to air strips in Cooch Behar and West Dinajpur, but that was quite expensive. At the beginning of December 1971, we were expecting a chartered aircraft from OXFAM-America full of medical supplies worth about US$ 900,000 which were difficult to obtain in India, but at the last moment it was diverted to Madras because of the outbreak of war and we had to clear the supplies through Customs and transport them to Kolkata.
After a few days of war, I remember sitting one evening on the lawn of the New Kenilworth Hotel, enjoying a beer after a long day?s work and managed to get the Pakistan Radio?s English News and the propaganda machine said that the Pakistan Air Force had scored a direct hit on the Kolkata telephone exchange and that the Howrah Bridge was floating down the Hooghly! I remember that it was on 7th December that we learnt with horror that President Nixon had ordered the US 7th Fleet to the Bay of Bengal in an effort to prevent the Indian and Mukti Bahini forces from defeating the Pakistanis. Officially, this super flotilla ? ?the most powerful force in the world? ? was said to be going to evacuate a few American citizens from Dhaka, but the intention was clear. I remember how a well-known American doctor, working closely with us in the refugee camps, Dr Jon Rohde, broke down in tears when he heard the reports about the 7th Fleet coming to the Bay of Bengal.
As the fighting intensified, my main concern was not only to keep relief supplies moving to the refugee camps but to ensure the safety of all our staff. The young doctors from the Kolkata and Bombay medical colleges and the Gandhian workers from Orissa and Gujarat had to be withdrawn for their own safety.
We were sure in those early days of the short war that it would be over very soon and that Bangladesh would be free, but we were very aware of the great relief and rehabilitation needs for the future and so we were already calculating what sort of assistance OXFAM could provide and through which organizations we might be able to work. I see from a telex which I sent in December 1971 that it was estimated by some that Bangladesh would need half a million tons of rice per month and that there was an immediate need of 1,000 trucks, 500 buses and that ?most shelter materials such as bamboos had been destroyed by the Pakistani Army. OXFAM was one of the first donors of BRAC, which is now probably the largest NGO in the world, and OXFAM also supported the early work of another outstanding NGO, Gonoshasthaya Kendra.
We were also able to procure 3 truck-carrying ferries and to assist the repair of many others. I remember that the Bangladesh Inland Waterways authority wanted to name the ferries after Liberation War martyrs but after my experience of getting to know the flora and fauna of Bangladesh and how they are part of the country?s poetry and music, we requested that the vessels be named after flowers. And so, Kamini, Kosturi and Korobi, were so named and they continue to ply across the river at Goalondo to this day, some 36 years later.
As soon as Bangladesh was free and the refugees started streaming home, we had to close down our work in an orderly way. One day in early February 1972, I was called out of the OXFAM office and there in the garden were about 300 people. I was worried that they had come with some grievance, but soon the reason for their visit was clear. From some waste wool and some wire these people, from a camp called Digberia, , had fashioned some ?woollen flowers? These were presented to me in a roughly made bamboo vase as a token of their thanks to OXFAM. They had come to say goodbye. It was such a moving moment.
These, then, are a few of my memories??..
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Julian Francis who, since the War of Liberation, has had a long association with Bangladesh working in many poverty alleviation projects, is currently working as ?Programme & Implementation Advisor? at the DFID supported ?Chars Livelihoods Programme?, RDA, Bogra

Jamaat?s farce unravels

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By Rahnuma Ahmed

A national convention of freedom fighters organised by supporters and activists of Jamaat-e-Islami and its students? wing Islami Chhatra Shibir. An outright appropriation. The only problem is, Mohammad Ali saw through it. A single glance told him the truth. And, as Jamaat?s pack of cards came crashing down, the reaction was instant. It was violent. This, for me, was the second moment of truth. It testifies to Jamaat?s unchanged character, violence, an inability to engage with history, and to confront truth,
writes

Be what you would seem to be ? or, if you?d like it put more simply ? Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.

The Duchess, in Lewis Carroll, Alice?s Adventures in Wonderland, 1865

IT WAS to be a convention of freedom fighters, his neighbour had told him. They had both fought against the genocidal onslaught unleashed by the Pakistan army in 1971.
On Friday, a weekly holiday morning, veteran freedom fighter Sheikh Mohammad Ali Aman had gone to the Diploma Engineers Institute in Dhaka. He had peeked into the auditorium. He had expected to see familiar faces, to hear cherished stories of loss and courage. Of a victory achieved, of justice denied. Of betrayals. Of trying the collaborators ? the local accomplices of Pakistan army?s genocidal campaign ? to right the wrongs, at least some. There were collaborators thought to be guilty of committing war crimes, but they had gone scot-free. Their political rehabilitation and brazenness in the last three and a half decades was like a wound that festers. Yet another brazen act, yet another shameless lie brings the pus to the surface. It keeps oozing out. Again, and again.
He was puzzled at the faces that he saw. None of the Sector Commanders were present. No familiar faces, faces that symbolise for him the spirit of the struggle, the spirit of the nine-month long people?s war. Mohammad Ali is a man of modest means, he earns a living by painting houses and buildings in Badda, Dhaka. Unable to recognise any of the imposing figures present inside the auditorium ? ex-chief justice Syed JR Mudassir Hossain who was chief guest, energy adviser to the previous government Mahmudur Rahman, ex-director general of the Bangladesh Rifles Major General (retd) Fazlur Rahman, Wing Commander (retd) Hamidullah Khan, ex-director general of the Bangladesh Press Institute Rezwan Siddiqui, who was the special guest, New Nation editor Mostofa Kamal Mojumdar, general secretary of the Federal Union of Journalists Ruhul Amin Gazi, journalist Amanullah Kabir ? he felt alarmed. And left. One can hardly blame him.

`So I went and sat on the lawn,? Mohammad Ali said in an interview given later. ?I saw some people come out, I heard them say, we don?t want to be part of a meeting that demands the trial of Sector Commanders. An ETV reporter came up to me and asked, are you a freedom fighter? Yes, I replied. I belonged to Sector 11, First Bengal Regiment, D Company, led by Colonel Taher. What about the trial of war criminals, what do you think? I said, I think that those who had opposed the birth of the nation, those who had committed rape, razed localities to the ground, murdered intellectuals, they are war criminals. They should be tried. Those who were chairman and members of the Peace Committees, they belong to Jamaat, and to the present Progressive Democratic Party. They should be tried, they should be hung. I think this is something that can be done only by the present government, a non-party government? (Samakal, July 13).

?Who cares for you?? said Alice (she had grown to her full size by this time). ?You?re nothing but a pack of cards!?

At this the whole pack rose up into the air, and came flying down upon her…

They swooped down on Mohammad Ali. He was kicked and locked in a room for three hours. Before his release, his voter ID card was photocopied. ?I do not wish to say what they did to me. It will bring dishonour to the freedom fighters,? was all he said of his ordeal. ETV reporter Sajed Romel, also made captive, was released an hour later, after his colleagues rushed to his rescue. The camera crew, fortunately, had escaped earlier, with its recorded film intact.

Engineer Abdur Rob, a vice-president of Jatiya Muktijoddha Parishad ? the organisers of this farce ? was asked why a veteran freedom fighter and an electronic media journalist had been locked up. He replied, ?Impossible. Such a thing could not have happened.? Prothom Alo?s reporter was persistent, it was filmed. We have it. ?Well then,? came the immediate reply, ?it was an act of sabotage. Our people could never have done such a thing.?

