A photographer, writer, curator and activist, Shahidul Alam obtained a PhD in chemistry before switching to photography. His seminal work “The Struggle for Democracy” contributed to the removal of General Ershad. Former president of the Bangladesh Photographic Society, Alam set up the Drik agency, Chobi Mela festival and Pathshala, South Asian Media Institute, considered one of the finest schools of photography in the world.
Shown in MOMA New York, Centre Georges Pompidou, Royal Albert Hall and Tate Modern, Alam has been guest curator of Whitechapel Gallery, Winterthur Gallery and Musee de Quai Branly. His awards include Mother Jones, Shilpakala Award and Lifetime Achievement Award at the Dali International Festival of Photography.
Speaker at Harvard, Stanford, UCLA, Oxford and Cambridge universities, TEDx, POPTech and National Geographic, Alam chaired the international jury of the prestigious World Press Photo contest. Honorary Fellow of Royal Photographic Society, Alam is visiting professor of Sunderland University in UK and advisory board member of National Geographic Society.
John Morris, the former picture editor of Life Magazine describes his book “My journey as a witness”, (listed in “Best Photo Books of 2011” by American Photo), as “The most important book ever written by a photographer.”
Where’s your bicycle? The Uber driver asked me jokingly. Yes, I had been known in photography circles and it is true that I did know a few Nobel Laureates. Given that I am a public speaker, and wear several hats, I do also come across the odd head of state, or celebrity. I’d be overstating it if I said they all knew me well. I have featured prominently in a film produced by Sharon Stone, but the long conversation on the phone, after my release, was very much an exception. But now that I have Uber drivers recognizing me, and people stopping me in the streets for selfies, I need to be careful I don’t trip over my own ego. Maybe I should be thanking the same person that everyone else thanks for everything that ever happens in Bangladesh.
I flatly deny making payments to the Bangladesh government for running a media campaign on my behalf. Neither is it true that I deliberately planted the inconsistencies in their fake news, making it appear they can’t tell a Kaffiey from a tablecloth. Let’s not get too technical. It started with me being a Mossad agent and taking money from Israel. Now I’ve been placed in the Al Qaeda farm, and definitely anti Israel. Considering that Israel is the one country that my government does not have diplomatic relationships with, and the only country my passport is not valid for, being anti Israel should theoretically make me a pal. My enemy’s enemy is my friend and all that.
Journalism is a team sport, the saying goes, and that’s particularly true at TIME, where our co-founder Henry Luce helped pioneer the notion of “group journalism” nearly a century ago. To begin the process of…
Andrea Chamblee, 57, wore a bright yellow shirt that read “Journalism Matters” as she fiddled with the rings on her fingers. They signified 33 years of marriage to her husband, John McNamara. One of the…
It was only by chance that Shahidul Alam began taking photographs. A chemistry doctoral student in London, Alam purchased a Nikon FM for a friend while traveling in the United States and Canada in 1980….
THE lack of paper, meatless meals and complete recycling of waste, were refreshingly different, though not everyone appreciated the paperless culture. It’s a while to go before squinting at a small screen becomes the norm. The absence of pop up banners and local branding was also refreshingly more soothing for the eyes. Singapore does have a culture of putting people in a deep freeze. Not having to shudder in ridiculously cold temperatures in this equatorial country, because the air-conditioning was for once, not making things intolerably cold, was a delight in itself. I was still not expecting an event with a low ecological footprint. The ambitious agenda of Singapore’s Marina Bay Sands’ first-ever ‘Zero Waste to Landfill’ event promised just that. The Responsible Business Forum hosted by the United Nations Development Programme and Global Initiatives involved over 600 international business, government and NGO leaders inviting them to engage with the UN’s Sustainable Development Goals in at MBS from 22-24 November 2017. Continue reading “If Sophia shed tears”
It is my great pleasure to announce that the Lucie Foundation and its Advisory Board have selected you as the 2018 recipient of the distinguished Humanitarian Award presented at The Lucie Awards. Congratulations on your nomination! Your exceptional contribution to photography and society will be a welcomed addition to an illustrious list that has included the Josephine Herrick Project, Lisa Kristine, Nancy McGirr, Sara Terry, Zana Briski, Sebastião Salgado, and Phil Borges.
Meghan Markle – now Duchess of Sussex, with her own Royal Coat of Arms – is the daughter of a white American father and an African-American mother, her parents divorced when Meghan was 6, and she was raised singly by her mother. Continue reading “Of weddings: royal, bombed & droned”
As Bangladeshi individuals and organisations engaged in seeking justice for those subjected to violations of rights, we welcome the request of the International Criminal Court (ICC) Prosecutor for a ruling by ICC judges on whether the ICC has jurisdiction to investigate the deportation of Rohingya people from Myanmar from 25 August 2017 onwards. We call on the Government to respond to the invitation from ICC Pre-Trial Chamber I to Bangladesh authorities to submit, by 11 June 2018, observations on the question and to support the Prosecutor’s request.
There is no government I know that does not champion democracy and human rights in its rhetoric but also actively suppress both in its practice. It’s best to recognise that reality and work within it rather than fantasise on some ideal solution that has no relevance to everyday art practice. So we use the tactics of judo wrestlers, using the opponent’s weight and turning it to our advantage. We use fulcrums and gravity and capitalise on the inherent inertia of the establishment. We are nimble and fleeting. As Ali might have done, we flit like the butterfly and sting like the bee.