Lucie Awards Honoree Shahidul Alam for Humanitarian Award

Tribute video for 2018 Lucie Awards Honoree Shahidul Alam for the Humanitarian Award.

Presented at Zankel Hall at Carnegie Hall in New York City, Sunday October 28th 2018. Presented and Received by Gayatri Spivak.

2018 Lucie Awards Honoree: Shahidul Alam, Humanitarian Award from Lucie Foundation on Vimeo.

Iranian Maya

She skipped like a little bird as she got to the park. The kids, initially perplexed that an adult would like to join them in the see-saw, soon accepted her as one of them. She then went on the slide and then tottered on the edge of the play ship, and faltered like a scarecrow. She had abandoned her real name Madieheh Mirhabibi and called herself Maya.

She’d wondered why people hated Afghanis, and went off on her own to Afghanistan to find out. Living and working with the Afghans she outgrew here prejudices, and back in Tehran, began working with Afghani refugees. It was soon obvious that they were perfectly at ease with this unusual woman in their midst.

Mahdieh Mirhabibi 5702

The Free Shahidul Campaign

I am unable to individually thank all the people who stood by me in those dark days, but I hope you will accept the heartfelt appreciation by me and the many others  who were at the forefront of the fight to get me released. The case still stands and I face a potential maximum sentence of fourteen years. So the fight to drop the case must continue.

438 Indian eminent personalities demand Shahidul’s release

Continue reading “The Free Shahidul Campaign”

ROMEL CHAKMA II: Is custodial killing heroic?

by rahnuma ahmed

Official versions conflict about why Romel Chakma – a 20-year old HSC examinee and student leader of the Pahari Chatra Parishad – was picked up by the army, whether he was transferred from army to police custody while in Naniachar, whether his admission to, and 2-weeklong treatment at, the Chittagong Medical College and Hospital (CMCH), occurred under police custody, and lastly, whether the Naniachar police station’s officer-in-charge (OC) was physically present when Romel’s body was burnt (not cremated, for his body was not handed over to his family), a few hundred yards away from his home in Purba Hatimara village, Naniachar.

Romel was not ill, nor was he suffering from any kind of injury when he was picked up. I have not come across any such media reports, nor does Romel’s father Kanti Chakma, in his letter to the National Human Rights Commission (NHRC, dated April 6, 2017), make any such mention. One can therefore assume that he was reasonably fit and healthy (beside the stresses and strains of appearing for his exams), when he was picked up.
Continue reading “ROMEL CHAKMA II: Is custodial killing heroic?”

Supreme Court order supremely ignored

This article was written in September 2017, and published in The New Age, but couldn’t be uploaded on ShahidulNews as a result of a series of cyberattacks on sites related to me. It is prescient now, given the protest in the streets by garment workers demanding minimum living wages. Ironically, I myself was arrested for my facebook comments, a year later. The building still stands tall.

BGMEA building panorama_Banner_10.08.2017 (1)

The illegally built BGMEA building continues to block Dhaka city waterways, despite numerous orders by the court to demolish the building. Photo: Shahidul Alam/Drik/Majority World

In any other situation it would have been considered contempt of court, but common rules don’t apply to the Bangladesh Garment Manufacturers and Exporters Association. An organisation that boasts such a large number of lawmakers amongst its membership is unlikely to worry too much about court orders. Their actions (or rather inaction), certainly don’t suggest they are shivering with fear.

Continue reading “Supreme Court order supremely ignored”

Liberating the Liberator

They say photography liberated painting from the need to be representational, freeing it of the task to show things as they are. Less than two centuries from the birth of photography, we need to consider whether photography needs to be liberated from itself. What photography excels at, its phenomenal ability to record the visible, is perhaps its Achilles heel. Not for doing it badly, as many practitioners do it phenomenally well, but because of the weight that bears down upon its shoulders. The burden of trust, rather than the erosion of it, lies at the centre of the drama, for drama is what it is. If the world is a stage then the photographer is the scribe, the choreographer, and sometimes the script writer, but rarely the one directing the play.