New lies. Emergency lies

Soon enough, press releases were handed out by Jatiya Muktijoddha Parishad detailing the sabotage story: Prothom Alo, Samakal, Jugantor, Inquilab, and Daily Star were guilty of spreading lies. Some persons had come to the national convention without any delegate cards, they had tried to barge in, JMP volunteers had wanted to see their invitation cards, their responses had been unsatisfactory. Instead of covering the main event, the ETV news crew had shot something else, it was staged by hired people and instigated by yellow journalists. These acts, deliberate and pre-planned, were aimed at wrecking the convention. They had failed. Jatiya Muktijoddha Parishad is an authentic organisation of freedom fighters. It is not affiliated to any political party. The liberation struggle is above party affiliation. Journalists are demeaning the honour of freedom fighters by propagating lies. They are creating disunity.
A later press release added more details: no one by the name of Mohammad Ali had been invited to the national convention of Freedom Fighters. The ETV?s interest in interviewing him proves that it was staged, it was a conspiracy aimed at foiling the convention. Politicians are attempting to capitalise on the incident. The JMP calls on all freedom fighters to stay united (Naya Diganta, 13, 15 July).
Newspaper reports, however, provide concrete details. Jatiya Muktijoddha Parishad was formed on January 26 this year. After the Sector Commanders Forum had demanded the trial of war criminals. The JMP?s office is located in a room rented out by an organisation headed by ATM Sirajul Huq, ex-amir, Paltan thana, Jamaat. It is not registered with the liberation war ministry. This, according to legal experts, makes it illegal. Three high-ranking members of the Parishad claim that they had fought in 1971. These claims are false. Muktijoddha commanders of the respective areas do not know them. Executive committee members of the Parishad include men who contested parliamentary elections on behalf of Jamaat-e-Islami. Vice-president Engineer Abdur Rob had admitted to journalists, yes, the Parishad did receive ?donations? from Jamaat-e-Islami.
The story about Jamaat?s role in the liberation struggle, the liberation struggle itself, whether it was genocidal or not, whether war crimes should be tried or not, who was on which side, is an evolving one. What interests me particularly is how Emergency rule, and its raison d?etre of removing corruption and corrupt political practices for good, has impacted on Jamaat?s story. On its warped sense of history. Last October, as Jamaat?s secretary general Ali Ahsan Mohammad Mujahid was leaving the Election Commission after talks on electoral reforms, he was asked about the growing demand for declaring anti-liberation forces, and war criminals, disqualified from contesting in the national elections. He had replied, the charges against Jamaat-e-Islami Bangladesh are ?false?, and ?ill-motivated?. There are no war criminals in the country. He had added, ?In fact, anti-liberation forces never even existed.? A day later, in an ETV talk show (26.10.2007) Jamaat-sympathiser and former Islami Bank chairman Shah Abdul Hannan had said, there was no genocide in 1971. Only a civil war.
And now this. A national convention of freedom fighters organised by supporters and activists of Jamaat-e-Islami and its students? wing Islami Chhatra Shibir. An outright appropriation.
The only problem is, Mohammad Ali saw through it. A single glance told him the truth. And, as Jamaat?s pack of cards came crashing down, the reaction was instant. It was violent. This, for me, was the second moment of truth. It testifies to Jamaat?s unchanged character, violence, an inability to engage with history, and to confront truth.

Old truths

Historical research which includes newspaper reports, speeches and statements made by those accused of war crimes, attests to the fact that Mujahid, as president of East Pakistan Islami Chhatra Sangha, and as chief of the Al-Badr Bahini, collaborated with the Pakistan army in conducting massacres, looting and rape. Also, that he had led the killings of renowned academics, writers and poets, doctors, engineers, and journalists, which occurred two days before victory was declared on December 16. Senior Jamaat leaders Abdus Sobhan, Maulana Delwar Hossain Sayeedi, Abdul Kader Molla and Muhammad Kamaruzzaman, who accompanied Jamaat?s secretary general to the Election Commission for talks on electoral reforms last October, are also alleged to have committed war crimes. According to the People?s Enquiry Commission formed in 1993, Jamaat?s amir Matiur Rahman Nizami, as commander-in-chief of Al-Badr, is also guilty of having committed war crimes.

Who needs Jamaat?

Both the Awami League and the Bangladesh Nationalist Party had accepted Jamaat as an ally during the anti-Ershad movement. After the national elections of 1990, Jamaat support had ensured the BNP its majority in the fifth parliament. The Awami League, which claims to have led the liberation struggle, joined forces with Jamaat to help oppose and oust the sixth parliament. In the seventh parliament, the Awami League inducted at least one identified war collaborator in the cabinet. And, in the eighth parliament, the BNP paid the ultimate tribute by forming government with Jamaat as a coalition partner.
But what about now? That this government, the Fakhruddin-led, military-controlled government, is giving Jamaat-e-Islami a kid gloves treatment has not escaped unnoticed. Jamaat?s amir Matiur Rahman Nizami was one of the last top-ranking leaders to be arrested. He was also one of the earliest to be released, that too, on bail. Hundreds, possibly thousands, of party supporters were allowed to gather on the road to cheer his release last week, while the banner of Amra Muktijuddher Shontan activists, who had formed a human chain the next day, to protest against the assault on Muhammad Ali, was seized by the police. The Bangla blogging platform Sachalayatan could no longer be accessed after a strongly worded article on the assault of Muhammad Ali was posted. Was it a coincidence? Or, are the two incidents related? When asked, ABM Habibur Rahman, head of BTCAL internet division, refused to comment. One of the founders, who lives in Malaysia, has confirmed that the blog can be accessed from all other parts of the world.
As the US expands its war on terror, its venomous civilisational crusade of establishing democracies in the Middle East, one notices how Bangladesh has gradually been re-fashioned as a ?moderately? Muslim country, in an area considered to be ?vital to US interests?. Jamaat-e-Islami, in the words of Richard Boucher, US assistant secretary of state for South and Central Asian affairs, is a ?democratic party?. James F Moriarty, US ambassador to Bangladesh, in his congressional testimony (February 6, 2008), said US interest in Bangladesh revolved around the latter denying space to ?terrorism? (mind you, Islamic, not US, not state-sponsored).
Moriarty?s ideas echo Maulana Matiur Rahman Nizami?s. In an interview given last year, Nizami said, Jamaat was important to keep Bangladesh free of militancy and terrorism (Probe, June 27-July 3, 2007). Interesting words coming from a person who had, three years earlier, as amir of the then ruling coalition partner and industries minister, denied the existence of militancy in Bangladesh. Bangla Bhai was the ?creation of newspapers?, it was ?Awami League propaganda?.

The US and Jamaat-e-Islami Bangladesh fashioning a new partnership on war on terror? chorer shakkhi matal, many Bengalis would say. The drunkard provides testimony for the thief.

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First published in The New Age on Monday 21st July 2008

Family secrets, state secrets

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Rahnuma Ahmed

History is never more compelling than when it gives us insights into oneself and the ways in which one?s own experience is constituted.
Amitav Ghosh, in a letter to Dipesh Chakrabarty
I do not see my life as separate from history. In my mind my family secrets mingle with the secrets of statesmen and bombers. Nor is my life divided from the lives of others.
Susan Griffin, A Chorus of Stones
?We hated it if anyone asked us about her?
?MANY widowed mothers were forced to re-marry, some for reasons of social security,? these were Amena?s opening words when I went to interview her. Amena Khatun works as a conservator and archivist for the Liberation War Museum. She was speaking of their family life after 1971.
Things did not always transpire as intended, she added. Her mother?s second marriage had been short-lived.
My father? He is Shahid Abdul Kader, he had a furniture business, it was new. But by then the war had started, and his friends and workmen had left to fight for liberation. I was a few months old, my other brother, the one younger to me, was not yet born. My elder brother was two and a half years old. I think my father was planning to go away, to join the struggle, but it happened before he could make arrangements for us. They took him away. We lived in Mymensingh, our area was full of Biharis, I think they could sense what was happening, and they targeted my father. Actually, it was a Bengali woman, a razakar, who came and called him. She came and said, so-and-so wants to talk to you. My father stepped out and found a group of Bihari men and women waiting for him. It was May 28, 1971.
My grandmother, it was her, my nanu who raised us. Her struggle was much greater. My mother? Oh, she was very young, only seventeen or eighteen, she hardly understood anything. She was forced to re-marry, this was later, in 1977 or 1978. She had no other choice.
For us kids it was a new experience, we had not seen a man before. My mama was five years older to me, he and my older brother, they were the only men in the house. My uncles came later but nanu didn?t like them, she was worried that they would take us away, put us to work on the farm, that we would have to give up our studies. My younger chacha had wanted to marry my mother but she didn?t agree to the proposal. She said, he was like a brother.
And in the middle of all this, here was this new man, we could tell that he was intimate with her. When he appeared, she was a different mother. Sometimes I think, did we deserve this? If my father had lived, life would have been very different.
By the time my mother gave birth to a daughter, that phase [her married life] was over. That little sister of ours was the most exciting thing that could have happened in our lives, she lit up our home, all our dreams centred around her. We couldn?t think of anything else. We didn?t want to.
But whenever we went to the village, people would say, she was born of your mother?s second marriage, wasn?t she? We hated the sound of those words. Of course, what they said was true, for them it was not unusual. They were just curious, they would keep asking us and I don?t blame them. But I hated it, bhaiya didn?t like it either. My sister? She was too young to understand. But how can you stop people talking, and so we stopped going to the village. We wouldn?t go, hardly ever.
Much later, right before my sister took her matric exams, we were forced to tell her. In a sense, she found out for herself. You see, her friends kept asking her, ?But if you were born in 1971, how can you be this young??
I guess we needed to grow older to come to terms with the truth.
?A dirty nigger?. Racial prejudice and humiliation in the British Indian army
?As a child, I remember hearing only idyllic stories of my father?s life in the British Indian army,? writes novelist Amitav Ghosh, in a letter to historian Dipesh Chakrabarty.
But towards the end of his life, before he died in 1998, my father told me a very different story. During the siege of Imphal, he had turned away from the main battle to confront a South African officer who called him a ?dirty nigger?. After this, other stories poured out, stories of deep-seated racism within the army, very different to the idyllic picture that Amitav had grown up with. He writes, why did my father (and, in some sense, all our fathers) avoid telling us these stories? Speaking of such things must have been difficult, he muses, especially because they were at odds with their vision of themselves as ?high-caste, bhadra patriarchs?. He adds, what may seem to be mere instances of racism were not so, they represented the system itself. Western liberal thought, whether that of JS Mill, or Bentham, or any other nineteenth century British writer, is built on racism, writes Amitav.
His question is: if we reproduce these silences of history, are we denying or abetting in structures of exclusion and oppression?

Post-independence armies of South Asia

Did racism survive the departure of the white colonisers in 1947? Are post-independence armies of South Asia non-racial and hence, non-racist? Is it meaningful to talk of race and racial differences in our cultures?
East Pakistani (later Bangladeshi) scholars spoke of ethnic differences in racial terms. They said, Pakistan?s military commanders perpetuated the recruitment policies of their colonial masters. ?Martial races? ? meaning Punjabis and Pathans ? were over-represented in the national armed forces, whereas the majority Bengali population, and smaller minorities like the Baluchis and Sindhis, were largely excluded. Indian historians maintain, imperial institutions like the army and the civil service allowed particular forms of racist practices, because of their proximity to the ruling race. They also say, racism survived independence. The north-eastern provinces, known as the seven sisters, have been subjected to decades of racist oppression by successive Indian governments.
Is ethnic discrimination in Bangladesh racist? Educated paharis, who have suffered militarily, tell me that ?ethnic discrimination? as a term does not do justice to the horror of their experiences. I was speaking to a young woman whose father was hung upside down for days, and later died a broken man. And to a young pahari man who was detained for several weeks, and was severely traumatised because of what he was made to witness.
Family secrets can be state secrets. Our mothers and fathers need to tell us stories. We need to discover ways of talking about silenced histories. And about the silenced present.
First published in New Age 26th May 2008

Politics is the price of rice…

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Rahnuma Ahmed

Bhat dey haramjada (Give rice, you bastard) — screamed the graffiti on a wall. It had stunned pedestrians in Dhaka. This was 1974.
In early March, six months before the famine had reached its peak, news of starvation deaths could be heard. Two to three months later, they had become common enough. Occassionally, dead bodies could be seen lying on the street. What had caused the famine of 1974? Amartya Sen, a Nobel Laureate, says that it was a reduction in the ability of people to command food through legal means available in society — in their entitlements to food — that led to the famine. Food crisis, says Sen, is caused not by food shortage but by the shortage of income and purchasing power. On a person’s ability to command commodities, particularly food, under entitlement relations. Starvation and famine are not only economic, says Sen. These are multi-dimensional subjects, they include social, political and legal issues. If groups of people lack purchasing power they can starve, even though markets are well stocked. Even though food prices are low.
What had caused the famine of 1974? For Devinder Sharma, it was the US government’s decision to withhold 2.2 million tons of food aid that was at fault. The US government had wanted to ensure that the Mujib regime `abandoned plans to try Pakistani war criminals’. When the Bangladesh Finance Minister had called upon the US Secretary of State, in August 1973, to appeal for food aid, the latter had advised the speedy settlement of disputes with Pakistan. Referring to Bangladesh government’s proposal of “war crimes” trials of the Pakistan army, he had said, it was ?not good to have such trials.? “Humanity” had never learned from war crimes trials, he said. Of course, the Americans had good reasons for saying so. The US ex-Secretary of State Henry Kissinger’s name had repeatedly come up. War objectors had demanded that he be tried for US massacres in Vietnam, for America’s role in Bangladesh’s liberation war. That humanity never learns is best exemplified by the US and its allies. Pakistan. Israel. Humanity never learns unless, of course, the criminals are Nazis or Serbians.
But that is not the end of `famine is a political weapon’ for the US story. Pressure on the Mujib government returned. In 1974, the US Ambassador said, no food aid would be given to Bangladesh if it exported jute to Cuba. The Mujib government gave in to US pressure. Jute exports to Cuba were stopped, but by the time food shipments reached, it was too late. Most famine victims had succumbed.
Were there other causes? Some researchers say, successive natural disasters, floods and droughts, had prefaced the food crisis. Others mention the Awami League government’s lack of foresight in importing foods. In directing subsidised food to the politically vocal urban population, at horrific costs to far-poorer, rural people. Others stress political and administrative corruption which had encouraged massive hoarding, and the smuggling of foodgrains. Many others say it was the gross mismanagement of the economy.
Why do I rehearse these instances from history? Because there are lessons to be learnt. Because it is not enough for either the Chief Adviser, his advisers, or the Army Chief to repeatedly say, there is no shortage of rice, the markets are well-stocked, more rice is being imported, it will reach soon. Simplistic reasoning, simplistic assertions are not enough. There have been too many famines, too many deaths. Each death was one too many. We must learn from history. That lessons are not being learnt is obvious from what is being said. From the little that is being done. The rice queues keep getting longer.
In 1974 too, world food prices had risen. But the situation is far more grave now. Hard-hit consumers across the globe are protesting. Mexicans rioted in December 2007. Tortilla prices had jumped up; in some parts of Mexico, it was four times higher. In Indonesia, people have protested against the rise in soybean prices. In Burkina Faso, protestors attacked government offices and shops. Demonstrations have also taken place in Guinea, Mauritania, Morocco, Senegal, Uzbekistan, Yemen. Severe weather, rising population, rapid increases in demand for foodgrain (China, India), speculation in commodity markets, are listed as reasons. Also, a growing trend to turn food into fuel. Four hundred and fifty pounds of maize can be converted into enough ethanol to fill the 25 gallon tank of an SUV with pure ethanol at one time. Or it can be used to provide enough calories to feed one person for a year. The competition between food and fuel is encouraged by governmental subsidies given to biofuel in western countries. In non-western nations, that those hardest hit, should be provided with income support to help them purchase food is something all concerned agree upon. Simultaneously, it is agreed that governments should increase their investments in agriculture in order to improve agricultural productivity.
The situation in Bangladesh is made peculiar because of its rule by a caretaker government. Because of the fifteen month-long state of emergency. Recently, the Chief Adviser, in the light of accusations of poor food distribution said, shortages occur even in countries which have elected governments. Of course they do. That is not the point. The new system of corruption is individualistic, sector-oriented, and technocrat-elitist. It is not tied to constituencies and vote banks which have a nationwide spread, albeit with party lines of exclusion and inclusion. The new system is an introverted one. When it comes to food and other resources, the distribution is random. It is queue-oriented, linear. It does not encompass. Its reach is limited. Most are left out.