Bird in stormy sky 1998

Ironically, it is the entity that is blamed for the demise of truthful photography, the digital sleight of hand, which is perhaps the true liberator. What photography did for painting, the computer has done for photography. Not by replacing it, but by removing the mask. Photography, like any other medium, is what its proponent makes it to be. Its fidelity makes it neither more honest nor more ethical. Those attributes continue to reside with the author, both the one with the camera and the other author, the one who sits at the editorial table. The photographer selects the frame, the editor selects the frame within which this inner frame exists. The selection of the image, the cropping, the juxtaposition with text or graphic or advert or headline, the sequencing, the timing and the hierarchy within the news pyramid, makes the photographic image the putty with which the truth is massaged. Its unintended veracity, the very tool, which others in the news-chain exploit with abandon. Continue reading “Liberating the Liberator”

Desperation

The selfie sessions have now become a part of my life. Ever since coming out of Keraniganj, and possibly more, after becoming Time Magazine’s Person of the Year 2018, I’m stopped in the streets, in shopping malls, bookstores, roadside cafes, at restaurants and weddings. The most recent spree was at the National Press Club on the 11th, where there was a public hearing of parliamentary candidates who were victims of election fraud. I have no idea who this guy is, but Blitz has again come up with a howler.

Posting on Blitz of selfie taken on 11th January 2018 by unknown person when I was at National Press Club on the 11th, January 2019, where there was a public hearing of parliamentary candidates who were victims of election fraud

They’re getting somewhat desperate in their smear campaign. Not having been able to come up with anything vaguely credible, they are now getting quite ridiculous. First I was a Mossad Agent. Then ISI. Then they tried the Hizbut Tahrir poster. Now I’m a Jamaati! I’d better be careful. I’ve been photographed with the President, and several cabinet ministers. They’ll accuse me of being an Awami Leaguer next. Now that would ruin anybody’s reputation!

 

An Exodus of Pain

An old piece, but worth reminding us that the problem remains.

While Bangladesh, rightly prides itself in sheltering refugees from Myanmar, its human record towards its own citizens remains deeply troubling.

Photographs by Shahidul Alam, text by Lyndall Stein

An Exodus of Pain

‘The Shahidul Alam I Know Is Gentle’

Urvashi Butalia writes about the times she met and worked with the Bangladeshi photojournalist, who was granted bail by the High Court in Dhaka after 102 days of detention.

I cannot now remember when I first met Shahidul Alam, but I think it was some twenty or more years ago when both of us served on the board of an organisation called Panos South Asia. My first impression of him was of a somewhat large, bearded man who spoke with an accent I could not place. It did not take long – perhaps a few hours – for this to change and for the warm, affectionate and caring human being to emerge.

Poppy McPherson

@poppymcp

Iconic shot of Bangladeshi photojournalist and rights activist Shahidul Alam, shared by the campaign. He finally got bail today after more than 100 days in prison, accused of spreading propaganda. He was arrested after posting on Facebook about protests in Dhaka.

To me, Shahidul came across that time as the best kind of nationalist. He loved – he still does – his country Bangladesh. His stint abroad – I never actually knew where he has studied or spent any time – had actually left this feeling much stronger in him. He told all of us about Drik, the photo agency that showcased photographers from the global South and that fiercely protected their rights and their work, refusing to accept that simply because they belonged to the South, their value was any the less. Drik charged for their photos as did international agencies, and why not, was Shahidul’s question. Continue reading “‘The Shahidul Alam I Know Is Gentle’”

Reply to Arundhati: Yes, We Will Rise

Dearest Arundhati,

It was a letter I read and reread long before it appeared before my eyes. It was through layers of metal bars that I strained to listen to Rahnuma’s words. At over 130 decibels, the noise made by us screaming prisoners, straining to hear and be heard, was akin to a crowded stadium or a fire siren. As she repeated her words over and over again, I faintly heard, Arundhati. Letter. It was just over a hundred days that I had been incarcerated. A hundred days since I’d slept on my own bed, fed my fish, cycled down the streets of Dhaka. A hundred days since I’d pressed my shutter as I searched for that elusive light.

Arundhati Roy with Maati Ke Laal in her flat in Delhi. Photo: Shahidul Alam/Drik/Majority World

Those words, screamed out but barely heard was the nourishment I needed. Did you write it by hand? What was the paper like? In this digital age, you probably used a keyboard. What font had you used? What point size? And the words. Words that you so gracefully string together. I relished the imagined words. Your words. I missed words as I missed my bed, my fish and Rahnuma’s touch. When they asked me what I needed in jail, books were on top of my list. The first lot of books came in. Mujib’s prison diaries, Schendel’s History of Bangladesh, and the book you’d given me when we last met, The Ministry of Utmost Happiness. I’d been meaning to read it ever since we said goodbye in Delhi, but our lives had been taken over by the immediacy of our struggles. Now I had the time. Continue reading “Reply to Arundhati: Yes, We Will Rise”