The army chief’s versatile kitchen

The army chief General Moeen U Ahmed had said on a visit to Chelopara in Bogra, Bangladeshis should increase the intake of potato in their daily diet. `We should not depend only on rice. Of course, we will eat rice but we must increase the intake of potato.’ That will reduce the food crisis, specially the pressure on rice. Potato yields this year have been very high.
A few days later, General Moeen invited the country’s leading editors to the army headquarters. The meeting was followed by a lunch where nine potato dishes were served with plain rice, fresh salad, fried ruhi fish. The potato-based dishes were: potato country curry, potato malai curry, potato noborotno curry, potato pudina curry, potato roller gravy, potato kofta curry, potato pulse curry, potato shak (spinach) curry. (Jaijaidin, 9 April 2008).
The list only proves that the Army Chief has versatile cooks, a versatile kitchen. But that was never in doubt. Just as his promotion, or his extension was never in doubt.

Street humour

The language of the streets is different from the language of those who rule the land. Emergency restrictions, and the intolerable food crisis has generated jokes that comprise a secret language of sorts between common people. Food jokes, queue jokes have been common elsewhere too. Such as this one. A man is queuing for food in Moscow. Finally he’s had enough. He turns round to his friend and says “That’s it. I’m going to kill that Gorbachev,” and marches off. Two hours later he comes back. “Well,” says the friend, “did you do it?” “No,” replies the other, “there was an even longer queue over there.”
A more recent one, overheard by a friend in Muktagaccha, between two rickshawallas:
So, shorkar says, we have to eat more potatos. What do you say?
Well, get those high-talking advisors over, have rice, chaff, flour, and potatos in charis (cattle troughs), let’s see what they eat. I’ll eat what they eat.
Nine types of any food would fill a rickshawalla’s stomach.
First published in New Age on 14th April 2008

The War That Time Forgot

The Bangladesh war was one of the 20th century’s bloodiest, yet outside the region, little is known about it. Now, 37 years on, an exhibition records the painful birth of a nation.

Tahmima Anam report

Victorious Muktis returning home. Entrance to Rivington Place Gallery. Shahidul Alam/Drik/Majority World

Visitors at Rivington Place during the private view on 3rd April 2008. Shahidul Alam/Drik/Majority World

Sheikh Mujibur Rahman had called for Bangalis to resist with whatever they had, and people responded. Jalaluddin Haider. Autograph ABP/Drik/Majority World

Students preparing for war in 1970. Rashid Talukder /Autograph ABP/Drik/Majority World

A refugee camp at Barasat, Choudda Pargana, India, in 1971. Abdul Hamid Raihan/Autograph ABP/Drik/Majority World

In December 1971, in the midst of their celebrations at the end of the war for independence from Pakistan, the people of Bangladesh began to reckon with the human cost of their new nation. As they took account of what they had won and what they had lost, Sheikh Mujibur Rahman, the independence movement leader who became the first prime minister of Bangladesh, urged his people to embrace the many thousands of women who had been raped by Pakistani soldiers. He gave the women a title – birangona, brave women – seeking both to exalt them as war heroes and erase the shame of their violation.

The contradiction between exalting and forgetting persists in Bangladesh, where the war remains a contested space, still charged 37 years later with an emotional and psychological intensity that brings to life William Faulkner’s words “The past is never dead, it is not even past”.

One of the estimated 400,000 birangona, meaning ‘brave women’, who were raped during the war. Naib Uddin Ahmed/Autograph ABP/Drik/Majority World

Yet these complexities are captured in a photograph taken by Naib Uddin Ahmed of a woman – one of the birangona – obscuring her face by clutching a thick mass of her own hair. This is just one of many haunting images that make up Bangladesh 1971, a new photographic exhibition at the Rivington Place public gallery in Shoreditch, east London, and which contribute to its powerful visual retelling of the story of this war.

A Mukti Bahini fighter carries a comrade injured in the fight against the Pakistani army. Naib Uddin Ahmed/Autograph ABP/Drik/Majority World

It was one of the bloodiest conflicts of the 20th century, and yet it is a largely unacknowledged event: outside Bangladesh there is little awareness of the campaign of violence on the part of the Pakistani army as the Bengali people of the then East Pakistan sought to achieve political sovereignty.

A Mukti Bahini training camp. Begart Institute/Autograph ABP/Drik/Majority World

In this exhibition, all but one of the photographers are Bangladeshi; most were amateur photographers at the time, men who happened to be holding a camera when they found themselves caught up in the war. For almost two decades, Shahidul Alam – director of the Drik picture library in Dhaka and a curator of the current exhibition along with Mark Sealy, director of photographic agency Autograph ABP – has made it his mission to collect these photos, visiting the photographers in their homes and saving their negatives. By highlighting the images taken by these accidental archivists, the curators have created an intimate, reflexive portrait of the war, ranging from photographs that are well known to others that have never been seen in public.

Soldiers smuggle grenades in a basket covered with water hyacinth, 1971. Mohammad Shafi/Autograph ABP/Drik/Majority World

A child leads a street procession during the mass revolt of 1969. The boy was killed shortly after the photograph was taken. Rashid Talukder /Autograph ABP/Drik/Majority World

The artists’ society with the letters Sha Dhi Na Ta independence – protest at the postponement of the National Assembly meeting in March 1971. ? Rashid Talukder /Autograph ABP/Drik/Majority World

The exhibition consists of more than 100 images organised in loose chronology, beginning with the first stirrings of nationalism and resistance to Pakistani occupation. The ebullient spirit of 1969-70, when war was imminent, is captured most powerfully by Rashid Talukdar’s image of a young boy, no older than 10, leading a street march. The boy is obviously poor (he marches in bare feet) but his mouth is formed in an ecstatic shout as he leads the procession of men behind him, as though for those few minutes, it is his war, his people, his country.

The collection includes many iconic, even universal, images of war: Abdul Hamid Raihan’s image of two children staring into the distance, a carpet of missiles scattered at their feet; Mohammed Shafi’s portrait of a freedom fighter – a boy who could be from anywhere – reveals a young man’s tenderness and fear apparent despite his attempt at studied resolve. Other images reveal the horror of this war with haunting specificity. On the night of December 14, knowing they were about to lose the war, the Pakistani army and its local paramilitary allies massacred the future doctors, teachers, lawyers, and writers of Bangladesh in an effort to cripple the new nation. The bodies were not found until after independence, when a mass grave was discovered in the city. One photograph of the massacre stands out: a face surrounded by submerged bricks and covered in a thin sheen of mud. The face is ghostlike, other-worldly, and the aesthetic intensity of the image serves to underscore the almost unfathomable brutality of the act.
Bangladesh 1971 also presents a complex portrait of the slaughter.

One photograph shows a uniformed man circled by a large crowd, stabbing a civilian with a bayonet; the caption tells us that it is not a Pakistani soldier but a Bengali one, attacking a local man who has collaborated with the army. At Alam’s first exhibition of war photos in Bangladesh, the government requested that he remove this image, in which the roles of victim and perpetrator are reversed. His refusal led to the exhibition being shown at a private gallery rather than at the National Museum.

There are other complex figures, most notably Sheikh Mujib. Revered throughout the independence struggle as the father of the nation, then brutally assassinated in 1975, Mujib left a legacy that is continually being reassessed, not least because his daughter, Sheikh Hasina Wajed, is a prominent Bangladeshi politician. Naib Uddin Ahmed’s photograph of Mujib returning to Dhaka in January 1972 (he had been in prison in Pakistan throughout the war) emphasises the passion he inspired in his followers, as his procession is surrounded by thousands of cheering citizens of the newborn country. But the most touching portrait of Mujib is one where he is shown embracing his daughter, the young Hasina. He glows with pride, and she with love. It’s a reminder that behind every political execution – and south Asia has had its share – is the death of a loved one.

It is in its attempt to challenge our expectations that the exhibition is most successful. In the flagship piece, displayed against the window of Rivington Place, a group of women march in perfect formation through the middle of a busy road, rifles cupped in the palms of their hands. Another photograph is a seemingly idyllic image of two women wading through a pond with a basket of flowers. But the caption reads: “During the liberation war, female freedom fighters would smuggle grenades in baskets covered with water hyacinth.” Scenes like this were common during the independence movement: many young women were given informal military training; in the villages, especially among the Adivasi hill people, women smuggled arms to the front lines of the resistance. Bringing these images to light in this setting challenges our notions of women’s political participation in a country like Bangladesh. And as Londoners walk past Rivington Place, perhaps they will find a new window into the history of their neighbours on Brick Lane, a visual testament to the trauma and hope of independence.
Bangladesh 1971 is at Rivington Place, London EC2A 3BA, until May 31. Info: +44 (0)20-7749 1240.
In pictures: the Bangladesh 1971 Gallery

This article appeared in on on p12 of the section. It was last updated at 02:07 on April 10 2008.
Time Magazine article:
Time Magazine photo gallery:
Historic news clip about killings in Khulna
Death by firing squad in Dhaka University
Indian news clip

Re-visiting

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Rahnuma Ahmed

Thirtyfive years later

“Thirtyfive years? You will be meeting her after thirtyfive years?”
No contact in between?
Well, I would reply, we escaped from Pakistan in 1972. There were no official contacts between the two countries for many years so there was no question of any letter-writing, but in the late 1970’s, one of my father’s colleagues at Radio Bangladesh had gone to Pakistan, to attend a seminar. I remember asking my father hesitantly, can your colleague take a letter from me for Imdad uncle’s daughter? My father had said, `For Naghma? Well, I’ll ask him, but go ahead. I’m sure, he can.’ He had brought back a letter from Naghma. I remember that I had read it over and over again.
When we met last October, after thirty-five long years, she reminded me that I had also sent a maroon cotton sari with my letter. With her letter had come a set of studded buttons, a Sindhi piece of jewellery that village women wore. That I remember clearly. I had worn it for many years.
In the late 1980s, I had received a phone call. The caller said he was Naghma’s husband, he was in Dhaka for a conference. It was over, could we meet up? I dragged Shahidul over to where Haseeb was, we spent what remained of the day together. I wanted to know all about Naghma, we had a meal, we showed him parts of Dhaka. I remember he had said, y’know Dhaka’s quite funny, such stark differences right next to each other, next to a two-storied house you get a scraggly plot, and then suddenly you see a pretty posh building, and then again, right next to it, a government office. I remember looking at Dhaka anew, through his eyes. I remember looking at Haseeb, again and again, wanting to find bits of Naghma in him. I missed her. His presence made it acute.
After that, no contact. Four years earlier, we were in touch again. A spurt of e-mails, followed by another long silence, broken last year by a letter. She had been invited to a conference in Dhaka at the end of October, would I be in Dhaka then? We frantically wrote to each other. Until the last minute. Until she caught her flight to Dhaka.
I walked into the hotel lobby and asked for her at the reception but before the person behind the counter could reply, a man walked up to me and said, “Are you Rahnuma?” I nodded, and he said, “There’s Naghma.” I turned to see a woman in a white kameez and churidar, seated in a sofa facing the high glass walls. Her back was turned to me. She was looking at the fountain outside.
No words can describe what I felt in that first exchange of glances. Tahseen gave us a minute or two before joining us. Naghma introduced us to each other, he was also from Pakistan, he was here for the same conference. An old friend of her and her husband. Tahseen said I needed no introduction. Naghma had never tired of talking about me in the thirty-or-so odd years he knew her. He teased us as we sat facing each other. As we calmly spoke to each other. We had been misty-eyed, but only for fleeting moments. “If I had been in your place,” said Tahseen, “I would have wept my heart out, I would have been rolling on the floor of the hotel lobby by now.” We laughed.
Later, one evening when we were having dinner together, Tahseen spoke of his visit to his ancestral village in East Punjab, India, a few years ago. He spoke of how he had navigated his Indian friend who was driving the car right down to the village, of how he had known of each turn to the doorstep of their paternal home from stories that his mother had repeatedly told him. Stories of sorrow, and loss and longing. It was the first time since 1947 that anyone from Tahseen’s family had been to the village. But older people, he said, had known who he was. We shared in his amazement when he said, you know, I didn’t have to introduce myself, they knew right away, they said you are so-and-so’s puttar, right?
He quietly added, the whole village had turned out and wept.

In 1972, I did not look back

Afsan Chowdhury had insisted that the experiences of those of us who had been in Pakistan during 1971, was also part of the history of muktijuddho. I had contributed a piece to his edited four-volume Bangladesh 1971. This is what I had written about leaving Naghma, about leaving Pakistan. `I do not remember exactly how I came to discover that we were leaving, that we were escaping, that it would happen not in the distant future, but soon. Very soon. I was told of the exact date at the very last moment. My parents had strictly forbidden us, we were not to tell anyone, we must keep our mouths tightly sealed, it was not safe. But how could I not tell my dearest friend Naghma? Her father, like my dad, also worked in Radio Pakistan, they were Punjabis, they also lived in Garden Road officer’s colony. In my circle of friends spreading from colony to school and back, Naghma was the only one who strongly supported Bangladesh’s struggle for liberation. She was the only Pakistani with whom I could share tales of atrocities being committed by the Pakistani army, with whom I could share stories of West Pakistan’s exploitation of its eastern wing.
When I told her of our family’s plans to escape, I remember that I had shut the door tightly, that I had sat down next to her, that I had whispered in her ear, “We are leaving…”
I remember she had wept. I remember I hadn’t.
I was leaving Pakistan for my own country. I remember feeling proud. We were going to be free of Pakistan. I did not look back.’
Last October, when we met after thirty-five years, Naghma reminded me of that evening. She reminded me that I had turned the bedroom lights off and on before leaving. Their house had been right behind ours. It had been our pre-arranged signal. She had waited for that last sign.

Pakistan now

After her conference was over, she came and stayed with me for a night before leaving for Islamabad. We talked about politics. Continuously. Just like the old days.
We talked about Musharraf in Pakistan. About the military-backed caretaker government in Bangladesh. She repeatedly spoke of the institutionalisation of the military. It was this that had warped all possible democratic hope for Pakistan. For the majority peoples of Pakistan. For a long time to come. Being a client state of the US never helped democratic longings, she said.
I spoke of Bangladesh, of the changes that had taken place, pre- and post- January 11 last year. She replied with foreboding. She could see similarities, she said.
I found it disconcerting. We had left Pakistan. I did not want to turn back.
And then, a few weeks ago, Ikram Sehgal, defence editor of Pakistan, said the same thing while speaking to journalists at Dhaka Reporters’ Unity. He could see “commonalities” between Bangladesh now, and pre-election Pakistan. He termed these “disturbing.” Running the country was not a Captain, a Major, or a Brigadier, or a General’s business. It is not part of their training, he said. Their duty was to protect the sovereignty of a state. To help during times of national crisis. This, he added, could only be for “a short period.” (The New Nation, March 17, 2008).
I become curious. I want to explore “commonalities.” I turn to Ayesha Siddiqa’s Military Inc. Inside Pakistan’s Military Economy (2007). I come across a discussion of Bangladesh. “The military’s role can only be limited to arbitration in cases such as Bangladesh, where the government has systematically encouraged the armed forces to look at other options for their financial survival. One of the reasons for the Bangladeshi military’s abstinence from taking over direct control lies in the source of the armed forces’ financial autonomy. Dhaka’s military depends on UN peacekeeping missions to earn financial benefits, and as a result it has remained out of power since 1990-1.” (p. 50).
I read on. “Over the years, Dhaka’s armed forces have built stakes in the hotel industry, in textile and jute manufacturing, and in education. Bangladeshi civil society is, perhaps naively, not alarmed by such developments.”
Bangladeshi armed forces investing in the hotel industry? How little one knows. I delve and come up with some bits of information. The Radisson Water Garden Hotel is jointly owned by Sena Kalyan Sangstha and Army Welfare Trust. It earned 9.52 million US dollars in the first year of its operation (2006-2007). In the second year, it generated a revenue of 13,377,424 US dollars, earning a gross operating profit of 6,721,356 US dollars. I come across other information. The 2007-2008 earnings were “the highest recorded hotel revenue in the history of Bangladesh.” Ian R Barrow, the General Manager of the hotel, thought it was Radisson’s “location” that was crucial. Being close to Zia International Airport, it had not been much affected by the political turmoil that had swept the nation, that had affected other businesses last year. But then, I thought, businesses close to the seat of power have thrived under any regime.
I return to Ayesha Siddiqa. She thinks if the military’s role in the economy expands, its influence in politics deepens. She thinks we should be alarmed.
I remember 1972. I remember being excited. We were going to be free of Pakistan.
——————–
First published in New Age on 1st April 2008

Distances

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Rahnuma Ahmed

WHENEVER I approach her, I feel numb. I feel speechless. I want to know who she is. But I don?t know who to ask. How to ask.

This photograph has always haunted me. I don?t remember when I first saw it. Probably in a book of war photographs. And later in the Muktijuddho Jadughar, where I have gone many a times with relatives and friends, visiting from abroad.
?She was pulled out. Dragged out from the Pakistani army?s bunker,? said Naibuddin Ahmed, the photographer.
Woman recovered from Pakistani Army bunker at Mymensingh. 12th December 1971. ? Naibuddin Ahmed/Drik/Majority World
I spoke to Naibuddin Ahmed on Sunday night (March 23), over the telephone. ?Why don?t you come and get a print? It?s only an hour, or a one and a half hour?s drive.?
The next morning Shahidul and I went off to Paril Noadha in Shingair, Manikganj, to Naibuddin bhai?s idyllic home, where he leads a retired life. Thirty-eight years later.

The Pakistani army, he said, had camped at the Bangladesh Agricultural University in Mymensingh. They had captured and occupied Mymensingh on April 19. When the army left in December, when they were forced to flee, people rushed to the BAU campus. Looting began, army bunkers, storeroom, there was looting all around, everywhere. Common people were looting, they were all over the place. ?I do not know whether it was from rage, or what…,? he gently added.

That?s when we heard the news, he said. Girls had been discovered in the bunkers, which were next to the university guesthouse. He went on, I went and found her, she was lying like that. People were milling around her, they were in front of her, they were behind her. I asked them to move, I made some space, and then I took photographs. It was the twelfth of December, that was the day Mymensingh became free. The Indian army had entered the town, they had entered the campus, they had taken control.

When I approached her, she seemed to be in a trance. There were others. I heard eight to ten girls had been found in the bunkers, some had already left. I found her alone. She did not respond when we called out. Her hands were raised. She was holding on to the pole behind her. Was that all that was left, nothing else to hold on to?
We returned to Dhaka with the print. Naibuddin bhai?s words kept ringing in my ears. Of course, it was a tamasha, a spectacle, he had said. There were people, both men and women who had come in search of their daughters, and their sisters. But there were onlookers, too. They had stood and stared. They did not share their pain and suffering, their helplessness. They looked on and thought, the military has done it to them. Nothing left. They are finished.

War rape intimidates the enemy, says Sally J Scholz. It demoralises the enemy. It makes women pregnant, and thereby furthers the cause of genocide. It tampers with the identity of the next generation. It breaks up families. It disperses entire populations. It drives a wedge between family members. It extends the oppressor?s dominance into future generations.

The context of war makes it different from peacetime rape. Although there are, often enough, compelling links between the two. The context of war alters perceptions. War turns rape into an act of a state, nation, ethnic group, or people. Atrocities committed by soldiers against unarmed civilians during wartime are always considered to be state acts, the Pakistani state against the Bengali peoples. Rape is an act of violence. It is an act of power and domination, rather than an act of sex. Rape is a demonstration of prowess, of male bonding, especially within the military. War rape, at times, becomes an end in itself. It creates a war within a war, by targeting all women simply because they are women.
Normal lives, distanced lives

?In Britain, you would never find such violent images in museums, or exhibitions. Generally speaking, no. Never, ever.? David, my niece Sofia?s Scottish husband, and a journalist, uttered these words slowly and thoughtfully, as we left the Muktijuddho Jadughor. Of course wars were violent affairs, he nodded in agreement, as I went on to ask which particular images had reminded him of Britain?s rules of museum display. Was it the photo of vultures eating human carcass? Was it photographs of dead bodies half afloat in the water? Rayer Bazar intellectual killings? Dead bodies of men, women and children struck down by the December 1970 cyclone? Rape victims of 1971?

I thought of the care with which images are graded in Britain, the consideration that goes into classifying cinemas into those not suited for viewing by children (above 12 years only, 15+ years).

But violence is cloaked in many ways. War machines kill. I thought of the care with which Blair had been sales agent to 72 Eurofighters to Saudi Arabia. Of the appreciation showered on India for its ?1-billion order with British Aeropace for Hawk trainer jets. An island of normalcy that outsources violence?

What if violence sown elsewhere manages to come home, to find its way onto TV channels? The chief military spokesman for coalition forces in Iraq Brigadier General Mark Kimmitt had been asked what if one comes across images of Iraqi civilians killed by Americans on TV? ?Change the channel,? had been his advice.

Those whose lives are devastated by war struggle to reconstruct a normal life after war. But recreating normal relationships is not easy. Much less so, for women. Marium, the central character in Shaheen Akhtar?s Talaash (novel), had been a rape camp inmate during 1971. After liberation, and many episodes, Momtaz marries her. He is a nouveau riche businessman, and amazingly enough, not at all concerned about Marium?s wartime experience. Momtaz does not worry about fathering children. Let us enjoy life first, he says. But the act of enjoyment is fraught with difficulties. If Momtaz holds her passionately, Marium?s eyes float like a dead fish. She is ready. Too ready. She starts breathing from her mouth. Her heart beats rapidly, like a mouse caught in a rat-trap. In the beginning, Momtaz was not worried. The women in the park would do the same, one hand outstretched to take cash, while the other would part clothes while she lay down. Petting, caressing were not required. The quicker the better, especially before the police appeared. But this is home, not a park. This is a conjugal bed, not one made of grass. Why does Marium behave like a whore? Why does she never say ?no?? Why does she not take part? Why is she inert? Why does she act surrendered, as if someone was holding a gun to her head, was forcing her to have sex? Momtaz begins drinking heavily. He wants to make his wife sexually active, he gradually turns into a rapist. He is physically abusive. He starts to behave like a member of the Pakistani army. The marriage does not survive.

War fractures the lives of survivors, often in ways that cannot be repaired. War rape creates a war within a war. It can outlive war. Pre-war normalcy often eludes the survivors forever.

Closer to truth. Closer to freedom

Thirty-eight years on and I look at myself. I look at us women. I look at our normal, peacetime lives. And I wonder, if justice had been done, if the war criminals had been tried, if women had returned to their families, to their parents, husbands, lovers, brothers, if they did not have to go to Pakistan, or to brothels, or to Mother Teresa?s in Kolkata, if those pregnant could have their babies if they had wished, would my life, would our lives have been differently normal? If justice had been done, would the rape of hill women have been a necessary part of the military occupation of the Chittagong Hill Tracts? Would the offenders have enjoyed impunity? Would there not have been independent judicial investigations? Would those guilty have gone unpunished? Would the Chittagong Hill Tracts have been militarily occupied at all?

Would we have been closer to freedom?
First published in New Age 26th March 2008

Bangladesh 1971

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They had risked all to hold on to this moment in history. The scarred negatives, hidden from the military, wrapped in old cloth, buried underground, also bore the wounds of war. These photographers were the only soldiers who preserved tangible memories, a contested memory that politicians fight over, in their battle for supremacy. These faded images, war weary, bloodied in battle, provide the only record of what was witnessed. Nearly four decades later, they speak.

Women marching in the streets of Dhaka. 1971. ? Rashid Talukder/Drik/Majority World
A photographic exhibition and film season that focuses on one of South Asia?s most significant political events: the foundation of Bangladesh as an independent state.
Pakistani soldiers surrendering on the 16th December 1971. ? Aftab Ahmed/Drik/Majority World
The Bangladesh war of independence in 1971 was one of the bloodiest conflicts in living memory. In an attempt to crush forces seeking independence for what was then East Pakistan, the West Pakistani military regime unleashed a systematic campaign of violence that resulted in the deaths of thousands of Bangalis. Many of the photographs from the unique collection of the Drik archives will be shown in the UK for the first time.

Dismembered head at the Rayerbajar Killing Fields where intellectuals were slaughtered on the 14th December 1971 ? Rashid Talukder/Drik/Majority World
Victorious Mukti Bahini returning home at the end of the war. ? Jalaluddin Haider/Drik/Majority World
Sheikh Mujibur Rahman on his return to Bangladesh from Pakistan. 10th January 1972 ? Rashid Talukder/Drik/Majority World
In 266 days Bangali, hill people and Adivasi resistance fighters and their allies defeated the military forces of Pakistan. The result was the birth of a new nation – Bangladesh – and the dismemberment of Pakistan.
It was only after the 16th of December 1971 when Pakistani troops surrendered in East Pakistan, that Bangladeshis began to realise the scale of the atrocities committed during the previous nine months.
Children amidst shells. ? Abdul Hamid Raihan/Drik/Majority World
1971 was a year of national and international crisis in South Asia. The history of Bangladesh is implicitly tied to the partition of India in 1947 and therefore the tragic events of 1971 are linked to Britain?s colonial past. For Bangladesh, ravaged by the war and subsequent political turmoil, it has been a difficult task to reconstruct its own history. It is only during the last few years that this important Bangladeshi photographic history has begun to emerge.
Now decades after the war, Autograph ABP in collaboration with Drik presents a historical photographic overview of Bangladesh 1971 at Rivington Place.
Project Description
A major documentary photographic exhibition of primarily Bangladeshi photographers that focuses on the independence struggle in 1971. The exhibition is produced in partnership with Shahidul Alam, Director of Drik, a media activist and journalist from Bangladesh. This will be the first comprehensive review in the UK of one of the most important conflicts in modern history. It is recognised that over a million people died in 266 days during the struggle for an independent Bangladesh.
UK partner Autograph ABP. Curator Mark Sealy, director of Autograph ABP.
Exhibition open to public April 4th ? 31st May 2008
Press View – Both curators will be available to meet the press 11.30am ? 1pm April 3rd
The exhibition is accompanied by the Bangladesh 1971 Film Season throughout April 2008 in partnership with Rich Mix and The Rainbow Film Society. Please see attached document for full details.
For further information or images, contact Indra Khanna 020 7749 1261 or David A Bailey 020 7749 1264.
Autograph ABP, Rivington Place, London EC2A 3BA.
Notes:
VENUE
Rivington Place
off Rivington Street
London EC2A 3BA
020 7749 1240
April 4th ? 31st May 2008
Open Tuesday – Friday 11am – 6pm
Saturday 12pm – 6pm
Entry is free. Venue is wheelchair accessible.
? Shahidul Alam: Curator, photographer, activist. Gallery Talk (in Bengali) 2pm April 5th
? Mark Sealy: Director of Autograph ABP. Gallery Talk (in English) 6.30pm April 17th
? Many other talks and events to be confirmed
? Bangladesh 1971 Film Season throughout April 2008 in partnership with Rich Mix and The Rainbow Film Society
? Special screening of documentaries and artists? films at Rivington Place to be announced
Photographers included in the exhibition: Abdul Hamid Raihan, Aftab Ahmed, BegArt Collection, Golam Mawla, Jalaluddin Haider, Mohammad Shafi , Naib Uddin Ahmed, Rashid Talukder, Sayeeda Khanom and Bal Krishnan.
—–
press-release-bangladesh-1971.doc

Remembering

Recovering Memory. Recovering Dignity
It was 25th March, night. A Pakistani officer accompanied by soldiers entered their Dhaka University flat, dragged out Meghna’s father and and shot him. Jyotirmoy Guhathakurta was a well-known academic. He bled to death slowly, five days later. As he lay dying in Dhaka Medical College Hospital with a bullet wound in his neck, surrounded by doctors too scared to treat him, he repeatedly told Bashanti, his wife, you must write. Write what? History, he replied. But I don’t know how to write history. Well, write literature then.
Jyotirmay Guhathakurta and Basanti Guhathakurta with seven year old daughter, Meghna and nephew Kanti in Gandaria, Dhaka, 1966. Bangladesh. ? Bazle Mawla

I met Meghna in 1973, the year we started college. Later we went to Dhaka University together. As we became the closest of friends, I learnt that she would lie in bed each night and recollect the horror of that night in 1971. I would tell myself, I have to remember each incident, what happened, what followed. I must not let myself forget. Many years later, I remember asking her, “Megh, do you still do that? Re-collect each scene, each incident…?” “Yes, each night, after turning out the lights, I lie in bed and remember what happened, as it happened,” was her reply.
It is important to recover memories. To tell oneself that the world was not born this moment, to remind ourselves that we have long histories. Or else, says Uruguyan novelist Eduardo Galeano, we will become like the peoples of Chicago who do not know of the Haymarket martyrs, or that the First of May was born in Chicago. Galeano writes, Chicago has “deleted” the memory of International Workers Day, a day that is both a tragedy and a fiesta, a day celebrated the world over, one that affirms the right of the workers to organise. Our histories are both of betrayal, and dignity. We need to recover both.
The Gift of a Sewing Machine
Adivasi activist Choles Ritchil was returning from a wedding on March 18, 2007 when his microbus was stopped. He was arrested by half a dozen plainclothes men, and taken to Khakraid army camp. Choles, alongwith other Mandi families of Modhupur forest, were opposed to the eviction of 25,000 Mandi peoples from the forest through the government scheme (2003) to construct an eco-park. Despite Mandi opposition, Forest department officials began constructing a high wall that would section off 3,000 acres of forest land. In January 2004, police fired on peaceful Mandi protestors killing Piren Snal, and injuring 25 others. Public outrage at police brutality helped shelve eco-park plans, but Forestry officials later filed 20 false cases against the Mandis. Choles, widely-respected and prominent, was implicated in these cases.
Choles Ritchil. Photographer unknown

At Khakraid, Choles was tied to the grill of a window, and beaten mercilessly. Then his torture began. The next day, police officials handed over his dead body to relatives. In accordance with religious custom, his body was bathed before burial. Those who did so said that it bore horrific signs of mutilation. Photographs, hurriedly taken, serve to document the marks of torture.
Mutilated body of Choles Ritchil. Photographer unknown
Nearly seven months later, on October 10, members of the Joint Forces arranged a small ceremony in the Tangail Upozilla office. Choles’ first wife Sandhya Rani Simsang was given cash, a sari and a sewing machine. His second wife Serpina Nokrek was also given cash, a sari and a sewing machine.
A sewing machine is said to signify connections. It connects the needle to the thread, stitches together separate pieces of cloth into a whole. But what does this sewing machine, born of torture and a mutilated body, connect? Mandi women’s eviction from the forest has also meant their eviction from indigenous traditions of weaving and sewing, traditions embedded in a matrilineal culture, says Pavel Partha*, an ethno-botanist and an impassioned researcher. The state has torn the lives of Mandi women away from Modhupur forest-which-is-their-culture. The extra-judicial killing of Choles Ritchil has torn to pieces the lives of Sandhya Rani, Serpina Nokrek, and their respective children. Tears that no sewing machine can repair.
They say torturers often wear hoods. They shy away from eye contact with their victims. A last vestige of humanity? Maybe. And if so, it certainly offers us crumbs of hope.
What happened at the Tangail gift-giving ceremony? Did the gift-givers look Sandhya and Serpina in the eye? How on earth did they get conscripted into the whole affair? Were they obliged to attend, to receive? Maybe those directly involved in Choles’ death were not present. After all, six army and civilian personnel, including Major Toufiq Elahi and Tangail Forest department official Abu Hanif Patwari were transferred soon after the death. A one person investigation committee consisting of a judge was also set up (has the report been completed, submitted? No one seems to know). The point I wish to make is that the institutional nexus — army camp, Forest department, thana, doctors, union council officials — within which Choles’ (and other adivasi) deaths have taken place, remains intact. That the gift-giving ceremony — an official event, funded by the public exchequer — took place within this nexus. The circumstances surrounding Choles Ritchil’s death is known to all, Mandi and Bengali alike. Pretences must have been necessary to pull off the ceremony. The presence of members of the Joint Forces, civilian administrators, elected representatives of the former goverment at the local level, professionals etc etc must have shored up those pretences.
I look forward to the Freedom of Information Act. I want to be able to read official files that contain an order to pick someone up. I want to know the language in which torture is camouflaged. I want to know the names of doctors who sign death certificates, the causes that are listed (death due to, surely not eyes plucked, testicles removed, anus mutilation, removal of fingernails). I want to know how Forest officials are able to construct false cases implicating those who protest against the injustice of eviction.
We need to know more about the rules of governance to weave tapestries of resistance across ethnic divides.
Rangs building: The death of cchotolok workers
Not all bodies have been recovered from the Rangs building. Not yet. Two or three remain. A faint smell of death, of decomposed flesh, still hangs over the fourth floor area.
The bodies of all Sidr cyclone victims have not been recovered either, one keeps coming across newspaper reports of a child’s body found in a paddyfield, a father’s body being identified by his son. But that, I feel, is different. Difference hinges partly on the word nature, a word, that I admit needs to be re-thought in the context of global warming since ‘natural’ disasters are no longer natural.
Rangs is a profoundly urban disaster. Compounded by the fact that the hapless workers who died come from villages, the stories that frame their migration, ‘they came to the city in search of work’ hide continued urban enrichment at the cost of villages. Images haunt me as I read what is written in the newspapers: it happened in five seconds, the roofs came tumbling down, they do not give us our dead, I cannot go off with my brother’s dead body, there are others from Modhukhali, their mothers and sisters and wives are waiting too. My two brothers got buried in the rubble. They are no longer alive. They must have died.
Cleaners clearing debris outside the Rangs Building to make way for traffic. Early hours of the morning. 8th December 2007. Dhaka. Bangladesh. ? Zaid Islam
Demolition workers who have set up their own emergency team, warm themselves at night. 8th December 2007. Dhaka. Bangladesh. ? Zaid Islam
I piece together the names of the dead. The names are scattered. Some crop up in the newspapers when bodies found are identified: Amirul 26, Zillur 24. Farid Mian. In other places, names of missing relatives mentioned by surviving workers. There are so many: Farid Sheikh, Delwar Sheikh, Jiru Molla, Kaijar Molla, Jahid Molla, Ruhul Amin, Mannan Shikdar, Abdur Rahim Sheikh, Daud Munshi, Jiblu. They are mentioned in passing, as if attached to bodies, to morgue identifications. A few days later, some more names. Some missing have now been found dead: Farid Mian 26, Zero Molla 25, Kaiser Molla 26, Mannan Sikder 35, Daud Munshi. A day later, another name, Abdur Rahim. Again very young, only twenty five. But, I think, what about Jahid, Jiblu, Firoj? A news item catches my eye: the Rangs group claims that security guard Shahid’s body is buried beneath the rubble. Four. It’s been nearly three and a half weeks now.
The still fingers of an unidentified worker. The bodies of three demolition workers were found on the morning of the 9th December 2007. Rangs Building. Dhaka. Bangladesh. ? Zaid Islam
I cannot imagine the extent of the nightmare for family members who have been wandering about in the rubble of Rangs Bhaban, looking for traces of their beloved, maybe a pillow, the corner of a lungi, a shirt sleeve. Priscilla Raj, independent journalist, had written of an elderly, bearded man, standing outside Rangs, bitterly saying, “We are cchotolok, why should anyone bother?” He was right. No one did. There was no moddholok collective presence outside the building, no strong suport for Nirman Sromik Union’s demand that compensation for the dead be four lakh taka, not one. Dhaka’s moddholok, no doubt horror-struck, were witnesses to the disaster from a distance made safe by television and print media. I myself and many others were outside the National Museum. We were protesting archaeological artifacts being sent to Guimet. Those who joined in the wake outside the Rangs building were people like those dead or missing, part of the urban dispossessed. They witnessed grief at close quarters.
In this city’s landscape, the history of Rangs workers will be one of dignity. And ours that of betrayal.
Rahnuma Ahmed
New Age. 2nd January 2008
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*Pavel Partha, “Odhipoti Shelai Machine O Fali Fali Shalbon” (A Dominant Sewing Machine and Rows of Shal Trees), unpublished.

1971 as I saw it

Thirty five year ago, even longer perhaps, just a camera in hand, they had gone out to bring back a fragment of living history. Today, those photographs join them in protest. Peering through the crisp pages of the newly printed history books, they remind us, “No, that wasn’t the way it was. I know. I bear witness.”

The black and white 120 negatives, carefully wrapped in flimsy polythene, stashed away in a damp gamcha, have almost faded. The emulsion eaten away by fungus, scratched a hundred times in their tortuous journey, yellowed with age, they bear little resemblance to the shiny negatives in the modern archives of big name agencies. They too are war weary, bloodied in battle.

So many have sweet talked these negatives away. The government, the intellectuals, the publishers, so many. Some never came back. No one offered a sheet of black and white paper in return. Few gave credits. The ones who risked their lives to preserve the memories of our language movement, have never been remembered in the awards given that day.
35 years ago, they fought for freedom. They didn’t all carry guns, some made bread, some gave shelter, some took photographs.

(c) Abdul Hamid Raihan
Abdul Hamid Raihan is one such photographer. A.S.M. Rezaur Rahman came upon him through a small interview on television. Unlike many other photographers, Raihan had preserved his negatives. And unlike many researchers, Reza had doggedly pursued. The exhibition, “1971, as I saw it” is not a record of momentous events, but a rare glimpse of what everyday people might have witnessed under occupation and through victory. press-release-english-bangla.doc
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Autograph ABP presents: The John La Rose Talk Series
Documentary Photography & Social Change: Mark Sealy in conversation with Lyndall Stein and Shahidul Alam at Amnesty International UK
Amnesty International UK
The Human Rights Action Centre
17 – 25 New Inn Yard
London EC2A 3EA
6.30pm – 8.00pm 29th March 2007, Phone +44(0)20 7033 1500, Nearest Tube: Old Street, Moorgate & Liverpool Street
In an age where our daily lives have been saturated by images of globalization there has been a revolt by NGOs and arts organisations who are beginning to forge links and alliances to explore new ways of using visual culture to discuss issues that address a human rights agenda in the 21st century. It is in this context that Mark Sealy the Director of Autograph ABP will explore a conversation that looks specifically at the role photography has played in helping to bring global human rights issues to a wider constituency.

A student screams out to friends from a police van at Jagannath Hall, Dhaka University, after a police raid. 31 January 1996. (c) Shahidul Alam/Drik
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Meanwhile Bangladeshi photographers shine at the 3rd China International Press Photo (CHIPP) Contest held in Shanghai from March 21 to 25, 2007

Former Pathshala student Munem Wasif, now working with www.driknews.com wins the bronze prize in the Daily Life category with a powerful piece showing modern forms of slavery, through his story on the workers in the tea gardens of Bangladesh.
Former student of Pathshala and University of Bolton and currently tutor of Pathshala – Andrew Biraj – wins the bronze prize in the Topical News category with his timely piece about the attempts by multinational companies to take over land of indigenous communities,

while photographer Shafiqul Islam wins an honourable mention in the same category for his piece on police brutality against women. Biraj and Shafiq are both contributing photographers of DrikNews.

Meanwhile on it’s independence day, Bangladesh moves towards the final eight in the ICC World Cup! However, while we celebrate these wins and the recent arrests of godfathers and the ongoing cleaning up operations, the new laws curbing public freedom continues to worry. The death of Garo activist Cholesh Ritchil (http://www.drishtipat.org/blog/2007/03/19/urgent-modhupur-eco-park-activist-killed-2/) in the hands of ‘Joint Forces’ makes us fearful of the consequences of absolute power.